Volume 27, Issue 6, December 2019, Page 1256-1260.

International Journal of Philosophical Studies, Volume 19, Issue 5, Page 753-760, December 2011.

Early in the Logic of Essence, the second main part of Hegelian Logic, Hegel identifies a logical structure, seeming (Schein), with “the phenomenon of scepticism.” The present paper has two aims: first, to flesh this identification out by describing the argument that leads up to it; and, second, to argue that it is mistaken. I will proceed as follows. Section 1 deciphers the opening statement of the Logic of Essence, “the truth of being is essence,” by specifying the meaning of (...) each of its composing terms. The discussion opens the way for deliberation on the meaning of the notion of seeming, since seeming proves to be what remains of being in the structure of essence. This is done in section 2. It is also shown therein that seeming takes two logical forms, dualistic seeming and monistic seeming. Section 3 argues that Hegel identifies scepticism only with dualistic seeming, and that the scepticism he has in mind is what one may call “subjective scepticism,” namely a scepticism grounded in the subject of cognition. The section concludes that Hegel, judged by his own standards, is mistaken in this identification. Finally, section 4 considers Robert Pippin’s objection to the above conclusion and offers a rejoinder. (shrink)

While Hegel's metaphysics was long reviled, it has garnered more interest in recent years, with even the so-called non-metaphysical Hegelians starting to explicitly discuss Hegel’s metaphysical commitments. This brings up the old question: what are the social-philosophical implications of Hegel’s metaphysics? This chapter provides a unique answer to this question by contrasting the former non-metaphysical reading (as developed by Robert Pippin) with a traditional way of interpreting Hegel’s metaphysics and social philosophy, whose lineage includes not Wittgenstein, Sellars, or Brandom, (...) but rather Schelling, Marx, and Adorno. After discussing the two varieties of metaphysics (Sections 1–3), I will argue that a traditional metaphysical Hegel is more realist when it comes to assessing the power of social structures (Section 4), focused on structural freedom rather than agency (Sections 5 and 6), and more empowering for and lenient towards individuals who can make their interests count and are free to be irrational and egoist (Section 7). (shrink)

A discussion of the logical role of particular concepts in Robert Pippin's reading Hegel as a theorist of modernity, with special reference to the question whether modernity can be surpassed or left behind.

This article suggests a change of perspective on philosophy’s engagement with its past. It argues that rather than the putative purport of giving life to the past philosopher’s work, philosophical engagement with the past gives life to one’s own. Drawing on the neo-pragmatist thesis of Robert Brandom, it suggests looking to what philosophers do when they attribute meaning to concepts and considering their engagement with the past as appropriation in consequence. By scrutinizing Robert Pippin’s opposing thesis of philosophical engagement (...) with the past as dialogue, and carefully examining Brandom’s, the article suggests an account for appropriation that shows it to be non-dialogical, and hence unable to yield the fruits associated with this conception, but also insightful and rich with other philosophical values. Brandom and John McDowell’s dispute over the interpretation of Wilfrid Sellars provides an illustration of the proposed perspective and of those values. (shrink)

With Hegel’s metaphysics attracting renewed attention, it is time to address a long-standing criticism: Scholars from Marx to Popper and Habermas have worried that Hegel’s metaphysics has anti-individualist and authoritarian implications, which are particularly pronounced in his Philosophy of History, since Hegel identifies historical progress with reason imposing itself on individuals. Rather than proposing an alternative non-metaphysical conception of reason, as Pippin or Brandom have done, this article argues that critics are broadly right in their metaphysical reading of Hegel’s (...) central concepts. However, they are mistaken about what Hegel’s approach entails, when one examines the specific types of states discussed by the philosopher in his Philosophy of History. Even on a traditional metaphysical reading, Hegel is not only non-authoritarian; he also makes a powerful argument concerning freedom, whereupon the freest society involves collective oversight and the shaping of social structures so as to ensure that they benefit everybody. (shrink)

When speaking of the philosophical importance of James’s late style, critics and philosophers have taken two broad approaches. One route, exemplified by Martha Nussbaum, attributes this style to the sensitivity of the characters. The other, exemplified by Robert Pippin, attributes the writing’s complexity to the ambiguities of the moral codes during this period of history. In my reading, James’s texts address a more general problem of modernity, which is the flattening of the lifeworld (Lebenswelt) by disengaged approaches to both (...) epistemology and morality, the reduction of the lifeworld to the environment (Umwelt). James’s works open an ontological dimension to the question of language and normativity, a question that modernity’s moral languages—whether based on deontology, utility, or virtue—fail to articulate. His texts interrogate what normativity is rather than just portraying the sensitivity of the characters or uncertainty of the historical moment, although both of those readings are certainly justified. (shrink)

There has been a tendency in some of the most influential recent interpretations of Hegel to downplay the theological characterizations that Hegel gives to the subject-matter of logic, and to emphasize, instead, certain continuities taken to exist between Hegel’s conception of logic and that of Kant. In the work of Robert Pippin and others, this has led to an ‘apperception’-oriented interpretation of Hegel’s logic, according to which Hegel follows Kant in taking logic to be primarily concerned with the nature (...) of human self-conscious subjectivity. Here I put pressure on this interpretation—first, by foregrounding textual and systematic evidence for taking the theological characterizations to accurately convey Hegel’s considered position on logic, as the science of the ‘absolute idea’, and then, secondly, by showing how Hegel’s arguments for the absolute formality and universality of logic point instead to a more fully-fledged rejection of Kant’s conception as too specifically psychological. (shrink)

A substantial article length introduction to a collection on social ontology and mutual recognition.

In this article I intend to show the strict relation between the notions of “second nature” and “recognition”. To do so I begin with a problem (circularity) proper to the theory of Hegelian and post- Hegelian Anerkennung. The solution strategy I propose is signifi cant also in terms of bringing into focus the problems connected with a notion of “space of reasons” that stems from the Hegelian concept of “Spirit”. I thus broach the notion of “second nature” as a bridgeconcept (...) that can play a key role both for a renewal of the theory of Anerkennung and for a rethinking of the “space of reasons” within the debate between Robert Brandom and John McDowell. Against this background I illustrate the novelties introduced by the dialectical conception of the relation between fi rst and second nature developed by Hegel and the contribution this idea can make to a revisited theory of recognition as a phenomenon articulated on two levels. I then return to the question of the space of reasons to show the contribution the renewed conception of recognition as second nature makes to the definition of its intrinsic sociality as something that is not in principle opposed to a sense of naturalness. (shrink)

En Die Sache selbst (PhG, pp. 333 ss.), Hegel expone la pretensión de un individuo racional según la cual puede expresar su propia “naturaleza en el obrar” (Siep, 2015, p. 161). Esta es entendida por el individuo en función de su fidelidad a un estado mental interno al agente; esta posición ha sido llamada “compatibilismo” (Pippin, 2008, p. 148). No obstante, Hegel sostiene que la causa de dicha acción no puede ser realmente fiel a su naturaleza a menos que (...) el individuo sea consciente de su contexto social. (shrink)

This paper presents an interpretation of the 1945 forbidden film Scarlet Street in a way so as to touch the problem of gender in film noir. Firstly, I give an account of film noir, agreeing with Robert Pippin’s argument concerning film genres. Then, I claim that time and repetition, irony and hierarchy, art and perspective constitute the core subjects explored in Scarlet Street. Furthermore, I try to connect all the subjects into a single one. My point is to show (...) how art, perspective, time, repetition, irony and hierarchy are articulated in the main character’s gender identity. Finally, I suggest there is a deep connection between the movie’s character constitution and Cavell’s understanding of gender and agency. (shrink)

In Chapter I, I discuss Buchdahl’s view that the possibility of empirical lawlikeness could not have been established in the Principles of the Critique given the differences between transcendental, metaphysical and empirical lawlikeness, and the connection between the faculty of Reason and empirical lawlikeness. I then discuss the general conditions for empirical hypotheses according to Kant, which include the justification of the method by which an empirical hypothesis is obtained and the establishment of the general and specific constructability of the (...) empirical concept. -/- *In Chapter II, I discuss the nature of the general construction of concepts which is treated in the Schematism of the Critique, surveying the views of Pippin, Allison, Bennett and Butts in an effort both to make sense of a difficult part of the Critique and to demonstrate that the Schematism is indeed where Kant demonstrates how the construction of empirical concepts in general is possible. -/- *In Chapter III, I discuss Brittan’s and Butts’ views on the nature of the specific construction of empirical concepts, defending Butts’ interpretation as compatible with Buchdahl’s view that gaps exist between kinds of lawlikeness for Kant and, because of its connection with an interpretation of how metaphysical lawlikeness figures in the Metaphysical Foundations of Natural Science, insofar as it helps us to establish the possibility of empirical lawlikeness and natural science. (shrink)

Robert Brandom’s notion of historical rationality seeks to supplement his inferentialism thesis by providing an account for the validity of conceptual contents. This account, in the shape of a historical process, involves the same self-integration of Brandom’s earlier inferentialism and is similarly restricted by reciprocal recognition of others. This article argues that in applying the synchronic social model of normative discourse to the diachronic axis of engaging the past, Brandom premises a false analogy between present community and past tradition, which (...) obscures the important differences between the two axes. This is explored by looking closely at how Brandom’s own engagements with the past exemplify his historical rationality. Taking its cue from Brandom’s critics, the article shows that Brandom’s own discourse with tradition is not, and cannot be, dialogical and, in accordance, that historical rationality is not, and cannot be, governed by the same social structure of inferentialism. The article concludes with the implications of such a claim on Brandom’s thesis as a whole and on the role of tradition in the process of normative change, in light of it. (shrink)

The present paper motivates one possible answer to Kant’s question, “What remains of the Enlightenment?” by reinterpreting the relation between Foucault and critical tradition from Kant to the Frankfurt School. The Enlightenment has left us with “normative superstition,” or a healthy form of skepticism about the justification of modern institutions and ideals. Along these lines, I adopt an interpretation of Foucault that diverges from the standard view. I argue that he shares with his detractors a common heritage of this “critical (...) attitude,” placing him squarely in line with Kant, Hegel, and critical theory generally. If it is possible to view this critical attitude as an expression of Enlightenment-oriented views, then there are reasons to believe that his so-called “postmodernism” is nothing more than hyper-modernism. The lines of this last argument have been made elsewhere, notably in Robert Pippin’s important work, but there is a need to situate Foucault in the unfolding narrative of modernity, rather than label him a hostile opponent to it. In my view, the “Foucault addiction” now so popular is consistent with the critical tradition and the aim of this paper is to develop this claim. (shrink)

The cultural project is a therapeutic melding of emotion, symbols, and knowledge. In this paper, I describe how spiritual emotions engendered through encounters in imaginative culture enable fixation of metaphysical beliefs. Evolved affective systems are domesticated through the social practices of imaginative culture so as to adapt people to live in culturally defined cooperative groups. Conditioning, as well as tertiary-level cognitive capacities such as symbols and language are enlisted to bond groups through the imaginative formats of myth and participatory ritual. (...) These cultural materializations can be shared by communities both synchronically and diachronically in works of art. Art is thus a form of self-knowledge that equips us with a motivated understanding of ourselves in the world. In the sacred state produced through the arts and in religious acts, the sense of meaning becomes noetically distinct because affect infuses the experience of immanence, and one's memory of it, with salience. The quality imbued thereby makes humans attentive to subtle signs and broad “truths.” Saturated by emotions and the experience of alterity in the immanent encounter of imaginative culture, information made salient in the sacred experience can become the basis for belief fixation. Using examples drawn from mimetic arts and arts of immanence, I put forward a theory about how sensible affective knowledge is mediated through affective systems, direct perception, and the imagination. (shrink)