Ferdinand de Saussure

This study aims to corroborate Merleau-Ponty’s interpretations of fundamental ideas from Saussure’s linguistics by linking them to works that were independently elaborated by Jan Mukařovský, Czech structuralist aesthetician and literary theorist. I provide a comparative analysis of the two authors’ theories of language and their interpretations of thought as fundamentally determined by language. On this basis, I investigate how they conceive linguistic innovation and its translation into changes in the constituted language and other social codes and institutions. I explain how (...) they elaborate on Saussure’s idea of language as a system of oppositions by interpreting cultural innovation as a systematic variation of pre-established social norms and, similarly, linguistic innovation as gesturing within language. Connectedly, I show how Mukařovský’s works help clarify Merleau-Ponty’s focus on the gestural dimension of language. By discussing the two thinkers’ arguments in favour of linguistic innovation, I explore what could be called phenomenological limits of structuralism. (shrink)

Resumo: O objetivo deste trabalho é compreender o funcionamento das dificuldades e dos obstáculos decorrentes dos procedimentos automáticos no desenvolvimento da teoria discursiva. Para esta tarefa, o material de análise é composto pelos textos analíticos resultados do projeto da Análise Automática do Discurso (AAD). A pesquisa toma o prisma de investigação da História das Ideias Linguísticas na relação com os princípios da Análise de Discurso, buscando o funcionamento discursivo do material em sua relação com os processos político-ideológicos nas suas formas (...) institucionais, disciplinares e textuais. Na releitura do arquivo disciplinar, cotejando com algumas notas, relatos e contextualizações, são descritos aspectos menos conhecidos sobre a história da AAD, mostrando a força do que é designado neste artigo como um “materialismo discursivo” desenvolvido também pelo seu encontro com a automatização/informatização. Abstract: The objective of this paper is to understand the functioning of difficulties and obstacles from automatic procedures in the development of the discursive theory. For this task, the analysis material is composed by the analytical texts of the Automatic Analysis of Discourse (AAD) project. The research takes the investigative prism of the History of Linguistic Ideas in relation with the principles of Discourse Analysis, seeking the discursive functioning of the material in its relationship with the political-ideological processes in their institutional, disciplinary and textual forms. In the rereading of the disciplinary archive, collating with some notes, reports and contextualizations slight known aspects of the history of AAD are described, showing the strength of what is designated in this paper as a “discursive materialism” developed also by its encounter with automation / informatization. (shrink)

(A chapter in the book edited by Ine Gevers, Robot Love: Can We Learn from Robots About Love?) Similarly to the method employed by Marx in his analysis of the capital and to de Saussure’s structuralist explanation of language, I suggest we conceive the categories in question as materially conditioned while resulting into full abstraction in the process of analysis. Thus, instead of theorising in terms of the anthropologically (and philosophically) conditioned phantasm of a “digital subjectivity” or a “cyborg self,” (...) let us radicalise and absolutise the concepts of the material and the ideal (or the mind understood in opposition to the material), arriving to physicality, regardless of whether organic or synthetic, and the automaton of signification as our main two categories of analysis. Therefore, let us also note that the category of “automaton” implies we are not dealing with a form of cognition but rather of language or signification. It is through operation with these categories that we shall postulate the sociopolitical and economic relevance of the cybernetic development for the post-human society and for the post-humanist self. The statement just made refers to a de facto political project, and it is impossible to arrive to results that would represent a fundamental change in relation to the humanist history of civilization/s without resorting to philosophical concepts. (shrink)

Derrida’s thought on “trace,” “différance,” “writing,” and “supplement” is always thought the breaking of logocentrism, the essence, the positive meaning, and the closure of the metaphysics of presence; this thinking is accordingly regarded the thinking with the fundamental structure of difference and openness. By tracking back to Saussure, Husserl and Levinas, this fundamental difference breaks the myth of ideal meaning as well as the illusion of the absolute open; its lack of ideality and absoluteness contains the fundamental difference within itself (...) and thus has the structure of open. However, from a broader perspective, I will re-ask the question “Whether or not Derrida’s ‘trace,’ ‘différance,’ ‘writing,’ and ‘supplement’ have a structure of open.” When the web of differences encompasses everything even its own “exit,” this “open” thus conceals and denies other modes of thinking. With the impossibility of going out of this mode of thinking, the structure of différance is closed. (shrink)

In this essay, I follow the lead of recent scholarship in Saussure linguistics and critically examine the Saussurean doctrine associated with the Course in General Linguistics, which later became a hallmark of structuralism. Specifically, I reconstruct the history of the concluding sentence in the Course which establishes the priority of la langue over everything deemed external to it. This line assumed the status of an oft-cited ‘famous formula’ and became a structuralist motto. The ‘famous formula’ was, however, freely inserted by (...) the editors of the Course who effectively ghostwrote the book after Saussure’s death, and authored a series of early book-reviews of the same text in dedicated scholarly venues. I argue that the editorial success turning their vision of Saussure’s teaching into official doctrine was enabled in part by the dominant social structures regulating twentieth-century European academia. (shrink)

In this article I present the conception of syntax emerging from the “dynamic approach” to syntax and semantics, developed in the last few decades, moving from the critic to the static theories of language, either those developed in the Chomskian framework or those based on Montague’s grammar. I will suggest that this view can be fruitfully compared with Saussure’s position on syntax.

This thesis is an interrogation of the viability of transitive production, which I associate with the Aristotelian term hylomorphic. The central axiom of hylomorphic production that will be targeted for critique is that the agent of production must be distinguished absolutely from the product. The thesis follows the thought of production primarily-but not exclusively-in its characteristically modem instantiation in the Kantian transcendental. The argument seeks to demonstrate that the productive aspect of the operator of transitive production is incompatible with the (...) transcendental element, and that Kant was himself increasingly aware of this problem. The Third Critique, under the rubric of an aesthetics, it will be argued, manifests this awareness in its problematic of a manifold of empirical laws. That this constitutes a difficulty for transcendent idealism means that the transcendental operators of the First Critique have failed to constitute experience in a relevant and important way. Furthermore, it is possible to see in some of the famous slogans of the Third Critique, an indication of another mode of production which is immune to the difficulties of the axiom of transitive production. In conclusion I suggest that the consequences of this new mode of intransitive production, associated with materiality, is destructive of the thought of the axiomatic otherworldliness of production operators. Production is not operated at all. Some suggestions are then made as to the explanation of the error embodied in the axiom of transitivity. (shrink)

We propose that Saussure’s signifiers must be processed in the left brain hemisphere (in right handed people) and the signified may be processed in the right. This proposition has consequences for understanding human cognitive phenomena and their pathologies, and can also be related to the passive and active process of thinking, as described by Karl Jaspers. Saussure studied signifiers and their relationships. He left the signified to be studied by psychologists, but there is no consensus about it. According to some (...) linguists, the signified, or the meaning, is the specific activity or succession of bodily states related to each signifier. Learning is the process of linking a signifier (a represented object) to a signified or meaning (a specific activity). However, human beings can represent signifiers autonomously because words and drawings are easily produced with small movements and have syntactic, referential and logical rules of combination. If they are processed in the left hemisphere, the meaning (the signified) is only found when the right hemisphere is reached. The right hemisphere can also work independently, as for instance, when we imagine a story which has to find the words in the left hemisphere. The complex relationship between the hemispheres through the corpus callosum is decisive for telling stories and having self-consciousness. (shrink)

In dieser Arbeit werden die Hauptbegriffe der Strukturalen Anthropologie von Lévi-Strauss analysiert: Struktur, Zeichen, Symbol und Mythos. Es wird die Frage aufgeworfen, ob ein vereintes Objekt der Anthropologie jenseits der verschiedenen Perspektiven der Sozialwissenschaften möglich ist. Die Trennung zwischen Ethnologie und Geschichte wird uns für die Fragestellung über ein allgemeines “menschliches Wesen” dienen. Dem Gegensatz zwischen Natur und Kultur gemäβ werden wir nach der positiven Rolle von Symbolen und Mythen als Gelenk zwischen diesen Extremen forschen. Letztlich werden wir die Grenze (...) der vermuteten Kontinuität zwischen Natur und Kultur durch die Rolle der Schrift erklären. Dazu dienen uns neben dem Werk von Lévi-Strauss auch die Werke der Autoren Cassirer, Rousseau, Eugeunio Trías, Gustavo Bueno und Derrida. (shrink)