It is commonly held that Bradley’s regress has a solution within a trope ontology. This seems to happen when a bundle is understood as constituted by non-transferable tropes. It also seems to happen when a bundle is understood as constituted by transferable tropes related by a relational trope of compresence whose existence specifically depends on those relata. In this article I demonstrate that these proposals fail in addressing the essential question that underlies the regress, incurring in a question-begging response already (...) anticipated by Bradley. (shrink)

A través del análisis lírico, este artículo pretende averiguar con qué frecuencia los tópicos y las figuras retóricas intervienen para establecer la percepción del mundo por parte del autor. Los poemas “Cuerpo en exilio” y “Cuerpo multiplicado” de Noche oscura del cuerpo (1955) del escritor peruano Jorge Eduardo Eielson reinciden en la noción de plasmar al hombre en una instancia en la que debe interactuar con la sociedad. Sin embargo, esa confrontación no es exitosa (motivo por el que se critica (...) la inconformidad). Para explicar esa propuesta, recurro a categorías como campo retórico para entender el contexto de los cincuenta, como también me respaldo de los paradigmas pertinentes, como campo figurativo, tropos, tipo de metáfora, interlocutores y cosmovisión. (shrink)

Τρόπος ὑπάρξεως bei den Kappadokischen Vätern und bei St. Maximus Confessor In dieser Arbeit werden wir versuchen, zu erörtern, was der Begriff τρόπος ὑπάρξεως bei den Kappadokischen Vätern im Kontext ihrer Triadologie bedeutet. Unserer Meinung zufolge ist die Reduktion der Bedeutung des Begriffs τρόπος ὑπάρξεως auf individuelles Wesen mit Charakteristika kein entsprechendes Abbild der Absicht der Väter. Ganz im Gegensatz, der Begriff τρόπος ὑπάρξεως dient bei ihnen als Unterstützung für die Konstituierung des Begriffs der Hypostase, welcher neben der Bedeutung eines (...) individuellen Wesens mit Charakteristika auch Relation als Schlüs-selmoment ihrer personalistischen Ontologie besitzt. (shrink)

Essa comunicação possui dois objetivos. Em primeiro lugar, pretendo esboçar as diferentes alternativas teóricas contemporâneas que procuram responder ao conhecido “ problema dos universais”. Para isso, apresentamos os nominalismos de predicados, classes, semelhanças e a teoria de tropos. Em segundo lugar, pretendo mostrar, inspirado no trabalho de David Lewis, como o nominalismo de classes, a noção de propriedade natural e uma teoria de mundos possíveis prometem resolver o problema em questão.

El trabajo investiga los diversos tropos de Carta sobre el humanismo, no como simples expresiones metódicamente indiferentes, sino como formas de prosecución de las tendencias hermenéuticas de la filosofía heideggeriana. La casa, el pastor y el claro constituyen tropos que no solo intentan superar cualquier rastro de la lógica del sujeto _y por lo mismo superar también el humanismo y la metafísica_ sino, además, se conforman y funcionan como verdaderos "tropos hermenéuticos". The paper investigates the various figures (...) of speech contained in Letter on Humanism, not as mere expressions indifferent to method, but as ways to continue the hermeneutic trends of Heideggerian philosophy. The house, the shepherd, and the clearing are figures of speech intended not only to leave behind all traces of logic in the subject _and by the same token also rise above humanism and metaphysics_ but in addition to take shape and function as true "hermeneutic tropes". (shrink)

Durante años, el estudio de la retórica ha incluido figuras que permiten el análisis de la poesía, como también, la creación diversificada según los múltiples estilos. Al respecto, en este artículo, se extraerá la propuesta fundamentada por Stefano Arduini, quien establece la noción de campo figurativo, como un ordenador de lineamientos subjetivos, propios del raciocinio, de la que se infieren seis subclasificaciones: la metáfora, la metonimia, la sinécdoque, la elipsis, la antítesis y la redundancia, además de los tropos internos (...) que las componen. Ante ello, se recurrirá a los planteamientos elaborados por los críticos y los teóricos de la Literatura para la confrontación hermenéutica que configuran estos conceptos difundidos por la poesía. Los autores a los que se recurrirán son Aristóteles con Retórica, Marco Fabio Quintiliano con Instituciones oratorias (1887), Pierre Fontanier con Les figures du discours (1977), George Lakoff y Mark Johnson con Metáforas de la vida cotidiana (1995), Jacques Lacan (1998), Stefano Arduini (2000), Oldřich Bĕlič (2000), Tomás Albaladejo (2008) y Camilo Rubén Fernández Cozman (2010). (shrink)

Este artículo tiene como propósito corroborar la cosmovisión de Octavio Paz, a partir de la inacción de la sociedad cotidiana, que es notoria en un fragmento del poema “Máscaras del alba” de La estación violenta (1958). Su crítica contra el sistema por la ausencia de compromiso social y político revela dos conceptos que fundamenta Mijaíl Bajtín en Estética de la creación verbal: su intencionalidad como autor y la expresión concomitante en función del género discursivo empleado. Para comprobar estas dos premisas, (...) incluiré como instrumento metodológico los campos figurativos o las provincias figurales que aborda Stefano Arduini, que comprenden los tropos de la metáfora, la metonimia, la sinécdoque, la metonimia, la elipsis, la antítesis y la repetición, además de sus variaciones. (shrink)

Este artículo tiene como objetivo confrontar la cosmovisión de Octavio Paz, desde la configuración ominosa que le atribuye al hombre y la sugerencia inferida por conllevar su tránsito óptimo de una suspensión o un truncamiento al dinamismo o la concretización de proyectos y utopías. Esa interpretación literaria se desarrolla de «Máscaras del alba» y «Repaso nocturno» de su poemario La estación violenta (1958). Para demostrar esa condensación autoral y comprender su intención, añado la epistemología de Stefano Arduini en función de (...) los campos figurativos que son de utilidad como sistema organizativo de los tropos y que se rigen de pensamientos metafórico, sinecdóquico, metonímico, elíptico, antitético y repetitivo, según cada caso. Esta taxonomía ha sido estudiada por el crítico Camilo Fernández Cozman, quien incorpora para un análisis más fructuoso la intervención de los interlocutores que participan en el discurso lírico. (shrink)

O estudo se detém tanto na teorização que Nietzsche oferece do tema -- em alguns cursos oferecidos na Universidade de Basel nos anos 1870 e no escrito inacabado e póstumo Sobre Verdade e mentira -- quanto nos aspectos discursivos da obra de Nietzsche que podem ser descritos em termos retóricos. Exploro na primeira parte o tratamento temático da retórica nos textos filológicos e acadêmicos de Nietzsche. Argumento no prelúdio contra as escolhas filológicas de Heidegger, que conferem prioridade às notas póstumas (...) do corpus nietzschiano em detrimento das obras por ele publicadas. Na sequência, reconstruo as principais teses nietzschianas sobre a retórica antiga. Aqui me contraponho fundamentalmente à leitura de Paul de Man ao enfatizar a importância que o filósofo confere à dimensão expressiva da linguagem (com destaque para o registro oral, que deve ser emulado pelo registro escrito. Argumento, com base em evidências textuais extraídas tanto dos cursos quanto de obras posteriores, que o interesse de Nietzsche pela retórica não se reduz à sua tentativa de desenvolver uma epistemologia dos tropos que estaria a serviço de um projeto de desconstrução da metafísica. Embora encontremos um movimento nesta direção, há também esforços mais positivos, como a tentativa de elaborar uma teoria da percepção e da mente em analogia com o tipo de inferência que realizamos ao construir e interpretar enunciados semanticamente desviantes (tropos ou figuras de linguagem). Na segunda parte deste estudo, defendo que a dimensão retórica da filosofia de Nietzsche comporta pelo menos quatro aspectos essencialmente distintos: (1)recursos expressivos (estilo, que remeto à noção aristotética de prova ética e que está associado à dimensão material e pré-convencional da linguagem, cujo propósito é comunicar não ideias, mas um pathos específico, um determinado estado fisiológico caracteristico de uma certa organizaçõa pulsional); (2) dispositivos heurísticos (invenção, que associo à presença em Nietzsche do paradigma indiciário e de inferências abdutivas: uso de anedotas, recurso a aproximações etimológicas, atenção a aspectos residuais nos documentos históricos); (3) estratégias argumentativas (aqui me limito a descrever o que julgo ser a estratégia de invalidaçao predominante em Nietzsche, a estratégia polêmica, e que se contrapõe programaticamente ao monopólio do modelo socrático do elenchus, ou refutação) e (4) formas de exposição (gêneros literários da filosofia: embora eu reconheça que Nietzsche experimenta com uma multiplicidade de formas literárias de exposição dos argumentos, defendo que o gênero mais característico de sua prosa filosófica deve ser descrito como um tipo de ensaio aforismático, que combina características tanto do ensaio quanto do aforismo em sua forma pura). (shrink)

El trabajo investiga los diversos tropos de Carta sobre el humanismo, no como simples expresiones metódicamente indiferentes, sino como formas de prosecución de las tendencias hermenéuticas de la filosofía heideggeriana. La casa, el pastor y el claro constituyen tropos que no solo intentan superar cualquier rastro de la lógica del sujeto _y por lo mismo superar también el humanismo y la metafísica_ sino, además, se conforman y funcionan como verdaderos "tropos hermenéuticos". The paper investigates the various figures (...) of speech contained in Letter on Humanism, not as mere expressions indifferent to method, but as ways to continue the hermeneutic trends of Heideggerian philosophy. The house, the shepherd, and the clearing are figures of speech intended not only to leave behind all traces of logic in the subject _and by the same token also rise above humanism and metaphysics_ but in addition to take shape and function as true "hermeneutic tropes". (shrink)

This double issue of the journal of hermeneutics and philosophical criticism “Trópos” stems from a workshop held in Padua on November 8th and 9th, 2021, entitled “The Universal and Philosophy,” organized by the Mushin'en Research Group in Intercultural Philosophy (無心円)3, of which the two publishers are founding members.

The challenge of thick character consists in explaining the apparent fact that one object can be charactered in many ways. If we assume a trope bundle theory, we ought to answer in turn the two following questions: What are the requirements on a trope bundle theory if it is to adequately account for thick-character?; Is a trope bundle theory that meets those requirements preferable to rival theories? In order to address the above questions, the paper proceeds as follows. In the (...) first section I cover two preliminary matters: I introduce the concept of thick-character and distinguish it from other related concepts. Then, I sketch several leading accounts of character and situate bundle theory among them. Also, I pick up and argue that there are three requirements on a trope bundle theory if it is to adequately account for thick-character. Lastly, in the third section I pick up and argue that the requirements spell trouble for trope bundle theory. This trouble, I argue, indicates that trope bundle theory—and hence bundle theory simpliciter—fails to better its chief rival, substance-attribute theory. (shrink)

Revolutionary Gnosticism is a religious–philo- sophical category introduced in the academic debate by the philosopher Eric Voegelin (1901–1985). Starting from his important work, several philosophers and sociologists have adopted Gnosticism as a useful explanatory notion to frame and define numerous modern and contemporary political and cultural movements. The immanentization of the eschaton, which is a renowned Voegelian expression, intimately defines the politico–cultural project of revolutionary Gnosticism. The destruction of the past for the creation of a new world, the last aeon, (...) demarcates the vision of history of revolutionary Gnosticism. Hence, according to a similar Weltanschauung, man replaces God, giving birth to «the idea of a transfiguration of mankind through a process of auto–redemption (grace replaced by revolution)» (Augusto Del Noce). The paper aims to investigate in broad terms the vast time span in which the concept of rev- olutionary Gnosticism has taken shape, from ancient Gnosis to Late Middle Ages, through seventeenth century Puritanism and Jacobinism, until twentieth–century totalitarianisms, eventually suggesting further lines of research. The present study intends to suggest a new interpretation for politico–revolutionary phenomena that have emerged in the whole West and in all epochs, with the purpose of finding a recurrent pattern that reflects one of the most disruptive intellectual engine for radical politics. (shrink)

This paper studies five approaches on the future of alterity that awaits ideas and doctrines. According to these predictions, embedded in texts by Weber, Meinecke, Butterfield, Merleau-Ponty and Koselleck, the coming forms of thinking shall endure the same destiny affecting the ideas of the past because they will evolve without relying on historical sameness. The future of Western thought, in short, is bound to an unpredictable “destiny of otherness”. These claims, taken together, outline a redirection of the genealogical untangling to (...) the future. While they persist on linking present phenomena to realities deemed historically “other”, they also foresee that this fate of alterity will prevail in future times, an enlargement of scope that results in a symmetrically expanded genealogy. This universalized “discourse of historical otherness” makes evident that genealogy, in addition to its involvement with past vicissitudes of ideas and beliefs, is also bound to explore their future emmeshing with alterity. Its “forward-looking inflection” will proscribe historiographic prolepsis, contending that the destiny of otherness awaiting ideas and doctrines excludes any surmise about the meaning they will be given in the future. (shrink)

The article explores similarities between the philosophies of Zhuangzi and Aristippus, focusing in particular on play and eudaimonism. The main thesis is that both authors encourage the cultivation of a playful mindset, defined in the paper as the “ludic self”, which operates as a strategy for leading a flourishing life. By shaping a fluid, unstructured identity, the ludic self promotes negative subtraction from the structuring power of social nexus and proactive adaptation to shifting circumstances. Furthermore, some aspects of these philosophies (...) present an inter-disciplinary convergence with scientific findings from the psycho-biology of play, concerned with the mobilization of cathected energies and the prevention, or resolution, of addictive states. These promising connections with the fields of psychology and biology also represent an original contribution in respect to the existing debates within Zhuangzi studies, and scholarship on the Cyrenaics. From a methodological point of view, the article pursues what Rorty defines as a “rational reconstruction”, which involves a re-interpretation of past philosophies in light of present debates, ideas and vocabularies with the aim of engaging a trans-cultural, trans-historical dialogue. The value of this operation relies upon the universality of human experience, which always allows re-interpretation and re-actualization of past philosophies as a dialogical exercise of questioning otherness within a hermeneutic framework. (shrink)

This paper provisionally offers a way of addressing the predicament of a person who does not feel at home in her own concepts, because these concepts were once forced upon her by a colonial regime. If the goal for a person in such a circumstance is to overcome this alienation through intellectual means, then one way in which this might be accomplished would be to develop a hermeneutics that would enable her to ascertain the alienating aspects of her existing concepts. (...) To this end, I outline a hermeneutical strategy which requires that, in reading the colonizer’s textual tradition, the colonized/ex–colonized person must heuristically presuppose that her current concepts are entirely determined by this tradition unless these concepts can be shown to resist such determination on reflective–systematic grounds. (shrink)

This article draws on Bernard Stiegler and Gilbert Simondon’s work to further interrogate the psychic, social, and political problems raised by the development of Artificial Intelligence. Stiegler’s political philosophy of time-consciousness reveals three concomitants urgencies: human memory is conditioned by industrial supplements that are increasingly disruptive, capitalism has produced an entropic condition where life on earth is threaten by toxic systems, the deployment of technologies of spirits has striped individuals of their psychic and collective individuation. I read media theory along (...) with Simondon’s philosophy to elucidate the question of mediation in today’s reticulated AI-driven society. (shrink)

This paper proposes a comparison between the myth of Prometheus and Pliny the Elder’s account of the origins of painting to assess the technical characterof images. Such a character is seen as a precondition for understanding their epistemological value, as well as for supporting the need for hermeneutics at any level of artificial intervention. Finally, part of Horst Bredekamp’s work will be presented as an example of a methodology that combines hermeneutics and iconology based on such a technical character.

O presente artigo busca investigar como certas produções midiáticas que, apesar da pretensa polêmica e campanha de (contra)estigmatização, não causaram o eco social pretendido. Usando o arcabouço teórico de Jean-François Lyotard, de inspiração wittgensteniana, iremos analisar três produções audiovisuais que entram nas características de nosso objeto: Torre de Babel, Garapa e Capitalismo: uma História de Amor. Observando como tais obras se relacionam com as questões de (re)presentações, saberes e apostas linguísticos, veremos como se operou o silenciamento da polêmica resultando em (...) um processo de normalização e normatização no escopo social. (shrink)

Traditionally, the ideas of “intuitive” and “discursive” forms of understanding have been seen as near opposites. Whereas an intuitive understanding could have a direct grasp of something, a discursive understanding would always depend on what is given to it, as mediated by concepts. In this essay, I suggest that Paul Ricoeur’s conception of analogy presents a way of overcoming this opposition. For Ricoeur, an analogy works within discursive understanding, but it depends on an eventful insight that leads beyond what is (...) merely given in discourse. The analogy “gives more” for thought. Yet, as I argue, what analogy gives for thought is always explicable in conceptual terms: any intuitive understanding is commensurate with a discursive one. I illustrate Ricoeur’s mediation of discursive and intuitive understanding in particular with his conception of metaphor, which vividly depends on overcoming a discursive contradiction by analogical and intuitive means. Before introducing Ricoeur’s conception, I discuss the Kantian background of the intuitive/discursive distinction. In particular, I suggest how Goethe’s attempt to revitalize a notion of intuitive understanding can be compared to Ricoeur’s conception, though Ricoeur improves upon Goethe by grounding intuition in the specific phenomenon of analogy. (shrink)