eSports practice designates a unique set of activities tethered to competitive, virtual environments, or worlds. This correlation between eSports practitioner and virtual world, we argue, is inadequately accounted for solely in terms of something physical or intellectual. Instead, we favor a perspective on eSports practice to be analyzed as a perceptual and embodied phenomenon. In this article, we present the phenomenological approach and focus on the embodied sensations of eSports practitioners as they cope with and perceive within their virtual worlds. (...) By approaching eSports phenomenologically, we uncover ways in which its unique forms of virtual involvement overlap with as well as differentiate themselves from traditional structures of embodiment. (shrink)

How do the pictures Wittgenstein and his relatives took during his life relate to his philosophical work? The exhibition at the Leopold Museum in Vienna in 2021 demonstrated a complex network of resemblances, overlaps, and cross-references between Wittgenstein’s way of working and the pictures he collected. In this essay, the network is used as an example to argue that a combination of philosophy and artistic sensibility might be a fruitful enrichment for a philosophical practise.

What do we mean by ‘reality’? Merging philosophical insights with contemporary art, Tine Wilde lets us consider and contemplate who and what we ‘really’ are. Working on artists’ book Zero Point, the article presents a brief overview of her thoughts, relating a spatial-geometrical perspective to the quest for self-knowledge, and subsequently extrapolating the findings to the notion of unknown knowledge.

How does a coloured bird end up on a TUGboat? This is the story of an artist who studied philosophy and combined her skills in a PhD at the University of Amsterdam (NL). In order to write her dissertation, she had to learn the LaTeX typesetting programme. Many years later, she still makes art and still writes down her thoughts in LaTeX, with the Memoir class and XeLaTeX as first choice. Always trying to stretch the limits of the programme to (...) her convenience. -/- This essay is not a technical article written by a developer conjuring up ingenious innovations to the LaTeX programme. By contrast, it discusses the relationship between LaTeX, art (photography) and the concept of 'measurability' from the perspective of a philosophising artist. (shrink)

In this paper I first discuss the colour-octahedron and the position of this model as an idealized system with respect to the remarks on colour-concepts in Remarks on Colour (RC). The next part examines the notion of aspect seeing in the light of the colour-octahedron and RC. From there a connection is made with On Certainty (OC). By linking the remarks on colour, seeing aspects and certainty, it may become clear that the investigations of Wittgenstein concerning colour and certainty direct (...) us towards a reflective dynamics and an anthropological interpretation of his ideas. (shrink)

The point of Wittgenstein’s remarks on colour concerns, not so much colours as such, as well as our ability to see [that implies both seeing ánd thinking] and our capacity to imagine something. This can be seen from the fact that Wittgenstein relates the notion of ‘seeing aspects’ on the one hand to the colour octahedron in PB, and on the other hand to the colour puzzles as discussed in ROC. This connection between Wittgenstein’s remarks on colour, on seeing aspects (...) and on certainty makes clear that these investigations of Wittgenstein direct us towards a reflective dynamics of his ideas. (shrink)

We are living in an increasingly complex world. How are we able to cope with this complexity and the difficulties that arise from it? Can philosophy and art, classified as the two utmost useless and pointless disciplines, have any (positive) influence on the urgent and pressing problems at hand? And, related to this, if the two have more than just their uselessness in common, how, then, are philosophy and art related? In this article, I will argue that although ‘useless’ disciplines (...) such as philosophy and art have no direct influence on our complex world, they are nonetheless the most important ones, because those working within them practice their insights in an indirect way. Indirect influence may take a little longer, but the impact is much stronger, affecting our thinking and our attitudes from within, as it were. This indirect approach has everything to do with the sort of questions philosophers and artists occupy themselves with. I will show how both address, albeit each in their own way, fundamental questions, and thereby make use of thought experiments. Intuition and imagination play a decisive part in the creative processes that are involved in thought experiments and thinking. It is argued that we all are able to learn a ‘delayed unconscious thinking’ that leads to an artistic attitude; one that will activate an artistic turn. (shrink)

In this paper I argue that the notion of aspect seeing is a substantial tool to shed light on the question whether rule-following is something necessary individual or social and on how this issue is connected to novelty. Bloor's (1997) insights will be used as representative of the social primacy of rule-following and Luntley (2003) will be taken up in order to examine an example of the individual stance. Weighing pros and cons and taking the notion of aspect seeing into (...) account, these insights will lead us to the conclusion not only that the individual and the social are merely constructs, created by us for practical purposes, but also that we tend to overlook our most basic ties with the world, exactly because of these constructs and conventions. If we adopt an artistic meta-view and make use of the philosopher’s reflection, Wittgenstein's emphasis on the importance of ‘everyday life’, also in philosophy, takes on a new meaning. (shrink)

Violence turns hope and expectation into guilt and shame. This publication discusses the outcome of a philosophical and artistic investigation into complex patterns of behaviour. Negative connotations and positive aspects of guilt and shame are connected convincingly to the artistic process which is used by the artist to produce new work. As a consequence, a different light is shed on the concepts of guilt and shame. The author shows in an intriguing way how adapting an artistic attitude can help us (...) think in a more peaceful and independent manner. Over Schuld en Schaamte (On Guilt and Shame) thus offers a new surprising insight how violence can be transformed into hope and more rewarding practices. (shrink)

Remodel[l]ing Reality is an inquiry into Wittgenstein's notion of übersichtliche Darstellung and the phenomenon of installation in visual art. In a sense, both provide a perspicuous overview of a particular part of our complex world, but the nature of the overview differs. Although both generate knowledge, philosophy via the übersichtliche Darstellung gives us a view of how things stand for us, while the installation shows an unexpected, exiting point of view. The obvious we tend to forget and the ambiguity of (...) reality are related to each other in a dynamic way. It is in this reflexive dynamics that we constantly remodel our reality. Tools we use are our creative abilities and our powers of imagination. In our choices and solutions we show which aspects of reality we find important and how we communicate these values. The outcome of this investigation is a new perspective on the art of installation and a new insight in Wittgenstein's notion of übersichtliche Darstellung. Because of this combination, the book is itself an artwork: an InstallationPackage. The book is distributed by Ideabooks Amsterdam, Isbn 978 90 804240 3 6. Remodel[l]ing Reality is included in Special Collections, Allard Pierson Museum Amsterdam. (shrink)

Publication Zero Point shows the results of a four-years inquiry into the concept of 'measurability'. The book encompasses thirty-eight pictureworks and a philosophical thought experiment. It invites the reader to contemplate and compile their personal 'zero point' as a portrait of God. -/- Measurability appears to be a problematic concept. The boundaries between fixed and fluid; between sharp and vague; between coloured and non-coloured; between love and hate. When does one state of affairs turn into the other? When is something (...) still measurable? And: is it essential for something to be measurable at all? -/- A single drinking glass was the starting point for transformational processes of photographic images into multi-layered pictureworks. Pictorial spaces that are variable and subject to chance in an experimental, unconscious method of choice, chance, inspiration, and demolition. The results of split, remodel, and repeat invite you to explore and contemplate the notions of space and time as a dimension, in which meaning remains something definitely unfinished, but in which measurability is crucial. After all, when there is nothing to hold on to, you have to choose a point of departure from which you can reorganise your life. -/- There are several ways to leaf through the book and engage in its content. Each of the thirty-eight pictureworks is accompanied by a philosophical caption. These captions are part of a larger philosophical deliberation of three countenances which together make a portrait of God. Each caption can be read separately next to the picturework. Each picturework can be enjoyed next to a specific caption. Another way to work with the captions is to read them within their larger con text: unfold the last page of the book, reflect, and search for cross-references next to any particular picturework. (shrink)

Een onderzoek naar de relatie tussen filosofie en installatiekunst met betrekking tot de vraag naar betekenis.

The aim of the article is to introduce a new concept of “pain-related bodily doubt,” which complements current concepts currently in use, such as pain-related fear, pain catastrophizing, and pain self-efficacy. This new concept, adapted from recent philosophical work on illness experience, has the potential to positively contribute to pain research and clinical practice by providing a vocabulary for clinicians and patients to discuss implicit or tacit dimensions of pain-related experiences.

The precarious rights of senior citizens, especially those who are highly educated and who are expected to counsel and guide the younger generations, has stimulated the creation internationally of advocacy associations and opinion leader groups. The strength of these groups, however, varies from country to country. In some countries, they are supported and are the focus of intense interest; in others, they are practically ignored. For this is reason we believe that the creation of a network of all these associations (...) is essential. The proposed network would act as a support for the already-existing policies of the United Nations’ High Commission for Human Rights, of independent experts, and of the Global Alliance for the Rights of Older People. All three have long ago recommended the creation of a recognized instrument for uniting presently scattered efforts. The proposed network, therefore, will seek to promote the international exchange of relevant expertise, and it will reinforce the commitments and actions that single countries are currently taking to meet these objectives. For example, informative public events can be organised to promote particular support initiatives and to provide an opportunity for new members of the network to be presented. The network will promote health for senior citizens, disease prevention, senior mobility, safe free time for seniors, alimentary education, protection against new risks and dangers, as well as equity in the services necessary for seniors to adopt new information and communication technologies. In the case of retired academic members, the network will promote equality with respect to continuing use of digital technologies (particularly email), continuing access to research libraries, and the guaranteed ability for seniors to fund their own research programs and to deliver free seminars. (shrink)

What forms of consciousness can the subject have of her body in action? This is a recurrent issue in contemporary research on skilled movement and expertise, and according to a widespread view, the body makes itself inconspicuous in performance in favour of the object or goal that the activity is directed to. However, this attitude to consciousness in bodily performance seems unsatisfying for an understanding of skilled action, and the work of several researchers can be seen as responding to this (...) view: Montero, Legrand, Ravn and others in the philosophy of expertise and of dance have developed various notions of consciousness and cognition to account for the mindful processes at play in performance. Two related questions can be distinguished here: 1. Is there an inherent conflict between skilled action and at least more than marginal awareness of that action, or is it possible – and even desirable – to reflect on our own performance without considerably impeding on it? 2. What forms of consciousness pertaining to the body in action must we distinguish in order to answer the first question? This paper gives an overview of this discussion, focusing on the second issue, although the first will come into play in so far as it is linked with the latter question. Drawing on Merleau-Ponty’s analyses of bodily reflection and on dancers’ descriptions, I show that there is, in phenomenological terms, a bodily level of reflection: a fully conscious and exploratory activity that is led by the skilled body, and that is explicitly aimed at by many performers. (shrink)

Philosophers investigating the experiences of the dancing subject (Sheets-Johnstone 1980, 2009, 2011, 2012; Parviainen 1998; Legrand 2007, 2013; Legrand & Ravn 2009; Montero 2013; Foultier & Roos 2013) unearth vast variations of embodied consciousness and cognition in performing body experts. The traditional phenomenological literature provides us with descriptions and definitions of reflective self-consciousness as well as of pre-reflective bodily absorption, but when it comes to the states of self-consciousness dance philosophers refer to as thinking in movement and a form (...) of reflective consciousness at a bodily level – as well as to dancers’ re- ported experiences of being in a trance and yet hyper-aware – we are challenged in terms of terminology and precise descriptions. After empirical research on dancers’ experiences and studies of the above-mentioned philosophies of dance, aligning this material with Husserl, Zahavi and other phenomenologists’ descriptions of reflection and embodied self-consciousness, I find it plausible to acknowledge the existence of a third form of self- consciousness: embodied reflection, a reflective process experienced through and with the embodied and/or emotional self. In this article I aspire to capture the characteristics of this transcendence of the bodily self. (shrink)

O ameninţare uriaşă planează asupra uneia dintre cele mai dezvoltate ţări ale lumii. Miracol economic şi sociala al secolului XX Japonia se confruntă cu o problemă gravă , îmbătrânirea populaţiei şi scăderea natalităţii. Populaţia este un factor de putere extrem de important în istoria unui stat. Fără o populaţie numeroasă un stat nu poate fi bine dezvoltat. O populaţiei mare este mărirea capacităţii economice a unui stat , într-o primă instanţă. Ulterior dezvoltarea economică ţine de un cumul de diverşi factori (...) cum ar fi diversificarea producţiei , forţa agricolă dar şi altele. Acest „câlcâi a lui Ahile” afectează Japonia , îmbătrânirea provoacă diverse consecinţe precum încetinirea economică , dezechlibrul balanţei între sexe şi chiar extincţia totală a populaţiei într-un viitor îndepărtat. (shrink)

Dialogul interreligios constituie o parte importantă a preocupărilor din timpurile noastre. Lucrarea de faţă încearcă să arate că dintru început, creştinii urmând imperativul Mântuitorului Hristos: „iubeşte pe aproapele tău ca pe tine însuţi”, au fost obligaţi să se afle în dialog cu oameni de alte convingeri religioase, dând mărturie despre conştiinţa de sine şi despre speranţele lor. Astfel, de-a lungul istoriei creştinii dezvoltă dialoguri interreligioase monoteiste cu islamul şi cu iudaismul. Creştinii s-a întâlnit cu Islamul şi a dialogat cu (...) el sub diferite forme încă din primele decenii ale apariţiei acestuia până în zilele noastre. Elementele fundamentale ale dialogului creştino-islamic sunt: dumnezeirea lui Iisus Hristos şi dogma Sfintei Treimi precum şi persoana întemeietorului islamului şi critica Coranului. (shrink)

A Review of Outward Signs: The Powerlessness of External Things in Augustine’s Thought by Phillip Cary (Oxford: Oxford University Press, 2008), xxiv + 344 pp. -/- Phillip Cary has written another highly significant book on Augustine, and his writing displays the art of a master stylist. A complement to his Inner Grace, Outward Signs extends Cary’s thesis in Augustine and the Invention of the Inner Self: that Augus- tine’s Trinitarian and semiotic theology, groundbreaking as it was, remains beholden to (...) a Platonist privileging of inner vs. outer and idea over sacramental performance. Outward Signs should be of special interest to readers of Modern Theology, because the inwardness Cary interrogates displays a dimension of Augustine’s work that receives significant attention from a number of Modern Theology authors. Once again, Cary has offered an appropriate warning about any uncritical embrace of Augustine as theologian for the church today: the embrace could bring with it a turn to spiritualism, subjectivism, intellectualism, and also supersessionism (since the Old Testament and Jewish “law” belong to the merely outward life of the Word). Like Charles Taylor, Alasdair MacIntyre, and Richard Rorty before him, Cary captures the line of potential influence that moves from Plato to Augustine to Descartes and Kant. Here, knowledge tends to ocular knowing, and Cary shows how inadequate that model is to account for performative knowing in the church, of which sacramental life is one instance. But performative knowing would apply, as well, to the study of Augustine’s writ- ings. Read “outwardly,” Augustine’s corpus generates several possible vectors of theological practice. The stronger vectors may point “inward,” but readers should also attend to those (weak or strong) which point to that which is inward, outward, both, and neither. (shrink)

The bruxism is a medical sleep syndrome it is the remedial span for crushing the tines and gritting the jowl. Human rarely chore their tines and jowl, slightly than crushing their teeth lacking it producing any signals. The symptoms of bruxism are arduousness in the jowl joint, breakable teeth, headache, earache and difficulty in open in mouth etc. The causes of bruxism are snooze sickness, pressure and nervousness. The REM is a rapid eye movement it's a stages of sleep. The (...) EEG signal are used in the measurement of neuron, the alpha, beta, gamma, theta and delta wave are used in the prognostic of bruxism syndrome. It's used in MATLAB coding by the six steps in prognostic in bruxism. Md Belal Bin Heyat | Faijan Akhtar | Shadab Azad "Comparative Analysis of Original Wave & Filtered Wave of EEG signal Used in the Prognostic of Bruxism medical Sleep syndrome" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-1 | Issue-1 , December 2016,. (shrink)

Nimeni nu ştie sigur dacă amintirea lui Newton despre măr a fost corectă, dar perspectiva lui aceasta este. Filosofii au crezut încă de la greci că mişcarea “naturală” a stelelor, planetelor, Soarelui şi Lunei este circulară. Kepler a stabilit că orbitele sunt de fapt eliptice, dar a crezut că mişcările planetelor este dictată de către o “forţă divină” emanată de la Soare, iar Newton şi-a dat seama că aceeaşi forţă care face ca o piatră aruncată să cadă înapoi pe Pământ, (...) ţine şi planetele pe orbita Soarelui, şi Luna pe orbita Pământului. În 1687, Isaac Newton a publicat Principia, în care face ipoteza legii pătratelor inverse a gravitației universale. Aplicarea legii gravitației lui Newton a permis obținerea multor informații detaliate pe care le avem despre planetele din Sistemul Solar, masa Soarelui și detalii despre quasari; chiar și existența unei materii întunecate se deduce din legea gravitației lui Newton. Deși nu am călătorit pe toate planetele și nici pe Soare, cunoaștem masele lor. Aceste mase se obțin prin aplicarea legilor gravitației la caracteristicile măsurate ale orbitei. În spațiu un obiect își menține orbita datorită forței gravitaționale care acționează asupra ei. Planeta orbitează stelele, stelele orbitează în centre galactice, galaxiile orbitează un centru de masă în grupuri și clusterele orbitează în superclustere. CUPRINS: Gravitația - Istoria teoriei gravitației - - Revoluția științifică - - Teoria lui Newton a gravitației - - Principiul echivalenței - - Relativitatea generală - - Gravitația și mecanica cuantică - Aspecte specifice - - Gravitația Pământului - - Ecuațiile pentru un corp care cade aproape de suprafața Pământului - - Gravitația și astronomia - - Radiații gravitaționale - - Viteza gravitației - Anomalii și discrepanțe Istoria teoriei gravitației - Antichitate - Era modernă - - Teoria lui Newton despre gravitație - - Explicații mecanice ale gravitației - - Relativitatea generală - - Gravitația și mecanica cuantică Isaac Newton - Ortodoxia creștină - Dumnezeu ca maestru creator - Alte credințe - Scrieri Legea gravitaţiei universale a lui Newton - Istorie - Forma modernă - - Forma vectorială - - Comparaţie cu forţa electromagnetică - - Reticenţele lui Newton - Aspecte problematice - - Preocupări teoretice privind expresia lui Newton - - Observații care contravin formulei lui Newton - - Reticențele lui Newton - - Soluția lui Einstein Isaac Newton vs. Robert Hooke - Opera și revendicările lui Hooke - Opera și revendicările lui Newton - Recunoașterea lui Newton - Controversa modernă a priorității - Schopenhauer despre Newton și Hooke Acțiunea la distanță - Ipotezele eterului - Corespondența cu Richard Bentley - Concluzii Explicarea gravitației prin eter - Curenți - Presiune statică Constanta gravitațională universală, G Legea inversului pătratului în gravitație - Formula - Justificare - Gravitația Gravitaţia Pământului - Ecuațiile pentru un corp în cădere în apropiere de suprafața Pământului Greutatea și imponderabilitatea - Greutatea în mecanica newtoniană - Istorie - - Newton - Relativitatea Mareele și gravitația - Caracteristici - Constituienți - Istoria fizicii mareelor - Forțe - Ecuațiile de maree ale lui Laplace - Mareele oceanelor - - Amplitudine și ciclu - - Batimetrie - Mareea Pământului - - Forța fluxului - - Mareea corporală - - Ceilalți contribuabili ai mareelor Pământului - Mareea atmosferei Pământului - - Caracteristici generale - Mareele lunare - - Componenta principală lunară semi-diurnă Câmpul gravitațional - Mecanica clasică Gravitația în interiroul unei planete (Teorema carcasei) - Dovezile lui Newton - - Forța pe un punct în interiorul unei sfere goale - Modelul preliminar de referință al pământului (PREM) Referințe Despre autor - Nicolae Sfetcu - - De același autor - - Contact Editura - MultiMedia Publishing . (shrink)