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  1. (1 other version)Art as experience.John Dewey - 2005 - Penguin Books.
    Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.
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  • Mind, self and society.George H. Mead - 1934 - Chicago, Il.
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  • Problems of Dostoevsky’s Poetics.Mikhail Mikhaĭlovich Bakhtin - 1984 - Univ of Minnesota Press.
    This book is not only a major twentieth-century contribution to Dostoevsky’s studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle.“Bakhtin’s statement on the dialogical nature of artistic creation, and his differentiation of this from a history of monological commentary, is profoundly original and illuminating. This is a classic work on Dostoevsky and a statement of importance to critical theory.” Edward Wasiolek“Concentrating on the (...)
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  • The culture of education.Jerome Bruner - 1996 - Cambridge: Harvard University Press.
    Argues that educators should help students piece together authentic narratives about themselves and about society, and not to focus so much on teaching students to process information.
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  • Either/Or: A Fragment of Life.Soren Kierkegaard - 1992 - Penguin Classics.
    In Either/Or, using the voices of two characters—the aesthetic young man of part one, called simply "A," and the ethical Judge Vilhelm of the second section—Kierkegaard reflects upon the search for a meaningful existence, contemplating subjects as diverse as Mozart, drama, boredom, and, in the famous Seducer's Diary, the cynical seduction and ultimate rejection of a young, beautiful woman. A masterpiece of duality, Either/Or is a brilliant exploration of the conflict between the aesthetic and the ethical - both meditating ironically (...)
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  • Review Essay.Gary Saul Morson, Caryl Emerson, Michael F. Bernard-Donals, L. A. Gogotišvili & P. S. Gurevič - 1990 - Studies in East European Thought 49 (4):305-317.
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  • Voices of the Mind: A Sociocultural Approach to Mediated Action.James V. Wertsch - 1993 - Science and Society 57 (1):98-101.
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  • The Psychology of Art.Lev Semenovich Vygotsky - 1972 - Journal of Aesthetics and Art Criticism 30 (4):564-566.
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  • Speech Genres and Other Late Essays. [REVIEW]Brian Shaffer - 1988 - Substance 57:58–60.
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  • The Cultural Psychology of Self: Place, Morality, and Art in Human Worlds.Ciarán Benson - 2000 - Routledge.
    Philosophers and psychologists both investigate the self, but often in isolation from one another. this book brings together studies by philosophers and psychologists in an exploration of the self and its function. It will be of interest to all those involved in philosophy, psychology and sociology.
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  • Agency and culture.Carl Ratner - 2000 - Journal for the Theory of Social Behaviour 30 (4):413–434.
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  • Toward a Philosophy of the Act.M. M. Bakhtin - 1995 - Journal of Aesthetics and Art Criticism 53 (1):99-100.
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  • The Anthropology of Experience.Victor Witter Turner & Edward M. Bruner - 1986
    Fourteen authors, including many of the best-known scholars in the field, explore how people actually experience their culture and how those experiences are expressed in forms as varied as narrative, literary work, theater, carnival, ritual, reminiscence, and life review. Their studies will be of special interest for anyone working in anthropological theory, symbolic anthropology, and contemporary social and cultural anthropology, and useful as well for other social scientists, folklorists, literary theorists, and philosophers. ".
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  • Positioning in practice: Understanding participation in the social world.C. Linehan & J. McCarthy - 2000 - Journal for the Theory of Social Behaviour 30 (4):435–453.
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