In the present work, we will analyze the concept of intuition mainly in relation to the epistemological and the metaphysical theses of Schopenhauerian theory. In the first section, we will discuss the central axes of Schopenhauer’s metaphysical system, especially regarding the concept of will (Wille) and the relationship that this entails with his theory of knowledge. Then, we will examine the difference that the German philosopher establishes between representative —or mediated— rational knowledge and direct —or immediate— intuitive knowledge. Likewise, we (...) will trace at first the theses and the fundamental problems of the dualism of representation and we will furtherly establish the problem of the intuition of one’s own body. Finally, we will consider the scope and the limits of intuition, as well as its different variants: mainly aesthetic intuition and its culmination in mystical intuition. (shrink)

The past is deeply important to many of us. But our concern about history can seem puzzling and needs justification. After all, the past cannot be changed: we can help the living needy, but the tears we shed for the long dead victims of past tragedies help no one. Attempts to justify our concern about history typically take one of two opposing forms. It is assumed either that such concern must be justified in instrumental or otherwise self-centered and present-centered terms (...) or that our interest in history must be utterly disinterested and pursued for its own sake. But neither approach can fully explain, or justify, our concern about the past. I propose a third approach, on which the past matters because it contains much that is of value—all those past people and the things they did or had endured—and this value calls for our fitting response. In short: the significance of the past is past significance. (shrink)

The Internet was born in 1960’s, then Internet ethics appeared as a branch of information ethics. It seems, however, our status on the Net is not yet scrutinized. We investigate this problem with the help of philosophers like Dreyfus, Merleau-Ponty, and Austin.

Essays on Aristotle's Sea-Battle, Lazy Argument, Argument Reaper, Diodorus' Master Argument -/- The book is devoted to the ancient logical theories, reconstruction of their semantic proprieties and possibilities of their interpretation by modern logical tools. The Ancient arguments are frequently misunderstood in modern interpretations since authors usually have tendency to ignore their historical proprieties and theoretical background what usually leads to a quite inappropriate picture of the argument’s original form and mission. Author’s primary intention was to draw attention to the (...) complexity of some historical arguments and to the theoretical context in which arguments were created, circulated, developed, and finally tuned. Four well-known ancient arguments – with a common central subject related to the future contingencies problem – are reconstructed from available historical sources: “The Sea Battle”, which is drawn from Aristotle’s treatise De Interpretatione; two arguments, usually ascribed to the Stoics, “The Lazy Argument” and “The Reaper”; “The Master Argument” of the Megarian philosopher Diodorus. Arguments are linguistically and semantically detaily analyzed, formally presented by reflecting some relevant corresponding hypotheses based on physical or logical theories of their ancient authors, and finally covered by appropriate logical tools familiar to a modern reader. Two appendices are added at the closing part of the book. One covering some assumptions relevant for understanding of rival streams in ancient theories of meaning related to the nature of names and naming; the other is devoted to the ancient understanding of logical proposition and attempts to find an adequate Latin translation of the Greek delicate philosophical term “ἀξίωμα”. (shrink)

This article draws together research from various sub-disciplines of philosophy to offer an overview of recent philosophical work on the ethics of historic preservation. I discuss how philosophers writing about art, culture, and the environment have appealed to historical significance in crafting arguments about the preservation of objects, practices, and places. By demonstrating how it relates to core themes in moral and political philosophy, I argue that historic preservation is essentially concerned with ethical issues.

Our ability to tell stories about ourselves has captivated many theorists, and some have taken these developments for an opportunity to answer long-standing questions about the nature of personhood. In this essay I employ two skeptical arguments to show that this move was a mistake. The first argument rests on the observation that storytelling is revisionary. The second implies that our stories about ourselves are biased in regard to our existing self-image. These arguments undercut narrative theories of identity, but they (...) leave room for a theory of narrative self-knowledge. The theory accommodates the first skeptical argument because there are event descriptions with retrospective assertibility conditions, and it accommodates the second argument by denying us epistemic privilege in regard to our own past. The result is that we do know our past through storytelling, but that it is a contingent feature of some of our stories that they are about ourselves. (shrink)

The things themselves, which only the limited brains of men and animals believe fixed and stationary, have no real existence at all. They are the flashing and sparks of drawn swords, the glow of victory in the conflict of opposing qualities. SummaryThe conflicts between the eristentialism of Jean‐Paul Sartre and the structuralism of Claude Lévi‐Strauss present a privileged site for illuminating larger conflicts in the human studies as a whole. The present paper argues that a method for addressing and perhaps (...) resolving thes conflicts can be drawn from the respective logics of existentialism and structuralism. The essay begins by discussing the dialectical social theory of lean‐Paul Sartre and then, after treating Lévi‐Strauss's theory of structure, goes on to argue that dialectical thought generates structures, and that structuralism invites a dialectical method of construction. While an integration of methods along these lines does not constitute an integrated social theory, it can remove an important obstacle to the development of such theory. (shrink)

Despite its linguistic roots in ancient Greek, the concept of empathy is of recent intellectual heritage. Yet its history has been varied and colorful, a fact that is also mirrored in the multiplicity of definitions associated with the empathy concept in a number of different scientific and non-scientific discourses. In its philosophical heyday at the turn of the 19th to the 20th century, empathy had been hailed as the primary means for gaining knowledge of other minds and as the method (...) uniquely suited for the human sciences, only to be almost entirely neglected philosophically for the rest of the century. Only recently have philosophers become again interested in empathy in light of the debate about our folk psychological mindreading capacities. In the second half of the last century, the task of addressing empathy was mainly left to psychologists who thematized it as a psychological phenomenon and process to be studied by the method of the empirical sciences. Particularly, it has been studied by social psychologists as a phenomenon assumed to be causally involved in creating prosocial attitudes and behavior. Nevertheless, within psychology it is at times difficult to find agreement of how exactly one should understand empathy; a fact of which psychologists themselves have become increasingly aware. The purpose of this entry is to clarify the concept of empathy by surveying its history in various philosophical and psychological discussions and by indicating why empathy was and should be regarded to be of such central importance in understanding human agency in ordinary contexts, in the human sciences and for the constitution of ourselves as social and moral agents. (shrink)

The response given to C.G. Hempel’s well-known challenge by Arthur Danto in his Analytical Philosophy of History of 1965 – that deductive-nomological and narrative explanations are logically compatible yet employ incommensurable schemata – is here investigated from a historical perspective. It is shown that the developmental trajectory that emerges from an analysis of Danto’s previous writings – including not only a forgotten paper of 1958 but also his PhD dissertation of 1952 – contains distinctive step-changes with publications of 1953 and (...) 1956 still prior to that of 1958–59 which enabled his subsequent discovery of narrative sentences. It is also argued that Danto’s developmental trajectory runs contrary to that presumed by some prominent commentators. Analytical History of Philosophy was not the midpoint of his ascent from mainstream philosopher of science to high priest of postmodern aesthetics, but represents a reasoned retreat from his early historical idealism. (shrink)

El objetivo del trabajo es mostrar que la revisión que los historiadores llevan a cabo en su disciplina se debe, en parte, porque se ha puesto en cuestión el presupuesto temporal sobre el que se construyó la historia como ciencia: el “pasado histórico”. En primer lugar, intento señalar de qué modo en Analytical Philosophy of History Danto expresa, en la estructura temporal de las oraciones narrativas, las características del “tiempo histórico” que subyace a la historiografía. La separación y distinción entre (...) pasado, presente y futuro; el tiempo como un flujo del futuro hacia el pasado; el privilegio epistémico del historiador por sobre el testigo constituyen algunos de los rasgos que, para Danto, distinguen a la historia de cualquier otro conocimiento. En segundo lugar, intentaré mostrar que estos presupuestos temporales se hacen visibles cuando, a partir de las catástrofes del siglo XX, la memoria es considerada como una forma privilegiada para acceder a ese pasado reciente. Es decir, el surgimiento de la memoria, a partir de los 80´s, pone en tela de juicio los presupuestos temporales que subyacen a la concepción del pasado histórico “a la Danto” y el rol que el testigo y el futuro tenían para el conocimiento histórico. (shrink)

El presente trabajo pretende entablar un diálogo crítico entre la historia conceptual y la filosofía de la historia. Por una parte, en lo tocante al supuesto inicio de la “identidad semántica” de la modernidad; por otra, en la propia noción de “saber histórico” y con ella las experiencias históricas colectivas e individuales que lo conforman: no podemos olvidar que el sujeto del saber histórico no es sólo –o fundamentalmente- el estudioso de la historia, sino también quienes “hacen” esa historia o (...) la “padecen” y que también contribuyen a gestar el humus conceptual de una experiencia que se traduce –o debería traducirse- en responsabilidad ética por esos mismos conceptos. La crítica a la filosofía clásica de la historia tiende así la mano a la propuesta de la rehabilitación de una filosofía crítica de la historia, aspectos ambos en los que se presentan como antecedentes diferentes conceptos leibnizianos, como no podía ser de otra manera en un trabajo dedicado a mi querido y extrañado amigo Quintín Racionero –que ya no será lo mismo sin poder discutirlo con él. (shrink)

The place that Arthur Danto gives to history, as constitutive to as and our world, as well as a discipline able to produce knowledge of the past, reach its cenit with his philosophy of art. In “the End of Art”, Danto announces an end of the history of the search of the philosophical definition of art and the beginning of the era of pluralism. It is in this account where essencialism and historicism are combined in a way that estimules a (...) heat debate that continues today. In this paper, I give a reconstruction of Danto’s Philosophy of historical language in order to show why this combination is possible and which compromises that should be assumed by an authentic historicism. (shrink)

In this thesis I argue that Foucault's dispersive historiography is a deepening rather than a purifying of historical existence. This emphasis upon dispersion as a critical principle is contrasted with, and delimited by the possibility of the narrative comprehension of historical existence exemplified by the hermeneutics of Paul Ricoeur. Insofar as the responsibility to act is an important field where tfphis deepening takes place it cannot be subordinated to the responsibility to otherness which aims at dismantling the action orientated frameworks (...) of traditional ethics and politics. Ricoeur's promotion of narrative refiguration as a response to the aporias of time is thus, a timely rejoinder to dispersive genealogy. I argue further that Foucault's historiography exhibits the productive tension of history as both difference and meaning and that the ethical thrust of such writing is to address the concerns of the present in a way that metamorphosizes rather than challenges the narrative function. Insofar as it connects with the struggles of disenfranchised and marginalized groups, and discourses, it also echoes a powerful element In traditional emancipatory historiography which attempts to fully embrace the slaughtered possibilities of the past The emancipatory potential of dispersive historiography is examined further by comparison with the aims and values of traditional critical theory. Two positions are delineated: Complementarity, in which genealogy produces valuable insights into hitherto unacknowledged power structures; Delimitation, in which Foucault's work is seen to be an important limitation on the epistemological and ontological interventions of critical theory. This JOIns the philosophical hermeneutical critique of critical theory In its delimitation of the finite horizon of all emancipatory discourse. Finally I argue that Foucault's work is itself limited by its refusal to countenance the utopian dimension of social reproduction in which the social imaginary is to be considered not as a delusory projection of desire, but as a driving force behind the projection of freedom. Dispersive freedom sees the formation of political, cultural, and social identities as always constraints upon the real practice of freedom. It is this marginalisation of liberation as a process with ends that I seek to dispute. I conclude that Foucault's dispersive principles are belied by the important contribution his work has made to the necessarily ceaseless task of the refiguration of the concepts of history, freedom, power and truth. (shrink)

The reappearance of the question of moral judgments by historians makes a reappraisal of the issues timely. Almost all that has been written on the subject addresses only the propriety of moral judgments in the written texts historians produce. However, historians have to make moral choices when selecting a subject upon which to write; and they make a tacit moral commitment to write and teach honestly. Historians usually dislike making explicit moral evaluations, and have little or no training in how (...) to do so. They can argue it’s not their job; they are only finders of fact. Historians holding a determinist view of actions do not think it appropriate to blame people for doing what they couldn’t help doing; for those believing there is an overall pattern to history, individual morality is beside the point. Finally, since earlier cultures had values different from ours, it seems unjust to hold them to contemporary standards. This essay modifies or rejects these arguments. Some historians have manifested ambivalence, acknowledging it is difficult or impossible to avoid making moral evaluations . Ordinary-language philosophers, noting that historiography has no specialized vocabulary, see it as saturated by the values inherent in everyday speech and thought. I argue that the historicist argument about the inevitably time-bound limitation of all values is exaggerated. Historians who believe in the religious grounding of values obviously disagree with it; but even on a secular level, morals are often confused with mores. If historians inevitably make moral evaluations, they should examine what philosophical ethicists—virtue ethicists, deontologists, and consequentialists—have said about how to make them; and even if they find no satisfactory grounding for their own moral attitudes, it is a brute fact that they have them. I end with an argument for “strong evaluations”—neither treating them as a troublesome residue in historiography nor, having despaired of finding a solid philosophical ground for moral evaluations, concluding that they are merely matters of taste. I believe historians should embrace the role of moral commentators, but that they should be aware that their evaluations are, like all historical judgments, subject to the criticisms of their colleagues and readers. Historians run little risk of being censorious and self-righteous; the far greater danger is acquiescing in or contributing to moral confusion and timidity. (shrink)

My purpose in the researching and the writing of this thesis has been to investigate, and to try to explain, Frank Ankersmit's curious shift from his well expressed and firmly held narrativist position of "Narrative Logic", to an arguably contradictory, yet passionately held counter belief in the plausibility of a form of direct historical experience - an authentic unmediated relationship with the past. I am, accordingly, presenting here what I believe to be the most adequate explanatory account of/for Ankersmit's intellectual (...) journey. A journey which, in essence, constituted a substitution of his earlier representational, language centred philosophy of history for what might be taken as a new and mystical non-representational theory. This alternative theory of Ankersmit' s, lacking cognitive foundations, works on the basis of sensations, moods, feelings and therefore a consciousness deemed to be received directly from the past itself, and therein - for this thesis - lies its fatal weakness as a historical theory. Belief in the mystical may be all right at some level, if this is what is wanted, but a mystical experience itself cannot produce a historical re-presentation which is the only way that the past can be presented historically. Thus, I argue that Ankersmit's journey from language to experience - the latter phenomenon being more appropriately situated within the field of sociology/social theory and memory studies - is, in the end, a lost historical cause. (shrink)

The economists of the Austrian School count among the most consistent supporters of methodological individualism, but they were for the most part strongly opposed to clearly anti-holist trends such as constructivism, reductionism, and positivism. This article discusses why the sort of methodological individualism defended by the Austrians could not, for interconnected reasons, be rendered compatible with any one of these philosophical trends. The manner in which the Austrians managed to reconcile their analysis of economic mechanisms with a strictly subjectivist approach (...) is especially considered. The discussion also underscores some ambiguous dimensions of the debate between holism and individualism. (shrink)

If you are more likely to continue a course of action in virtue of having previously invested in that course of action, then you tend to honor sunk costs. It is widely thought both that (i) individuals often do give some weight to sunk costs in their decision-making and that (ii) it is irrational for them to do so. In this paper I attempt to cast doubt on the conventional wisdom about sunk costs, understood as the conjunction of these two (...) claims. (shrink)

The article comparatively analyzes A.C. Danto’s and P. Ricœur’s theories of historical narration. Ricœur’s synthetic assimilation of Danto’s views is interpreted as a characteristic phenomenon of the dialogue between hermeneutics and analytical philosophy, and in a broader perspective – of contemporary European continental and Anglo-American philosophical traditions. The version of the analytical philosophy of history developed by Danto is interpreted as being formed in the course of overcoming epistemological program of logical positivism under the impact of a platform of linguistic (...) philosophy, pragmatism and neo-pragmatism as well as F. Nietzsche’s perspectivism and the ideas of existentialism. The articles examines fundamental conclusions of Danto’s “descriptive metaphysics” of history, which influence his understanding of a number of epistemological factors and ontological assumptions specific for the theory of historical narration. At the late stage of the evolution of his philosophy of history, Danto spoke of a radical challenge to his views on the part of T. Kuhn’s theory, but he did not give to it a constructive answer. Despite the significant philosophical differences, a number of Danto’s historical narration theory’s theses became acceptable for Ricœur, especially in the light of the American colleague final confession that knowledge of the past is dependent on the kind of existential presence in history specific for a human being. Taking M. Heidegger’s and H.G. Gadamer’s ideas as a basis of his approach to narration problem, Ricœur considered also important the “linguistic turn” initiated by L. Wittgenstein. Offering a positive evaluation of Danto’s analysis of history language, Ricœur simultaneously rightly criticized him for his neglect of the formal instruments of organizing of narrative – plot, intrigue, and composition that should affect the knowledge resources and testify on the unity of narration features in history and fiction as well. (shrink)

In his Analytical Philosophy of History A. C. Danto suggests that the main difference between an Ideal Chronicle (i.e. an account of events that is contemporaneous and exhaustive) and a History is that the Chronicle cannot by its nature treat adequately the significance of the events it describes. For, Danto claims, events derive significance from their relations with other events, including those that are future to themselves, and this latter type of significance cannot be described in a Chronicle since it (...) would involve knowledge of the future. In the following discussion it is suggested that the difference between Ideal Chronicles and Histories, if it exists, cannot be the one suggested by Danto. It is claimed that all significance-giving relations are fully described in a Chronicle and that it is only by the order of its material that it differs from a History. (shrink)

Academic debates are so frequent and omnipresent in most disciplines, particularly the social sciences and humanities, it seems obvious that disagreements are bound to occur. The aim of this paper is to show that whereas the agent who perceives his/her contribution as being misunderstood locates the origin of the communication problem on the side of the receiver who "misinterprets" the text, the emitter is in fact also contributing to the possibility of this misunderstanding through the very manner in which his/her (...) text is written. In other words, I propose a symmetric approach to understanding misunderstandings: taking simultaneously into account the position of the reader in the scientific field and the structure of the texts of the writers. The paper thus proposes to complement the sociological analysis of controversies in a scientific field with the close reading of texts, a practice usually found in studies of argumentation, in order to explain the occurrence of misunderstandings. The debate surrounding the charge of "relativism" among sociologists of scientific knowledge provides us with a case study to analyse in detail the argumentative context of misunderstanding. (shrink)

In my dissertation I define historical disciplines as disciplines that aim to give a historical interpretation of the evidence. Phylogenetic systematics is a historical discipline and therefore in my definition phylogenies should be thought of as historical interpretations of relationships between taxa.

¿Cuál es la utilidad de la filosofía y las humanidades? El planteo resurge, esporádicamente, en la forma de argumentos vinculados a cierta racionalidad económica de la política presupuestaria y científica, dando por sentado que estamos de acuerdo en el concepto mismo de utilidad, e ignorando con frecuencia la historicidad del término en el contexto de la evolución de las teorías económicas. Evolución que, luego de la revolución keynesiana del pensamiento disciplinar, condujo a no pocas paradojas conceptuales. Este artículo se propone (...) recapitular brevemente las vicisitudes del concepto de utilidad, para luego revisitar las mencionadas paradojas a las que condujo el planteo keynesiano, con el propósito de abordar, finalmente, algunos de los rasgos sistémicos que tal vez permitan responder oblicuamente a la impropia pregunta que da inicio al texto. (shrink)

ABSTRACTThe Imperative of Responsibility, by the German philosopher Hans Jonas, is a work that aspires to a re-foundation of ethics based on an analysis of the contemporary world as well as on a prediction about the fate of globalized humanity. Through a discussion of the fundamental concepts of Jonas’ work, the essay shows that the central themes of his research, which are still very relevant today, should be addressed by moving from the ethical level to that of ontology and social (...) ontology in particular. To this end, the paper offers a definition of transgenerational action that aims to replace Jonas’ use of prevision. The transgenerational action is here considered as a particular type of social action: that which enables societies to exist over time. Finally, the essay proposes an essential taxonomy of transgenerational actions, showing how working on this notion might lead to a consciously utopian and positive social model. (shrink)

Frank L. Tipler's book The Physics of Immortality is a striking attempt by a scientist to resolve the conflict between theology and science on the basis of a physicalist position that identifies theology as a branch of physics, and that calculates God “in exactly the same way as physicists calculate the characteristics of electrons.” Tipler's work may be seen as a scientistic myth, and its critique is organized around the three basic characteristics of such myths: (1) it is illogical in (...) that it argues as if physics were in fact metaphysics; (2) it is grim in that its glorification of technology is insensitive to ethical issues; (3) it is meaningless in that its espousal of a strong theory of artificial intelligence empties concrete personal histories by subsuming them under abstractions that distort our understandings both of God and of resurrection. (shrink)

This article discusses the issue of the conceptual accuracy of descriptions of social life, which, although fundamental for the social sciences, has in fact been neglected. I approach this task via an examination of Paul Roth’s recent work, which recapitulates reflection in analytic philosophy of history and sets out a view of the past as indeterminate until retrospectively constructed in historical narratives. I argue that Roth’s position embraces an overly restricted notion of historical significance and underestimates how anachronistic descriptions vitiate (...) central historiographical tasks. I contend that the importance of conceptually accurate descriptions for history and the social sciences cannot be overstated. (shrink)

The things themselves, which only the limited brains of men and animals believe fixed and stationary, have no real existence at all. They are the flashing and sparks of drawn swords, the glow of victory in the conflict of opposing qualities. SummaryThe conflicts between the eristentialism of Jean‐Paul Sartre and the structuralism of Claude Lévi‐Strauss present a privileged site for illuminating larger conflicts in the human studies as a whole. The present paper argues that a method for addressing and perhaps (...) resolving thes conflicts can be drawn from the respective logics of existentialism and structuralism. The essay begins by discussing the dialectical social theory of lean‐Paul Sartre and then, after treating Lévi‐Strauss's theory of structure, goes on to argue that dialectical thought generates structures, and that structuralism invites a dialectical method of construction. While an integration of methods along these lines does not constitute an integrated social theory, it can remove an important obstacle to the development of such theory. (shrink)

The approach that philosophers have taken to history has too often been one-dimensional. It is my aim in this paper to map out a future multi-dimensional philosophy of history, by invoking the notion of a relation with the past, and by arguing for the philosophical relevance of multiple such relations.

El presente artículo se propone mostrar la vinculación conceptual que se establece en el conjunto de la obra de Arthur Danto –un autor clave en la consideración analítica del concepto de representación- entre asimetrías cognitivas, teoría de la representación y criterio transfigurativo de realidad. Esa articulación nos entrega un modelo de particular predilección por las asimetrías cognitivas vinculadas a la estructura trágica, que es limitativa de las posibilidades aventuradas por el mismo Danto respecto de nuestra capacidad para captar la apertura (...) e incompletud de nuestra aprehensión de la historia. (shrink)

Danto sostiene que el fin del arte ha llegado, pero también afirma que el arte sigue siendo importante para nuestras vidas. Las obras de arte pueden encarnar significados que nos conmueven, nos motivan a actuar y nos transforman de alguna manera. El efecto que tiene el arte sobre nosotros depende, en gran medida, de las cualidades estéticas que revisten y modulan el significado de las obras. En el presente trabajo analizaré, puntualmente, el rol que Danto le atribuye a lo bello (...) y lo sublime en ese sentido. Mi objetivo es contrastar la importancia que le confiere a la belleza, como la única cualidad estética que a la vez es un valor -equiparable a la verdad o la bondad-, con el lugar al que relega a lo sublime. Me propongo reivindicar el rol de lo sublime como un valor significativo para la experiencia del arte y la vida en general. (shrink)