View topic on PhilPapers for more information
Related categories

5 found
Order:
More results on PhilPapers
  1. Phenomenological Interpretations of Ancient Philosophy.Jens Kristian Larsen & Pål Rykkja Gilbert - forthcoming - Brill.
    Phenomenology and ancient Greek philosophy. The title of this book, indicating these topics as its two main subjects, could give the impression that the subjects are held together by a circumstantial “and.” The title would then indicate a connection between phenomenology and a topic, ancient Greek philosophy, the way titles such as Art and Phenomenology, Phenomenology and Psychological Research, Phenomenology and Virtue Ethics do. This impression would be wrong. First, ancient Greek philosophers take pride of place in the dialogues initiated (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  2. How does Novelty Arise? Institution and Transcendence.Jan Puc - 2017 - Filozofia 72 (4):259-270.
    The paper shows different approaches to creativity, i.e. emergence of new meanings, in Merleau-Ponty and Patočka. The comparison is based mainly on Merleau-Ponty’s lectures L’institution dans l’histoire personnelle et publique (1954/55) and Patočka’s project Negative Platonism (1953). Despite some similarities evident in the key concepts “institution” and “transcendence”, there is a decisive difference between the two approaches concerning the temporality of creation. Whereas Merleau-Ponty likens the temporality of institution to future perfect tense, emphasizing the intertwining of present and future events, (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark  
  3. THE END OF ART AND PATOČKA's PHILOSOPHY OF ART.Josl Jan - 2016 - HORIZON. Studies in Phenomenology 1 (1):232-246.
    In this essay I consider the end-of-art thesis in its metaphysical and empirical versions. I show that both use the correspondence theory of truth as the basis for their conception of the history of art. As a counterpart to these theories I have chosen Patočka’s conception of the history of art. His theory is based also on the relationship between art and truth, but he conceives truth in the phenomenological sense of manifestation. In the rest of the essay I seek (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark  
  4. Lifeworld, Civilisation, System: Patočka and Habermas on Europe and its Crisis.Francesco Tava - 2016 - HORIZON. Studies in Phenomenology 5 (1):70-89.
    The aim of this article is to show how both Jan Patočka and Jürgen Habermas, starting from a reinterpretation of the idea of «lifeworld», engaged a critique of modern civilisation, aiming (with different outcomes) at a redefinition of the concept of political community. In order to achieve this goal, I firstly focus on Patočka’s understanding of modern rational civilisation and its attempt to fix the fracture between «life» and «world». At this stage, I take also advantage of Hans Blumenberg’s distinction (...)
    Remove from this list   Download  
     
    Export citation  
     
    Bookmark   1 citation  
  5. Le mouvement ou la chair: deux conceptions de la profondeur ontologique selon Patočka et Merleau-Ponty.Jan Halak - 2013 - Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy 5 (1):83-104.
    [In French]Both Patočka and Merleau-Ponty conceive the world not just as an Object, but rather as a field of an irreducible phenomenal and ontological depth. Patočka’s concept of movement and Merleau-Ponty’s concept of flesh are two concrete figures of this depth, and as such they are understood by the respective authors as that what stands at the origin of every singular being so far as it detaches itself on the ground of the world as an open totality. Nevertheless, the position (...)
    Remove from this list   Download  
    Translate
     
     
    Export citation  
     
    Bookmark