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  1. Another Other: The Foreigner.Gabriel Furmuzachi - manuscript
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  2. The Speaking Abject in Kristeva's "Powers of Horror".Thea Harrington - 1998 - Hypatia 13 (1):138-157.
    This essay analyzes the implications of the performative aspects of Julia Kristeva 's Powers of Horror by situating this work in the context of similar aspects of her previous work. This construction and its relationship to abjection are integral components of Kristeva 's notion of practice and as such are fundamental to her critique of Hegel and Freud.
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  3. The Feminine and the Sacred (Review). [REVIEW]Christina Hendricks - 2004 - Journal of Speculative Philosophy 18 (2):161-164.
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  4. Fluidizing the Mirror: Feminism and Identity Through Kristeva’s Looking Glass.Christina Hendricks - 1997 - Philosophy Today 41 (Suppl):79-89.
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  5. Xopóσ: Dancing Into the Sacred Space of Chora: An Inquiry Into the Choir of Dance From the Chora.Nicoletta Isar - 2005 - Byzantion 75:199-224.
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  6. Feminist Aesthetics, Popular Music, and the Politics of the 'Mainstream'.Robin James - 2011 - In L. Ryan Musgrave (ed.), Feminist Aesthetics and Philosophy of Art. Springer.
    While feminist aestheticians have long interrogated gendered, raced, and classed hierarchies in the arts, feminist philosophers still don’t talk much about popular music. Even though Angela Davis and bell hooks have seriously engaged popular music, they are often situated on the margins of philosophy. It is my contention that feminist aesthetics has a lot to offer to the study of popular music, and the case of popular music points feminist aesthetics to some of its own limitations and unasked questions. This (...)
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  7. From Receptivity to Transformation: On the Intersection of Race, Gender, and the Aesthetic in Contemporary Continental Philosophy.Robin James - 2010 - In Kathryn Gines, Donna-Dale Marcano & Maria Davidson (eds.), Convergences: Black Feminism and Continental Philosophy.
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  8. Kristeva’s Subject-in-Process: From Structure to Semiotic Criticism.William D. Melaney - 2009 - In Paul Forsell Eero Tarasti (ed.), Understanding/misunderstanding : Proceedings of the 9th Congress of the IASS/AIS, Helsinki-Imatra, 11-17 June, 2007. International Semiotics Institute. pp. 1074-81.
    As presented in the early work, 'Revolution in Poetic Language,' Julia Kristeva’s 'subject-in-process' can be interpreted as a semiotic alternative to older conceptions of the philosophical subject.This discussion of Kristeva’s early work will attempt to demonstrate that new interpretations of Fregean logic and Freudian psychoanalysis radically displace the traditional subject. This act of displacement allows Kristeva to employ Hegelian dialectics to introduce a “textual” conception of meaning of experience. As a consequence, the Kristevan semiotexte offers a basis for both understanding (...)
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  9. The Complicated History of Einfühlung.Magdalena Nowak - 2011 - Argument: Biannual Philosophical Journal 1 (2):301-326.
    The article analyses the history of the Einfühlung concept. Theories of ‘feeling into’ Nature, works of art or feelings and behaviours of other persons by German philosophers of the second half of the nineteenth century Robert and Friedrich Vischer and Theodor Lipps are evoked, as well as similar theory of understanding (Verstehen) by Wilhelm Dilthey and Friedrich Schleiermacher, to which Dilthey refers. The meaning of the term Einfühlung within Edith Stein’s thought is also analysed. Both Einfühlung and Verstehen were criticized (...)
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  10. Against Matricide: Rethinking Subjectivity and the Maternal Body.Alison Stone - 2012 - Hypatia 27 (1):118-138.
    In this article I critically re-examine Julia Kristeva's view that becoming a speaking subject requires psychical matricide: violent separation from the maternal body. I propose an alternative, non-matricidal conception of subjectivity, in part by drawing out anti-matricidal strands in Kristeva's own thought, including her view that early mother–child relations are triangular. Whereas she understands this triangle in terms of a first imaginary father, I re-interpret this triangle using Donald Winnicott's idea of potential space and Jessica Benjamin's idea of an intersubjective (...)
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  11. Review of Julia Kristeva's This Incredible Need to Believe. [REVIEW]Chatterjee Subhasis Chattopadhyay - 2017 - Prabuddha Bharata or Awakened India 122 (10):720-21.
    This reviewer had read Kristeva in October, 2016 in this Journal (and the review is freely available online and had garnered some small publicity). Over the last one year this reviewer has taken a very short view of her tautological work. Having read her carefully this reviewer has decided that she should be rejected as a psychoanalyst, notwithstanding her huge popularity as a feminist. But this reviewer through a nuanced critique of theoretical psychoanalysis find her and her ilk lacking caritas.
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  12. Ground Zero for a Post-Moral Ethics in J. M. Coetzee's Disgrace and Julia Kristeva's Melancholic.Cynthia Willett - 2012 - Continental Philosophy Review 45 (1):1-22.
    Perhaps no other novel has received as much attention from moral philosophers as South African writer J. M. Coetzee’s Disgrace . The novel is ethically compelling and yet no moral theory explains its force. Despite clear Kantian moments, neither rationalism nor self-respect can account for the strange ethical task that the protagonist sets for himself. Calling himself the dog man, like the ancient Cynics, this shamelessly cynical protagonist takes his cues for ethics not from humans but from animals. He does (...)
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