Results for 'Ingo Brigandt'

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Ingo Brigandt
University of Alberta
  1. When Traditional Essentialism Fails.Robert A. Wilson, Matthew J. Barker & Ingo Brigandt - 2007 - Philosophical Topics 35 (1-2):189-215.
    Essentialism is widely regarded as a mistaken view of biological kinds, such as species. After recounting why (sections 2-3), we provide a brief survey of the chief responses to the “death of essentialism” in the philosophy of biology (section 4). We then develop one of these responses, the claim that biological kinds are homeostatic property clusters (sections 5-6) illustrating this view with several novel examples (section 7). Although this view was first expressed 20 years ago, and has received recent discussion (...)
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    Examining the Structured Uses of Concepts as Tools: Converging Insights.Eden T. Smith - 2019 - Filozofia Nauki 4 (28):7-22.
    Examining the historical development of scientific concepts is important for understanding the structured routines within which these concepts are currently used as goal-directed tools in experiments. To illustrate this claim, I will outline how the concepts of mental imagery and hallucinations each draw on an older interdependent set of associations that, although nominally-discarded, continues to structure their current independent uses for pursuing discrete experimental goals. In doing so, I will highlight how three strands of literature offer mutually instructive insights for (...)
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  3. The Nature of Evolutionary Biology: At the Borderlands Between Historical and Experimental Science.Massimo Pigliucci - 2013 - In Kostas Kampourakis (ed.), The Philosophy of Biology: A Companion for Educators. Springer.
    The scientific status of evolutionary theory seems to be more or less perennially under question. I am not referring here (just) to the silliness of young Earth creation- ism (Pigliucci 2002; Boudry and Braeckman 2010), or even of the barely more intel- lectually sophisticated so-called Intelligent Design theory (Recker 2010; Brigandt this volume), but rather to discussions among scientists and philosophers of science concerning the epistemic status of evolutionary theory (Sober 2010). As we shall see in what follows, this (...)
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  4. Die Techniken des szenischen Spiels im Unterricht Deutsch als Fremdsprache.Renata Cieślak - 2009 - Acta Universitatis Lodziensis. Folia Germanica 5:273-283.
    Pod pojęciem technik interpretacji scenicznej rozumie się działania, które łącząc recepcję tekstu literackiego z pedagogiką dramy, przyczyniają się do intensywnej analizy i interpretacji tekstów. Twórcą i głównym przedstawicielem tego nurtu dydaktyki literatury jest w Niemczech profesor nauk o estetyce i komunikacji Ingo Scheller. Swoją koncepcję pracy z tekstami literackimi Scheller zbudował na gruncie estetyki recepcji - teorii, która nadawała szczególną rolę czytelnikowi w konstytuowaniu znaczenia dzieła literackiego. Ogromny wpływ na powstanie interpretacji scenicznej wywarły także rozwijające się w latach osiemdziesiątych (...)
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  5. Priority-Setting in International Non-Governmental Organizations: It is Not as Easy as ABCD.Lisa Fuller - 2012 - Journal of Global Ethics 8 (1):5-17.
    Recently theorists have demonstrated a growing interest in the ethical aspects of resource allocation in international non-governmental humanitarian, development and human rights organizations (INGOs). This article provides an analysis of Thomas Pogge's proposal for how international human rights organizations ought to choose which projects to fund. Pogge's allocation principle states that an INGO should govern its decision making about candidate projects by such rules and procedures as are expected to maximize its long-run cost-effectiveness, defined as the expected aggregate moral (...)
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  6. Colour Spectral Counterpoints. Case Study on Aestetic Judgement in the Experimental Sciences.Olaf L. Müller - 2009 - In Ingo Nussbaumer & Galerie Hubert Winter (eds.), Restraint versus Intervention: Painting as Alignment. Verlag für moderne Kunst.
    When it became uncool to speak of beauty with respect to pieces of art, physicists started claiming that their results are beautiful. They say, for example, that a theory's beauty speaks in favour of its truth, and that they strive to perform beautiful experiments. What does that mean? The notion cannot be defined. (It cannot be defined in the arts either). Therefore, I elucidate it with examples of optical experimentation. Desaguliers' white synthesis, for example, is more beautiful than Newton's, and (...)
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