- Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.details
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When Traditional Essentialism Fails: Biological Natural Kinds.Robert A. Wilson, Matthew J. Barker & Ingo Brigandt - 2007 - Philosophical Topics 35 (1-2):189-215.details
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The artful mind meets art history: Toward a psycho-historical framework for the science of art appreciation.Nicolas J. Bullot & Rolf Reber - 2013 - Behavioral and Brain Sciences 36 (2):123-137.details
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Drawing in a Social Science: Lithic Illustration.Dominic McIver Lopes - 2009 - Perspectives on Science 17 (1):pp. 5-25.details
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Understanding: Art and Science.Catherine Z. Elgin - 1993 - Synthese 95 (1):13-28.details
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The Art Instinct: Beauty, Pleasure, and Human Evolution.Mara Miller - 2009 - Journal of Aesthetics and Art Criticism 67 (3):333-336.details
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Processing fluency and aesthetic pleasure: Is beauty in the perceiver's processing experience?Rolf Reber, Norbert Schwarz & Piotr Winkielman - 2004 - Personality and Social Psychology Review 8 (4):364-382.details
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Art and Visual Perception: A Psychology of the Creative Eye.Rudolph Arnheim - 1956 - Philosophy and Phenomenological Research 16 (3):425-426.details
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Art and Visual Perception, a Psychology of the Creative Eye.Rudolf Arnheim - 1955 - Journal of Aesthetics and Art Criticism 13 (3):411-412.details
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Aesthetics and Psychobiology.D. E. Berlyne - 1973 - Journal of Aesthetics and Art Criticism 31 (4):553-553.details
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Studies in the New Experimental Aesthetics: Steps toward an Objective Psychology of Aesthetic Appreciation.D. E. Berlyne - 1975 - Journal of Aesthetics and Art Criticism 34 (1):86-87.details
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The science of art: A neurological theory of aesthetic experience.Vilayanur Ramachandran & William Hirstein - 1999 - Journal of Consciousness Studies 6 (6-7):15-41.details
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Truth and beauty in scientific reason.James W. Mcallister - 1989 - Synthese 78 (1):25 - 51.details
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Minds: extended or scaffolded?Kim Sterelny - 2010 - Phenomenology and the Cognitive Sciences 9 (4):465-481.details
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(1 other version)Exograms and Interdisciplinarity: history, the extended mind, and the civilizing process.John Sutton - 2010 - In Richard Menary (ed.), The Extended Mind. Cambridge, MA, USA: MIT Press. pp. 189-225.details
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The Clockwork Muse: The Predictability of Artistic Change.Colin Martindale - 1992 - Journal of Aesthetics and Art Criticism 50 (2):171-173.details
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Sweet Anticipation: Music and the Psychology of Expectation.William Benjamin - 2007 - Journal of Aesthetics and Art Criticism 65 (3):333-335.details
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Proprioception as an aesthetic sense.Barbara Montero - 2006 - Journal of Aesthetics and Art Criticism 64 (2):231-242.details
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Seeing and showing.Arthur C. Danto - 2001 - Journal of Aesthetics and Art Criticism 59 (1):1-9.details
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Aesthetic experience regained.Monroe C. Beardsley - 1969 - Journal of Aesthetics and Art Criticism 28 (1):3-11.details
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Objective Knowledge: An Evolutionary Approach.James A. Martin - 1975 - Philosophical Review 84 (1):103.details
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Inner Vision.S. Zeki - unknowndetails
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The Artist as Critic: Dance Training, Neuroscience, and Aesthetic Evaluation.Barbara Gail Montero - 2013 - Journal of Aesthetics and Art Criticism 71 (2):169-175.details
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The Science of Art: Optical Themes in Western Art from Brunelleschi to SeuratPerspective as Symbolic Form.Patrick Maynard, Martin Kemp, Erwin Panofsky & Christopher S. Wood - 1994 - Journal of Aesthetics and Art Criticism 52 (2):243.details
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Esthetic as Science of Expression and General Linguistic. [REVIEW]Adam Leroy Jones - 1910 - Journal of Philosophy, Psychology and Scientific Methods 7 (18):496-499.details
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Art, Meaning, and Perception: A Question of Methods for a Cognitive Neuroscience of Art.W. P. Seeley - 2013 - British Journal of Aesthetics 53 (4):443-460.details
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Mathematical Principles of Esthetic Forms.Arnold Emch - 1900 - The Monist 11 (1):50-64.details
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What is the Cognitive Neuroscience of Art…and Why Should We Care?William Seeley - 2011 - American Society for Aesthetics Newsletter 31 (2):1-4.details
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The Power of the Center: A Study of Composition in the Visual Arts.Rudolf Arnheim - 1983 - Journal of Aesthetics and Art Criticism 41 (4):448-450.details
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Languages of Art.Nelson Goodman - 1970 - Philosophy and Rhetoric 3 (1):62-63.details
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Review of James W. McAllister: Beauty & revolution in science. [REVIEW]Katherine Hawley - 1997 - British Journal for the Philosophy of Science 48 (2):297-299.details
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Art and Intimacy: How the Arts Began.Ellen Dissanayake - 2004 - Journal of Aesthetics and Art Criticism 62 (1):69-71.details
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The Objective Eye: Color, Form, and Reality in the Theory of Art.Zed Adams - 2007 - Journal of Aesthetics and Art Criticism 65 (4):417-419.details
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The Story of Art.E. H. Gombrich - 1951 - Journal of Aesthetics and Art Criticism 9 (4):339-340.details
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The Eye of the Lynx: Galileo, His Friends, and the Beginnings of Modern Natural History.David Freedberg - 2004 - Journal of the History of Biology 37 (1):197-198.details
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The empirical determination of an aesthetic formula.H. J. Eysenck - 1941 - Psychological Review 48 (1):83-92.details
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Dancing Around the Issues: Prospects for an Empirically Grounded Philosophy of Dance.David Davies - 2013 - Journal of Aesthetics and Art Criticism 71 (2):195-202.details
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Reassessing Humanism and Science.Ann Blair & Anthony Grafton - 1992 - Journal of the History of Ideas 53 (4):535-540.details
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Visual Thinking.Marc Bornstein - 1973 - Philosophy of Science 40 (1):141-144.details
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Visual Thinking.[author unknown] - 1971 - Journal of Aesthetics and Art Criticism 30 (1):111-117.details
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On Painting.Leon Battista Alberti, John R. Spencer, Creighton Gilbert, E. W. Dickes & Brian Battershaw - 1956 - Journal of Aesthetics and Art Criticism 26 (1):148-148.details
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