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David Hume: Reason in History

Pennsylvania State University Press (2003)

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  1. The simple duality: Humean passions.Hsueh Qu - 2012 - Canadian Journal of Philosophy 42 (S1):98-116.
    Hume views the passions as having both intentionality and qualitative character, which, in light of his Separability Principle, seemingly contradicts their simplicity. I reject the dominant solution to this puzzle of claiming that intentionality is an extrinsic property of the passions, arguing that a number of Hume’s claims regarding the intentionality of the passions (pride and humility in particular) provide reasons for thinking an intrinsic account of the intentionality of the passions to be required. Instead, I propose to resolve this (...)
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  • David Hume y la distinción entre filosofía especulativa y experimental.Sofía Beatriz Calvente - 2018 - Dianoia 63 (81):109-131.
    Resumen: Ante las críticas insistentes a la distinción entre el empirismo y el racionalismo, se han propuesto alternativas para comprender de manera más adecuada el quehacer de los filósofos modernos. Entre ellas está la distinción entre filosofía especulativa y experimental. Intentaré evaluar la validez de esta distinción para la filosofía moral experimental del siglo XVIII y, en particular, para la propuesta de Hume. Mostraré que si la distinción se entiende en términos excluyentes, resulta inapropiada porque el mismo Hume plantea que (...)
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  • The Concept of Affectivity in Early Modern Philosophy.Gábor Boros, Judit Szalai & Oliver Toth (eds.) - 2017 - Budapest, Hungary: Eötvös Loránd University Press.
    Collection of papers presented at the First Budapest Seminar in Early Modern Philosophy.
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  • EPR and the 'Passage' of Time.Friedel Weinert - 2013 - Philosophia Naturalis 50 (2):173-199.
    The essay revisits the puzzle of the ‘passage’ of time in relation to EPR-type measurements and asks what philosophical consequences can be drawn from them. Some argue that the lack of invariance of temporal order in the measurement of a space-like related EPR pair, under relativistic motion, casts serious doubts on the ‘reality’ of the lapse of time. Others argue thatcertain features of quantum mechanics establisha tensed theory of time – understood here as Possibilism or the growing block universe. The (...)
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  • Newton's Law of Universal Gravitation and Hume's Conception of Causality.Matias Slavov - 2013 - Philosophia Naturalis 50 (2):277-305.
    This article investigates the relationship between Hume’s causal philosophy and Newton ’s philosophy of nature. I claim that Newton ’s experimentalist methodology in gravity research is an important background for understanding Hume’s conception of causality: Hume sees the relation of cause and effect as not being founded on a priori reasoning, similar to the way that Newton criticized non - empirical hypotheses about the properties of gravity. However, according to Hume’s criteria of causal inference, the law of universal gravitation is (...)
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  • Hume’s Fork and Mixed Mathematics.Matias Slavov - 2017 - Archiv für Geschichte der Philosophie 99 (1):102-119.
    Given the sharp distinction that follows from Hume’s Fork, the proper epistemic status of propositions of mixed mathematics seems to be a mystery. On the one hand, mathematical propositions concern the relation of ideas. They are intuitive and demonstratively certain. On the other hand, propositions of mixed mathematics, such as in Hume’s own example, the law of conservation of momentum, are also matter of fact propositions. They concern causal relations between species of objects, and, in this sense, they are not (...)
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  • Wittgensteinian Pragmatism in Humean Concepts.David Hommen - 2016 - Philosophia 44 (1):117-135.
    David Hume’s and later Ludwig Wittgenstein’s views on concepts are generally presented as standing in stark opposition to each other. In a nutshell, Hume’s theory of concepts is taken to be subjectivistic and atomistic, while Wittgenstein is metonymic with a broadly pragmatistic and holistic doctrine that gained much attention during the second half of the 20th century. In this essay, I shall argue, however, that Hume’s theory of concepts is indeed much more akin to the views of Wittgenstein and his (...)
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  • Imaginación y respuesta emotiva en obras de ficción: una aproximación desde la filosofía de David Hume.Leandro Guerrero - 2016 - Agora 35 (2).
    El trabajo estudia la teoría humeana de la creencia en vistas a una caracterización preliminar de la noción de ficción dentro de su teoría y a un vínculo con sus tesis estéticas, especialmente con la posibilidad de apreciar una obra de arte y de poder tener una respuesta emotiva a ella. Para ello, en primer lugar, caracterizamos la noción de creencia y la de ficción en relación a la imaginación. En segundo lugar, discutimos la noción de “sistema poético” y su (...)
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  • David Hume on Personal Identity in Books I and II of the "Treatise of Human Nature".Vinícius França Freitas - 2019 - Filosofia Unisinos 20 (1).
    I intend to discuss Hume’s theory of personal identity in Books I and II of the Treatise of Human Nature. First, I intend to argue that Hume’s distinction between a ‘personal identity with regard to thought and imagination’ and a ‘personal identity with regard to passions and self-interest’ is only methodological, not radical. That is, the philosopher does not sug-gest the existence of two distinct ideas of personal identity in mind. Secondly, I try to show the contribution of the passions (...)
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  • A Note on the Quantum Mechanical Measurement Process.Michael Drieschner - 2013 - Philosophia Naturalis 50 (2):201-213.
    Traditionally one main emphasis of the quantum mechanical measurement theory is on the question how the pure state of the compound system 'measured system + measuring apparatus' is transformed into the 'mixture' of all possible results of that measurement, weighted with their probability: the so-called “disappearance of the interference terms”. It is argued in this note that in reality there is no such transformation, so that there is no need to account for such a transformation theoretically. _German_ Gewöhnlich liegt ein (...)
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  • Essays concerning Hume's Natural Philosophy.Matias Slavov - 2016 - Dissertation, University of Jyväskylä
    The subject of this essay-based dissertation is Hume’s natural philosophy. The dissertation consists of four separate essays and an introduction. These essays do not only treat Hume’s views on the topic of natural philosophy, but his views are placed into a broader context of history of philosophy and science, physics in particular. The introductory section outlines the historical context, shows how the individual essays are connected, expounds what kind of research methodology has been used, and encapsulates the research contributions of (...)
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  • Descartes on Will and Suspension of Judgment: Affectivity of the Reasons for Doubt.Jan Forsman - 2017 - In Gábor Boros, Judit Szalai & Oliver Istvan Toth (eds.), The Concept of Affectivity in Early Modern Philosophy. Budapest, Hungary: pp. 38-58.
    In this paper, I join the so-called voluntarism debate on Descartes’s theory of will and judgment, arguing for an indirect doxastic voluntarism reading of Descartes, as opposed to a classic, or direct doxastic voluntarism. More specifically, I examine the question whether Descartes thinks the will can have a direct and full control over one’s suspension of judgment. Descartes was a doxastic voluntarist, maintaining that the will has some kind of control over one’s doxastic states, such as belief and doubt. According (...)
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  • A Spinozist Aesthetics of Affect and Its Political Implications.Christopher Davidson - 2017 - In Gábor Boros, Judit Szalai & Oliver Istvan Toth (eds.), The Concept of Affectivity in Early Modern Philosophy. Budapest, Hungary: Eötvös Loránd University Press. pp. 185-206.
    Spinoza rarely refers to art. However, there are extensive resources for a Spinozist aesthetics in his discussion of health in the Ethics and of social affects in his political works. There have been recently been a few essays linking Spinoza and art, but this essay additionally fuses Spinoza’s politics to an affective aesthetics. Spinoza’s statements that art makes us healthier (Ethics 4p54Sch; Emendation section 17) form the foundation of an aesthetics. In Spinoza’s definition, “health” is caused by external objects that (...)
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