Semantic theories of fictional names generally presuppose, either explicitly or implicitly, that fictional predicates are guaranteed a referent. I argue that this presupposition is inconsistent with anti-realist theories of fictional characters and that it cannot be taken for granted by realist theories of fictional characters. The question of whether a fictional name refers to a fictional character cannot be addressed independently of the much-neglected question of whether a fictional predicate refers to a fictional property.

Critical statements, if true, bear ontological commitments to fictional entities. A well-known version of fictionalism about fictional characters tries to eliminate these ontological commitments by proposing that we understand critical statements as prefixed by a special sentential operator, such as ‘according to a fictional realist theory’. The aim of the present paper is to show that fictionalism about fictional characters is underdeveloped as it stands because it can be shown to be systematically inadequate. Because the fictionalist’s paraphrases of critical statements (...) suggest that fictional realists affirm the propositions expressed by critical statements, the fictionalist mistakenly attributes to fictional realists an expertise in matters that pertain to literary criticism. Importantly, this problem of misattributed expertise paves the way to other issues that might be much more devastating to the fictionalist project. It can be shown that, because she wrongly attributes expertise to fictional realists, the fictionalist unintentionally portrays fictional realist theories in a way that renders them inconsistent and self-defeating. This undermines fictionalism about fictional characters because it leaves no workable fictional realist account in which to ground a fictionalist explanation. This is why the fictionalist about fictional characters should try to eliminate the problem of misattributed expertise and its related issues. At the end of the paper, I sketch some of the available options in this regard. (shrink)

‘Ahab is a whaler’ and ‘Holmes is a whaler’ express different propositions, even though neither ‘Ahab’ nor ‘Holmes’ has a referent. This seems to constitute a theoretical puzzle for the Russellian view of propositions. In this paper, I develop a variant of the Russellian view, Plenitudinous Russellianism. I claim that ‘Ahab is a whaler’ and ‘Holmes is a whaler’ express distinct gappy propositions. I discuss key metaphysical and semantic differences between Plenitudinous Russellianism and Traditional Russellianism and respond to objections that (...) stem from those differences. (shrink)

The question whether natural language permits quantification over intentional objects as the ‘nonexistent’ objects of thought is the topic of a major philosophical controversy, as is the status of intentional objects as such. This paper will argue that natural language does reflect a particular notion of intentional object and in particular that certain types of natural language constructions (generally disregarded in the philosophical literature) cannot be analysed without positing intentional objects. At the same time, those intentional objects do not come (...) for free; rather they are strictly dependent on intentional acts that generally need to have a presence, in one way or another, in the semantic structure of the sentence. (shrink)

In this entry I present one of the most hotly debated issues in contemporary analytic philosophy regarding the nature of fictional entities and the motivations that might be adduced for and against positing them into our ontology. The entry is divided in two parts. In the first part I offer an overview of the main accounts of the metaphysics of fictional entities according to three standard realist views, fictional Meinongianism, fictional possibilism and fictional creationism. In the second part I describe (...) two main kinds of arguments for or against positing fictional entities into our ontology. The first kind is traditionally inspired by the linguistic data coming from our talk about fictional characters. The second kind is more recent and it builds on genuine ontological considerations. (shrink)

On the now dominant Quinean view, metaphysics is about what there is. Metaphysics so conceived is concerned with such questions as whether properties exist, whether meanings exist, and whether numbers exist. I will argue for the revival of a more traditional Aristotelian view, on which metaphysics is about what grounds what. Metaphysics so revived does not bother asking whether properties, meanings, and numbers exist (of course they do!) The question is whether or not they are fundamental.

For Quine, the ontological commitments of a discourse are what fall under its (objectual) quantifiers. The recent literature, however, is beginning to move away from this picture. There are direct challenges to Quine's criterion, and there are also attempts to provide alternatives. Azzouni suggests that the ontological commitments of a discourse should be determined by an existence predicate instead. The availability of this alternative forces an adjudication between Qune's criterion and the predicate approach to ontological commitment. I argue that to (...) adjudicate between these criteria for ontological commitment, we need first to adjudicate between criteria for what exists. (shrink)

A common view is that natural language treats numbers as abstract objects, with expressions like the number of planets, eight, as well as the number eight acting as referential terms referring to numbers. In this paper I will argue that this view about reference to numbers in natural language is fundamentally mistaken. A more thorough look at natural language reveals a very different view of the ontological status of natural numbers. On this view, numbers are not primarily treated abstract objects, (...) but rather 'aspects' of pluralities of ordinary objects, namely number tropes, a view that in fact appears to have been the Aristotelian view of numbers. Natural language moreover provides support for another view of the ontological status of numbers, on which natural numbers do not act as entities, but rather have the status of plural properties, the meaning of numerals when acting like adjectives. This view matches contemporary approaches in the philosophy of mathematics of what Dummett called the Adjectival Strategy, the view on which number terms in arithmetical sentences are not terms referring to numbers, but rather make contributions to generalizations about ordinary (and possible) objects. It is only with complex expressions somewhat at the periphery of language such as the number eight that reference to pure numbers is permitted. (shrink)

Fictional realism allows direct reference theorists to provide a straightfor- ward analysis of the semantics of fictional discourse by admitting into their ontology a set of objects (ficta) that serve as the referents of fictional names. Ficta may be modeled using an axiomatic object theory, but actualist interpretations of the formalism have been the subject of recent objections. In this paper, I provide an interpretation of object theory’s formalism that is consistent with actualism and avoids these objections. Drawing on insights (...) from an actualist semantics for quantified modal logic, a central point in my proposal is to interpret ficta as contingently nonconcrete objects. (shrink)

This paper takes up a series of basic philosophical questions about the nature and existence of fictional characters. We begin with realist approaches that hinge on the thesis that at least some claims about fictional characters can be right or wrong because they refer to something that exists, such as abstract objects. Irrealist approaches deny such realist postulations and hold instead that fictional characters are a figment of the human imagination. A third family of approaches, based on work by Alexius (...) Meinong, seeks an alternative to the realist/irrealist dilemma. Neo-Meinongian theories rely upon a distinction between being and existence, the key contention being that unlike human beings, fictional characters have only the former. Having surveyed relevant work by contemporary metaphysicians and philosophers of language, this paper discusses issues related to the distinction between characters and other aspects of the content of fictions, including the relation between personality theory and literary conceptions of character. (shrink)

In a number of places Mark Sainsbury has recently developed an attractive irrealist account of fiction and intentionality, on which there are no fictional objects or exotic intentional entities. A central component of his account is an ambitious argument, which aims to establish that the truth of intensional transitives such as “I think about Holmes” and “Alexander feared Zeus” does not require the existence of fictional or intentional objects. It would be good news indeed for the irrealist if Sainsbury’s argument (...) worked. However, I argue that Sainsbury’s argument fails. I conclude by considering how Sainsbury’s irrealist might explain our intuitions about such sentences, drawing upon another component of Sainsbury’s irrealism. (shrink)

A feature of agnostic views—views that officially express ignorance about the existence of something —is that they are widely perceived to be epistemically more cautious than views that are committed to the entities in question. This is often seen as giving agnostics a debating advantage: all things being equal, fence-sitters have smaller argumentative burdens. Otávio Bueno argues in this way for what he calls “agnostic nominalism,” the view that we don’t know whether ontologically-independent Platonic objects exist. I show that agnostic (...) nominalism, so called, can be sustained only in ways that don’t give agnostic nominalists debating advantages: the position must either be deduced from antecedently-held broader sceptical assumptions or it requires manufacturing potential referents for one’s terms that artificially generate grounds for scepticism. Neither maneuver leads to an agnostic nominalism with a debating advantage over its nominalist opponents. (shrink)

In The Metaphysics of Interpretation, I explore the ontological issues surrounding fictional characters, literary works, and literary interpretation. My central claim is that if one accepts a certain position on the ontology of fictional characters and literary works – artifactualism – then, under certain circumstances, the misinterpretation of a literary work will result in the full-fledged destruction of that work. Some related matters that are studied include: realism about fictional characters, artifactualism’s implications for the debate between textualism and constructivism, the (...) seeming temporal “gappiness” of literary works, and the question of validity in interpretation. (shrink)

It is acknowledged by proponents of the Artifactual Theory of Fiction that literary works sometimes involve real or immigrant characters. However, their conception of cross-fictional identity faces serious difficulties. In this paper, we set the problem in the context of a modal framework, in relation to quantification across a plurality of possible worlds. Quantification is explained in terms of Hintikka’s notion of world lines; i.e. the possible values of bound variables are individuals that are not reduced to their manifestations. We (...) finally offer another understanding of identity across weakly impermeable domains, in a way compatible with the Artifactual Theory of Fiction. (shrink)

An extensive exploration of the special properties of ‘exist’ is here undertaken. Two of several results are: Denying that `exist’ has associated with it a set of necessary and sufficient conditions has seemed to a number of philosophers to imply metaphysical nihilism . This is because it has seemed that without such conditions the target domain of `existence’ is arbitrarily open. I show this is wrong. Second, my analysis sheds light on the puzzling question of what we are asking when (...) we ask of something, `Does it exist?’ and mean that question in an ontically relevant way. (shrink)

In the recent literature on all things metaontological, discussion of a notorious Meinongian doctrine—the thesis that some objects have no kind of being at all—has been conspicuous by its absence. And this is despite the fact that this thesis is the central element of the noneist metaphysics of Richard Routley (1980) and Graham Priest (2005). In this paper, we therefore examine the metaontological foundations of noneism, with a view to seeing exactly how the noneist's approach to ontological inquiry differs from (...) the orthodox Quinean one. We proceed by arguing that the core anti-Quinean element in noneism has routinely been misidentified: rather than concerning Quine's thesis that to be is to be the value of a variable, the real difference is that the noneist rejects what we identify as Quine's “translate-and-deflate” methodology. In rejecting this aspect of Quinean orthodoxy, the noneist is in good company: many of those who think that questions of fundamentality should be the proper focus of ontological inquiry can be read as rejecting it too. Accordingly, we then examine the differences between the noneist's conception of ontology and that offered by the fundamentalist. We argue that these two anti-Quinean approaches differ in terms of their respective conceptions of the theoretical role associated with the notion of being. And the contrast that emerges between them is, in the end, an explanatory one. (shrink)

This essay reviews Theatre, Communication, Critical Realism (2010) by Tobin Nellhaus. It begins by outlining the objective of the book and proceeds to evaluate its central argument. The objective is to develop a theory of theatre founded on the premises of critical realism and thereby theoretically situate theatrical performance in its socio-cultural matrix. The argument is that critical realism is effective for developing a comprehensive account of theatrical performance because it has the capacity to reveal truths about the structure of (...) social reality (that correspond to those articulated by critical realism). In the second part of the review, employing the methods of conceptual analysis, I propose that Nellhaus’s thesis of ‘ontological doubling’ (which claims that performance doubles human agency) is undermined by certain epistemological presuppositions regarding the ontology of fictional characters. (shrink)