The infinitesimal methods commonly used in the 17th and 18th centuries to solve analytical problems had a great deal of elegance and intuitive appeal. But the notion of infinitesimal itself was flawed by contradictions. These arose as a result of attempting to representchange in terms ofstatic conceptions. Now, one may regard infinitesimals as the residual traces of change after the process of change has been terminated. The difficulty was that these residual traces could not logically coexist with the static quantities (...) traditionally employed by mathematics. The solution to this difficulty, as it turns out, is to regard these quantities asalso being subject to (a form of) change, for then they will have the same nature as the infinitesimals representing the residual traces of change, and will become,ipso facto, compatible with these latter.In fact, the category-theoretic models which realize the Principle of Infinitesimal Linearity may themselves be regarded as representations of a general concept of variation (cf. Bell (1986)). While the static set-theoretical models represent change or motion by making a detour through the actual (but static) infinite, the varying category-theoretic models enable such change to be representeddirectly, thus permitting the introduction of geometric infinitesimals and, as we have attempted to demonstrate in this paper, the virtually complete incorporation of the methods of the early calculus.It is surely a remarkable — even an ironic — fact that the contradiction between the flux of the objective world and the stasis of mathematical entities has found its resolution in category theory, a branch of mathematics commonly, and, as one now sees, mistakenly, regarded as the summit of gratuitous abstraction. (shrink)

In this paper (a sequel to [4]) I put forward a "local" interpretation of mathematical concepts based on notions derived from category theory. The fundamental idea is to abandon the unique absolute universe of sets central to the orthodox set-theoretic account of the foundations of mathematics, replacing it by a plurality of local mathematical frameworks - elementary toposes - defined in category-theoretic terms.

_'Philosophy, from the earliest times, has made greater claims, and acheived fewer results than any other branch of learning... I believe that the time has now arrived when this unsatisfactory state of affairs can be brought to an end'_ - _Bertrand Russell_ So begins _Our Knowledge of the Eternal World_, Bertrand Russell's classic attempt to show by means of examples, the nature, capacity and limitations of the logico-analytical method in philosophy.

First published in 1946, History of Western Philosophy went on to become the best-selling philosophy book of the twentieth century. A dazzlingly ambitious project, it remains unchallenged to this day as the ultimate introduction to Western philosophy. Providing a sophisticated overview of the ideas that have perplexed people from time immemorial, it is 'long on wit, intelligence and curmudgeonly scepticism', as the New York Times noted, and it is this, coupled with the sheer brilliance of its scholarship, that has made (...) Russell's History of Western Philosophy one of the most important philosophical works of all time. (shrink)

ABNER SHIMONY of the Paradox A PHILOSOPHICAL PUPPET PLAY Dramatis personae: Zeno , Pupil, Lion Scene: The school of Zeno at Elea. Pup. Master! ...

Richard Sorabji here takes time as his central theme, exploring fundamental questions about its nature: Is it real or an aspect of consciousness? Did it begin along with the universe? Can anything escape from it? Does it come in atomic chunks? In addressing these and myriad other issues, Sorabji engages in an illuminating discussion of early thought about time, ranging from Plato and Aristotle to Islamic, Christian, and Jewish medieval thinkers. Sorabji argues that the thought of these often negelected philosophers (...) about the subject is, in many cases, more complete than that of their more recent counterparts. “Splendid. . . . The canvas is vast, the picture animated, the painter nonpareil. . . . Sorabji’s work will encourage more adventurers to follow him to this fascinating new-found land.”—Jonathan Barnes, Times Literary Supplement “One of the most important works in the history of metaphysics to appear in English for a considerable time. No one concerned with the problems with which it deals either as a historian of ideas or as a philosopher can afford to neglect it.”—Donald MacKinnon, Scottish Journal of Theology “Unusually readable for such scholarly content, the book provides in rich and cogent terms a lively and well-balanced discussion of matters of concern to a wide academic audience.”— Choice. (shrink)