Results for 'Guattari'

47 found
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  1.  85
    Deleuze and Guattari’s Semiorhythmology: A Sketch for a Rhythmic Theory of Signs.Iain Campbell - 2019 - la Deleuziana 10:351-370.
    I propose in this text a rhythmic theory of signs drawn from the thought of Gilles Deleuze and Félix Guattari. I name this theory a semiorhythmology. I suggest that the theory of rhythm developed in A Thousand Plateaus (1980) can be understood, in part, as the culmination of the diverse set of inquiries into signs that both Deleuze and Guattari undertook, individually and together, beginning in the 1960s. I first outline Deleuze’s theory of signs as a theory of (...)
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  2.  93
    "What I Hear is Thinking Too": Deleuze and Guattari Go Pop.Daniel W. Smith & Timothy S. Murphy - 2001 - Echo 3 (1).
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  3. Review of Félix Guattari, The Anti-Oedipus Papers. [REVIEW]Daniel W. Smith - 2006 - Radical Philosophy 140:35-39.
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  4. The Territory is Not Map: Place, Deleuze and Guattari, and African Philosophy.Bruce B. Janz - 2001 - Philosophy Today 45 (4):392-405.
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  5. The Writer as an Acrobat: Deleuze and Guattari on the Relation Between Philosophy and Literature (and How Kierkegaard Moves in-Between).Daphne Giofkou - 2015 - Transnational Literature 7 (2).
    Throughout his work, Deleuze not only draws on literature in order to address philosophical problems but he seeks to map out the ‘mobile relations’ between philosophy and literature. After an initial overview, I will focus on A Thousand Plateaus (1980), a book co-authored with Guattari, and in particular, on plateaus “1874: Three Novellas or ‘What happened?’” and “1730: Becoming-intense, becoming-animal, becoming-imperceptible…” In doing so, I aim to explore: (a) how the relation between literature and philosophy is refracted in Novellas (...)
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  6. Against Social Evolution: Deleuze and Guattari's Social Topology.Daniel W. Smith - 2019 - In Michael James Bennett & Tano S. Posteraro (eds.), Deleuze and Evolutionary Theory. Edinburgh: Edinburgh University Press. pp. 141-158.
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  7.  9
    ART(S) OF BECOMING: PERFORMATIVE ENCOUNTERS IN CONTEMPORARY POLITICAL ART.İbrahim Okan Akkin - 2017 - Dissertation, Middle East Technical University
    This thesis analyses Deleuze & Guattari’s notion of becoming through certain performative encounters in contemporary political art, and re-conceptualizes them as “art(s) of becoming”. Art(s) of becoming are actualizations of a non-representational –minoritarian– mode of becoming and creation as well as the political actions of fleeing quanta. The theoretical aim of the study is, on the one hand, to explain how Platonic Idealism is overturned by Deleuze’s reading of Nietzsche and Leibniz, and on the other hand, how Cartesian dualism (...)
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  8. Franco 'Bifo' Berardi en de economische wetenschap als ideologie.Tim Christiaens & Massimiliano Simons - 2017 - de Uil van Minerva: Tijdschrift Voor Geschiedenis En Wijsbegeerte van de Cultuur 30 (1):44-68.
    Wij presenteren Berardi’s herwerking van de ideologiekritiek in drie stappen. Eerst schetsen wij de context waarin Berardi de ideologiekritiek herdenkt. Hij bouwt verder op de ontdekking van Deleuze en Guattari dat de taal van het kapitalisme niet de code, maar de axiomatiek is. De economische wetenschap biedt, volgens hen, mensen geen identiteit aan, maar bestaat uit een reeks commando’s die stromen van geld, arbeid, elektriciteit, enzovoort reguleert. Daaraan koppelt Berardi de observatie dat het hedendaagse kapitalisme vooral tekens verhandelt in (...)
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  9.  60
    On Levi R. Bryant’s “Dim Media”: The Age of Disruption, Homeless Media, and Problematzing Latour’s Apolitical “Flat Ontology” by Ekin Erkan.Ekin Erkan - 2019 - MediaCommons:1-20.
    Where Deleuze and Guattari introduce us to “lines of flight,” they transcode the mechanics of “flight” through “capture,” fomenting what is understood by many as Deleuze’s philosophical thesis: forging an analog relationship between univocity and difference via multiplicitious immanence. This is, of course, posed against Freud’s molar unities in their second chapter “One or Several Wolves.” Thus, if Heidegger is the philosopher par excellance of queries between hermeneutics and immanence (the philosopher of anti-immanence), it is Deleuze who asks “what (...)
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  10.  54
    Bir Eksik Demokrasi (One Less Democracy).İbrahim Akkın - 2020 - Kilikya Felsefe Dergisi / Cilicia Journal of Philosophy 1:51-61.
    In this article, Deleuze & Guattari (D+G)’s conception of democracy will be approached with regard to art’s envisagement of “becoming-democratic” as a mode of thinking through percepts and affects. For D+G, democracy is, by no means, a desirable political goal or the name of a type of governance appropriate for the world. On the contrary, as long as it is a representation mechanism, democracy has negative connotations since it promotes the dominance of majority. For this reason, the only way (...)
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  11. Identidad y poder en las sociedades de control.Antonio Tudela Sancho - 2009 - Revista de Filosofía (Venezuela) 61 (1):7-37.
    La finalidad del presente ensayo consiste en partir de las nociones interrelacionadas de "capitalismo mundial integrado" (Guattari) y de "sociedad de control" (Deleuze) para intentar una deriva que cruce géneros, épocas y nombres propios: de la filosofía al cine y a la poesía (caminos de ida y vuelta), de Benjamin a Serres pasando por Homero, Kavafis, Cioran o Godard, del tardío imperio romano y sus incertidumbres a la imprecisión de nuestro propio tiempo. Posiblemente, pensar hoy la identidad humana sea (...)
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  12. Technological Stripping and Meaning Production in 'Duchamp’s The Large Glass'.Monika Wludzik - 2014 - Avant: Trends in Interdisciplinary Studies (2):193-206.
    The scope of the essay is limited by the ideas behind the mechanisation of desire as conceptualised in The Large Glass by Marcel Duchamp. This glass-based installation depicts a convoluted mechanism, as the full-title of the work suggests, representing The Bride Stripped Bare by her Bachelors, Even. Using tropes and figures from his earlier studies, the artist designed a machine for the production of desire, rendering the unconscious mechanical and dynamic. The paper aims to present selected aspects of the installation, (...)
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  13. Music as Atmosphere. Lines of Becoming in Congregational Worship.Friedlind Riedel - 2015 - Lebenswelt. Aesthetics and Philosophy of Experience 6:80-111.
    In this paper I offer critical attention to the notion of atmosphere in relation to music. By exploring the concept through the case study of the Closed Brethren worship services, I argue that atmosphere may provide analytical tools to explore the ineffable in ecclesial practices. Music, just as atmosphere, commonly occupies a realm of ineffability and undermines notions such as inside and outside, subject and object. For this reason I present music as a means of knowing the atmosphere. The first (...)
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  14. Deleuze and Merleau-Ponty: Immanence, Univocity and Phenomenology.Jack Reynolds & Jon Roffe - 2006 - Journal of the British Society of Phenomenology 37 (3):228-51.
    This paper will seek firstly to understand Deleuze’s main challenges to phenomenology, particularly as they are expressed in The Logic of Sense and What is Philosophy?, although reference will also be made to Pure Immanence and Difference and Repetition. We will then turn to a discussion of one of the few passages in which Deleuze directly engages with Merleau-Ponty, which occurs in the chapter on art in What is Philosophy? In this text, he and Guattari offer a critique of (...)
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  15. Is A New Life Possible? Deleuze and the Lines.Miranda Luis de - 2013 - Deleuze and Guatarri Studies 7 (1):106-152.
    In his dialogues with Claire Parnet, Deleuze asserts that: ‘Whether we are individuals or groups, we are made of lines’ (Deleuze and Parnet 2007: 124). In A Thousand Plateaus (with Guattari), Deleuze calls these kinds of ‘lifelines’ or ‘lines of flesh’: break line (or segmental line, or molar line), crack line (or molecular line) and rupture line (also called line of flight) (Deleuze and Guattari 2004a: 22). We will explain the difference between these three lines and how they (...)
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  16. Deleuze’s Post-Critical Metaphysics.Alistair Welchman - 2009 - Symposium 13 (2):25-54.
    Badiou claims Deleuze’s thinking is pre-critical metaphysics that cannot be understood in relation to Kant. I argue that Deleuze is indeed a metaphysical thinker, but precisely because he is a kind of Kantian. Badiou is right that Deleuze rejects the overwhelmingly epistemic problematics of critical thought in its classical sense, but he is wrong to claim that Deleuze completely rejects Kant. Instead, Deleuze is interested in developing a metaphysics that prolongs Kant’s conception of a productive synthesis irreducible to empirical causation. (...)
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  17. On the Nature of Concepts.Daniel W. Smith - 2012 - Parallax 18 (1):62-73.
    In What is Philosophy?, Deleuze and Guattari define philosophy, famously, as an activity that consists in forming, inventing, and fabricating concepts.” But this definition of philosophy implies a somewhat singular “analytic of the concept,” to borrow Kant’s phrase. One of the problems it poses is the fact that concepts, from a Deleuzian perspective, have no identity but only a becoming. This paper examines the nature of this problem, arguing that the aim of Deleuze analytic is to introduce the form (...)
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  18. Three Concepts for Crossing the Nature-Artifice Divide: Technology, Milieu, and Machine.Marco Altamirano - 2014 - Foucault Studies 17:11-35.
    The distinction between nature and artifice has been definitive for Western conceptions of the role of humans within their natural environment. But the human must already be separated from nature in order to distinguish between nature and artifice. This separation, in turn, facilitates a classification of knowledge in general, typically cast in terms of a hierarchy of sciences that ascends from the natural sciences to the social (or human) sciences. However, this hierarchy considers nature as a substantial foundation upon which (...)
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  19. Responsive Becoming: Ethics Between Deleuze and Feminism.Erinn Gilson - 2011 - In Nathan Jun & Daniel W. Smith (eds.), Deleuze and Ethics. Edinburgh University Press.
    This chapter explores the possibility of an alliance between Deleuze’s philosophy and feminist philosophy with respect to ethics. I begin by specifying some of the general points of convergence between Deleuzian ethics and feminist ethics. In the second section, I turn away from feminist ethics in particular to consider feminist engagement with Deleuze’s (and Deleuze and Guattari’s) work; in this section of the paper, I describe the central criticisms of Deleuze offered by feminist philosophers and point out the aspects (...)
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  20. The Difference Between Science and Philosophy: The Spinoza-Boyle Controversy Revisited.Simon Duffy - 2006 - Paragraph 29 (2):115-138.
    This article examines the seventeenth-century debate between the Dutch philosopher Benedict de Spinoza and the British scientist Robert Boyle, with a view to explicating what the twentieth-century French philosopher Gilles Deleuze considers to be the difference between science and philosophy. The two main themes that are usually drawn from the correspondence of Boyle and Spinoza, and used to polarize the exchange, are the different views on scientific methodology and on the nature of matter that are attributed to each correspondent. Commentators (...)
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  21. 7000 B. C.: Apparatus of Capture.Daniel W. Smith - 2018 - In Henry Somers-Hall, James Williams & Jeffrey Bell (eds.), A Thousand Plateaus and Philosophy. Edinburgh: Edinburgh University Press. pp. 223-241.
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  22. Bachelard and Deleuze on and with Experimental Science, Experimental Philosophy, and Experimental Music.Iain Campbell - 2019 - In Guillaume Collett (ed.), Deleuze, Guattari, and the Problem of Transdisciplinarity. London: Bloomsbury. pp. 73-104.
    In this chapter I look at some questions around the notion of experimentation in philosophy, science, and the arts, through the thought of Gaston Bachelard and Gilles Deleuze. My argument is articulated around three areas of enquiry – Bachelard’s work on the experimental sciences, Deleuze’s notion of philosophy as an experimental practice, and recent musicological debate around the practical and political stakes of the term ‘experimental music’. By drawing together these three senses of experimentation, I test the possibilities of understanding (...)
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  23.  52
    Philosophical Toys as Vectors for Diagrammatic Creation: The Case of The Fragmented Orchestra.Claudia Mongini - 2013 - Teorie Vědy / Theory of Science 35 (2):289-313.
    The central topic of this essay consists into establishing a relation between two dimensions of formation: the conceptual process of creating philo- sophical toys - that is of reelaborating existing philosophical concepts, mainly deriving from the thought of Gilles Deleuze and Félix Guattari, in terms of their potential as ‘operative constructs' - and their parallel redeployment towards the specific problem of analyz- ing a recent transdisciplinary artwork. By means of this strategical shift, theory looses its character of explanation and (...)
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  24. Lady Gaga as (Dis)Simulacrum of Monstrosity.George Rossolatos - 2015 - Celebrity Studies 6 (2):231-246.
    Lady Gaga’s celebrity DNA revolves around the notion of monstrosity, an extensively researched concept in postmodern cultural studies. The analysis that is offered in this paper is largely informed by Deleuze and Guattari’s notion of monstrosity, as well as by their approach to the study of sign-systems that was deployed in A Thousand Plateaus. By drawing on biographical and archival visual data, with a focus on the relatively underexplored live show, an elucidation is afforded of what is really monstrous (...)
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  25. Flow, Code and Stock: A Note on Deleuze's Political Philosophy.Daniel W. Smith - 2011 - Deleuze and Guatarri Studies 5 (Suppl):36-55.
    In Anti-Oedipus, Deleuze and Guattari claim that a general theory of society must be a generalised theory of flows. This is hardly a straightforward claim, and this paper attempts to examine the grounds for it. Why should socio-political theory be based on a theory of flows rather than, say, a theory of the social contract, or a theory of the State, or the questions of legitimation or revolution, or numerous other possible candidates? The concept of flow (and the related (...)
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  26. Kafka's Jewish Languages: The Hidden Openness of Tradition.David Suchoff - 2007 - Journal of Jewish Thought and Philosophy 15 (2):65-132.
    This essay connects Kafka's German and his Jewish linguistic sources, and explores the trans-national perspective on literary tradition they helped him create. I begin with a critique of Deleuze and Guattari's view of Kafka as a minority writer, showing how their cold war nationalism scants the positive contributions that Yiddish and Hebrew made to his work. I continue with an examination of the "twilight of containment," when this postcontemporary Kafka began to break through his cold war canonization after 1989. (...)
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  27.  7
    Into the Abyss: Deleuze.Alistair Welchman - 1999 - In Simon Glendinning (ed.), The Edinburgh Encycolpedia of Continental Philosophy. Edinburgh, UK: pp. 615-27.
    Gilles Deleuze was born in 1925, and died by his own hand 70 years later. He taught philosophy in the French lycée system, at the University of Lyon, and then—after the institutional fragmentation that was the government‟s response to the student-driven near-revolution of 1968—at the University of Paris VIII (Vincennes). Although his work is only now coming to prominence in the Anglophone world, he has achieved great notoriety in France: he is widely credited with inaugurating the post-structuralist movement with his (...)
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  28.  28
    Into the Abyss: Deleuze.Alistair Welchman - 1999 - In Simon Glendinning (ed.), The Edinburgh Encyclopedia of Continental Philosophy. Edinburgh, UK: pp. 615-27.
    Gilles Deleuze was born in 1925, and died by his own hand 70 years later. He taught philosophy in the French lycée system, at the University of Lyon, and then—after the institutional fragmentation that was the government‟s response to the student-driven near-revolution of 1968—at the University of Paris VIII (Vincennes). Although his work is only now coming to prominence in the Anglophone world, he has achieved great notoriety in France: he is widely credited with inaugurating the post-structuralist movement with his (...)
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  29.  13
    An analysis of Kafka’s Penal Colony and Duchamp’s The Large Glass Through the Concepts of Abstract- Machines and Energeia.Atilla Akalın - 2017 - Medeniyet Art, IMU Art, Design and Architecture Faculty Journal, 3 (1):29-44.
    This study aims to grasp the two distinct artworks one is from the literary field: Penal Colony, written by F. Kafka and the other one is from painting: The Large Glass, designed by M. Duchamp. This text tries to unravel the similarities betwe- en these artworks in terms of two main significations around “The Officer” from Penal Colony and “The Bachelors” from The Large Glass. Because of their vital role on the re-production of status-quo, this text asserts that there is (...)
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  30.  28
    Review of Louis Baldwin's Portraits of God: Word Pictures of the Deity From the Earliest Times Through Today. [REVIEW]Subhasis Chattopadhyay - 2020 - Prabuddha Bharata or Awakened India 125 (07):573.
    This review points out how Baldwin's book is unique in that it foregrounds proto-Marxist views of God. But it misses the mark by not mentioning "Gilles Deleuze and Félix Guattari’s work on the rhizomic nature of the Buddhist ‘mandala’.".
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  31.  49
    Bullfighting, Sex and Sensation.Hélène Frichot - 2001 - Colloquy 5.
    The investigation that follows will flex in four directions, backwards and forwards, along the elastic threadthat ties the event of the bullfight to sex and thence a warm spill of sensation. In order to enter the fraythat is the bullfight, I will appropriate a term from Gilles Deleuze and Félix Guattari by way of which eachof the four thrusts I advance, or fights I present, can be read as asignifying ruptures [1] . With thisconcept we are encouraged to question (...)
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  32. From "No Future" to "Delete Yourself ".Robin James - 2013 - Journal of Popular Music Studies 25 (4).
    Beginning with the role of the Sex Pistols’s “God Save the Queen” in Lee Edelman and J. Jack Halberstam’s debates about queer death and failure, I follow a musical motive from the Pistols track to its reappearance in Atari Teenage Riot’s 1995 “Delete Yourself .” In this song, as in much of ATR’s work from the 1990s, overlapping queer and Afro-diasporic aesthetics condense around the idea of death or “bare life.” ATR’s musical strategies treat this death as a form of (...)
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  33. Deleuze, Haraway, and the Radical Democracy of Desire.Robert Leston - 2015 - Configurations: A Journal of Literature, Society, and Technology 23 (3):355-376.
    In response to suggestions that Deleuze and Guattari are the “enemy” of companion species, this essay explores the tension between Donna Haraway’s attacks against Deleuze and Guattari and their philosophy of becoming animal. The essay goes on to contextualize Deleuze and Guattari’s statements against pet-owners through a discussion of the psychoanalytical refiguration of desire and shows how their ostensible attack against pet owners fits into their larger critique against capitalism. The essay illustrates why Deleuze and Guattari (...)
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  34. Imperative Sense and Libidinal Event.Bryan Lueck - 2007 - Dissertation, The Pennsylvania State University
    My dissertation presents a comprehensive rethinking of the Kantian imperative, articulating it on the basis of what I call originary sense. Calling primarily upon the works of Maurice Merleau-Ponty, Gilles Deleuze, and Jean-François Lyotard, I show (1) that sense constitutes the ontologically most basic dimension of our worldly being and (2) that the way in which this sense happens is determinative for our experience of the ethical imperative. By originary sense I mean to name something that is neither sensible sense (...)
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  35.  62
    Mapping the Moral Assumptions of Multi-Faith Religious Education.Jason Metcalfe & Daniel Moulin-Stozek - 2018 - British Journal of Religious Education:1-10.
    When Religious Education (RE) in England and Wales transitioned from Christian confessionalism to a multi-faith approach in the latter half of the twentieth century, the subject’s moral aims were reasserted. In this article, we explore the moral assumptions of this transformation and map some of their connections to other theological and ethical ideas. Inspired by Deleuze and Guattari’s metaphor of a rhizome, we make two novel contributions to scholarship in this regard. First, through some salient examples we show the (...)
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  36. Immersive Ideals / Critical Distances : Study of the Affinity Between Artistic Ideologies in Virtual Reality and Previous Immersive Idioms.Joseph Nechvatal (ed.) - 2010 - Berlin: LAP Lambert Academic Publishing AG & Co KG.
    My research into Virtual Reality technology and its central property of immersion has indicated that immersion in Virtual Reality (VR) electronic systems is a significant key to the understanding of contemporary culture as well as considerable aspects of previous culture as detected in the histories of philosophy and the visual arts. The fundamental change in aesthetic perception engendered by immersion, a perception which is connected to the ideal of total-immersion in virtual space, identifies certain shifts in ontology which are relevant (...)
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  37.  67
    Antonin Artaud e la scrittura del reale. Glossolalie e disegni per un linguaggio analfabetico.Fabio Vergine - 2018 - Elephant and Castle. Laboratorio Dell'immaginario 1 (18).
    During the last ten years of his life, Antonin Artaud shows more and more intensively a multi-faceted and caustic refusal for traditional literature and the ordinary practice of writing. But above all, he shows a stylistic impatience for the alphabetic use of the word and the language. By the intention of creating an inhuman language, which could be understood also by the illiterate people, Artaud wants to undermine the significant use of the word, so that he can achieve a non-representative (...)
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  38.  44
    Deleuze e l'innocenza del divenire-animale. Per la figurazione di un'etica dell'immanenza assoluta.Fabio Vergine - 2018 - In Enrico Giannetto (ed.), Di stelle, atomi e poemi. Verso la physis. Roma RM, Italia: pp. 83-103.
    Saggio contenuto nel volume: AA.VV. Di stelle, atomi e poemi. Verso la physis, a cura di Enrico Giannetto, Aracne, Roma 2018. Trascrizione ed ampliamento di una conferenza pronunciata in occasione del "Seminario Deleuziano" organizzato dalla prof.ssa Daniela Angelucci e svoltosi il 28 Settembre 2017 presso l'Università degli Studi Roma Tre.
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  39.  55
    Deleuze e la psicologia. Per una scienza dell'ecceità. [REVIEW]Fabio Vergine - 2018 - Doppiozero 1.
    Discussione a partire dal libro di M. NICHTERLEIN e J. R. MORSS, Deleuze e la psicologia, a cura di Pietro Barbetta ed Enrico Valtellina, Raffaello Cortina, Milano 2017.
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  40.  67
    Gilles Deleuze: nel Fuori assoluto. [REVIEW]Fabio Vergine - 2016 - Consecutio Temporum 1.
    Discussione sul testo di Rocco Ronchi "Gilles Deleuze. Credere nel reale". Per un pensiero della temporalità della filosofia come Fuori assoluto.
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  41.  47
    La lingua del fuori senso. [REVIEW]Fabio Vergine - 2015 - Il Lavoro Culturale 1.
    Discussione sul testo "Legge, desiderio, capitalismo. L'anti-Edipo tra Lacan e Deleuze" per "Il Lavoro culturale/ISSN 2384-9274".
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  42. Against the Virtual: Kleinherenbrink’s Externality Thesis and Deleuze’s Machine Ontology.Ekin Erkan - 2020 - Cosmos and History 16 (1):492-599.
    Drawing from Arjen Kleinherenbrink's recent book, Against Continuity: Gilles Deleuze's Speculative Realism (2019), this paper undertakes a detailed review of Kleinherenbrink's fourfold "externality thesis" vis-à-vis Deleuze's machine ontology. Reading Deleuze as a philosopher of the actual, this paper renders Deleuzean syntheses as passive contemplations, pulling other (passive) entities into an (active) experience and designating relations as expressed through contraction. In addition to reviewing Kleinherenbrink's book (which argues that the machine ontology is a guiding current that emerges in Deleuze's work after (...)
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  43.  58
    Dead Letters.Russell Ford - 2013 - LIT: Literature Interpretation Theory 24 (4):299-317.
    This essay considers Richard Calder’s Dead trilogy as an important contribution to the argument concerning how pornography’s pernicious effects might be mitigated or disrupted. Paying close attention to the way that Calder uses the rhetoric of fiction to challenge pornographic stereotypes that have achieved hegemonic status, the essay argues that Calder’s trilogy provides an important link between debates about pornography and contemporary philosophical discussions of alterity and community. Finally, it argues that, for Calder, sexuality is implicitly predicated on a reconceptualization (...)
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  44.  96
    Book Review: Elspeth Probyn. Carnal Appetites: Foodsexidentities. London and New York: Routledge, 2000. [REVIEW]Lisa M. Heldke - 2003 - Hypatia 18 (3):240-242.
    Carnal Appetites does not fully work out a single coherent thesis. Rather, it is a preliminary exploration of a set of issues about food, culture and identity. Here is how Probyn describes her project: “The aim of this book is simple but immodest. Through the optic of food and eating, I want to investigate how as individuals we inhabit the present: how we eat into cultures, eat into identities, indeed eat into ourselves. At the same time I am interested in (...)
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  45. Nietzsche’s philosophy as a creation of concepts (XVI Kyiv-Mohyla Seminar on the History of Philosophy).Тaras Lyuty, Mykhailo Minakov, Vakhtang Kebuladze & Vadym Menzhulin - 2018 - Наукові Записки Наукма. Філософія Та Релігієзнавство 1:91-105.
    Kyiv-Mohyla Seminar on the History of Philosophy was established by the Kyiv-Mohyla Academy’s Department of Philosophy and Religious Studies (in co-operation with Ukrainian Philosophical Foundation) in 2003. In this yearly seminar, the Department’s members as well as the historians of philosophy from other academic institutions regularly take part. Since 2003, 16 meetings of the seminar took place. They were focused on such topics as “Historiography of Philosophy in Ukraine: Current State and Perspectives” (2003), “Actual Problems of the Source Studies in (...)
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  46. Sense and Literality: Why There Are No Metaphors in Deleuze’s Philosophy.Daniel W. Smith - 2019 - In Dorothea Olkowski & Eftichis Pirovolakis (eds.), Deleuze and Guattari's Philosophy of Freedom: Freedom’s Refrains. Edinburgh: Edinburgh University Press. pp. 44-67.
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  47.  16
    Deleuze and Deep Ecology.Alistair Welchman - 2008 - In Bernd Herzogenrath (ed.), An (Un)easy Alliance: Thinking the Environment with Deleuze/Guattari. Newcastle upon Tyne, UK: pp. 116-138.
    I argue that 'deep' ecology (as exemplified by the work of Arnie Naess) involves three inter-related commitments: (1) to an ethics of nature or axiological anti-humanism in which natural entities, processes or systems can possess intrinsic value independently of human beings; (2) a metaphysical naturalism or anti-humanism in which human beings are themselves conceptualized as natural products; (3) a transformative aspect. Although (3) is sometimes cast in personal or psychological terms, I think the idea can be given a properly philosophical (...)
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