In the article, I prove that the dialogical ritual obscene songs, in which Sappho “scolds” Gorgo and Andromeda, are the closest parallel to Aristotle's poetic dialogue of Sappho with Alcaeus, 70, 145, 99 etc. Campbell; cf. Max Tyr., 18. 9 Hobein). Also I prove that this poetic dialogue was most likely included in the text of the “Rhetoric” in mid-340s., when Aristotle and his young wife Pythias were living in Mytilene. Aristotelian verb tetimekasin indicates that, even in his time, (...) these Sapphic dialogical songs had traditionally been performed in Mytilene during religious festivals. It becomes clear that Aristotle, while quoting this dialogue of Sappho with Alcaeus, seeks to “elevate” Sappho over the obscene songs of the Mytilenean ritual chorus, leaving all the responsibility for aischrologia entirely with Alcaeus. (shrink)

The issue of this study is, as noted in the topic, “The Unification Mystery of Christ in Church”. We try to underline the Orthodox specifics from the patristical and apologetical point of view. Therefore, one of our principal point of the analysis is the preparation of priests and believers for the Eucharistic moment in the Orthodox Liturgy. In the apologetical approach of our presentation, we try to offer an actual interpretation of this Holy Sacrament, together with its necessity on the (...) actual society and to offer some theological solution in the actual context. (shrink)

In this chapter, I explore my affective engagement with Charlotte Wood’s The Weekend (2019). Adopting definitions that reveal the nested hierarchies of feeling, affect, and emotion, I situate emotion as a semantic experience within the framework of thought, arguing that thought itself is an affectual process that carries meaning. Cognition, in other words, is an affective process. Thought’s affectual status is often overlooked, however, with the focus on its semantic content drawing attention from this; yet meaning affects us, and this (...) is the function of thought as affect: it organises experience in ways that are, in turn, affecting. My approach to Wood’s novel aims to emphasise this and find firmer ground on which to perceive emotion as a kind of thought, noting that reading stimulates thinking in terms of grammatically established points of view. (shrink)

In order to obtain a complete description and understanding of the whole of reality and to include a true description of what a human being is and what the totality of the human experience is, one must integrate science with a particular theology. However, which theology or religion should we use? As done in science, one must choose the theology that has the highest explanatory power—namely, by applying the principle of parsimony, Occam’s razor.

Science is a crowning glory of the human spirit and its applications remain our best hope for social progress. However, there are limitations to existing science and perhaps to any science. The general mind-body problem is known to be currently intractable and mysterious (8). This is one of many deep problems that are generally agreed to be beyond the present purview of Science, including many quantum phenomena, etc. However, all of these famous unsolved problems are either remote from everyday experience (...) (entanglement, dark matter) or are hard to even define sharply (phenomenology, consciousness, etc.). In this note, we will consider some computational problems in vision that arise every time that we open our eyes and yet are demonstrably inconsistent with current theories of neural computation. The focus will be on two famous related phenomena, known as the neural binding problem and the experience of a detailed stable visual world. I, among many others, have struggled with these issues for more than fifty years (1, 2, 3). Somewhat paradoxically, the continuing progress in scientific methods and knowledge reveals that these are both unsolvable within existing neuroscience. By considering some basic facts about how the brain processes image input, we will show that, under the standard theory, there are not nearly enough brain neurons to compute what we experience as vision. Inconsistencies like the ones shown here have had a profound effect on paradigm change in the sciences. More directly, the discussions below suggest possible new theories and experiments. (shrink)

Despite the ubiquity of bees in Dickinson’s work, most interpreters denigrate her nature poems. But following several recent scholars, I identify Nietzschean/Dionysian overtones in the bee poems and suggest the figure of bees/hive/queen illuminates as feminist key to her corpus. First, (a) the bee’s sting represents martyred death; (b) its gold, immortality; (c) its tongue, the “lesbian phallus”; (d) its wings, poetic power; (e) its buzz, poetic melody, and (f) its organism, a joyful Dionysian Susan (her sister-in-law and love interest) (...) to Emily’s flower. Second, the hive represents her individual poems (with slants/dashes as stingers, wings as hymn meter, honey as rhymes, variant words as exiled bees, and accompanying flowers their Darwinian coevolution with bees), constituting her writing persona as a multi-voiced self-swarm, as organized in the apiary of her letters and fascicles. And third, the queen represents her Western cultural and religious inheritance wherein bees are symbols of the soul, reincarnation, poetic-philosophical vocation, and a Nietzschean, trans-Dionysian naturalist ontology—symbolized by apiarian Artemis. (shrink)

CONTEMPORARY philosophers of religion have devoted much worthy effort to analyzing and reconsidering such important traditional doctrines as those of divine omniscience and simplicity. But the similarly important and traditional doctrine of creation ex nihilo has not been enjoying the same kind of attention. One reason for this may be that its purport seems clearer, and its place in classical theism accordingly less controversial, than those of certain other doctrines, so that neither proponents nor opponents are as much inclined to (...) puzzle over it as over those other doctrines. But in Aquinas's magisterial account, at least one of the doctrine's aspects bears a philosophical interest that is easy to overlook. In this paper I will bring out that aspect by resolving two alleged inconsistencies in Aquinas's account.... (shrink)

John Searle’s The Construction of Social Reality and Hernando de Soto’s The Mystery of Capital shifted the focus of current thought on capital and economic development to the cultural and conceptual ideas that underpin market economies and that are taken for granted in developed nations. This collection of essays assembles 21 philosophers, economists, and political scientists to help readers understand these exciting new theories.

During the last two decades, a sharp re-reading of St. Paul’s letters allowed several thinkers to embed a messianic element in their political philosophy. In these readings, the messianic refusal of the world and its laws is understood through the suspensive act of ‘subtraction’ – a movement of withdrawal which nonetheless proved too often ineffective when translated in political practice. -/- After having analysed Agamben’s declension of Subtraction in terms of ‘inoperativity’, this article focuses on the notion of Parousia as (...) a key element to understand his anti-utopian account of messianic time. In contrast with Agamben’s reading, Bloch’s interpretation of the Pauline Parousia envisages the messianic event as infra-historical, but at the same time opened to ultimate (meta-historical) purposes. Bloch’s messianic call – I argue – takes the form of mediation, a correction of subtraction towards the direction of a more committed political engagement. I conclude suggesting that the concrete implementations of this mediation perform their emancipatory function in so far as they assume the character of practical ethics, with the attention directed to the underprivileged and marginalised. (shrink)

“What is the structure of thought?” is as central a question as any in cognitive science. A classic answer to this question has appealed to a Language of Thought (LoT). We point to emerging research from disparate branches of the field that supports the LoT hypothesis, but also uncovers diversity in LoTs across cognitive systems, stages of development, and species. Our letter formulates open research questions for cognitive science concerning the varieties of rules and representations that underwrite various LoT-based systems (...) and how these variations can help researchers taxonomize cognitive systems. (shrink)

This paper examines the following three questions: (1) In The Rose Garden of Mystery (Golshan-e Rāz), how does the prominent 7-8th-century Iranian Sufi, Maḥmūd Shabistarī, distinguish the mystical “contemplation” and “rational reflection” in pursuing divine knowledge? (2) Was Shabistarī an anti-rationalist (strict fideist)? (3) How does Shabistarī’s position fit into the ancient Greek, Neoplatonist, and medieval Islamic and Christian metaphysics? This paper examines Golshan-e Rāz in the context of Shabistarī’s other works, commentaries, secondary sources, and Islamic thought—Sufism and philosophy. Existing (...) literature on Golshan-e Rāz primarily focuses on its literary aspects, neglecting its philosophical and mystical concepts. However, a thorough understanding requires examining these concepts in a broad context, which will inspire further research. The rationale behind this research is rooted in the religious obligation for believers to know God, with “thinking” as the means to acquire such knowledge. This is why the first question Herawī poses to Shabistarī pertains to the nature of thought—justifying this paper’s focus. Contemporary opposition to religion often stems from its perceived incongruity with the rational frameworks offered by positivism, materialism, or scientific inquiry. By differentiating between mystical and rational modes of thought that Shabistarī presents, this study shows the contemporary person that intellectual inquiry extends beyond rationalism and encompasses mysticism. Consequently, rational and mystical perspectives should be pursued in the quest for the divine. Furthermore, this study contends that Shabistarī should not be regarded as a strict fideist; instead, his criticism is directed toward the constraints inherent in rational thinking. (shrink)

A review of Giorgio Agamben's The Mystery of Evil: Bendict XVI and the End of Days, which attempts to place Agamben's peculiar argument regarding Pope Benedict's abdication in the context of his reading of St. Paul's 2 Thessalonians 2:1-12, and, more generally, in terms of his political-theology in the Homo Sacer series. The questions, 'Who is the Antichrist?' and 'Who (or what) is the katechon?' are also explored, in the attempt to translate Agamben's obscure theology into contemporary political terms.

The concept of truthmaking, the idea that when a statement is true, there is typically something about the world in virtue of which it is true, has garnered much interest in recent metaphysics. Often, the motivation has been the thought that truthmaking can provide a new perspective on an important issue. This paper evaluates the claim that truthmaking can play a substantive role in defining an unproblematic notion of emergence. For despite playing an important role in philosophical discourse over the (...) past 100 years, it has often been thought that there is something mysterious about the notion of emergence. It has recently been argued, however, that once emergent properties are characterized as those that, while “ontologically dependent” are yet needed as truthmakers emergence and emergent properties prove unproblematic. In response, I argue that there is reason to doubt that truthmaking can play an important role in formulating an unproblematic yet recognizable notion of emergence. I argue that it is consistent with truthmaking being unable to play a substantive role in emergentism that truthmaking can play a more significant role in characterizing an attractive middle ground between reductive and nonreductive physicalism. (shrink)

Abstract: Giorgio Agamben's recent works have been preoccupied with a certain obscure passage from St. Paul's 'Second Epistle to the Thessalonians,' which describes the portentous events that must occur before the Second Coming of Jesus Christ can take place---specifically, the appearance of a 'man of lawlessness' (the Antichrist?) and the exposure of who or what is currently restraining the 'man of lawlessness' from being exposed as the Antichrist: a mysterious agency called the 'katechon.' In 'The Mystery of Evil: Benedict XVI (...) and the End of Days,' this obscure passage is connected with the abdication of Pope Benedict XVI through certain equally obscure references to the fourth century theologian, Tyconius, although the precise connection between these apocalyptic events and their mysterious agents remains obscure. This review attempts to shed some critical light upon this cryptic subject, both by considering the world-historical context of St. Paul's epistle, and by asking what role these apocalyptic figures play in Agamben's political theology. But, to begin with, the review also asks: Who, really, is the Antichrist? a scarcely rhetorical question that demands a sardonic answer. Although various candidates from contemporary politics are proposed, the review finally argues that the Antichrist and the katechon are not specific individuals or worldly institutions, but rather refer to world-historical trends within Western European Christian civilization itself that have resulted in what Friedrich Nietzsche called 'the devaluation of all higher values' and 'the desecration of the Christian moral world-view': an apocalyptic turn of events which Nietzsche equally sardonically referred to in 'The Antichrist.'. (shrink)

The mind is not structured anatomically, as emphasized by modern pathology. Instead, it is expanded as a whole in a subtle form behind the physical body. In the Indian system of medical philosophy, the mind is considered as the astral nerves made third body, which identified as the ‘Manomaya-sharira’ (subconscious mind). The mind is composed of millions of astralnadis, through which Pranic-energies circulate freely into the astral anatomy of mind. Seven-chakras are found parallel to the spine, serving as the major (...) seven innovation centres in the body. These Chakras facilitate the connection of the mind with the seven dimensions of the inner world. From these dimensions the Pranic-energies including Sattva, Raja, Tama are exported to the mind and its Nadi-tantras, influencing both the outer and inner subconscious minds. Subsequently, these elements, viz., Sattva, Raja and Tama are thrown from the mind to the outer world through the seven sense organs, manifesting as either constructive or destructive activities. Thus the mind exists due to ‘Prana’, (energy of Omkara) which increases through deeper meditation, sound sleep, and breathing exercises (O2). The positional behaviour of the mind shifts according to the physical and mental temperament, namely Triguna and Tridosha, or Panchavikara. The negative energy (Tama-guna) of the fourth dimension enters the astral Nadis-system of the mind via the interspace of the solar plexus, which crushes the mind’s structures, and consequently, all the Chakras are corrupted and the Nadis are blocked, so it generates a break in the circulation of ‘Prana’ into the Nadis. As a result, many socio-economic challenges and psychosomatic disorders occur. (shrink)

This paper addresses a puzzle some people have about immigration. We are told that the immigrants we are taking in are talented, but then why don’t their own societies keep them?

“Better Economics for the Earth: A Lesson from Quantum and Information Theories” is a synthesis of ideas that promise to revolutionize our understanding of economics. Authors Quan-Hoang Vuong and Minh-Hoang Nguyen nurture a refreshing perspective by intertwining complex scientific theories with the intricate dance of economic systems. Their exploration goes beyond the traditional frameworks, engaging readers in a journey that teases the intellect while whispering secrets of the universe that are intimately tied to our everyday lives. The book earns a (...) glowing 5 out of 5 stars for its audacious approach to expanding economic thought, its emotional resonance, and its ability to captivate the intellect. Vuong and Nguyen have crafted a narrative that is not only timely but also timeless, as it invites readers to be part of a dialogue that could transform our world. This book is essential reading for anyone eager to explore the nexus of science and economics, pushing boundaries while maintaining an engaging and humane touch. (shrink)

This extensive review explores the nature of human individuality through a broad spectrum of themes which all relate in an unwavering manner back to the fundamental question of “Who Am I?” The paradox of being fully human is that it depends on transcending the human condition itself. Integral individuality exists at the intersection between the horizontal and the vertical or the human and the Divine. Modern psychology, especially humanistic and transpersonal psychology has, much to its credit, done a great deal (...) to facilitate the rightful place of the human within the spiritual dimension; yet, to date, it has been unable to situate what human individuality is. In fact, modern psychology has grossly overlooked that each of the spiritual traditions of the world has its own corresponding and complete psychology or rather pneumatology (“science of the Spirit”). It is by turning to the integral psychology of the perennial philosophy that human identity can be recovered. (shrink)

The ”dark night of the soul’ is a common motif in Christian spiritual writing; and the locus classicus for this motif is the work of John of the Cross, a Spanish Carmelite friar of the sixteenth century. My aim in this paper is to use John’s account of the ”night’ to consider how the themes of mystery, humility and religious practice may be subsumed, and related to one another, within a Christian conception of God and of human life lived out (...) in relation to God. (shrink)

It has long been recognised that great art, whether visual art, literature or music, has a special capacity to “live on” – to endure – long after the moment of its creation. Thus, our world of art today includes, for example, ancient Mesopotamian sculpture, Shakespeare’s plays, and the music of medieval times. How does this capacity to endure operate? Or to ask that question another way: what does “endure” mean in the case of art? The Renaissance concluded that art endures (...) because it is timeless – impervious to change, “eternal”, “immortal” – and this solution, which was ratified without question by Enlightenment philosophers of art such as Hume and Kant, still lingers on in some quarters today. But developments since the nineteenth century have gravely weakened the credibility of the proposition that art is immortal, and the idea is now effectively dead. This leaves us with a major dilemma: if art is not impervious to change, how exactly does it endure? If the time-honoured solution of immortality is no longer viable, what alternative explanation can we find to replace it? -/- This paper explains why immortality is dead, describes our contemporary dilemma, and briefly canvasses a possible solution. (shrink)

There is a lively debate in contemporary Analytic Philosophy of Religion about the consistency of the Trinitarian doctrine. In this context, the notion of ‘mystery’ has become crucial. However, although it is currently considered the main challenge of Trinitarian theology, its definition remains rather partial and superficial. After a brief description of today’s Mysterianism, I analyse three ‘emblematic’ positions in light of the current debate: Aquinas, Leibniz and Hegel present three ways to believe in a mysterious Trinity. I will point (...) out a few possible weaknesses in the positions of the first two authors in order to better highlight the usefulness of the Hegelian position, often underestimated in the contemporary analytic debate. I will also analyse the connection between the three positions and their respective metaphysics, showing the epistemological premises (e.g., analogy and univocity) that need to be better investigated in the future. (shrink)

Computational Functionalism is a subfield of philosophy of mind most relevant to the subject of cognitive science as well as to artificial intelligence (AI). The analysis of this paper focuses on Hilary Putnam’s and Gualtiero Piccinini’s standpoints regarding the molecular understanding of computation. Finally, Putnam’s argument of the functionalism in notion of the mental states is based on the positive definition of those states by their functions, while Piccinini, and on the other hand suggest that an understanding of the mechanism (...) of computation will go a long way to explaining cognition. This research also points out shortcomings of functionalism in their theories especially in regards to connectivity with physicality of AI structures. Therefore, the paper identifies the following gaps: The first gap holds that although both theorists have important insights, the two approaches put forward by the respective theorists are flawed and a better proposal is required, then a new proposal is suggested In identifying these gaps, the paper seeks to contribute to the literature by arguing for the need to develop a composite of the two theorists. The results show that the big ideas are important in present-day AI debate and analysis, which helps to explain the mind as computation. (shrink)

This article investigates the profound mysteries of consciousness and the afterlife, topics that have captivated humanity for centuries. Despite extensive scientific inquiry, the existence of an afterlife remains unverified, and the nature of consciousness poses significant challenges. This research presents innovative hypotheses through thought experiments grounded in empirical evidence and robust theoretical frameworks. It examines the complexities of consciousness, its intricate relationship with the brain, and advocates for interdisciplinary approaches that integrate physics, psychology, and philosophy. The study boldly posits (...) the likelihood of continuous consciousness post-death, arguing that existing evidence lends substantial support to this notion. Furthermore, it explores the practical implications of these insights, suggesting that understanding these phenomena could enhance human well-being and foster a more harmonious society. In essence, this article embarks on a quest to illuminate age-old questions surrounding consciousness and the afterlife. By employing novel methodologies, it seeks to offer fresh perspectives that may transform our understanding of existence and inspire positive advancements at both individual and societal levels. (shrink)

In the seventeenth century, Newton used bis famous prism to found the physics of spectral light, thus revolutionising our thinking about colours; more than a hundred years later, Goethe protested against Newton's theory and discovered a number of new prismatic colour phenomena. Did these episodes in the history of science have any influence on the visual arts? For a decade now my visits to art museums have had an agenda: I have been looking for nineteenth-century paintings with certain spectral colour (...) (which will be described in the first half of this paper). While my search has been unsuccessful in traditional Western art, I found what I was looking for in Japa­nese art: in woodblock prints by Hokusai and Hiroshige. This is surprising; little Western science had reached Japan in their time. The second half of the paper pre­sents this riddle, which I am nowhere near solving. Even without a solution, however, a riddle can be instructive. In this case, it may help to bring into focus the fascinating exchange between two distant cultures. Much has been written on the cultural relativ­ity of colour perception, colour systematisation and colour aesthetics; I want to intro­duce a new and so far unknown case that might contribute to this debate - though the debate itself remains beyond the scope of this paper. (shrink)

What does it mean to be an embodied thinker of abstract concepts? Does embodiment shape the character and quality of our understanding of universals such as 'dog' and 'beauty', and would a non-embodied mind understand such concepts differently? I examine these questions through the lens of Thomas Aquinas’s remarks on the differences between embodied (human) intellects and non-embodied (angelic) intellects. In Aquinas, I argue, the difference between embodied and non-embodied intellection of extramental realities is rooted in the fact that embodied (...) and non-embodied intellects grasp different kinds of universals by means of different kinds of intelligible species (intellectual likenesses), which elicit in them different “modes” of understanding. By spelling out what exactly it means to be an embodied knower, on Aquinas’s account, I argue, we can also shed new light on his mysterious claim that the embodied intellect “turns to phantasms”—the imagination’s likenesses of individuals—in its acts of understanding. (shrink)

Christ, who is the Creator and source of all knowledge, is the ultimate goal of all those seeking truth in any discipline. It is difficult to know God with the puny tools of science. As we get closer and closer to the truth, our science must merge with our theology otherwise we will be following a false end of our scientific inquiry. I think Max Planck said it best: “God is the beginning of every religion and at the end of (...) the natural sciences.” All scientists who have any depth to their work will find the hand of God in nature or else a mystery that they refuse to identify with God. (shrink)

Going beyond Nagel and his ‘like a bat’: an exercise in primordial ontology, involving both conceptual clarification and observational drilling down.

In a hospital, a living body lies between life and death. His remembrance allows a young man to understand his love and himself in a different and disturbing way.

There is a problem regarding God and perception right at the heart of Berkeley ’s metaphysics. With respect to this problem, I will argue for : It is intractable. Berkeley has no solution to this problem, and neither can we hope to offer one on his behalf. However, I will also argue for : The truth of need not be seen as threatening the viability of Berkeley ’s metaphysics. In fact, it may even be seen as speaking in its favor.

Who or what is “I”? Does “I” refer to the soul, body, or something else? This paper aims to clarify the Iranian Sufi Maḥmūd Shabistarī’s metaphysical account of the self in The Rose Garden of Mystery (Gulshan-i Rāz). Some of Shabistarī’s commentators-for example, Lāhījī-argue that the “self is the determined Real” without offering a full account. This paper presents Shabistarī’s self by examining Gulshan in the context of commentaries, secondary sources, and Islamic thought and by presenting opposing interpretations and reasons (...) for the most prominent interpreta￾tions. In Gulshan, the self is neither the soul nor the body. It is the Real’s determination, a face among the eternally manifesting, unrepeated faces of the Real. This paper argues that the self is the human’s fixed entity (quiddity, ʿayn-i thābitah), whose aptitudes are perpetually unfolding; it is an eternal becoming of the Perfect Man. The self is not reified (i.e., it is of no definite content or form) or fully known; it changes every moment; it is the ever-changing “I” of the moment. Shabistarī’s metaphysics helps the modern person realize that her self is divine; it teaches her that because the world-including humans, animals, and the environment-is God’s manifesta￾tion, it deserves care. (shrink)

This study explores the distinguished Persian Sufi mystic Shaykh Maḥmūd Shabestarī’s Golshan-e Rāz, or The Rose Garden of Mystery. Adopting a hermeneutic approach, it scrutinizes the intricate spiritual journey towards divine realization delineated in Shabestarī’s poetry, utilizing qualitative content analysis of original texts and interpretations by scholars such as Lāhījī and Ibn Turka Iṣfahānī. The main question the paper addresses is this: “How can the spiritual journeyer overcome obstacles—particularly ‘otherness’—and achieve unity with the divine Essence within the framework of Islamic (...) mysticism, as interpreted through Shabestarī’s teachings in Golshan-e Rāz?” To answer this inquiry, the paper addresses pivotal questions concerning Shabestarī’s depiction of the spiritual journeyer’s path, its stages and challenges, and the critical role of the human form in divine manifestation. The study underscores the necessity of overcoming duality and distinction, alluding to the transformative nature of the journey that necessitates self-purification and the cessation of otherness. Findings from this study provide an enriched understanding of Shabestarī’s thought, contributing to the discourse on Islamic metaphysics. It presents valuable insights into the spiritual journeyer’s path, offering a comprehensive interpretation of the challenges, practices, and transformative experiences leading to divine realization and unity. (shrink)

The philosophical interest of mystery is that something may well fall under a distinctive ontological concept of mystery. Such a thing would be explicable with reference to intention, but not uniquely determined by its explicans. This is the "properly mysterious," which is essentially mysterious in virtue of what it is, not just of our epistemic limitations. The richer uses of 'mystery', and defects in recent literature, suggest this line of inquiry. ;Part I rebuts the main arguments against the possibility that (...) something is properly mysterious. First, if something's existence is completely explicable it need not thus be exhaustively explicable . Second, event-determinism is not establishable empirically and nothing establishes general determinism a priori . So there is no reason to think every existent is uniquely determined to exist. But there is good reason to think everything is completely explicable in principle. ;Part II shows there is better reason to think the world's existence properly mysterious than not. The world asked about in the question "Why does the world exist?" should be defined as the totality comprising all that really changes and what is ontologically parasitic thereon . The World's existence is both logically contingent and contingent in one or the other of two de re senses , and thus is either inexplicable for any knower or explicable as intentionally produced. The producer would be extramundane, de re necessary, and could not uniquely determine the existence of The World. Defending classical theism against charges of conceptual incoherence, I conclude that the existence of The World is best thought completely explicable as intentionally created, though not exhaustively explicable by the existence of its creator. ;In conclusion, I expound and adopt Aquinas' account of creation, on which God creates for a reason and freely. Thus there is good reason for the world's existence, but no reason why this world exists rather than some other. (shrink)

Abstract -/- The concept of infinity is of ancient origins and has puzzled deep thinkers ever since up to the present day. Infinity remains somewhat of a mystery in a physical world in which our comprehension is largely framed around the concept of boundaries. This is partly because we live in a physical world that is governed by certain dimensions or limits – width, breadth, depth, mass, space, age and time. To our ordinary understanding, it is a seemingly finite world (...) under those dimensions and we may find it difficult to comprehend something that by definition can have no beginning and no end, no limit or boundary. The article argues that this concept can have a meaning different from that normally envisaged in science, philosophy or mathematics, a meaning that transcends all boundaries and which proceeds from a non-material or metaphysical perspective. It examines the features and implications of that concept. -/- . (shrink)

The organism is neither a discovery like the circulation of the blood or the glycogenic function of the liver, nor a particular biological theory like epigenesis or preformationism. It is rather a concept which plays a series of roles – sometimes overt, sometimes masked – throughout the history of biology, and frequently in very normative ways, also shifting between the biological and the social. Indeed, it has often been presented as a key-concept in life science and the ‘theorization’ of Life, (...) but conversely has also been the target of influential rejections: as just an instrument of transmission for the selfish gene, but also, historiographically, as part of an outdated ‘vitalism’. Indeed, the organism, perhaps because it is experientially closer to the ‘body’ than to the ‘molecule’, is often the object of quasi-affective theoretical investments presenting it as essential, sometimes even as the pivot of a science or a particular approach to nature, while other approaches reject or attack it with equal force, assimilating it to a mysterious ‘vitalist’ ontology of extra-causal forces, or other pseudo-scientific doctrines. This paper does not seek to adjudicate between these debates, either in terms of scientific validity or historical coherence; nor does it return to the well-studied issue of the organism-mechanism tension in biology. Recent scholarship has begun to focus on the emergence and transformation of the concept of organism, but has not emphasized so much the way in which organism is a shifting, ‘go-between’ concept – invoked as ‘natural’ by some thinkers to justify their metaphysics, but then presented as value-laden by others, over and against the natural world. The organism as go-between concept is also a hybrid, a boundary concept or an epistemic limit case, all of which partly overlap with the idea of ‘nomadic concepts’. Thereby the concept of organism continues to function in different contexts – as a heuristic, an explanatory challenge, a model of order, of regulation, etc. – despite having frequently been pronounced irrelevant and reduced to molecules or genes. Yet this perpetuation is far removed from any ‘metaphysics of organism’, or organismic biology. (shrink)

Oftentimes, reality seems to us a chaos that we try to control with our theories. This article starts from the antithetic standpoint, inspired by Antonio Rosmini’s works: reality is intelligible, and originates our thinking. From this perspective, any research that tries to reach the truth is determined by the real, not the contrary. Moreover, interdisciplinarity, far from being a solipsistic enterprise, aims at achieving truth and guaranteeing scientific advancement. Here, we analyze the distinctive character of Rosminian encyclopedism and his principles (...) for preventing human errors. We then clarify why it is impossible to achieve perfection, and why such an impossibility is not problematic for the interdisciplinary dialogue. (shrink)

Schopenhauer bases morality on the concept of compassion, which he assumes to be the “great mystery of ethics”. He sees it and as a spontaneous action that can neither be taught or planned. However, some elements of his theory of human action allow us to conceive of an ethical-moral action (the compassionate act) as something less mysterious or immediate, rather a mediated and planned action in its social or sociability dimension, or even as one which is suggested. In this paper (...) I propose what may be called a “valorization of the empirical apparatus” of Schopenhauerian thinking on human action (vís-a-vis the metaphysical apparatus) by distinguishing between what I call great ethics and small ethics, a differentiation that I believe can be inferred from some of the philosopher’s elaborations. (shrink)

This article examines Hegel’s aesthetic judgment of the German romantic painter Caspar David Friedrich, which only first came to light in 1995 with the publication of the separate edition of the Ascheberg transcript of Hegel’s first lecture course on aesthetics, held at the University of Berlin in the winter semester of 1820/21. Firstly, before interpreting Hegel's criticism in more detail, I consider the current state of research on the relationship between Hegel and Caspar David Friedrich. It is striking to note (...) how little resonance Hegel’s judgment has found in the secondary literature. Going beyond some of the more speculative results of earlier scholarship, I show that by consulting a number of overlooked original German sources and documents from the years 1820-1821 it is possible to precisely determine those paintings of Caspar David Friedrich that Hegel would have known about and even viewed in person at that time. By comparing Hegel’s criticism in the Ascheberg transcript with these particular paintings of Friedrich viewed by Hegel in Dresden, and by furthermore reading this criticism in the larger context of Hegel's considerations on style and the topic of mysteriousness in painting, I argue that a number of consequences can be drawn from the philosopher’s two key reproaches of severity and affectation that are significant for both Hegel scholarship and Caspar David Friedrich research. (shrink)

Hysteria, a mysterious disease known since antiquity, is said to have ceased to exist. Challenging this commonly held view, this is the first cross-disciplinary study to examine the current functional neuroimaging research into hysteria and compare it to the nineteenth-century image-based research into the same disorder. Paula Muhr's central argument is that, both in the nineteenth-century and the current neurobiological research on hysteria, images have enabled researchers to generate new medical insights. Through detailed case studies, Muhr traces how different images, (...) from photography to functional brain scans, have reshaped the historically situated medical understanding of this disorder that defies the mind-body dualism. (shrink)

Although the question of whether, in the thought of Thomas Aquinas, sanctifying grace is “created” or “uncreated” has received considerable attention in the last several decades, many of the questions and arguments proposed by those, such as Karl Rahner, Jerome Ebacher, and A.N. Williams, in favor of grace being uncreated have gone unanswered. Among these ancillary questions and arguments are those concerning the proper subject of grace, the categorial classification of grace, and the reason for the mystery and unconsciousness of (...) grace. These questions appear unrelated, but, as this paper argues, they are each logically connected to each other and to the overall thesis that sanctifying grace is created, not uncreated. This paper aims to make Aquinas’s thesis that grace is created more palatable to objectors by addressing each of these previously unaddressed ancillary questions. (shrink)

The cultivation of receptivity to the mystery of reality is a central feature of many religious and philosophical traditions, both Western and Asian. This paper considers two contemporary accounts of receptivity to mystery – those of David E. Cooper and John Cottingham – and considers them in light of the problem of loss of receptivity. I argue that a person may lose their receptivity to mystery by embracing what I call a scientistic stance, and the paper concludes by offering two (...) possible responses to combating that stance and restoring the receptivity to mystery that it occludes. (shrink)

Tim travels back in time and tries to kill his grandfather before his father was born. Tim fails. But why? Lewis's response was to cite "coincidences": Tim is the unlucky subject of gun jammings, banana peels, sudden changes of heart, and so on. A number of challenges have been raised against Lewis's response. The latest of these focuses on explanation. This paper diagnoses the source of this new disgruntlement and offers an alternative explanation for Tim's failure, one that Lewis would (...) not have liked. The explanation is an obvious one but controversial, so it is defended against all the objections that can be mustered. (shrink)

A number of philosophers have recently argued that consciousness properties are identical with some set of physical or functional properties and that we can explain away the frequently felt puzzlement about this claim as a delusion or confusion generated by our different ways of apprehending or thinking about consciousness. This paper examines David Papineau’s influential version of this view. According to Papineau, the difference between our “phenomenal” and “material” concepts of consciousness produces an instinctive but erroneous intuition that these concepts (...) can’t co-refer. I claim that this account fails. To begin with, it is arguable that we are mystified about physicalism even when the account predicts that we shouldn’t be. Further, and worse, the account predicts that an “intuition of distinctness” will arise in cases where it clearly does not. In conclusion, I make some remarks on the prospects for, constraints on, and alternatives to, a successful defence of the claim. (shrink)

In the recent debate on Christian theism, the position called Open Theism (OT) tries to solve the dilemma of omniscience and human freedom. In OT, the key word of the human-divine relationship is “risk”: in his relationship with us, God is a risk-taker in that he adapts his plan to human decisions and to the situations that arise from them. “Risk” is the fundamental characteristic of any true love relationship. According to OT, God has no exhaustive knowledge of how humans (...) will use their will, and the divine plan for this world is not seen as fixed for eternity. OT distinguishes between meticulous providence and general providence and denies that the former can exist. After illustrating these positions and a particular view of OT called essential kenosis, I highlight some of their weaknesses and conclude by asking whether the concept of mystery (at least in some of its possible interpretations: I outline four “solutions”) can enable a reconciliation between classical theism and OT. By applying an approach to the notion of mystery usually connected to the Trinity, I show that the dilemma of omniscience, human freedom and providence does not compromise the plausibility of theism. (shrink)

Clearings of the Forest (Claros del Bosque, 1977), one of the most poetic and challenging works of María Zambrano’s thought, cannot be approached from a breathless paradigm. For the immersion in these clearings take us into the breathing of being that we contemplate alongside the more obvious physiological breathing, the breathing of life. In this work, Zambrano proposes a poetic and mystical phenomenology of the breathing of being through the breathing of its word. Thus, to recover contact with this inner (...) breathing could be to recover the lost chant of the word. This essay does not pretend to be a detailed analysis of Zambrano’s thought as a whole, nor of the vibrant mystery that her clearings reveal. The purpose is to uncover the fundamental role that breathing plays in this poetic-philosophical journey, along with other symbols such as light or love, with the question of what place this type of philosophical exercise occupies today in the classrooms of contemporary universities. (shrink)

The main thesis of Michael Della Rocca’s outstanding Spinoza book (Della Rocca 2008a) is that at the very center of Spinoza’s philosophy stands the Principle of Sufficient Reason (PSR): the stipulation that everything must be explainable or, in other words, the rejection of any brute facts. Della Rocca rightly ascribes to Spinoza a strong version of the PSR. It is not only that the actual existence and features of all things must be explicable, but even the inexistence – as well (...) as the absence of any feature of any thing – demands an explanation. Della Rocca does not stop here, however. He feeds his PSR monster with some more powerful steroids and suggests that Spinoza advocates what he terms “the twofold use of the PSR.” It is not only that everything must be explained and made intelligible, but it must ultimately be explained in terms of explainability or intelligibility itself. This twofold use of the PSR is the key to the entire book. Della Roca’s strategy throughout the book is to argue that any key feature of Spinoza’s system – be it causality, inherence, essence, consciousness, existence, rejection of teleology, goodness or political right – must be explained, and ultimately it must be explained in terms of intelligibility. “Spinoza single-mindedly digs and digs until we find that the phenomenon in question is nothing but some form of intelligibility itself, of explicability itself” (Della Rocca 2008a: 2). Della Rocca’s book came out together with a cluster of articles in which he develops in detail his new reading of Spinoza. In one of these articles, he warns the reader: “Don’t let me start” (Dell Rocca 2010: 1). The train that is about to embark leads to very bizarre terrain, and thus one should think twice before embarking on the “PSR Express.” In this paper I argue that the train was hijacked. This was a perfect crime: without anyone noticing it, the engine driver diverted the train to a new route, and as with other perfect crimes, it is none but the criminal himself who is capable of, and indeed will, bring about his own demise. As I will later argue, Della Rocca’s “PSR-on-steroids” will eventually cripple reason itself. But let us not run too fast, and start at the very beginning. I happily – or at least, so I think - board the “PSR Express.” I believe Spinoza is strongly committed to the PSR and makes very significant use of this principle, but, unlike Della Rocca, I do not think the PSR is the key to all mysteries Spinozist, nor do I believe Spinoza was committed to the reductionist program of explaining all things through intelligibility (i.e., the second use of the PSR). (shrink)

Why I thought it useful to offer an explanation of Hegel’s doctrine on the Incarnation was so that the reader may be empowered to identify Hegel’s influence in modern accounts of this mystery. Even if, in my view, Hegel’s interpretation of revealed religion differs greatly from Catholic Doctrine, it is not surprising to find the presence of some of his concepts in modern theology. In truth, what matters is not the theologian’s self-identification as Hegelian or as non-Hegelian, but whether or (...) not the theologian adopts Hegel’s concepts. This paper offers an explanation of the internal dynamism of Hegelian concepts and their relation to Christian doctrine in Hegel’s Phenomenology of Spirit. This research may help to show in what way it is possible to explain Christian religious doctrine with a philosophy other than the Thomistic one and how, at least in Hegel’s case, religious doctrine is changed and reduced to an erroneous philosophical content. Also, an attempt is made to show the internal “coherence” of this Hegelian re-reading of Christianity so that theologians may become more cautious about accepting an explanation of Christian doctrine simply because the Christian language is preserved in that explanation. (shrink)

Is it not surprising that we look with so much pleasure and emotion at works of art that were made thousands of years ago? Works depicting people we do not know, people whose backgrounds are usually a mystery to us, who lived in a very different society and time and who, moreover, have been ‘frozen’ by the artist in a very deliberate pose. It was the Classical Greek philosopher Aristotle who observed in his Poetics that people could apparently be moved (...) even by the imitation of a person or an act. And although we are usually well aware that it is a simulacrum, not a real situation, it nevertheless sometimes seems as if we ourselves are standing there on the stage or in the painting, so intense and emotional is our response, even though we are just spectators. Aristotle concludes from this that we have intellectual capacities which allow us put ourselves in another’s place and consequently to react to simulated situations as though they are actually happening to us, here and now. In this process, he contends, observation, memory, imagination and emotions are crucial elements. In the past it was not customary to invoke human mental faculties to explain our response to works of art. The Ancient Greeks, after all, knew little about the human body or brain and usually referred to the extended world of the gods in their endeavours to comprehend the ‘inner world’ of human beings. In our time the situation is completely different—such an allusion to the brain no longer surprises us. Whether it is about the mystery of the consciousness, the question of free will or accounts of bizarre psychological aberrations or disorders, we have become accustomed to references to parts of the brain, to images of brain scans, to reports about neural networks and the like. However, because there are so many factors that play a part in our appreciation of works of art we need a complex explanation for it, and it is not enough to look only at certain properties of the brain that are determined by evolution. Those properties are shared by every human being, and so are rather useless in explaining people’s different reactions to the same work of art. Evidently the brains of individuals differ so much that they make it possible for people to respond differently to one and the same artwork. This, of course, raises questions concerning the painted emotions that can be seen in this exhibition. Virtually everyone, after all, is fascinated by such paintings and usually recognizes the emotions they represent. The reactions to these painted emotions are also often similar. This is probably why artworks like this are generally highly valued, then and now, here and elsewhere: from the enigmatically smiling Egyptian Queen Nefertiti and the startled Rembrandt to a seemingly despairing African mask. Aristotle observed that in the theatre players imitate actions that are associated with emotions in a number of ways and that these emotions are shared in a particular fashion by the playwright, the actors and the audience. The audience may even be carried away by these emotions to such an extent that they are in a sense purged of them and can subsequently leave the theatre relieved. Are such emotional reactions perhaps related to the fact that emotions are universal and that brains respond similarly to them? Is this why we can so readily identify painted emotions? May we therefore also assume that the properties of the brain determined by evolution help us to explain these emotions? In answering these questions we shall discuss a number of insights into emotions in psychology and brain science and explore some theories about the possible function of emotions and their expression. (shrink)

Guru Nanak, in his hymns of Jap, Asa di Var, Siddh Gosht and Maru Sohilé has shown an incredible understanding of the mystery of creation. It is fascinating to note that some of the concepts/theories expressed in these Banis were not known to modern science until the eighteenth century. In this article, Guru Nanak's ideas about the Vastness of the Universe, the Origin of life, and Earth's support in space have been described. It is pointed out that even scientists enunciate (...) on the vastness of the universe, the origin of life on earth and the existence of natural laws (e.g. the law of gravitation etc) to provide support to the earth in space. It is obvious that Guru Nanak’s viewpoint about these topics is in consonance with the currently prevalent scientific viewpoints. In this way, one can safely observe that Guru Nanak’s ideas were the forerunner of the modern scientific tradition. (shrink)

The Eleusinian Mysteries are religious rituals that include rites of initiation, purification, and revelation. The high point of these Mysteries is the moment when a priest reveals the secret of the Mysteries to the newly initiated. Plato frequently uses language and motifs from the Mysteries in his dialogues, yet Plato scholars have not paid much attention to this usage, and those who have done so have not found much philosophical significance in it. I argue that in (...) explaining his epistemology in three middle and late period dialogues Plato consciously and systematically uses Eleusinian Mystery motifs to convey the idea of a unique kind of knowledge. This immediate, direct, and incorrigible knowledge bursts upon Plato's initiates after they undergo preparatory processes such as purification through elenchus. I examine the Eleusinian Mystery motifs that Plato employs in the Ladder of Eros at Symposium 209e--212a, in the middle books of the Republic, including the Myth of the Cave at Republic 509a--518d, and in the Myth of the Soul at Phaedrus 246a--253c, and I argue that Plato finds these Mystery elements useful for two reasons. First, in many cases before an individual can come to know a form he must go through certain conditioning and transformatory processes to prepare him for it, and motifs from the Mysteries help Plato to describe these processes. Second, knowledge of a form is different from other kinds of knowledge, and the motif of the visual revelation of the epopteia helps him to express the direct, unmediated contact that constitutes knowledge of a form. ;The structure of the dissertation is as follows. In chapter one I present background information concerning the stages and events of the Mysteries. I consider the purpose and effects of initiation into the Eleusinian Mysteries, paying special attention to the preparatory rituals. In chapter two I present a general discussion of certain aspects of Plato's epistemology and show how Plato employs the five Mystery motifs of progressing through a sequence of stages, purification, being led by a mystagogos, experiencing the epopteia, and achieving eudaimonia in order to explicate these aspects. In chapter three I consider the specifics of Plato's use of Mystery terminology in the Symposium. And finally, in an Appendix, I argue that Plato has a model of knowledge by acquaintance, since I assert in chapters two and three that Plato uses the Mystery theme of an epopteia to express features of this model. (shrink)

The economic crisis in Europe exposes the European Union’s political fragility. How a polity made of very different states can live up to the motto “Europe united in diversity” is difficult to envisage in practice. In this paper I attempt an “exegesis”—a critical explanation or interpretation of a series of published pieces (“the Series”) which explores, first, if European unity is desirable at all. Second, it presents a new methodology—analogical hermeneutics—used throughout the Series to approach the problem of unity. Third, (...) it conceptualises the source of unity as political identity. Fourth, it advances that the vehicle to share such identity is an analogical language: the political culture of human rights. Fifth, it submits the conditions under which such political culture could ground political identity through an open public sphere. Finally, it presents a way in which solidarity can grow as the increasingly diverse citizens of the European Union interact with each other. Even though the economic crisis can be solved by means of sound economic strategy (which is not the main object of my work), any successful economic strategy requires—as a precondition—a certain degree of political unity (the central concern of my research). (shrink)