The article is the first Russian translation of the most well-known piece in conversation analysis, written by the founders of CA Harvey Sacks, Emanuel Schegloff and Gail Jefferson. It has become a milestone in the development of the discipline. The authors offer a comprehensive approach to the study of conversational interactions. The approach is based on the analysis of detailed transcripts of the records of natural conversations. The authors show that in the course of the conversation co-conversationalists use a number (...) of techniques to organize the turn-taking. These techniques are combined in four rules: the first option is the transfer of speakership via allocation of the next speaker by the current speaker; if this first option is not realized, turn-taking may happen via the self-selection by one of the participants; if the second option remains unrealized too, the current speaker continues speaking, with all three options being recurrently provided at all next transition relevant places. The result of the operation of these rules is an orderly conversation based on the principle “one speaker at a time.” According to the authors, this model is compatible with obvious observations concerning conversational practices that they make. The authors show that in every conversation there is a turn-taking system in operation, which provides for a flexible adaptation of the every conversation’s structure to any possible topics and any possible speakers’ identities. Such approach considers how the participants in social interactions order their communication with each other, achieving a sense of normally occurring interaction. (shrink)

This essay is about Houdini’s escapes and ethnomethodology’s studies.1 By accomplishing what appears to be impossible, Houdini leaves his audience considering not only how did he manage to do that, but also just what is it that we consider to be possible. Magicians and escapologists warn us off an interest in the mechanics of their tricks that might spoil the thrill of what they dramatically present to us: a sense of the limits to whatwe can apprehend as an audience. While (...) marking out the differences in their projects, this essay brings out the sharedurge of escapologists and ethnomethodologists to question our senses, openmembers to particular phenomena, and awaken us tothe wonder of the world.In reflecting on what happens when magicians reveal the devices that constitute their tricks, I ask whether the purpose of studying methodologies canonlyreside in revealing how they are practically produced as intelligibleactions. What more might ethnomethodology’s invitation be? (shrink)

In this book, his major work, Alfred Schutz attempts to provide a sound philosophical basis for the sociological theories of Max Weber. Using a Husserlian phenomenology, Schutz provides a complete and original analysis of human action and its "intended meaning.".

Henri Lefebvre has considerable claims to be the greatest living philosopher. His work spans some sixty years and includes original work on a diverse range of subjects, from dialectical materialism to architecture, urbanism and the experience of everyday life. The Production of Space is his major philosophical work and its translation has been long awaited by scholars in many different fields. The book is a search for a reconciliation between mental space and real space. In the course of his exploration, (...) Henri Lefebvre moves from metaphysical and ideological considerations of the meaning of space to its experience in the everyday life of home and city. He seeks, in other words, to bridge the gap between the realms of theory and practice, between the mental and the social, and between philosophy and reality. In doing so, he ranges through art, literature, architecture and economics, and further provides a powerful antidote to the sterile and obfuscatory methods and theories characteristic of much recent continental philosophy. This is a work of great vision and incisiveness. It is also characterized by its author's wit and by anecdote, as well as by a deftness of style which Donald Nicholson-Smith's sensitive translation precisely captures. (shrink)

In this widely hailed and long out of print classic of twentieth-century philo-sophic commentary, Farber explains the origin, development, and function of ...

This book reformulates the sociological subdiscipline known as the sociology of knowledge. Knowledge is presented as more than ideology, including as well false consciousness, propaganda, science and art.

In a series of richly detailed studies from Britain, Australia and North America, Bennett investigates how 19th and 20th century museums, fairs and exhibitions have organised their collections and their visitors.

This article strongly argues the priority of symbolic, especially discursive, action over the material order in the genesis of social things. What turns a piece of stuff into a social object is its embedment in a narrative construction. The attribution of an active or a passive role to things in relation to persons is thus essentially story-relative: nothing happens or exists in the social world unless it is framed by human performative activity. Drawing on Gibson's notion of `affordance', Harré affirms (...) that material things may be disposed towards many different usages, and may acquire multiple identities according to different narrative constructions, even though the range of their possible `existences' is constrained by certain material features. Objects acquire their full significance only if one takes account of their double role in both the `practical' order, which includes social arrangements for maintaining life, and the `expressive' order, which creates hierarchies of honour and status, and which enjoys priority over the former. Reasoning from a microsociological constructionist perspective, Harré restates his view that there is nothing else to social life but symbolic exchanges and joint management of meaning, including the meaning of things; the illusion that some thing is real is merely an effect of certain interpretational grammars which remain stable across the generations or even the centuries. (shrink)

Marx and Engels's Communist Manifesto has become one of the world’s most influential political tracts since its original 1848 publication. Part of the Rethinking the Western Tradition series, this edition of the Manifesto features an extensive introduction by Jeffrey C. Isaac, and essays by Vladimir Tismaneanu, Steven Lukes, Saskia Sassen, and Stephen Eric Bronner, each well known for their writing on questions central to the Manifesto and the history of Marxism. These essays address the Manifesto's historical background, its impact on (...) the development of twentieth-century Communism, its strengths and weaknesses as a form of ethical critique, and its relevance in the post-1989, post-Cold War world. This edition also includes much ancillary material, including the many Prefaces published in the lifetimes of Marx and Engels, and Engels's "Principles of Communism.". (shrink)

The author takes readers on a tour of his personal museum of natural oddities and optical illusions as he explores the imaginative origins of art and science.

This article looks at a quite different form of mediation, a tactile book on the Parthenon Frieze for the visually impaired that has recently been produced by the British Museum. As a material expression of the current concern with equal opportunities and access within the museum sector, this book attempts to provide a form of access through an artefact to another set of artefacts for a group of people on the margins of the museum's visual space. Conscious of the conservational (...) problems of allowing objects to be touched directly, the book provides an optical prosthesis that allows the hand to extend into an otherwise visual space. But as a form of mediation the book reproduces the representational codes of Enlightenment scopics, in which the view point is reduced to the optics of the subject. In contrast, Hetherington argues that the body of the visually impaired person, notably the hand, offers another and quite different form of mediation in which the body, through its haptic capacities, comes to challenge this correspondence between the optic and the scopic. Associating instead the haptic with the scopic opens up the possibility with a new form of connection with the sign's materiality and performativity. (shrink)