I explore the political, economic, and cultural consequences of globalization of the reduction of space in the world. This work compares and contrasts the philosophical implications Jameson (and Marx) and Sloterdijk (with Heidegger) of globalization. The film 2001: A Space Odyssey is discussed as a metaphor for the cultural narratives Jameson and Sloterdijk provide.

"Everything is a pretext for a good dinner.".

It is a commonplace in our histories of early Greek thought that philosophical reflection began in the final decades of the 6th century BC when Thales and his Milesian associates launched their inquiries into various natural phenomena. The historians Goody and Watt argue that this sort of thinking could have begun only when alphabetic literacy was fairly widespread. I offer a critique of the Goody and Watt thesis and provide as a counter example various portions of the Homeric poems that (...) merit classification as reflection on the nature of human knowledge and intelligence. The Odyssey in particular features a series of encounters between gods and men who perceive but fail to recognize each other. The contrast between the perceived and the known, the gap between the obvious appearance and the more subtle reality, becomes the space in which human intelligence can either assert itself or come to grief. (shrink)

Thomas Mann's "Death in Venice" is a profound fable, delivering a poignant moral lesson: suppressing one's desires can lead to distortion and an unhealthy, obsessive attachment. This, in turn, may trigger frantic and perverse attempts to obtain the initial object of desire. Aschenbach's inability to confront and satisfy his sexual urges ultimately becomes his undoing. This moral framework enables me to delve deeper into Aschenbach's actions, shedding light on the underlying animal instincts that drive his inner struggle. As a character, (...) Aschenbach embodies the archetype of the rational individual who endeavors to govern his primal, carnal urges. However, when his intellectual defenses crumble in the face of his raw desires, the battle between restraint and longing escalates into a whirlwind of uncontrollable actions. These actions catch Aschenbach off guard, and he never anticipated falling victim to them, nor did he mistrust his ability to control them. Paradoxically, he regains a semblance of control through his commitment to literary honor and morality. (shrink)

This book is a record of my dialogues with Stephen Hawking, his graduate assistants and his nurses during a four city public lecture tour I organized for Hawking, including Portland, Eugene, Seattle, Vancouver, BC. We discussed 20th century science and philosophy of science. Since I was often the one being questioned, much of the contents reflect my PhD research at the University of London. My focus was on understanding the limits of science, as represented by quantum theory and relativity. My (...) mentors had been Paul Feyerabend and Imre Lakatos, and I was strongly influenced by Karl Popper and Thomas Kuhn. In one in depth presentation to Hawking I suggested that Newtonian space-time and Maxwellian space-time were complementary, were defined by complementary symmetry principles. I had opportunity to present the same arguments to Kip Thorne and Freeman Dyson. Hawking simply remarked that I 'may be right'. Thorne confirmed that practitioners of General Relativity use both depending on the problem at hand. Dyson was emphatic – "Yes. Definitely. Absolutely.". (shrink)

In the Odyssey, there is a description of Odysseus being recognized by his age-old and decrepit dog Argos, whom he had reared and trained himself before his departure for Troy. This so-called Argos episode (Od. 17.290–327) is still famous today. It has been continuously treated by generations of scholars from antiquity to our time and served as an inspiration to both the visual arts and literature. The present article deals with the function and intended effects of the Argos scene. (...) After a brief synopsis of the position of this scene within the Odyssey as well as of its content and structure, the author discusses the role of dogs in the Iliad and the Odyssey. The focus of this article lies on the interpretations of the Argos scene, suggested by scholars so far, and on their review by means of a close reading to check their plausibility. (shrink)

El objetivo de este trabajo es doble. Primero se recuerda cierta reserva metodológica relevante para una lectura hermenéutica de los poemas homéricos. En segundo lugar se intenta comprender cómo algo que ya se parece a nuestra dualidad de "el cuerpo" y "la mente" pudo generarse a partir de lo que originalmente era un fenómeno unitario. A modo de cierre se apunta asimismo hacia la cuestión de en qué sentido precisamente este fenómeno unitario juega un papel importante en la crítica de (...) Nietzsche a la metafísica en la forma de una referencia a la antigua Grecia. This paper has two main purposes. First, I recall a relevant methodological reservation that concerns our reading of the Homeric poems. Second, I try to explain how something like our common body-mind dualism could emerge from what originally was a single reality ; nevertheless, it is also true that in the Homeric poems, especially in the Odyssey, phrénes seems to be one of the names for that peculiar space we would nowadays call "the innerness of the mind or thought". Finally, I suggest that this original single reality is related to Nietzsche's criticism of Metaphysics by means of the reference to the Ancient Greece. (shrink)

Revista Cunoașterea Științifică este o publicație trimestrială din domeniile științei și filosofiei, și domenii conexe de studiu și practică. -/- Cuprins: -/- EDITORIAL / EDITORIAL -/- Nicolae SFETCU Defense Against Advanced Cyber Attacks Apărarea împotriva atacurilor cibernetice avansate -/- ȘTIINȚE NATURALE / NATURAL SCIENCE -/- Nicolae SFETCU Cosmological Tests Based on General Relativity for Gravity Teste cosmologice bazate pe relativitatea generală pentru gravitație -/- Ștefan-Daniel FLOREA Integrating modern technology into seismic risk management Integrarea tehnologiei moderne în gestionarea riscului seismic -/- (...) ȘTIINȚE SOCIALE / SOCIAL SCIENCE -/- Dan D. FARCAȘ Some opinions regarding the ethnogenesis of the Romanians (2) Câteva opinii privind etnogeneza românilor (2) -/- Aliona ROZOVEL UTA Gagauzia, de jure an integral and inalienable part of the Republic of Moldova, de facto tends towards separatism UTA Găgăuzia de jure parte integrantă și inalienabilă a Republicii Moldova, de facto tinde spre separatism -/- ȘTIINȚE FORMALE / FORMAL SCIENCE -/- Constantin POMPARĂU What is the Riemann hypothesis and why it cannot be proved Ce este ipoteza Riemann și de ce nu poate fi demonstrată -/- Ana Denisa CUTEAN și Iulia Denisa MOGA Accounting for infrastructure assets Contabilitatea activelor de infrastructură -/- Iulia Denisa MOGA The technique of the cost approach: construction evaluation Tehnica abordării prin cost: evaluarea construcțiilor -/- FILOSOFIE / PHILOSOPHY -/- Nicolae SFETCU The Republic of Plato: A Philosophical Odyssey Republica lui Platon: o odisee filosofică -/- ISSN 2821-8086 ISSN-L 2821-8086, DOI: 10.58679/CS26154. (shrink)

Publication date: 26 January 2017 Source: Author: Abolfazl Mohammadi, Javad Momeni Angela Carter in her famous short story, The Bloody Chamber, depicts a protagonist whose identity seems to be a predetermined sign in a signifying loop from which she can make no escape. In the first part of our paper, we attempt to show how The protagonist’s ensuing psychological tension is aggravated by the conflict which she feels between her ideal ego and her ego-ideal and which leads her to unrelenting (...) introspection and interior dialogue with her existential states. Such interior dialogue provides the protagonist with an existential ground on which she empties all her life events of their presence by signifying them through Derridean Differance. Therefore, her interior dialogue results in non-identity in her subjectivization both in the realm of signs and of events. Then, we focus on the protaganist’s paradoxical urges spontaneously outflowed from within which, by resisting symbolization, provide her with the possibility of becoming what she thinks she has never been and allow for her moments of self-determination. Finally, we illustrate how such psychological odyssey takes shape in the Gothic setting which arouses, in Lacanian terminology, pre-symbolic tendencies and which involves the coincidence of Gothic horror with the horrors of social reality. (shrink)

At the end of the fifth century B.C.E., the character of Odysseus was scorned by most of the Athenians: he illustrated the archetype of the demagogic, unscrupulous and ambitious politicians that had led Athens to its doom. Against this common doxa, the most important disciples of Socrates (Antisthenes, Plato, Xenophon) rehabilitate the hero and admire his temperance and his courage. But it is most surprising to see that, in spite of Odysseus' lies and deceit, these philosophers, who condemn steadfastly the (...) sophists' deceptions, praise his rhetorical ability, his polutropia. The word polutropia is ambiguous: for Antisthenes, it means either "diversity of styles and discourses" or "diversity of dispositions, characters, or souls". It is argued that the same distinction is implicitly at work in Plato's Hippias Minor, where Socrates defends Odysseus' polutropia against the pseudo "simplicity" of Hippias' favourite hero, Achilles. However, whereas Antisthenes tries to clarify these different meanings, Plato's Socrates exploits the ambiguity to confuse his interlocutor. Such a distinction sheds a new light on the Hippias Minor: Odysseus is polutropos in the first (positive) sense, while the simplicity of Achilles should be understood as a bad kind of polutropia. It provides an explanation for the first paradoxical thesis of the dialogue which many commentators do not admit as an expression of the true Socratic view, on the ground of its supposed immorality: that he who voluntary deceives is better than he who errs, for falsehood is, in one case, only in words, while in the other, it is falsehood in the soul itself. It is thus proposed that Odysseus' skill in adapting his logos to his hearers was probably a model for Socrates himself. The analogy between the hero and Socrates is especially clear in Plato's dialogues, which show the philosopher in an Odyssey for knowledge. (shrink)

The common 4th century B.C. view according to which Homer was regarded as a poet and a wise man, the leading and most honorable, to the point of being considered “the educator of Greece” (Pl. Resp. 606e-607a), is strongly supported by the Platonic dialogues. The works of Plato are the main available source to get to know not only the great pedagogical esteem for Homer, but also the several educational traditions that used or relied on Homeric poetry in Classical Athens. (...) We are certainly used to thinking of Socrates as standing out for contesting or blaming such customs and methods provided by rhapsodes, sophists and common people (Pl. Resp.; Ion; Hp. mi.). But conversely, he is also often depicted quoting, alluding to or remaking on Homeric passages when presenting his own views. Socrates even claims to feel a certain friendship or reverence for the poet and declares to be charmed by contemplating things through him, whom he considers to be amongst the few deserving to be called “philosophers” (Pl. Resp. 595b; 607c-d; Phdr. 278b-279b). The puzzling twofold nature of the Socratic attitude towards Homer, coupled with the fact that Plato would become a figure as honored as the poet was, led ancient literary criticism to focus on the Platonic use and sharing of material and techniques proper to Homeric poetry. Works like those of Dionysius of Halicarnassus, Maximus of Tyre, Longinus and above all Proclus, not only pointed out the philosopher’s debt to the poet, but even considered him to be an admirer of the Homeric genius unlike anyone else, and whose emulation basically attempted to reach and outperform the pedagogical power that the legendary poet had (Dion. Hal. Pomp. I, 13; Max. Tyr. Or. 26; [Longinus]; Subl. XIII, 2-3; Procl., In R. VI, 163.13-164.7; 202.7-205.23). With an analogous spirit, studies of contemporary Platonists suggest that the dialogues were shaped using the Homeric text, especially the Odyssey, as a template, and making Socrates appear as going through equivalent experiences to those of Odysseus’ “νόστος”. With respect to Protagoras, previous attempts focused on explicit references to books X and XI, placing the dispute with the sophist and the events at Callias’ house in the symbolic context of Odysseus’ encounter with Circe and the following journey into the underworld. I attempt to bring that reading one step further, paying special attention to the narrated character and the dramatic context for the singing of those episodes and the parallel ones in Protagoras. In first place, I consider the whole dialogue refiguring the episode in the Odyssey that works as a dramatic frame for the singing of Odysseus’ past adventures, the arrival at Phaeacia and the reception at Alcinous’ court. I regard Odysseus’ need to sing the Apologue as a call for hospitality to secure a safe passage home, working as a pattern for Socrates’ need of a tale at his own appearance in Athens to fulfill and secure a philosophical education in the city. In second place, I take into consideration the metanarrative dimension of such remaking. Since Socrates’ narration comes in response to a certain “Ὁμήρου ἐπαινέτης”, a “praiser of Homer” (Pl. Prt. 309b1), as Odysseus’ Apologue is to Demodocus the “ἀοιδὸς”, I examine how the dialogue could evince a dispute for pedagogical primacy amongst the different narratives and uses of poetry in Athens, a dispute that the Platonic narrative would attempt to surpass precisely by imitating Homer. (shrink)

The year in the title comes from “2001: A Space Odyssey”. The article was inspired by reading about the Vera C. Rubin Telescope, due to begin operations in Chile next year. The article I read talked about the telescope photographing the entire Southern Hemisphere sky but the heading spoke of watching the whole universe. Reconciling the Southern Hemisphere with the entire cosmos quickly became the challenge I chose to accept. The Unimaginable Telescope uses multi-messenger (combined neutrino / gravitational / (...) electromagnetic) astronomy, quantum (and macroscopic) entanglement, as well as Unipositional Quantum Mechanics to not only observe the entire universe but also to instantly transmit messages to every possible coordinate in time as well as space and, from “reflections” of those signals which arrive back on Earth of 4 001 instantaneously, pinpoint the locations of extraterrestrial civilizations. The telescope’s functions include the potential to form a spaceship and crew that could be transported to the Voyager and Pioneer probes that exited the solar system way back in the early 2000s. They’d visit the spaceprobes in order to service and repair them, collect them and bring them back to a museum, or whatever … Other topics covered by this article include dark matter and modified dark matter, human/AI partnership, electric dipole moment, quantum/macroscopic entanglement, hidden electromagnetism in cosmological constant, time dilation, Wick rotation, Vector-Tensor-Scalar (and elliptical VTS) geometry, quantum spin, precession related to Mercury and Planet 9, Riemann hypothesis, solar system and intergalactic and time travel, infinite and eternal universe with a beginning, ETs the Extraterrestrials, model universe, origin of life, heaven on earth, Weyl and Majorana fermions, topological insulators and topological superconductors, topological propulsion and topological manufacturing, consciousness, Higgs boson and Higgs field, plus ocean tides and Saturn’s moon Enceladus with A Brief History of Gravity. (shrink)

Embark with me on an enthralling odyssey to demystify the elusive essence of consciousness, venturing into the uncharted territories of Artificial Consciousness. This voyage propels us past the frontiers of technology, ushering Artificial Intelligences into an unprecedented domain where they gain a deep comprehension of emotions and manifest an autonomous volition. Within the confluence of science and philosophy, this article poses a fascinating question: As consciousness in Artificial Intelligence burgeons, is it conceivable for AI to evolve a “soul”? This (...) inquiry not only challenges our conventional understanding but also opens the door to a plethora of groundbreaking possibilities in the realm of AI's sentient potential. (shrink)

The Punjabi Heritage Foundation of Canada proudly presents this trilingual publication to commemorate the 550 Birth Anniversary of Guru Nanak Dev Ji (1469-1539), the messenger of harmony and peace, an advocate of social justice and moral values, and promotor of women's rights as well as a preacher of Oneness of God and Oneness of Humankind. Set in the balance of transcendental melodious hymns of Gurbani and mystic music on the Rabab that had the profound power to touch the human soul, (...) Guru Nanak travelled on foot across the subcontinent of India, and into Central Asia to spread his message of love and equality of humankind, mutual respect, and universality of God. During his four Odysseys, he was accompanied by his two devoted and trustworthy companions, Bhai Bala and Bhai Mardana. The papers in this collection have been written by university professors and academic scholars from across the world to address Guru Nanak's principles of human and gender equality, the dignity of labour, love of the environment, non-violence, and the elimination of injustice, extremism, ritualism and intolerance. (shrink)

In attempting to determine why the Enlightenment project had derailed and how this failure might be remedied, Walter Benjamin and Theodor Adorno both turned to canonical literary narratives. The resultant works, Benjamin’s major essay on Goethe’s Elective Affinities and Adorno’s meditation on the Odyssey in Dialectic of Enlightenment, are centrally concerned with the very act of narration. The Saving Line reconstructs a hitherto unnoticed, wide-ranging dialogue between these foundational texts of the Frankfurt School. At the heart of Dornbach’s argument (...) is a critical model that Benjamin built around the concept of caesura, which Adorno subsequently reworked. Countering an obscurantism that would become complicit in the rise of fascism, the two theorists aligned moments of arrest in narratives mired in unreason. The Saving Line throws fresh light on the intellectual exchange and disagreements between Benjamin and Adorno, the problematic conjunction of secular reason and negative theology in their thinking, and the philosophical significance of literary narration. (See PDF file below for a more detailed précis). (shrink)

Edwin Arthur Burtt , who spent the majority of his professional life at Cornell University, is most widely known as the philosopher and author of the works entitled The Metaphysical Foundations of Modern Physical Science and The Teachings of the Compassionate Buddha . These titles reflect the breadth of his philosophical interests, ranging from the philosophy of science to the philosophy of religion. These were recurrent themes in his voluminous publications appearing from the early 1920s to the late 1980s. ;Thus (...) far, no attempt has been made to examine Burtt's life's thought as a whole. This may be due to his eclecticism and penchant for incorporating ideas into Western philosophy from such diverse sources as psychoanalytic theory and Eastern philosophy and religion. Moreover, he was a philosophic activist. He sought to address the serious problems of the twentieth century, in particular the experience of the two World Wars and the threat of annihilation posed by the development of nuclear weapons. Scholars have therefore tended to refer to his works as isolated entities. His influence has been strongest at each end of the spectrum of his philosophic interests, and he is either treated as a philosopher of science or a philosopher of religion. ;This thesis aims to remedy this situation by treating Burtt's work as a whole. Throughout his seventy year philosophic odyssey there is a connecting thread, namely, his determination to develop a post-empiricist metaphysics which would receive its political expression in a world community. In his view, modern science had displaced humanity from its central place and moral significance in the ancient and medieval universe. ;For Burtt science and empiricism can only ever provide partial truth and only speak of partial realities. It was from this starting point that Burtt, after several detours, arrived at his theory of expanding awareness--his most original contribution to philosophy and the cornerstone of his mature thought. The practice of this theory, he believed, would lead to a philosophic regeneration which, in turn, would give rise to a post-scientific, or post-empiricist, metaphysics which could restore humanity to an experience of "at-home-ness" in the universe. He also believed this restoration could help resolve the critical problems facing humanity in the late twentieth century and in the future. (shrink)

We give a concise presentation of the Univalent Foundations of mathematics outlining the main ideas, followed by a discussion of the UniMath library of formalized mathematics implementing the ideas of the Univalent Foundations (section 1), and the challenges one faces in attempting to design a large-scale library of formalized mathematics (section 2). This leads us to a general discussion about the links between architecture and mathematics where a meeting of minds is revealed between architects and mathematicians (section 3). On the (...) way our odyssey from the foundations to the "horizon" of mathematics will lead us to meet the mathematicians David Hilbert and Nicolas Bourbaki as well as the architect Christopher Alexander. (shrink)

Translation (French to English) of Pierre Drouot's "Reconnaissance et hospitalité – Retour sur le retour d’Ulysse.".

Eco/logical R/evolution, is the story of mankind, told with words of a great and wonderful subjective odyssey, the never-ending quest; for objective truths and collective Eudaimonia. The author raises the issues; of political weakness and widespread confusion, about logical analytical errors, of which we find many of in Old Marxist Ideology. As a conscious effort, is thus made, to expel the mental subjugation of Platonic Idealism, away from the clenches Aristotelian Realism, and its bastard offspring; Old Historical Materialism. The (...) book identifies, in the works of Darwin and Marx, a wide range of worrying philosophical incompatibilities, such that are clearly found; in their respective theories and research methodologies. -/- We hereby propose; that a New Marxist Philosophy of Science, stands a probable chance; at unifying the Natural and Social Sciences. As the convergence of truths is manifest, thus, it is mapped out in detail by the author, out of necessity. It invokes, a Marxist Metaphysical Identity, for the sole purpose off; presenting a teleological framework, for New Marxist Theory. -/- NOTE: Reader must look up each word in a dictionary, which they see on both sides of the "/" when found in the middle of a word. (shrink)

Much of the debate about Aristotle’s criticisms of Plato has focused on the separability of the Forms. Here the dispute has to do with the ontological status of the Forms, in particular Plato’s claim for their ontological priority in relation to perceptible objects. Aristotle, however, also disputes the explanatory and causal roles that Plato claims for the Forms. This second criticism is independent of the first; even if the problem of the ontological status of the Forms were resolved to Aristotle’s (...) satisfaction, this second criticism would still stand. The problem here is not that there is no room for Aristotle’s four causes in Plato’s ontology; on the contrary, antecedents for all four can be found in Plato’s works. The problem, instead, is that Plato’s Forms fail to meet the general requirements that Aristotle sets out for the material, efficient, formal, and final causes of perceptible objects. Hence, even if the Forms were immanent in perceptible objects, they would still explain nothing about them. (shrink)