Synesthesia

Edited by Ophelia Deroy (School of Advanced Study, University of London, Ludwig Maximilians Universität, München)
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  1. How do synesthetes experience the world.Malika Auvray & Ophelia Deroy - forthcoming - In Mohan Matthen (ed.), Oxford Handbook of Philosophy of Perception. Oxford University Press.
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  2. Perceptual variation in object perception: A defence of perceptual pluralism.Berit Brogaard & Thomas Alrik Sørensen - 2023 - In Aleksandra Mroczko-Wąsowicz & Rick Grush (eds.), Sensory individuals: unimodal and multimodal perspectives. Oxford: Oxford University Press. pp. 113–129.
    The basis of perception is the processing and categorization of perceptual stimuli from the environment. Much progress has been made in the science of perceptual categorization. Yet there is still no consensus on how the brain generates sensory individuals, from sensory input and perceptual categories in memory. This chapter argues that perceptual categorization is highly variable across perceivers due to their use of different perceptual strategies for solving perceptual problems they encounter, and that the perceptual system structurally adjusts to the (...)
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  3. Synesthesia, Hallucination, and Autism.Rocco J. Gennaro - 2021 - Frontiers in Bioscience 26:797-809.
    Synesthesia literally means a “union of the senses” whereby two or more of the five senses that are normally experienced separately are involuntarily and automatically joined together in experience. For example, some synesthetes experience a color when they hear a sound, although many instances of synesthesia also occur entirely within the visual sense. In this paper, I first mainly engage critically with Sollberger’s view that there is reason to think that at least some synesthetic experiences can be viewed as truly (...)
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  4. Synesthesia as (multimodal) mental imagery.Bence Nanay - 2021 - Multisensory Research 34:281-296.
    It has been repeatedly suggested that synesthesia is intricately connected with unusual ways of exercising one’s mental imagery, although it is not always entirely clear what the exact connection is. My aim is to show that all forms of synesthesia are forms of (often very different kinds of) mental imagery and, further, if we consider synesthesia to be a form of mental imagery, we get significant explanatory benefits, especially concerning less central cases of synesthesia where the inducer is not sensory (...)
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  5. Multisensory Consciousness and Synesthesia.Berit Brogaard & Elijah Chudnoff - 2020 - In Berit Brogaard & Elijah Chudnoff (eds.), Routledge Handbook of Consciousness. Routledge. pp. 322-336.
    This chapter distinguishes between two kinds of ordinary multisensory experience that go beyond mere co-consciousness of features (e.g., the experience that results from concurrently hearing a sound in the hallway and seeing the cup on the table). In one case, a sensory experience in one modality creates a perceptual demonstrative to whose referent qualities are attributed in another sensory modality. For example, when you hear someone speak, auditory experience attributes audible qualities to a seen event, a person’s speaking motions. The (...)
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  6. Synesthesia vs. crossmodal illusions.Casey O'Callaghan - 2017 - In Ophelia Deroy (ed.), Sensory Blendings: New Essays on Synaesthesia. Oxford University Press. pp. 45-58.
    We can discern two opposing viewpoints regarding synesthesia. According to the first, it is an oddity, an outlier, or a disordered condition. According to the second, synesthesia is pervasive, driving creativity, metaphor, or language itself. Which is it? Ultimately, I favor the first perspective, according to which cross-sensory synesthesia is an outlying condition. But the second perspective is not wholly misguided. My discussion has three lessons. First, synesthesia is just one of a variety of effects in which one sense modality (...)
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  7. Psilocybin, LSD, Mescaline and drug-induced synesthesia.Dimitria Electra Gatzia & Berit Brogaard - 2016 - In Victor R. Preedy (ed.), The Neuropathology Of Drug Addictions And Substance Misuse. Elsevier.
    Studies have shown that both serotonin and glutamate receptor systems play a crucial role in the mechanisms underlying drug-induced synesthesia. The specific nature of these mechanisms, however, continues to remain elusive. Here we propose two distinct hypotheses for how synesthesia triggered by hallucinogens in the serotonin-agonist family may occur. One hypothesis is that the drug-induced destabilization of thalamic projections via GABAergic neuronal circuits from sensory areas leads to a disruption of low-level, spontaneous integration of multisensory stimuli. This sort of integration (...)
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  8. H.O.T. Theory, Concepts, and Synesthesia: A Reply to Adams and Shreve.Rocco J. Gennaro - 2016 - Symposion: Theoretical and Applied Inquiries in Philosophy and Social Sciences 3 (4):443-448.
    In response to Fred Adams and Charlotte Shreve’s (2016) paper entitled “What Can Synesthesia Teach Us about Higher Order Theories of Consciousness?”, previously published in Symposion, I argue that H.O.T. theory does have the resources to account for synesthesia and the specific worries that they advance in their paper, such as the relationship between concepts and experience and the ability to handle instances of ‘pop-out’ experiences.
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  9. Synesthesia, Experiential Parts, and Conscious Unity.Rocco J. Gennaro - 2012 - Philosophy Study 2 (2):73-80.
    Synesthesia is the “union of the senses” whereby two or more of the five senses that are normally experienced separately are involuntarily and automatically joined together in experience. For example, some synesthetes experience a color when they hear a sound or see a letter. In this paper, I examine two cases of synesthesia in light of the notions of “experiential parts” and “conscious unity.” I first provide some background on the unity of consciousness and the question of experiential parts. I (...)
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  10. XV—Cross‐Modal Experiences.Fiona Macpherson - 2011 - Proceedings of the Aristotelian Society 111 (3pt3):429-468.
    This paper provides a categorization of cross-modal experiences. There are myriad forms. Doing so allows us to think clearly about the nature of different cross-modal experiences and allows us to clearly formulate competing hypotheses about the kind of experiences involved in different cross-modal phenomena.
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  11. Ron’s Right Arm: Tactility, Visualization, And The Synesthesia Of Audio Engineering.Eliot Bates - 2009 - Journal on the Art of Record Production 4 (1).
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  12. Martian Colours.Dimitria Electra Gatzia - 2008 - Philosophical Writings 37.
    Developmental synesthesia typically involves either the stimulation of one sensory modality which gives rise to an experience in a different modality (when a sound, for example, evokes a colour) or the stimulation of a single sensory modality giving rise to different qualitative aspects of experience (when the sight of a number, for example, evokes a colour). These occurrences seem to support Grice’s (1989) argument that sense modalities cannot be individuated without reference to the introspective-character of experience. This, however, threatens intentionalism (...)
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  13. Cognitive modules, synaesthesia and the constitution of psychological natural kinds.Richard Gray - 2001 - Philosophical Psychology 14 (1):65-82.
    Fodor claims that cognitive modules can be thought of as constituting a psychological natural kind in virtue of their possession of most or all of nine specified properties. The challenge to this considered here comes from synaesthesia. Synaesthesia is a type of cross-modal association: input to one sensory modality reliably generates an additional sensory output that is usually generated by the input to a distinct sensory modality. The most common form of synaesthesia manifests Fodor's nine specified properties of modularity, and (...)
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  14. Review of Richard E. Cytowic, *The Man Who Tasted Shapes*. [REVIEW]G. Nixon - 1999 - Journal of Consciousness Studies 6 (1):122-123.
    The Warner Books back cover proclaims: In the tradition of Oliver Sachʼs [sic] bestselling *The Man Who Mistook His Wife for a Hat...* The manner and misspellingsignify that Cytowic himself had nothing to do with such publishing hucksterism. However, one thing is clear upon reading this book: Richard Cytowic, M.D., is no Oliver Sacks. Though, as will be seen, there is much in here to recommend itself, his stilted reproduction of conversations which or may not have taken place and his (...)
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