I explore some of the reasons why, under specific circumstances, it may be rational to make-believe or imagine certain religious beliefs. Adopting a jargon familiar to certain contemporary philosophers, my main concern here is to assess what reasons can be given for adopting a fictionalist stance towards some religious beliefs. My understanding of fictionalism does not involve solely a propositional attitude but a broader stance, which may include certain acts of pretence. I also argue that a plausible reason to be (...) fictionalist about a specific set of religious beliefs and practices has to do with the value of some artistic creations; namely, those that require the adoption of a religious point of view for their understanding. (shrink)

In this entry I will offer a survey of the contemporary debate on fic- tionalism, which is a distinctive anti-realist view about certain regions of discourse that are valued for their usefulness rather than their truth.

Upholders of fictionalism about scientific models have not yet successfully explained how scientists can learn about the real world by making comparisons between models and the real phenomena they stand for. In this paper I develop an account of model-world comparisons in terms of what I take to be the best antirealist analyses of comparative claims that emerge from the current debate on fiction.

In an addendum to Naming and Necessity, Saul Kripke argues against his earlier view that Sherlock Holmes is a possible person. In this paper, I suggest a nonstandard interpretation of the addendum. A key feature of this non-standard interpretation is that it attempts to make sense of why Kripke would be rejecting the view that Sherlock Holmes is a possible person without asserting that it is not the case that Sherlock Holmes is a possible person.

In this paper we reply to arguments of Kroon (“Characterization and Existence in Modal Meinongianism”. Grazer Philosophische Studien 86, 23–34) to the effect that Modal Meinongianism cannot do justice to Meinongian claims such as that the golden mountain is golden, and that it does not exist.

In this paper I confront what I take to be the crucial challenge for fictional realism, i.e. the view that fictional characters exist. This is the problem of accounting for the intuition that corresponding negative existentials such as ‘Sherlock Holmes does not exist’ are true (when, given fictional realism, taken literally they seem false). I advance a novel and detailed form of the response according to which we take them to mean variants of such claims as: there is no concrete (...) x such that x is Sherlock Holmes. (shrink)

In (1959), Carnap famously attacked Heidegger for having constructed an insane metaphysics based on a misconception of both the logical form and the semantics of ordinary language. In what follows, it will be argued that, once one appropriately (i.e., in a Russellian fashion) reads Heidegger’s famous sentence that should paradigmatically exemplify such a misconception, i.e., “the nothing nothings”, there is nothing either logically or semantically wrong with it. The real controversy as to how that sentence has to be evaluated—not as (...) to its meaning but as to its truth—lies at the metaphysico- ontological level. For in order for the sentence to be true one has to endorse an ontology of impossibilia and Leibniz’s principle of the identity of indiscernibles. (shrink)

I present an approach to our conceiving absolute impossibilities—things which obtain at no possible world—in terms of ceteris paribus intentional operators: variably restricted quantifiers on possible and impossible worlds based on world similarity. The explicit content of a representation plays a role similar in some respects to the one of a ceteris paribus conditional antecedent. I discuss how such operators invalidate logical closure for conceivability, and how similarity works when impossible worlds are around. Unlike what happens with ceteris paribus counterfactual (...) conditionals, the closest worlds are relevantly closest belief-worlds: closest to how things are believed to be, rather than to how they are. Also, closeness takes into account apriority and the opacity of intentional contexts. (shrink)

semantic minimalism and moderte contextualism.

In this paper, I explore a line of argument against one form of realism about fictional characters : abstract artifact theory, the view according to which fictional characters like Harry Potter are part of our reality, but, they are abstract objects created by humans, akin to the institution of marriage and the game of soccer. I will defend artifactualism against an objection that Mark Sainsbury considers decisive against it: the category-mistake objection. The objection has it that artifactualism attributes to people (...) who produce and process sentences and thoughts about Harry Potter massive error, indeed, a category mistake about what kind of thing Harry Potter is; for an abstract object isn’t the sort of thing that can wear glasses, ride a double-decker bus, attend school. Given problems with this objection, artifactualism, I shall conclude, remains a tenable contender. (shrink)

Many who think that some abstracta are artefacts are fictional creationists, asserting that fictional characters are brought about by our activities. Kripke (1973), Salmon (1998, 2002), and Braun (2005) further embrace mythical creationism, claiming that certain entities that figure in false theories, such as phlogiston or Vulcan, are likewise abstracta produced by our intentional activities. I here argue that one may not reasonably take the metaphysical route travelled by the mythical creationist. Even if one holds that fictional characters are artefact (...) one ought not further hold that mythical objects are, too. (shrink)

In this entry I present one of the most hotly debated issues in contemporary analytic philosophy regarding the nature of fictional entities and the motivations that might be adduced for and against positing them into our ontology. The entry is divided in two parts. In the first part I offer an overview of the main accounts of the metaphysics of fictional entities according to three standard realist views, fictional Meinongianism, fictional possibilism and fictional creationism. In the second part I describe (...) two main kinds of arguments for or against positing fictional entities into our ontology. The first kind is traditionally inspired by the linguistic data coming from our talk about fictional characters. The second kind is more recent and it builds on genuine ontological considerations. (shrink)

In this paper, I will defend the claim that there are three existence properties: the second-order property of being instantiated, a substantive first-order property (or better a group of such properties) and a formal, hence universal, first-order property. I will first try to show what these properties are and why we need all of them for ontological purposes. Moreover, I will try to show why a Meinong-like option that positively endorses both the former and the latter first-order property is the (...) correct view in ontology. Finally, I will add some methodological remarks as to why this debate has to be articulated from the point of view of reality, i.e., by speaking of properties, rather than from the point of view of language, i.e., by speaking of predicates (for such properties). (shrink)

In 'Fiction and Fictionalism', Mark Sainsbury has recently dubbed “Selection Problem” a serious trouble for Meinongian object theories. Typically, Meinongianism has been phrased as a kind of realism on nonexistent objects : these are mind-independent things, not mental simulacra, having the properties they have independently from the activity of any cognitive agent. But how can one single out an object we have no causal acquaintance with, and which is devoid of spatiotemporal location, picking it out from a pre-determined, mind-independent set (...) ? In this paper, I set out a line of response by distinguishing different ways in which a thing may not exist. I show that the selection problem (a) does not arise for past, currently nonexistent objects ; (b) may not arise also for future existents (provided one massages naïve intuitions a bit) ; and (c) even for mere possibilia ; but (d) is a real snag for purely fictional objects, such as Holmes or Gandalf. As for (d), I propose a solution that forces Meinongianism to introduce a kind of ontological dependence of purely fictional nonexistents upon existents. The strategy complicates the intuitively simple, naïve Meinongian framework a bit, but looks quite promising. (shrink)

This article argues that Agamben’s conception of fiction is crucial for understanding his recent works. I suggest that the key to understanding Agamben conception of fiction is to be found in a few curious remarks at the end of Language and Death. These remarks explain why the distinctions between life and death, animal life and human life, bare life and political forms of life, the outlaw and the sovereign, and the norm and the exception that continue to preoccupy Agamben are (...) all fictions. After considering Agamben’s account of these fictions and their relation to the relevant passage in Language and Death, the article explores the ways Agamben thinks the fictions that govern human action and social life might be unworked. (shrink)

This book is both an introduction to and a research work on Meinongianism. “Meinongianism” is taken here, in accordance with the common philosophical jargon, as a general label for a set of theories of existence – probably the most basic notion of ontology. As an introduction, the book provides the first comprehensive survey and guide to Meinongianism and non-standard theories of existence in all their main forms. As a research work, the book exposes and develops the most up-to-date Meinongian theory (...) (called modal Meinongianism), applies it to specific fields, and discusses its open problems. Part I of the book provides a historical introduction to, and critical discussion of, the dominant philosophical view of existence: the “Kantian-Fregean-Quinean” perspective. Part II is the full-fledged introduction to the Meinongian theories of existence as a real property of individuals: after starting with the so-called naïve Meinongian conception and its problems, it provides a self-contained presentation of the main neo-Meinongian proposals, and a detailed discussion of their strengths and weaknesses. Part III develops a specific neo-Meinongian theory of existence employing a model-theoretic semantic framework. It discusses its application to the ontology and semantics of fictional objects, and its open problems. The methodology of the book follows the most recent trends in analytic ontology. In particular, the meta-ontological point of view is largely privileged. (shrink)

Abstract: Many, if not most philosophers, deny that a sentence like ‘Sherlock Holmes smokes’ could be true. However, this attitude conflicts with the assignment of true to that sentence by natural language speakers. Furthermore, this process of assigning truth values to sentences like ‘Sherlock Holes smokes’ seems indistinguishable from the process that leads speakers to assign true to other sentences, those like ‘Bertrand Russell smokes’. I will explore the idea that when speakers assign the value true to the first sentence, (...) they are not mistaken or confused — that we ought to take these assignments at face value. I show how the most popular alternative to this idea is inadequate for explaining various sentences involving fictional names. In addition, I offer evidence that these truth value assignments to sentences are tracking semantic content rather than pragmatic effects. (shrink)

‘Quantified pure existentials’ are sentences (e.g., ‘Some things do not exist’) which meet these conditions: (i) the verb EXIST is contained in, and is, apart from quantificational BE, the only full (as against auxiliary) verb in the sentence; (ii) no (other) logical predicate features in the sentence; (iii) no name or other sub-sentential referring expression features in the sentence; (iv) the sentence contains a quantifier that is not an occurrence of EXIST. Colin McGinn and Rod Girle have alleged that standard (...) first-order logic cannot adequately deal with some such existentials. The article defends the view that it can. (shrink)

I advance an objection to Graham Priest’s account of fictional entities as nonexistent objects. According to Priest, fictional characters do not have, in our world, the properties they are represented as having; for example, the property of being a bank clerk is possessed by Joseph K. not in our world but in other worlds. Priest claims that, in this way, his theory can include an unrestricted principle of characterization for objects. Now, some representational properties attributed to fictional characters, a kind (...) of fictional entities, involve a crucial reference to the world in which they are supposed to be instantiated. I argue that these representational properties are problematic for Priest’s theory and that he cannot accept an unrestricted version of the principle of characterization. Thus, while not refuting Priest’s theory, I show that it is no better off than other Meinongian theories. (shrink)

It is commonly held that our intuitive judgements about imaginary problem cases are justified a priori, if and when they are justified at all. In this paper I defend this view — ‘rationalism’ — against a recent objection by Timothy Williamson. I argue that his objection fails on multiple grounds, but the reasons why it fails are instructive. Williamson argues from a claim about the semantics of intuitive judgements, to a claim about their psychological underpinnings, to the denial of rationalism. (...) I argue that the psychological claim — that a capacity for mental simulation explains our intuitive judgements — does not, even if true, provide reasons to reject rationalism. (More generally, a simulation hypothesis, about any category of judgements, is very limited in its epistemological implications: it is pitched at a level of explanation that is insensitive to central epistemic distinctions.) I also argue that Williamson’s semantic claim — that intuitive judgements are judgements of counterfactuals — is mistaken; rather, I propose, they are a certain kind of metaphysical possibility judgement. Several other competing proposals are also examined and criticized. (shrink)

Certain realists about properties and relations identify them with universals. Furthermore, some hold that for a wide range of meaningful predicates, the semantic contribution to the propositions expressed by the sentences in which those predicates figure is the universal expressed by the predicate. I here address ontological issues raised by predicates first introduced to us via works of fiction and whether the universal realist should accept that any such predicates express universals. After assessing arguments by Braun, D. and Sawyer, S. (...) for fictional universal anti-realism, I propose a novel, Kripke-inspired argument for the same conclusion. I ultimately defend the claim that while this argument presents the strongest case for fictional universal anti-realism, it is nonetheless unsound. I conclude that nothing stands in the way of accepting that some fictional predicates express fictional universals. (shrink)

This paper discusses a puzzle, the heart of which is this question: How is it that real individuals can resemble fictional individuals? It seems that any answer given by one who has taken a stand on the ontology of fictional individuals will come with significant drawbacks. An Anti-Realist will have to explain, or explain away, the apparent truth of our positive assertions of resemblance, while a Realist will have to explain how we are to understand resemblance in light of either (...) the further claim that fictional characters are not associated with properties in the same way real individuals are, or that fictional characters are nonexistent or nonactual. I here survey the different Realist and Anti-Realist strategies in hopes that reflection on (mainly the drawbacks of) each will aid those who are curious about ontologies which may include fictionalia. (shrink)

According to Millianism, the meaning of a name is exhausted by its referent. According to anti-realism about fictional entities, there are no such entities. If there are no fictional entities, how can we explain the apparent meaningfulness of fictional names? Our best theory of fiction, Walton’s theory of make-believe, makes the same assumptions but lacks the theoretical resources to answer the question. In this paper, I propose a pragmatic solution in terms of two main dimensions of meaning, a subjective, psychological (...) dimension and an intersubjective, public dimension. The psychological dimension builds on the notion of mental files; the public dimension builds on Stalnaker’s notion of common ground. The account is coherent with two main theoretical principles, parsimony and uniformity. Furthermore, it satisfies three explanatory conditions posed by the intentionality of our thought and discourse about fiction, object-directedness, counterfictional imagining and intersubjective identification. (shrink)

This paper considers some uses of Free Indirect Discourse within non-fictional discourse. It is shown that these differ from ordinary uses in that they do not attribute actual thoughts or utterances. I argue that the explanation for this is that these uses of Free Indirect Discourse are not assertoric. Instead, it is argued here that they are fictional uses, that is, they are used with fictional force like utterances used to tell a fictional story. Rather than making assertions about the (...) actual world, these occurrences of Free Indirect Discourse introduce localized fictional scenarios from which audiences are meant to learn factual information. As such, they exhibit some of the ways in which the involvement of perspective in historical fiction has been shown to facilitate learning and retention of information. (shrink)

Importation in fictional discourse is the phenomenon by which audiences include information in the story over and above what is explicitly stated by the narrator. This paper argues that importation is distinct from generation, the phenomenon by which truth in fiction may outstrip what is made explicit, and draws a distinction between fictional truth and fictional records. The latter comprises the audience’s picture of what is true according to the narrator. The paper argues that importation into fictional records operates according (...) to principles that also govern ordinary conversation. An account of fictional records as a species of common ground information is proposed. Two sources of importation are described in detail, presupposition accommodation and conversational implicatures. It is shown that presuppositions are both mandatorily imported and mandatorily generated. By contrast, conversational implicatures are neither mandatorily imported nor mandatorily generated. The paper distinguishes conversational implicatures from contextual inferences. Both rely on background assumptions, yet conversational implicatures moreover depend on assumptions concerning Gricean cooperation. (shrink)

To solve the referential sub-problem of negative existentials one must explain why we interpret uses of, e.g., ‘Sherlock Holmes doesn’t exist’ as saying something coherent and intuitively true, even though the speaker purports to refer to something. Pragmatic Meinongism solves this problem by allowing ‘does not exist’ to be pragmatically modulated to express an inclusive sense under which it can be satisfied by something. I establish three points in defense of pragmatic Meinongism: (i) it is superior to Russell-inspired solutions; (ii) (...) it is supported by independent evidence of pragmatic modulation; and (iii) it requires no dubious ontological commitments. (shrink)

A critical reflection on John Woods's new monograph, Truth in Fiction – Rethinking its Logic. I focus in particular on Woods’s world-inheritance thesis (what others have variously called ‘background,’ ‘the principle of minimal departure,’ and ‘the reality assumption,’ and which replaces Woods’s earlier ‘fill-conditions’) and its interplay with auctorial say-so, arguing that world-inheritance actually constrains auctorial say-so in ways Woods has not anticipated.

According to Adams and his colleagues, fictional sentences, i.e. sentences featuring fictional names, lack any truth value. To explain intuitions to the contrary, they refer to the pragmatics of fictional assertions and claim that sincere utterances of those sentences generate some conversational implicatures. They argue that all who take fictional sentences to have a truth value tend to mistake implicatures of assertions of such sentences with their literal content. The aim of the paper is to show that this argument is (...) not convincing.The challenge being that it doesn’t provide any satisfactory explanation as to what is negated in seemingly genuine disagreement cases in which fictional sentences are asserted. Sentential negation usually doesn’t affect (i.e. negate) a proposition which is conversationally implied, especially when it comes to the manner implicature. And, as I argue, an advocate of the pragmatic defence should maintain that this is the kind of conversational implicature that the assertion of fictional sentences generates. (shrink)

This paper offers a critical review of the notion of a “singular cognitive role”, which is central to some recent theories of singular thought. According to those theories, whether a thought is singular depends on the role it plays in the subject’s cognitive activity. We compare the two most developed accounts of this type: Crane’s :21–43 2011, The Objects of Thought2013) and Jeshion’s. Both theories aim to capture the notion of a singular cognitive role in terms of mental files. We (...) argue that Jeshion’s theory is much more promising as it provides a more detailed and non-circular characterization of the mental files responsible for singular thinking. We examine the prospects for enhancing that account in light of three major concerns about it present in the literature. First, we discuss whether the weakest aspect of the whole proposal, i.e. the condition for the initiation of mental files, can be replaced without debilitating the rest of the theory. Second, we examine Goodman’s : 437–461 2014, The Philosophical Quarterly2015) argument against mental file theories of singular thought and show that it does not affect Jeshion’s account. Third, we argue against Sawyer :264–283 2012) that Jeshion’s notion of a singular cognitive role is in strong opposition to acquaintance-based theories of singular thought and cannot be incorporated into any of them. Thus, the paper concludes that Jeshion’s proposal, despite its shortcomings, is currently the most promising account of a singular cognitive role. (shrink)

Philosophy and Phenomenological Research, EarlyView.

Modal Meinongianism is the most recent neo-Meinongian theory. Its main innovation consists in a Comprehension Principle which, unlike other neo-Meinongian approaches, seemingly avoids limitations on the properties that can characterize objects. However, in a recent paper A. Sauchelli has raised an objection against modal Meinongianism, to the effect that properties and relations involving reference to worlds at which they are instantiated, and specifically to the actual world or parts thereof, force a limitation of its Comprehension Principle. The theory, thus, is (...) no better off than other neo-Meinongian views in this respect. This article shows that the notion part of actuality in Sauchelli’s paper is ambiguous from the modal Meinongian viewpoint. Accordingly, his objection splits into two, depending on its disambiguation. It is then explained how neither interpretation forces modal Meinongianism to limit its Comprehension Principle. A third problem connected to Sauchelli’s objection is addressed: how to account for our felicitously referring to nonexistent objects via descriptions that embed reference to properties not actually instantiated by the objects. Overall, the replies to these difficulties provide good insights into the workings of the new Meinongian theory. (shrink)

According to possibilism, or non-actualism, fictional characters are possible individuals. Possibilist accounts of fiction do not only assign the intuitively correct truth-conditions to sentences in a fiction, but has the potential to provide powerful explanatory models for a wide range of phenomena associated with fiction (though these two aspects of possibilism are, I argue, crucially distinct). Apart from the classic defense by David Lewis the idea of modeling fiction in terms of possible worlds have been widely criticized. In this article, (...) I provide a defense of a possibilist account against some lines of criticism. To do so, I assume that names for fictional characters are directly referential and a possible-worlds model that accommodates transworld identity. On this background, I argue, it is possible to construct an elegant model of fictional discourse using familiar models of information exchange in ordinary discourse, and I sketch how this model can be used to i) make a natural distinction between fictional and counterfactual discourse, ii) account for creativity, and iii) sustain a natural definition of truth-in-fiction that avoids certain familiar objections to possibilism. Though I set aside questions about the metaphysical commitments of a possible-world interpretation here, there is accordingly reason to think that the battle over possibilist treatments of fiction will have to be fought over metaphysical foundations rather than technical shortcomings. (shrink)

The debate concerning the ontological status of musical works is perhaps the most animated debate in contemporary analytic philosophy of music. In my view, progress requires a piecemeal approach. So in this article I hone in on one particular musical work concept – that of the classical Western art musical work; that is, the work concept that regulates classical art-musical practice. I defend a fictionalist analysis – a strategy recently suggested by Andrew Kania as potentially fruitful – and I develop (...) a version of such an analysis in line with a broad commitment to philosophical naturalism. (shrink)

PriestGraham. Towards Non-Being: The Logic and Metaphysics of Intentionality. Oxford University Press, 2016. 2nd ed. ISBN 978-0-19-878359-6 ; 978-0-19-878360-2. Pp. xxxvi + 368.

I want to model a finite, fallible cognitive agent who imagines that p in the sense of mentally representing a scenario—a configuration of objects and properties—correctly described by p. I propose to capture imagination, so understood, via variably strict world quantifiers, in a modal framework including both possible and so-called impossible worlds. The latter secure lack of classical logical closure for the relevant mental states, while the variability of strictness captures how the agent imports information from actuality in the imagined (...) non-actual scenarios. Imagination turns out to be highly hyperintensional, but not logically anarchic. Section 1 sets the stage and impossible worlds are quickly introduced in Sect. 2. Section 3 proposes to model imagination via variably strict world quantifiers. Section 4 introduces the formal semantics. Section 5 argues that imagination has a minimal mereological structure validating some logical inferences. Section 6 deals with how imagination under-determines the represented contents. Section 7 proposes additional constraints on the semantics, validating further inferences. Section 8 describes some welcome invalidities. Section 9 examines the effects of importing false beliefs into the imagined scenarios. Finally, Sect. 10 hints at possible developments of the theory in the direction of two-dimensional semantics. (shrink)

In this essay, I appeal to the mental file approach in order to give an anti-realist semantic analysis of statements containing fictional names. I claim that fictive and parafictive uses of them express conceptual, though not general, propositions constituted by mental files, anchored in the conceptual world of the corresponding fictional story. Moreover, by positing a referential shift determined by the presence of a simulative referential intention characteristic of those uses, it is possible to take them to be true with (...) respect to those conceptual worlds. As for metafictive uses, since they are grounded on mixed intentions, they are considered to express hybrid propositions, partly conceptual and partly referential. (shrink)

According to standard Creationism about fictional characters, each fictional character is created by its single author independently, or created by its co-authors cooperatively, or created by its independent authors independently. I argue that standard Creationism faces the Creator-Determining Problem. I propose a non-standard form of Creationism, i.e., Conjunctive Creationism, according to which each fictional character is conjunctively created. I argue that Conjunctive Creationism does not face the Creator-Determining Problem. By responding to four potential worries, I provide a further defense. My (...) conclusion is that Conjunctive Creationism is a more promising form of Creationism.Selon la norme du créationnisme concernant les personnages fictifs, chaque personnage est soit créé indépendamment par son seul auteur, soit créé par ses co-auteurs en collaboration, soit encore créé indépendamment par ses auteurs indépendants. Cette norme doit cependant faire face au problème de l’identification du créateur. Pour éviter ce problème, je propose d’adopter le créationnisme conjonctif, selon lequel chaque personnage est créé conjointement. Je défends cette proposition en répondant à quatre inquiétudes potentielles. Je conclus que le créationnisme conjonctif est une forme plus prometteuse du créationnisme. (shrink)

In a number of places Mark Sainsbury has recently developed an attractive irrealist account of fiction and intentionality, on which there are no fictional objects or exotic intentional entities. A central component of his account is an ambitious argument, which aims to establish that the truth of intensional transitives such as “I think about Holmes” and “Alexander feared Zeus” does not require the existence of fictional or intentional objects. It would be good news indeed for the irrealist if Sainsbury’s argument (...) worked. However, I argue that Sainsbury’s argument fails. I conclude by considering how Sainsbury’s irrealist might explain our intuitions about such sentences, drawing upon another component of Sainsbury’s irrealism. (shrink)

Accounts of modality in terms of fictional possible worlds face an objection based on the idea that when modal claims are analysed in terms of fictions, the connection between analysans and analysandum seems artificial. Strong modal fictionalism, the theory according to which modal claims are analysed in terms of a fiction, has been defended by, among others, Seahwa Kim, who has recently claimed that the philosophical objection that the connection between modality and fictions is artificial can be met. I propose (...) a new way of spelling out the intuition of artificiality and show that strong modal fictionalism should be rejected. (shrink)

Some philosophers of science – the present author included – appeal to fiction as an interpretation of the practice of modeling. This raises the specter of an incompatibility with realism, since fiction-making is essentially non-truth-regulated. I argue that the prima facie conflict can be resolved in two ways, each involving a distinct notion of fiction and a corresponding formulation of realism. The main goal of the paper is to describe these two packages. Toward the end I comment on how to (...) choose among them. (shrink)

This is a survey of contemporary work on ‘fictionalism in metaphysics’, a term that is taken to signify both the place of fictionalism as a distinctive anti‐realist metaphysics in which usefulness rather than truth is the norm of acceptance, and the fact that philosophers have given fictionalist treatments of a range of specifically metaphysical notions.

In uttering negative existential sentences, we do not mention but use an empty singular term. A pretense account explains the use in terms of pretense. I argue that our understanding of negative existential statements can be successfully explained by Crimmins’ theory of shallow pretense if it is supplemented and reconstructed properly. First, I explain the notion of shallow pretense and supplement Crimmin’s theory with an Evansian account that we immediately grasp the phenomenology of what is pretended without a conscious effort (...) to imagine the condition under which what is pretended can be true. Thus, shallow pretense does not consist in the counterintuitive meta-representation of the fact of pretense. Second, against the objection to Crimmins’ distinction between utterance truth-condition and modal content that it is ad hoc, I argue that there is good reason to hold the distinction for the semantics of belief reports. Finally, I argue that the distinction has a merit of explaining our intuition about the epistemic possibility associated with our use of an empty singular term. (shrink)

Fictional realism allows direct reference theorists to provide a straightfor- ward analysis of the semantics of fictional discourse by admitting into their ontology a set of objects (ficta) that serve as the referents of fictional names. Ficta may be modeled using an axiomatic object theory, but actualist interpretations of the formalism have been the subject of recent objections. In this paper, I provide an interpretation of object theory’s formalism that is consistent with actualism and avoids these objections. Drawing on insights (...) from an actualist semantics for quantified modal logic, a central point in my proposal is to interpret ficta as contingently nonconcrete objects. (shrink)

Contemporary semantics assumes two influential notions of context: one coming from Kaplan (1989), on which contexts are sets of predetermined parameters, and another originating in Stalnaker (1978), on which contexts are sets of propositions that are “common ground”. The latter is deservedly more popular, given its flexibility in accounting for context-dependent aspects of language beyond manifest indexicals, such as epistemic modals, predicates of taste, and so on and so forth; in fact, properly dealing with demonstratives (perhaps ultimately all indexicals) requires (...) that further flexibility. Even if we acknowledge Lewis (1980)’s point that, in a sense, Kaplanian contexts already include common ground contexts, it is better to be clear and explicit about what contexts constitutively are. Now, Stalnaker (1978, 2002, 2014) defines context-as-common-ground as a set of propositions, but recent work shows that this is not an accurate conception. The paper explains why, and provides an alternative. The main reason is that several phenomena (presuppositional treatments of pejoratives and predicates of taste, forces other than assertion) require that the common ground includes non-doxastic attitudes such as appraisals, emotions, etc. Hence the common ground should not be taken to include merely contents (propositions), but those together with attitudes concerning them: shared commitments, as I will defend. (shrink)

Artifactualism about fictional characters, positing Harry Potter as an abstract artifact created by J. K. Rowling, has been criticized on the grounds that the idea of creating such objects is mysterious and problematic. In the light of such qualms, it is worth homing in on an argument in favor of artifactualism, showing that it is the best way to include the likes of Harry Potter in our ontology precisely because it incorporates authorial creation. To that end, I will be exploring (...) Kripke’s fleeting remarks in the Addenda to his “Naming and Necessity” lectures about expressions like ‘unicorn’ and ‘Harry Potter’. Elsewhere, Kripke motivates artifactualism by suggesting that incorporating authorial creation (as artifactualism does) is a move that is intuitive and natural; but beyond this, he doesn’t provide any arguments in favor of such a move. My purpose in this paper is to construct such an argument based on considerations about Kripke’s general view about proper names, in particular, his seminal causal-historical chain account of reference determination, and its consequences for fictional names as well as nonfictional names without bearers such as ‘Vulcan’. (shrink)

En los últimos años, el interés por la semántica de términos ficticios ha crecido considerablemente en el marco de la tradición analítica. De forma general, es posible distinguir dos grandes tipos de propuestas semánticas: las propuestas ontológicamente comprometidas con entidades ficticias y las que evitan dicho compromiso . Entre estas últimas, se destaca la propuesta inscripcionalista de Nelson Goodman y Catherine Elgin, que constituye el eje de análisis del presente artículo. Su objetivo principal es mostrar algunas de las ventajas de (...) la propuesta inscripcionalista frente a las propuestas realistas. En la segunda sección, analizo algunas de las dificultades que conllevan las propuestas realistas y luego muestro que estas no tienen lugar en la propuesta de Goodman y Elgin. En la tercera sección, presento la propuesta inscripcionalista, centrándome en su ampliación, la noción de referencia y sus diversas modalidades, y también analizo una serie de enunciados problemáticos utilizando los modos referenciales anteriormente presentados. (shrink)