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  1. Innards of Ingarden: Physiology of Time.Virgil W. Brower - 2020 - In Dominika Czakon, Natalia Anna Michna & Leszek Sosnowski (eds.), Roman Ingarden and His Times. Kraków, Poland: pp. 25-42.
    This project begins with the selective sensory experience suggested by lngarden followed by an insensitivity he insinuates to digestive processes. This is juxtaposed with an oenological explanation of phenomenal sedimentation offered by Jean-Luc Marion. It compares the dynamics of time in the former with the those of wine in the latter. Emphasis is given to lngarden's insinuation of time as fluid, liquid, or aquatic. It revisits Ingarden's physiological explanations of partially-open systems by way of the bilateral excretion and absorption of (...)
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  2. Ingarden's Husserl: A Critical Assessment of the 1915 Review of the Logical Investigations.Thomas Byrne - 2020 - HORIZON. Studies in Phenomenology 2 (9):513-531.
    This essay critically assesses Roman Ingarden’s 1915 review of the second edition of Edmund Husserl’s Logical Investigations. I elucidate and critique Ingarden’s analysis of the differences between the 1901 first edition and the 1913 second edition. I specifically examine three tenets of Ingarden’s interpretation. First, I demonstrate that Ingarden correctly denounces Husserl’s claim that he only engages in an eidetic study of consciousness in 1913, as Husserl was already performing eidetic analyses in 1901. Second, I show that Ingarden is misguided, (...)
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  3. O sensowności uczuć. Dziedzictwo myśli Edyty Stein.Piotr J. Janik - 2020 - Studia Philosophiae Christianae 2 (56):127-141.
    Stein’s theory of empathy lies at the intersection of the phenomenological findings of E. Husserl and M. Scheler. By presenting the issue of “empathy” in a broader framework, including intentionality, the originality of experience, the issue of personality and the individual identity, as well as the so-called world of values, namely the culture, I argue for a dynamic, process-oriented concept of dealing with feelings, namely diapathy. -/- Koncepcja Edyty Stein rozumienia drugiego człowieka jest znana z jej dysertacji O zagadnieniu wczucia. (...)
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  4. A Phenomenological “Aesthetics of Isolation” as Environmental Aesthetics for an Era of Ubiquitous Art.Matthew E. Gladden - 2018 - Polish Journal of Aesthetics (49):11-25.
    Here the concept of the human being as a “relatively isolated system” developed in Ingarden’s later phenomenology is adapted into an “aesthetics of isolation” that complements conventional environmental aesthetics. Such an aesthetics of isolation is especially relevant, given the growing “aesthetic overload” brought about by ubiquitous computing and new forms of art and aesthetic experience such as those involving virtual reality, interactive online performance art, and artificial creativity.
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  5. Barry Smith and His Influence On (Not Only, But Mainly My) Philosophy.Peter Simons - 2017 - Cosmos + Taxis 4 (4):38-41.
    Autobiographical survey of interactions between the author and Barry Smith, especially as concerns the background and influence of the Seminar for Austro-German Philosophy and work on the relevance of Adolf Reinach, Roman Ingarden and other Central-European thinkers to contemporary analytic philosophy.
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  6. Ingarden’s Combinatorial Analysis of The Realism-Idealism Controversy.Raphael Milliere - 2016 - In Sébastian Richard & Olivier Malherbe (eds.), Form(s) and Modes of Being. The Ontology of Roman Ingarden. Bern and New York: pp. 67-98.
    The Controversy over the Existence of the World (henceforth Controversy) is the magnum opus of Polish philosopher Roman Ingarden. Despite the renewed interest for Ingarden’s pioneering ontological work whithin analytic philosophy, little attention has been dedicated to Controversy's main goal, clearly indicated by the very title of the book: finding a solution to the centuries-old philosophical controversy about the ontological status of the external world. -/- There are at least three reasons for this relative indifference. First, even at the time (...)
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  7. The Truth About Fiction.Josef Seifert & Barry Smith - 1994 - In Kunst Und Ontologie: Für Roman Ingarden zum 100. Geburtstag. Amsterdam: Rodopi. pp. 97-118.
    Ingarden distinguishes four strata making up the structure of the literary work of art: the stratum of word sounds and sound-complexes; the stratum of meaning units; the stratum of represented objectivities (characters, actions, settings, and so forth); and the stratum of schematized aspects (perspectives under which the represented objectivities are given to the reader). It is not only works of literature which manifest this four-fold structure but also certain borderline cases such as newspaper articles, scientific works, biographies, and so forth. (...)
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  8. Ingarden Vs. Meinong on the Logic of Fiction.Barry Smith - 1980 - Philosophy and Phenomenological Research 41 (1/2):93-105.
    For Meinong, familiarly, fictional entities are not created, but rather merely discovered (or picked out) from the inexhaustible realm of Aussersein (beyond being and non-being). The phenomenologist Roman Ingarden, in contrast, offers in his Literary Work of Art of 1931 a constructive ontology of fiction, which views fictional objects as entities which are created by the acts of an author (as laws, for example, are created by acts of parliament). We outline the logic of fiction which is implied by Ingarden’s (...)
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  9. On Making Sense of Ingarden.Barry Smith - 1979 - In Crisis of Aesthetics. Cracow: Jagiellonian University Press. pp. 283-289.
    An account of Roman Ingarden's ontology of literature.
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  10. An Essay in Formal Ontology.Barry Smith - 1978 - Grazer Philosophische Studien 6 (1):39-62.
    As conceived by analytic philosophers ontology consists in the application of the methods of mathematical logic to the analysis of ontological discourse. As conceived by realist philosophers such as Meinong and the early Husserl, Reinach and Ingarden, it consists in the investigation of the forms of entities of various types. The suggestion is that formal methods be employed by phenomenological ontologists, and that phenomenological insights may contribute to the construction of adequate formal-ontological languages. The paper sketches an account of what (...)
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