This essay reviews Theatre, Communication, Critical Realism (2010) by Tobin Nellhaus. It begins by outlining the objective of the book and proceeds to evaluate its central argument. The objective is to develop a theory of theatre founded on the premises of critical realism and thereby theoretically situate theatrical performance in its socio-cultural matrix. The argument is that critical realism is effective for developing a comprehensive account of theatrical performance because it has the capacity to reveal truths about the structure of (...) social reality (that correspond to those articulated by critical realism). In the second part of the review, employing the methods of conceptual analysis, I propose that Nellhaus’s thesis of ‘ontological doubling’ (which claims that performance doubles human agency) is undermined by certain epistemological presuppositions regarding the ontology of fictional characters. (shrink)

In this paper, we compare two theories, modal Meinongianism and object theory, with respect to several issues that have been discussed recently in the literature. In particular, we raise some objections for MM, undermine some of the objections that its defenders raise for OT, and we point out some virtues of the latter with respect to the former.

We reply to various arguments by Otavio Bueno and Edward Zalta (‘Object Theory and Modal Meinongianism’) against Modal Meinongianism, including that it presupposes, but cannot maintain, a unique denotation for names of fictional characters, and that it is not generalizable to higher-order objects. We individuate the crucial difference between Modal Meinongianism and Object Theory in the former’s resorting to an apparatus of worlds, possible and impossible, for the representational purposes for which the latter resorts to a distinction between two kinds (...) of predication, exemplification and encoding. We show that encoding has fewer forerunners in the history of philosophy than Bueno and Zalta want, and that there’s a reason why the notion has been found baffling by some. (shrink)

The challenge of handling fictional discourse is to find the best way to resolve the apparent inconsistencies in our ways of speaking about fiction. A promising approach is to take at least some such discourse to involve pretense, but does all fictional discourse involve pretense? I will argue that a better, less revisionary, solution is to take internal and fictionalizing discourse to involve pretense, while allowing that in external critical discourse, fictional names are used seriously to refer to fictional characters. (...) I then address two objections to such realist theories of fiction: One, that they can’t adequately account for the truth of singular nonexistence claims involving fictional names, and two, that accepting that there are fictional characters to which we refer is implausible or ontologically profligate. (shrink)

Several philosophers including Kripke have contended that fictional entities do exist as abstract objects, and fictional names refer to such abstract entities. Kripke and Thomasson compare fictional entities to existing social entities. Kripke also reflects on fictions inside fictions to support his view. Many philosophers appeal to the apparent fact that we quantify over fictional entities. Such arguments in favor of the existence of fictional entities are critically scrutinized. It is argued that they are much less compelling than their proponents (...) suggest and involve various obscurities. (shrink)

This book is an exploration and defense of the coherence of classical theism’s doctrine of divine aseity in the face of the challenge posed by Platonism with respect to abstract objects. A synoptic work in analytic philosophy of religion, the book engages discussions in philosophy of mathematics, philosophy of language, metaphysics, and metaontology. It addresses absolute creationism, non-Platonic realism, fictionalism, neutralism, and alternative logics and semantics, among other topics. The book offers a helpful taxonomy of the wide range of options (...) available to the classical theist for dealing with the challenge of Platonism. It probes in detail the diverse views on the reality of abstract objects and their compatibility with classical theism. It contains a most thorough discussion, rooted in careful exegesis, of the biblical and patristic basis of the doctrine of divine aseity. Finally, it challenges the influential Quinean metaontological theses concerning the way in which we make ontological commitments. (shrink)

The ideas of fixed points (Kripke in Recent essays on truth and the liar paradox. Clarendon Press, London, pp 53–81, 1975; Martin and Woodruff in Recent essays on truth and the liar paradox. Clarendon Press, London, pp 47–51, 1984) and revision sequences (Gupta and Belnap in The revision theory of truth. MIT, London, 1993; Gupta in The Blackwell guide to philosophical logic. Blackwell, London, pp 90–114, 2001) have been exploited to provide solutions to the semantic paradox and have achieved admirable (...) success. This happy situation naturally encourages one to look for other philosophical areas of their further applications where paradoxical results seem to follow from intuitively acceptable principles. In this paper, I propose to extend the use of these ideas to give two new treatments of abstract objects. Sections 1 and 2 below check several abstractionist theories and their main defects. Section 3 shows how the two ideas can be applied to generate consistent theories of abstract objects without any ad hoc restriction on any principle. (shrink)

The challenge of handling fictional discourse is to find the best way to resolve the apparent inconsistencies in our ways of speaking about fiction. A promising approach is to take at least some such discourse to involve pretense, but does all fictional discourse involve pretense? I will argue that a better, less revisionary, solution is to take internal and fictionalizing discourse to involve pretense, while allowing that in external critical discourse, fictional names are used seriously to refer to fictional characters. (...) I then address two objections to such realist theories of fiction: One, that they can't adequately account for the truth of singular nonexistence claims involving fictional names, and two, that accepting that there are fictional characters to which we refer is implausible or ontologically profligate. (shrink)

Call a bit of scientific discourse a description of a missing system when (i) it has the surface appearance of an accurate description of an actual, concrete system (or kind of system) from the domain of inquiry, but (ii) there are no actual, concrete systems in the world around us fitting the description it contains, and (iii) that fact is recognised from the outset by competent practitioners of the scientific discipline in question. Scientific textbooks, classroom lectures, and journal articles abound (...) with such passages; and there is a widespread practice of talking and thinking as though there are systems which fit the descriptions they contain perfectly, despite the recognition that no actual, concrete systems do so—call this the face value practice. There are, furthermore, many instances in which philosophers engage in the face value practice whilst offering answers to epistemological and methodological questions about the sciences. Three questions, then: (1) How should we interpret descriptions of missing systems? (2) How should we make sense of the face value practice? (3) Is there a set of plausible answers to (1) and (2) which legitimates reliance on the face value practice in our philosophical work, and can support the weight of the accounts which are entangled with that practice? In this paper I address these questions by considering three answers to the first: that descriptions of missing systems are straightforward descriptions of abstract objects, that they are indirect descriptions of “property-containing” abstracta, and that they are (in a different way) indirect descriptions of mathematical structures. All three proposals are present in the literature, but I find them wanting. The result is to highlight the importance of developing a satisfactory understanding of descriptions of missing systems and the face value practice, to put pressure on philosophical accounts which rely on the practice, and to help us assess the viability of certain approaches to thinking about models, theory structure, and scientific representation. (shrink)

‘Ahab is a whaler’ and ‘Holmes is a whaler’ express different propositions, even though neither ‘Ahab’ nor ‘Holmes’ has a referent. This seems to constitute a theoretical puzzle for the Russellian view of propositions. In this paper, I develop a variant of the Russellian view, Plenitudinous Russellianism. I claim that ‘Ahab is a whaler’ and ‘Holmes is a whaler’ express distinct gappy propositions. I discuss key metaphysical and semantic differences between Plenitudinous Russellianism and Traditional Russellianism and respond to objections that (...) stem from those differences. (shrink)

Fictional characters present a problem for semantic theorists. One approach to this problem has been to maintain realism regarding fictional characters, that is to claim that fictional characters exist. In this way names originating from fiction have designata. On this approach the problem of negative existentials is more pressing than it might otherwise be since an explanation must be given as to why we judge them true when the names occurring within them designate existing objects. So, realists must explain the (...) intuitive truth of such statements. Some realists have appealed to pragmatics to explain this, but have not developed these positions fully. What follows is an original account of negative existentials based on the pragmatic process of modulation. Modulation affects the meaning of ‘exists’ such that its extension is merely those things that exist physically. It is then argued that the modulation approach provides a more natural account of the intuitive truth of negative existentials involving fictional characters than an account based on conversational implicatures. Finally, the modulation account is defended against objections presented against similar accounts. (shrink)

The canonical version of possible worlds semantics for story prefixes is due to David Lewis. This paper reassesses Lewis's theory and draws attention to some novel problems for his account.

According to many realist philosophers of fiction, one needs to posit an ontology of existing fictional characters in order to give a correct account of discourse about fiction. The realists' claim is opposed by pretense theorists for whom discourse about fiction involves, as discourse in fiction, pretense. On that basis, pretense theorists claim that one does not need to embrace an ontology of fictional characters to give an account of discourse about fiction. The ontolog-ical dispute between realists and pretense theorists (...) is mainly a dispute in the realm of the phi-losophy of language concerning the status relative to pretense of discourse about fiction. Realists are persuaded that there is a sharp line between discourse in fiction and discourse about fiction while pretense theorists deny there exists such a line. I suggest that realists may have a wrong picture of discourse in fiction since, in many cases, discourse in fiction already contains many occurrences of discourse about fiction. Consequently, discourse about fiction, instead of ending fiction, should be regarded, following pretense theorists, as adding extra lay-ers of fiction. (shrink)

The nonexistence of fictional entities does not seem incompatible with their possible existence. The aim of this paper is to give an account of the intuitive truth of statements of possible existence involving fictional proper names in an actualist framework. After having clarified the opposition between a possibilist and an actualist approach of possible wolds, I distinguish fictional individuals from fictional characters and the fictional use of fictional proper names from their metafictional use. On that basis, statements of possible existence (...) involving fictional proper names literally say of fictional characters conceived as abstract objects that they might have been exemplified. (shrink)

We investigate the form of mathematical structuralism that acknowledges the existence of structures and their distinctive structural elements. This form of structuralism has been subject to criticisms recently, and our view is that the problems raised are resolved by proper, mathematics-free theoretical foundations. Starting with an axiomatic theory of abstract objects, we identify a mathematical structure as an abstract object encoding the truths of a mathematical theory. From such foundations, we derive consequences that address the main questions and issues that (...) have arisen. Namely, elements of different structures are different. A structure and its elements ontologically depend on each other. There are no haecceities and each element of a structure must be discernible within the theory. These consequences are not developed piecemeal but rather follow from our definitions of basic structuralist concepts. (shrink)

Neo-Russellianism, which incorporates both Millianism (with regard to proper names) and the thesis of singular Russellian propositions, has widely been defended after the publication of Kripke's Naming and Necessity. The view, however, encounters various problems regarding empty names, names that do not have semantic referents. Nathan Salmon and Scott Soames have defended neo-Russellianism against such problems in a novel way; to account for various intuitions of competent and rational speakers regarding utterances of sentences containing empty names, Salmon and Soames appeal (...) neither to entities similar to Fregean senses, e.g. propositional guises or modes of presentation, nor to Gricean implicatures. In this paper, however, I argue that their view slips into neo-Meinongianism; it is committed to nonexistent objects, assigns various properties to them, and allows quantifiers range over such entities. This, I conclude, makes Salmon and Soames' view less appealing, if not implausible. (shrink)

It is usually taken for granted, in discussions about fiction, that real things or events can occur as referents of fictional names . In this paper, I take issue with this view, and provide several arguments to the effect that it is better to take the names in fiction to refer to fictional surrogates of real objects. Doing so allows us to solve a series of problems that arise on the reference-continuity view. I also show that the arguments philosophers usually (...) rely on in order to ban surrogates are not as serious as they have been taken to be. In the first part of the paper, I describe the two conflicting views. In the second part, I discuss several specific arguments in favor of surrogates. In the third part I take up the kind of reasons ordinarily offered against them. (shrink)

One of the main issues concerning different versions of content externalism is whether or not they are compatible with the privileged access thesis. According to the so-called ‘illusion version’ of externalism, in reference failure cases (such as cases in which an empty proper name is involved) the subject suffers an illusion of entertaining a thought. In this paper, I shall concentrate on a recent argument offered by Jessica Brown, which she calls the “illusion argument”, to the effect that the illusion (...) version of externalism undermines the privileged access thesis (Brown, 2004). After criticizing Brown's argument, I shall try to reconstruct the illusion argument in a more defensible and straightforward way. I will exploit, in my argument, solutions proposed by Goldman and Alston for the so-called ‘generality problem’ (Goldman, 1986; Alston, 1995). Moreover, I shall offer a stronger formulation of the global reliability condition for knowledge, upon which my reconstruction of the illusion argument is based. (shrink)

Argumento, seguindo a perspectiva de Amie Thomasson acerca da metafísica da ficção, que os objetos ficcionais são artefatos abstratos. No entanto, o artefactualismo encontra dificuldades em fazer sentido das propriedades que podemos atribuir corretamente a um objeto ficcional: como é possível que um personagem ficcional, como L. B. Jefferies do filme Janela Indiscreta, seja um fotógrafo e um artefato abstrato ao mesmo tempo? Tal personagem pode fazer algo como investigar um crime? A fim de solucionar essa tensão conceitual, introduzo o (...) vocabulário desenvolvido por Andrea Bonomi que trata dos proferimentos ficcionais, metaficcionais e paraficcionais. Então, em oposição às perspectivas que usam a noção de faz-de-contas para analisar o discurso ficcional, apresento a teoria dos adjetivos modificacionais de Hans Kamp e Barbara Partee e argumento que os usos que fazemos do adjetivo ‘ficcional’ são intersectivos no que diz respeito à metafísica dos objetos ficcionais, enquanto são privativos no que diz respeito às propriedades que lhes são atribuídas de acordo com a história. Consequentemente, apesar dos objetos ficcionais não exemplificarem as propriedades que lhes são atribuídas em uma história, uma vez que artefatos abstratos não têm localização espacial e não podem estabelecer interações causais com outros objetos, essas são as propriedades que temos permissões e somos obrigados a lhes atribuir. Assim, apresento uma perspectiva unificada sobre como as nossas práticas de ficção são inteligíveis e estão de acordo com a perspectiva artefactual. (shrink)

Critical realism is the view that fictional characters arecontingent, actual, abstract individuals, ontologically on a par with such things as plots and rhyme schemes, andquantified over in statements such as “A character inHamlet is a prince.” A strong contender for thecorrect account of fictional characters, critical realismnevertheless has difficulty satisfying all that we intuitivelyrequire of such an account.

The paper reviews proposals by Abell, Predelli, and others on the semantics of fiction, focusing on the discourse through which fictions are created. Predelli develops the radical fictionalism of former writers like Kripke and van Inwagen, on which that discourse is contentless and does not express propositions. This paper offers reasons to doubt these claims. It then explores realist proposals like Abell’s in which singular terms in fictions refer to fictional characters, understood as socially created representational artifacts, and irrealist alternatives (...) in which the discourse is fully meaningful even though those terms fail to refer. (shrink)

The paper surveys recent appraisals of David Lewis’s seminal paper on truth in fiction. It examines variations on standard criticisms of Lewis’s account, aiming to show that, if developed as Lewis suggests in his 1983 Postscript A, his proposals on the topic are—as Hanley puts it—‘as good as it gets’. Thus elaborated, Lewis’s account can resist the objections, and it offers a better picture of fictional discourse than recent resurrections of other classic works of the 1970s by Kripke, van Inwagen (...) and Searle. The turn that Lewis suggests and the paper recommends draws on the remaining outstanding contribution from that time: Walton’s. (shrink)

John Searle argues that fictions are constituted by mere pretense—by the simulation of representational activities like assertions, without any further representational aim. They are not the result of sui generis, dedicated speech acts of a specific kind, on a par with assertion. The view had earlier many defenders, and still has some. Stefano Predelli enlists considerations derived from Searle in support of his radical fictionalism. This is the view that a sentence of fictional discourse including a prima facie empty fictional (...) name like “Emma Woodhouse” in fact “is not a sentence, and it encodes no proposition whatsoever.” His argument is broadly abductive; he claims that this view affords compelling explanations of features of fictions he finds well-established, among them that fictions without explicit narrators nonetheless have covert ones. Here I take up his arguments, in defense of the dedicated speech act view. I thus address pressing issues about the status of fictional names and the nature and ubiquity of narrators in fictions. (shrink)

If there are no fictional characters, how do we explain thought and discourse apparently about them? If there are, what are they like? A growing number of philosophers claim that fictional characters are abstract objects akin to novels or plots. They argue that postulating characters provides the most straightforward explanation of our literary practices as well as a uniform account of discourse and thought about fiction. Anti-realists counter that postulation is neither necessary nor straightforward, and that the invocation of pretense (...) provides a better account of the same phenomena. I outline and assess these competing theories. (shrink)

I defend a cluster of views about names from fiction and myth. The views are based on two claims: first, proper names refer directly totheir bearers; and second, names from fiction and myth are genuinely empty, they simply do not refer. I argue that when such names are used in direct discourse, utterances containing them have truth values but do not express propositions. I also argue that it is a mistake to think that if an utterance of, for example, “Vulcan (...) is a planet” fails to express a proposition, then an utterance of “Le Verrier believed that Vulcan is a planet” cannot express a proposition. The argument applies to claims about fiction, such as “Sherlock Holmes is strong,” and claims about the attitudes of authors and auditors. The upshot is a semantics for fictional statements that provides a satisfying way for direct reference theorists to avoid taking fictional entities to be abstract objects and to accept the commonsense view that what is true in a fiction is ultimately a matter of what is pretended to be the case. (shrink)

There has recently been considerable interest in accounts of fiction which treat fictional characters as abstract objects. In this paper I argue against this view. More precisely I argue that such accounts are unable to accommodate our intuitions that fictional negative existentials such as “Raskolnikov doesn’t exist” are true. I offer a general argument to this effect and then consider, but reject, some of the accounts of fictional negative existentials offered by abstract object theorists. I then note that some of (...) the sort of data invoked by the abstract object theorist in fact cuts against her position. I concludle that we should not regard fictional characters as abstract objects but rather should adopt a make-believe theoretic account of fictional characters along the lines of those developed by Ken Walton and others. (shrink)

The logic of fiction has been a stand-alone research programme only since the early 1970s.1 It is a fair question as to why in the first place fictional discourse would have drawn the interest of professional logicians. It is a question admitting of different answers. One is that, since fictional names are “empty”, fiction is a primary datum for any logician seeking a suitably comprehensive logic of denotation. Another answer arises from the so-called incompleteness problem, exemplified by the fact (or (...) apparent fact) that some fictional sentences – think of “Sherlock Holmes’ mother was nick-named ‘Polly’” − are neither true nor false. These are sentences to command the attention of logicians who work on non-bivalent logics. A further spur to logical engagement is the supposed fictionality of certain kinds of ideal models in science and certain classes of mathematical objects. No doubt, there are other features of fictional discourse that provide the logician with a natural entré, but perhaps it would also be correct to say that the fiction’s biggest draw for logicians is that our quite common beliefs about the fictional constitute what Nicholas Rescher calls “aporetic clusters”, so named after the Latinized Greek aporos for “impassable”.2 An aporetic cluster is a set of claims such that.. (shrink)

Ordinary Language Philosophy has largely fallen out of favour, and with it the belief in the primary importance of analyses of ordinary language for philosophical purposes. Still, in their various endeavours, philosophers not only from analytic but also from other backgrounds refer to the use and meaning of terms of interest in ordinary parlance. In doing so, they most commonly appeal to their own linguistic intuitions. Often, the appeal to individual intuitions is supplemented by reference to dictionaries. In recent times, (...) Internet search engine queries for expressions of interest have become quite popular. Apparently, philosophers attempt to surpass the limits of their own linguistic intuitions by appealing to experts or to factual uses of language. I argue that this attempt is commendable but that its execution is wanting. Instead of appealing to dictionaries or Internet queries, philosophers should employ computer-based linguistic corpora in order to confirm or falsify hypotheses about the factual use of language. This approach also has some advantages over methods employed by experimental philosophers. If the importance of ordinary language is stressed, the use of linguistic corpora is hardly avoidable. (shrink)