What does Husserlian phenomenology have to offer feminist theory? More specifically, can we find resources within Husserl’s account of the living body ( Leib ) for the critical feminist project of rethinking embodiment beyond the dichotomies not only of mind/body but also of subject/object and activity/passivity? This essay begins by explicating the reasons for feminist hesitation with respect to Husserlian phenomenology. I then explore the resources that Husserl’s phenomenology of touch and his account of sensings hold for feminist theory. My (...) reading of Husserl proceeds by means of a comparison between his description of touch in Ideas II and Merleau-Ponty’s early appropriation of this account in the Phenomenology of Perception, as well as through an unlikely rapprochement between Husserl and Irigaray on the question of touch. Moreover, by revisiting the limitations in Husserl’s approach to the body—limitations of which any feminist appropriation must remain cognizant—I attempt to take Husserl’s phenomenology of touch beyond its initial methodologically solipsistic frame and to ask whether and how it can contribute to thinking gendered and racialized bodies. The phenomenology of touch, I argue, can allow us to understand the interplay between subjective, felt embodiment and social-historical context. In opening up Husserl’s account of touch to other dimensions—intersubjective and affective—sociality is revealed as residing within, and structuring of, touch. Such touch can allow us to think embodiment anew. (shrink)

In this paper, I explore a confrontation between Husserl’s ethical position of vocation and its absolute ought with a feminist ethical position. I argue that Husserl’s ethics has a great deal to offer a feminist ethics by providing for the possibility of an ethics that is particular rather than universal, that recognizes the role of the social through tradition in establishing values and norms without conceding the ethical responsibility of the individual, and that acknowledges the role of both reason and (...) desire in establishing moral values that has the consequence of breaking down the public/private distinction that has reigned in so many ethical theories. In order to make this case, I proceed with a review of Husserl’s position of the absolute ought, some typical criticisms that might be leveled at his position, and finally, responses to those criticisms that show ways in which Husserl’s position can be beneficial to the formulation of a feminist ethics that is inclusive of the emotional aspect of moral valuation, and the particularity of ethical commitments, while providing for a different way of evaluating thinking that accommodates what are usually understood to be “feminine” concerns. In addition to describing Husserl’s position, I show how that position meets some of the expectations for a feminist ethics as put forth by Iris Marion Young and Sara Ruddick. (shrink)

The key focus of this essay is the experience of encountering divine wonder in things. The examination of the divine encounter is staged against the phenomenological backdrop. Specifically, the concept of the divine wonder is taken in its original, Husserlian, definition as Verwunderung and is traced via Levinas and his concept of face (le visage) to the early 20th century Russian philosopher, Pavel Florensky (1882–1943), whose 1922 essay “Iconostasis” approaches divine representation (лuк) in icon painting explicitly and consistently as a (...) phenomenon of wonder. More broadly, by connecting Florensky and his work to the phenomenological project at large, this essay aspires to show that the early 20th century Russian contributions to phenomenological thought go beyond adaptations and simulations of the traditional phenomenological prolegomena toward highly original philosophical encounters. (shrink)

Behind the rise and fall of intellectual fashions that insist on ‘‘moving beyond’’ Husserl even at the cost of misunderstanding him, there is a growing body of scholarship that attempts to appreciate the scope, subtlety and trajectory of his thought. With her Husserl on Ethics and Intersubjectivity, Janet Donohoe aims to make a contribution to this literature.

In this paper I examine the relationship between phenomenology and metaphysics by reassessing the relationship between phenomenological and metaphysical transcendence. More specifically, I examine the notion of phenomenological transcendence in Husserl and the early Heidegger: Husserl defines transcendence primarily as the mode of givenness of phenomena that do not appear all at once, but must be given in partial profiles; Heidegger defines transcendence primarily as Dasein’s capacity to go beyond entities toward being. I argue that these divergent understandings of phenomenological (...) transcendence have resulted in a significant difference in reception among French phenomenologists of religion. These thinkers assert that phenomenology, when properly conceived and utilized, can make room for the divine and its revelation, i.e., for a metaphysical transcendence. I further argue that these thinkers prefer Heidegger’s phenomenology to Husserl’s because they understand Heidegger’s transcendence as the subject’s openness to being, while they understand Husserl’s transcendence as a limit, as the inability to capture worldly objects. I take up Jean-Luc Marion’s phenomenology of givenness as a “case study” to illustrate this point. Finally, I argue that this preference for Heidegger over Husserl is misplaced and should be reversed. A close reading of Heidegger’s Phenomenology of Religious Life shows that Dasein is confined to its own possibilities and cannot be open to a relationship with the divine. By contrast, Husserl’s phenomenology provides the radical openness necessary to welcome revelation. While Husserl cannot envision a “worldly God,” the structures of horizonality and temporality characterize a subject capable of an authentic openness to revelation. (shrink)

Husserl’s theory of types is most often associated with his account of perception. Here, types operate as pre-predicative frames of experience that guide the perception of objects. In this paper, I will argue that Husserl’s theory of types is also central to his account of intersubjectivity. More specifically, I will show that a foundational kind of typical subjectivity is entailed by his discussion of the sphere of ownness. It is by way of this type that even a solitary subject can (...) tacitly anticipate the possibility of other subjects. It is also this type that is enriched through interactions between actual subjects. (shrink)

This paper demonstrates that two signature methodological concepts in Husserl’s transcendental phenomenology, the epoché and the phenomenological reduction, derive from his reflections on the history and significance of epistemological skepticism in the Western tradition. Drawing on his Lectures on Logic and Epistemology (Hua XXIV) from the Winter semester of 1906–07, it is argued that Husserl derives his conception of the fundamental task of transcendental philosophy from his reading of a novel skeptical challenge posed by David Hume’s philosophy—a kind of skeptical (...) challenge that Husserl did not recognize in his earlier treatments of Hume. On Husserl’s revised reading, Hume promotes a certain kind of philosophical “despair” (Verzweiflung) or, as it may be called today, “quietism” as the only possible response to the traditional problems of epistemology stemming back to the ancient skeptics. Husserl’s criticism of Hume’s quietism is presented. And Husserl’s reading of Descartes’s cogito as the first decisive uncovering of the limits of epistemological skepticism in the Western tradition is shown to be the source of two key elements of Husserl’s positive alternative to Humean epistemological quietism, which ultimately become the heart of a novel conception of critical transcendental philosophy. These two key elements are the phenomenological epoché and phenomenological reduction. Husserl’s arguments are presented for the claim that these are essential parts of any epistemological program that can answer traditional skeptical challenges. (shrink)

The discussion of the debate on the two approaches to Husserl’s phenomenology and of the debate between David Carr and Dan Zahavi on the paradox of subjectivity signify a fundamental problem: What is the relationship between subjectivity, intersubjectivity, and the world? For this problem, I argue that subjectivity, intersubjectivity, and the world are Co-originary in Husserl’s transcendental phenomenology, in the sense of their structural necessity. I define this co-originary relationship from the perspective of unification of constitution and givenness—this unification establishes (...) their equiprimordial relationship. According to this co-originariness, subjectivity, intersubjectivity, and the world are not three isolated and independent origins, but are interdependent and absolute origins of sense of being in their own right. In sum, this essay proposes that transcendental co-originariness can be recognized as another way of reading Husserl’s phenomenology. (shrink)

I argue that Husserl’s account of passive synthesis can be developed into a phenomenology of peripheral experience. Peripheral experiences are not defined by their location in visual space but by their phenomenal and intentional character, by what these experiences are like and how they present things in the world. Further, I argue that peripheral experience is of a piece with our most basic background convictions about the world. As such, the periphery is epistemically neutral, but not therefore empty of meaning. (...) It is meaningful as holding open the possibility of further activity, both practical and intellectual. I explore these ideas by focusing on peripheral color experience. Husserl’s discussions of associative synthesis, affection, and doxic and nondoxic forms of attention prove key to detailing peripheral color experience. I end by arguing that at the periphery, intentional content and phenomenal content come apart. (shrink)

In this paper I develop a novel account of the phenomenality of language by focusing on characteristics of perceived speech. I explore the extent to which the spoken word can be said to have a horizonal structure similar to that of spatiotemporal objects: our perception of each is informed by habitual associations and expectations formed through past experiences of the object or word and other associated objects and experiences. Specifically, the horizonal structure of speech in use can fruitfully be compared (...) to that of a tool in use. The comparison suggests an account of our linguistic faculty as continuous with more foundational faculties of perception and action. I provide empirical corroboration of this account by drawing on recent neuroimaging studies of the multimodal, sensorimotor bases of speech comprehension. I then discuss how such an understanding of our linguistic ability helps advocates of embodied, non-representationalist accounts of cognition respond to a common objection. Critics grant that embodied approaches may be adequate to account for lower-level, online modes of cognition, such as perception and action, which directly engage their object. But they question whether such approaches can “scale up” to higher modes of cognition, such as imagination, memory, thought, and language, which can entertain absent, non-existent, or abstract objects. By providing a plausible account of the continuity of lower cognition and language-involving cognition, my approach responds to this objection, at least where language is concerned. (shrink)

Pre-theoretical experience and the lifeworld are traditionally seen as a key reference for phenomenology. In the present paper I intend to point out their relevance for critical theory as well. To this extent, I start off with a brief overview of phenomenological approaches to pre-theoretical experience and their relationship to empirical research. In sketching out some of the overlaps between phenomenology and early critical theory in this regard, I then specifically focus on Adorno’s reflections concerning the role of an extended (...) concept of experience in both his sociological and his philosophical work. Outlining Adorno’s methodological appropriation of “unregimented experience” in the guise of what he terms “physiognomic interpretation” – a procedure intended as a corrective to both rigorous empirical research and philosophical aprioric reasoning – I try to show wherein Adorno’s own approach to the pre-theoretical diverges from phenomenology. Finally, I conclude with some reflections concerning the different functions experience acquires in traditional phenomenology and critical theory. (shrink)

In his genetic phenomenology, Husserl introduces types, pre-predicative frames of experience that guide the perception and cognition of objects. In this essay, I argue that there are two types that are functionally almost identical to Kant’s schemata. To support this conclusion, I first present an interpretation of Kant’s discussion of schemata. I argue that we must see schemata as pure, a priori cognitions that involve only pure intuition, pure concepts of the understanding, and the imagination. I offer two analogies to (...) explain how schemata function to subsume objects under concepts and to anticipate possible objects of experience before moving on to discuss the schema of substance. Next, I present a brief explanation of Husserl’s genetic phenomenology, organizing my presentation around the idea of apperception. This paves the way for a demonstration of how the fundamental type is best understood as standing at the center of a cluster of concepts, including apperception, passive belief, natural bodies, and the one spatio-temporal horizon of experience. I argue that the fundamental type is central to Husserl’s attempt to ground logic in pre-predicative experience. Finally, I compare two specific types with schemata on the grounds cultivated in the previous sections. The first of these types, the fundamental type, functions to pre-predicatively anticipate objects of possible experience, just as schemata do. The second of these types, which is implied by but never discussed in Husserl’s work, serves to mediate between a formal system of rules and an intuitive grasp of the world, just as schemata do. (shrink)

“Apprehension” is a key term in Husserl’s phenomenology of perceptual consciousness. However, its modes of operation have not yet been closely analyzed. Apprehension has its own principles and foundations. According to Husserl, the principles of apprehension are 1) contiguity, 2) equality and 3) similarity, and each of them expresses a specific kind of qualitative connection between the apprehension-content and the apprehension-sense. When a content presents a sense through equality or similarity, this sense can be regarded as a “projection” from the (...) apprehension-content. Besides the principles, the working of perceptual apprehension as knowing is based on two foundations. The first foundation is a space of sense, in which a perceptual sense finds its place and is combined holistically with other senses. The second foundation is a concrete cultural and historical lifeworld, upon which the space of sense constructed. Similar ideas can also be found at work in Sellars and Searle. (shrink)

I argue that Husserl’s transcendental account of the role of the lived body in sense-making is a precursor to Alva Noë’s recent work on the enactive, embodied mind, specifically his notion of “sensorimotor knowledge” as a form of embodied sense-making that avoids representationalism and intellectualism. Derrida’s deconstructive account of meaning—developed largely through a critique of Husserl—relies on the claim that meaning is structured through the complication of the “interiority” of consciousness by an “outside,” and thus might be thought to lend (...) itself to theories of mind such as Noë’s that emphasize the ways in which sense-making occurs outside the head. But while Derrida’s notion of “contamination” rightly points to an indeterminateness of meaning in an outside, extended, concrete lived world, he ultimately reduces meaning to a structure of signification. This casts indeterminateness in terms of absence, ignoring the presence of non-linguistic phenomena of embodied sense-making central to both the contemporary enactivist program and to the later Husserl, who is able to account for the indeterminateness of meaning in lived experience through his distinction between sense and more exact linguistic meaning. Husserl’s transcendental theory of meaning also allows for a substantive contribution to sense-making from the side of the perceived object—an aspect missing from Noë’s account. Thus, in contrast to Derrida and to Noë, Husserl accounts for sense-making in terms of both the lived body and the lived world. (shrink)

The paths or ways to the transcendental reduction are a pivotal phenomenological notion in Husserl’s philosophy. The metaphor of path, in fact, alludes to the demonstrative proofs of transcendental phenomenology. Nonetheless, Husserlian scholarship has not yet been able to end the disputes surrounding this topic, and as a result, competing interpretations continue to prevail. Since existing theories about the paths have not yet been cataloged or analyzed in their global context, I intend to classify the main existing theories about the (...) paths and evaluate the trend established by Iso Kern. Thus, this paper answers the following questions: how many kinds of theories about the paths are there? And, how plausible is the trend and approach initiated by Kern? In order to evaluate each theory, I will compare the interpretation with its exemplary cases. The key contribution of this investigation is therefore twofold: to distinguish with unequivocal concepts the two main trends of hermeneutical theories in play and to evaluate the plausibility of the aforementioned Kernian one. The paper also attempts to show that the hermeneutical approach initiated by Kern has no contextual examples for its conceptual scheme and should consequently be abandoned in favor of an alternative solution. (shrink)

This dissertation proposes the central elements of a Social Enactive Theory of Perception. According to SEP, perception consists in sensory-based practices of interaction with objects, events, and states of affairs that are socially constituted. I oppose the representational view that perception is an indirect contact with the world, consists of the passive receiving and processing of sensory input, is in need of constant assessment of accuracy, and is a matter of individuals alone. I share the basic enactivist insight that perception (...) is a type of activity, but I depart from standard enactivism on the grounds of its individualistic bias and its limited conception of activity. Instead of motor actions, I formulate the concept of perceptual practices as the appropriate framework to understand perception. Perception is woven into socially informed, contextual, sensory-based everyday activities, such as food, dance, and dress, and even seemingly independent, basic perceptual activities and concepts are constituted by such practices. Perceptual individual interactions instantiate social perceptual practices but are not just repetitions of a script. We perceive objects in virtue of perspectives or appearances, not in spite of them, and on this basis I offer SEPâs take on experience, properties, and contents. I conceive perceptual experience as finely grained interactions between subjects and objects, both of which are spatially, temporally, and pragmatically situated. Objects and their sensory properties are perceived dynamically and always in multiple appearances. Perceptual content offers a pragmatic specification of the perceptual objects in the specific ways they appear to subjects. For SEP, perception is normatively structured. SEPâs perceptual normativity is not a worry about a supposed constant threat that our perceptions be nonveridical, but about the placement of perceptual things in a system of possibilities and expectations, cast in terms of degrees of fulfillment of expectations and in a horizon of pragmatic significance, both of which are functions of the socially constituted interactions between a perceiver and a rich theory of appearances. (shrink)

Using the 1991 police beating of Rodney King as case study, this paper draws on Husserlian phenomenology to establish a coherentist account of knowledge as situated with respect to its concrete circumstances of production. I take as my point of departure Gail Weiss's phenomenological investigation into the jury's assessment of evidence in the "Rodney King incident," and in particular, her interest in Husserl's conception of the "horizon" as a structure of consciousness that mediates what is present in perceptual awareness. Making (...) use of Anthony Steinbock's work on Husserlian phenomenological method — drawn from his extensive study of Husserl's unpublished manuscripts — I develop an epistemological framework that treats knowledge claims as inextricably bound to the horizons of meaning from which they arise, and provides standards of epistemic responsibility pertaining to an agent's "framing" of evidence. (shrink)

O artigo procura mostrar em que sentido a democracia deliberativa proposta pela teoria discursiva de Jürgen Habermas dá conta do problema dos reducionismos econômicos e juridificantes da mundialização ou globalização, entendida como uma colonização técnico-sistêmica do mundo da vida. Recorrendo a sua concepção de um ethos democrático transnacional embasado na soberania popular, a teoria habermasiana logra resgatar o caráter normativo da mundialização através da irredutibilidade de valores humanos como a liberdade, a dignidade e os direitos humanos, inerentes às mais diferentes (...) e incompatíveis autocompreensões de mundos da vida. (shrink)

In his argument for the possibility of knowledge of spatial objects, in the Transcendental Deduction of the B-version of the Critique of Pure Reason, Kant makes a crucial distinction between space as “form of intuition” and space as “formal intuition.” The traditional interpretation regards the distinction between the two notions as reflecting a distinction between indeterminate space and determinations of space by the understanding, respectively. By contrast, a recent influential reading has argued that the two notions can be fused into (...) one and that space as such is first generated by the understanding through an act of synthesis of the imagination. Against this reading, this article argues that a key characteristic of space as a form of intuition is its nonconceptual unity, which defines the properties of space and is as such necessarily independent of determination by the understanding through the transcendental synthesis of the imagination. The conceptual unity that the understanding prescribes to the manifold in intuition, by means of the categories, defines the formal intuition. Furthermore, this article argues that it is the sui generis, nonconceptual unity of space, when takenas a unity for the understanding by means of conceptual determination, that first enables geometric knowledge and knowledge of spatially located particulars. (shrink)

In an Appendix to his Analyses Concerning Passive and Active Synthesis dating from the early 1920s, Husserl makes the startling assertion that, unlike the mundane ego, the transcendental ego is immortal. The present paper argues that this claim is an ineluctable consequence of Husserl’s relentless pursuit of the ever deeper levels of time-constituting consciousness and, at the same time, of his increasing reliance on Leibniz’s model of monads as the true unifiers of all things, including minds. There are many structural (...) and substantive parallels between Leibniz’s monadic scheme and Husserl’s later views on the primal ego, and these points of convergence are laid out step by step in this paper. For both theorists, the monad is a self-contained system of being, one “without windows”; a monad’s experiences unfold in harmonious concatenations; a monad is a mirror of its proximate environs and comprises multiple perspectives; the unconscious is a repository of potential activation; and, most importantly of all, a monad knows no birth and death and hence is immortal. In his very last years, Husserl proposed a third ego level, below (or beyond) the mundane ego and transcendental ego - the primal ego. It is neither psychical nor physical; it permits the transcendental ego to carry out its constitutive activities, including the mundane ego’s birth and death in time; it is always in a process of becoming, and so it can never be in a state of only “having-been”, that is, dead: and hence the primal ego’s enduring cannot itself ever come to an end. Indo-Pacific Journal of Phenomenology , Volume 7, Edition 2 September 2007. (shrink)

Two hundred years ago, Friedrich Schleiermacher took critical issue with Immanuel Kant's intellectual notion of intuition as applied to human nature (Wellmon 2006). He found it necessary to modify—"hermeneutically," as he said—Kant's notion of anthropology by enabling it to include as human the new and strange human tribes Captain Cook found in the Pacific South Seas. A similar hermeneutic move is necessary if physics is to include the local contextual empirical syntheses of relativity and quantum physics. In this hermeneutical revision (...) the synthesis is formed around the notion of a Hilbert Vector Space as the universal grammar of physics, adding to it the dynamic of the Schrödinger equation, and representing empirical "observables" by projection operators that map the subspaces of definite measurable values. Among the set of observable projection operators, some pairs share the same subspace, commute with one another, and share a common laboratory setting. Other pairs do not share this property and are described as being mutually complementary. Complementary symmetries introduce into the discursive language of physics the commonsense notion of contextuality. The new synthesis, proposed by Eugene Wigner, John von Neumann, and (in his own way) Paul Dirac, brought physics into the community of common language and established it as a work of general human achievement. 1. (shrink)

This paper takes a fresh look at a classical theme in philosophical scholarship, the meaning of transcendental idealism, by contrasting Kant's and Husserl's versions of it. I present Kant's transcendental idealism as a theory distinguishing between the world as in-itself and as given to the experiencing human being. This reconstruction provides the backdrop for Husserl's transcendental phenomenology as a brand of transcendental idealism expanding on Kant: through the phenomenological reduction Husserl universalizes Kant's transcendental philosophy to an eidetic science of subjectivity. (...) He thereby furnishes a new sense of transcendental philosophy, rephrases the quid iuris-question, and provides a new conception of the thing-in-itself. What needs to be clarified is not exclusively the possibility of a priori cognition but, to start at a much lower level, the validity of objects that give themselves in experience. The thing-in-itself is not an unknowable object, but the idea of the object in all possible appearances experienced at once. In spite of these changes Husserl remains committed to the basic sense of Kant's Copernican Turn. I end with some comments on how both Kant and Husserl view the relation between theoretical and moral philosophy. (shrink)

Many items of culture which are conveyed from one culture to another may take verbal form, and then constitute what Jakobson called “translation proper.” If such diffusions involve a co-occurrent change of semiotic systems, they are of such a different nature, that we better reserve another term for it: transposition. Whether or not accompanied by transpositions, such as pictures, translational events may play an important part in the encounter between cultures, not only in the negative sense of deformations as postulated (...) by the Tartu school. Particularly, when such transpositions make up a massive occurrence, as was the assimilation of the Greek-Muslim heritage in Middle Age Europe, or the more extended process by means of which Europe took on of the experience of the so-called New World several centuries later, such processes may actually enrich the homeculture. In this paper, we will study the latter process, zeroing in on a single, if protracted, event, the creation of the work ascribed to Bernardino de Sahagún, which really involved the collaboration of many scholars, many of them bearers of Aztec culture, exclusively or in combination with Western culture. This case interests us in particular, also because it involved the transposition of pictures, not, in the sense, of Western pictures being substitued for single pre-Hispanic picture, but rather as a kind of semiotic means contributing in different ways to the process of constitution. (shrink)

Traditionally, phenomenology has understood the self in light of intentionality and hence the world. However, contemporary French phenomenology—as represented here by Jean-Luc Marion—contends that this view of subjectivity is open to challenge: our mode of existence is not simply one of “being-in the-world.” I develop this claim by examining Marion’s reformulation of the reduction. Here, the phenomenon of vanity is key. I first present Husserl’s and Heidegger’s own formulations of the reduction. Following Marion, I show that the blow of vanity (...) neutralizes both, by undercutting the respective questions to which they respond. For, in response to vanity’s own question—“What’s the use?”—neither the transcendental nor ontological reductions have a reply. Vanity consequently renders the Heideggerian distinction between authenticity and inauthenticity existentially moot. To establish this, I evaluate how existing interpretations of authenticity overlook the phenomenon of vanity. Phenomenology, I urge in conclusion, should shift its attention to the horizons opened by Marion’s erotic reduction. (shrink)

_ Source: _Volume 46, Issue 2, pp 277 - 295 In this paper I argue that in Husserl’s _Ideas I_ there is a seeming contradiction between the characterization of pure consciousness as the _residue_ of the performance of the phenomenological reduction and the claim that in the natural attitude consciousness is taken to be an entity is the world. This creates a puzzle regarding the positional status of consciousness in the natural attitude. After reviewing some possible options to solve this (...) puzzle in the existing literature, I claim that the positional status of conscious experiences in the natural attitude is best characterized as _unsettled_. The act that _settles_ the positional status of conscious experiences is reflection. In reflection, experiences are posited as beings, either in a psychological or in a phenomenological key. I conclude by arguing that the problem of positing is of paramount importance to understand correctly Husserl’s claim that phenomenology is _voraussetzungslos_. (shrink)

In a journal entry from 1906, Husserl complains of lacking “internal stability” and of his desire to “achieve” it. My claim in this paper is that the “phenomenological method,” which he made public in his 1907 lectures Die Idee der Phänomenologie was, and is, a means to achieve the inner harmony that Husserl longed for. I do not provide an analysis of why Husserl might have felt the way he did; my aim is to show what internal stability might be (...) and how one might achieve it. I conclude that the phenomenological method is the means, the “how,” to internal stability, which I characterize as “clarity” and “harmony” regarding our beliefs and, and ultimately, our authentic comportment. (shrink)

Husserl is well known for his critique of the “mathematizing tendencies” of modern science, and is particularly emphatic that mathematics and phenomenology are distinct and in some sense incompatible. But Husserl himself uses mathematical methods in phenomenology. In the first half of the paper I give a detailed analysis of this tension, showing how those Husserlian doctrines which seem to speak against application of mathematics to phenomenology do not in fact do so. In the second half of the paper I (...) focus on a particular example of Husserl’s “mathematized phenomenology”: his use of concepts from what is today called dynamical systems theory. (shrink)

Normative notions are central to Husserl’s account of intentionality: intending an object is a normative achievement, essentially admitting of fulfillment or disappointment. So is teleology: intentional conscious life is inseparable from a horizontal orientation toward “ideas in the Kantian sense.” How are they related? Is teleology essential for intentionality as a normative achievement? Or, in Husserl’s way of putting it, do relative truths “demand” ideal truths? This article explores some reasons for agreeing with Husserl that this is indeed the case. (...) In Sec. 2, I will identify a “normative turn” in Husserl’s account of the basic structure of perceptual intentionality and spell out the teleological character of this normative account. This sense of teleology is a minimal one. A more robust teleology, in the sense of an orientation toward infinite ideality, is then justified in Sec. 3 by virtue of its function in the constitution of genuine objectivity. In Sec. 4, I will turn to the noetic, especially the ego-oriented side of Husserl’s analysis, in order to clarify the normative force of infinite telos. All in all, I will argue that the normative and the teleological sides of the story are inextricably intertwined in Husserl’s account of intentional conscious life. (shrink)

In this paper, we examine Shaun Gallagher’s project of “naturalizing” phenomenology with the cognitive sciences: front-loaded phenomenology. While we think it is a productive proposal, we argue that Gallagher does not employ genetic phenomenological methods in his execution of FLP. We show that without such methods, FLP’s attempt to locate neurological correlates of conscious experience is not yet adequate. We demonstrate this by analyzing Gallagher’s critique of cognitive neuropsychologist Christopher Frith’s functional explanation of schizophrenic symptoms. In “constraining” Gallagher’s FLP program, (...) we discuss what genetic phenomenological method is and why FLP ought to embrace it. We also indicate what types of structures a genetically modified FLP will consider, and how such an approach would affect the manner in which potential neurological correlates of conscious experience are conceptually understood and experimentally investigated. (shrink)

This chapter offers a reassessment of the relationship between Kant, the Kantian tradition, and phenomenology, here focusing mainly on Husserl and Heidegger. Part of this reassessment concerns those philosophers who, during the lives of Husserl and Heidegger, sought to defend an updated version of Kant’s philosophy, the neo-Kantians. The chapter shows where the phenomenologists were able to benefit from some of the insights on the part of Kant and the neo-Kantians, but also clearly points to the differences. The aim of (...) this chapter is to offer a fair evaluation of the relation of the main phenomenologists to Kant and to what was at the time the most powerful philosophical movement in Europe. (shrink)

The key focus of this essay is the experience of encountering divine wonder in things. The examination of the divine encounter is staged against the phenomenological backdrop. Specifically, the concept of the divine wonder is taken in its original, Husserlian, definition as Verwunderung and is traced via Levinas and his concept of face to the early 20th century Russian philosopher, Pavel Florensky, whose 1922 essay “Iconostasis” approaches divine representation in icon painting explicitly and consistently as a phenomenon of wonder. More (...) broadly, by connecting Florensky and his work to the phenomenological project at large, this essay aspires to show that the early 20th century Russian contributions to phenomenological thought go beyond adaptations and simulations of the traditional phenomenological prolegomena toward highly original philosophical encounters. (shrink)

The paper provides a reconstruction of the notion of genetic phenomenology while trying to demonstrate that its elaboration leads Husserl to dismiss de facto the main motivation of his idealism—namely the idea that at the basis of constitution is an immanent and formless stuff shaped or animated by subjective acts. Indeed genetic analysis shows that the original stuff of constitution consists of sensuous contents structured according to a material lawfulness grounded on their peculiarity. By affecting the subject, such contents motivate (...) the performing of intentional acts and are the genuine motor of constitution. The genetic ground of apperceptions is thus material content. (shrink)

Frank Welz’s Kritik der Lebenswelt undertakes a sociology of knowledge criticism of the work of Edmund Husserl and Alfred Schutz that construes them as developing absolutist, egological systems opposed to the “processual” worldview prominent since the modern rise of natural science. Welz, though, misunderstands the work of Schutz and Husserl and neglects how their focus on consciousness and eidetic features pertains to the kind of reflection that one must undertake if one would avoid succumbing to absolutism, that uncovers the presuppositions (...) of the processual worldview itself, and that secures a domain distinctive of philosophy over against sociology. Finally, Welz’s charge that Schutz favors a Neo-Kantian social scientific methodology contradictory to his phenomenology neglects the levels of Schutz’s discourse and ignores how the Weberian ideal-typical approach can be subsumed within phenomenology. (shrink)

In this paper I criticize Claude Romano’s recent characterization of Husserl’s phenomenology as a form of Cartesianism. Contra Romano, Husserl is not committed to the view that since individual things in the world are dubitable, then the world as a whole is dubitable. On the contrary, for Husserl doubt is a merely transitional phenomenon which can only characterize a temporary span of experience. Similarly, illusion is not a mode of experience in its own right but a retrospective way of characterizing (...) a span of experience. Therefore, Husserl cannot be plausibly characterized as either a disjunctivist or a conjunctivist. The common premise of both theories – namely, that perception and illusion are two classes of conscious acts standing on equal footing – is phenomenologically unsound. I propose to call Husserl’s theory a hermeneutical theory of perception, i.e., one that interprets perception as a temporal and self-correcting process. In the last part of the paper I argue that Husserl’s positive appraisal of Cartesian doubt is only pedagogical in nature. Husserl does not take Cartesian doubt to be practicable, but the attempt to doubt universally has the positive effect of revealing transcendental subjectivity as the subject matter of phenomenology. (shrink)

The paper aims to give a phenomenological account of the way in which the experience of violence is modified in the aesthetic images. The phenomenological framework in which I place my analysis is primarily given by Edmund Husserl’s conception. The investigation starts from the curious fact that violence cannot be aesthetically experienced when it is presented in person, but it can be aesthetically experienced in images. I claim that the reason for this asymmetry lies in the structure of image-consciousness, that (...) is, in the differences between the physical thing, the depicting object and the depicted subject. Given that the image-consciousness presupposes the background of the physical thing, which is constantly and implicitly aimed by the consciousness, it is possible to focus only on the manner in which the depicted violence appears. In this way, we can aesthetically contemplate a violent scene without being disturbed by it. To show this, I bring forth a brief presentation of the a priori structure of (i) image-consciousness and (ii) aesthetic attitude, as they have been theorised by Husserl. After (iii) providing a minimal concept of violence and explaining some of the modifications that violence undergoes in image-consciousness, (iv) I show how violence is modified in aesthetic images. (shrink)

In a journal entry from 1906, Husserl complains of lacking "internal stability" and of his desire to "achieve" it. My claim in this paper is that the "phenomenological method," which he made public in his 1907 lectures "Die Idee der Phänomenologie" was, and is, a means to achieve the inner harmony that Husserl longed for. I do not provide an analysis of why Husserl might have felt the way he did; my aim is to show what internal stability might be (...) and how one might achieve it. I conclude that the phenomenological method is the means, the "how," to internal stability, which I characterize as "clarity" and "harmony" regarding our beliefs and, and ultimately, our authentic comportment. (shrink)

In his 1922/1923 articles for the Japanese magazine _Kaizō_, Edmund Husserl identifies a particular “humanity” or human culture by the purposeful idea [_Zweckidee_] consciously embraced by the community. This purposeful idea is attained through rational self-formation on the part of the community in a manner analogous to the rational self-formation of the individual human being. Thereafter, it can be referenced to distinguish different cultures (or stages of cultural development) from one another through its objective manifestation in communal groups and cultural (...) products, as Husserl retraces in a historical account of the development of Western history. This paper explores the essential character of this conception of the purposeful idea from both an exegetical and a systematic perspective, examining in particular the relationship between such an idea and the values experienced by individual subjects within a culture (which are, according to Husserl, also available at the level of objective culture in relation to a communal subject). The paper argues that Husserl’s basic conception of the purposeful idea is a good model for understanding certain essential characteristics of cultural constitution in general, although some of his fundamental assumptions—especially the strict identity he attempts to establish between a purposeful idea as such and the specific goal of universal, rational self-understanding—turn out to be somewhat more questionable in light of the connection between the purposeful idea and the genuinely felt values underlying it. (shrink)

Using the 1991 police beating of Rodney King as case study, this paper draws on Husserlian phenomenology to establish a coherentist account of knowledge as situated with respect to its concrete circumstances of production (e.g., social, cultural, historical, political). I take as my point of departure Gail Weiss's phenomenological investigation into the jury's assessment of evidence in the "Rodney King incident," and in particular, her interest in Husserl's conception of the "horizon" as a structure of consciousness that mediates what is (...) present in perceptual awareness. Making use of Anthony Steinbock's work on Husserlian phenomenological method — drawn from his extensive study of Husserl's unpublished manuscripts — I develop an epistemological framework that treats knowledge claims as inextricably bound to the horizons of meaning from which they arise, and provides standards of epistemic responsibility pertaining to an agent's "framing" of evidence. (shrink)

The recently published volume Rasmus Thybo Jensen and Dermot Moran have put together, The Phenomenology of Embodied Subjectivity, displays the richness that phenomenological approaches to embodiment have to offer, both in terms of the many insights of some of its major figures and as a style of inquiry that continues to be aptly deployed in diverse theoretical contexts. As such, the collection is accessible to a broad audience. The phenomenological perspectives represented are primarily those of Husserlian phenomenology and, to a (...) lesser extent, the existential phenomenology of Merleau-Ponty, Sartre, and Heidegger. In most cases, only general familiarity with these varieties of phenomenology is presupposed, although some contributors stay very close to the texts they aim to elucidate and the peculiar idiom of those texts. Though the primary theoretical orientation of the various contributions is phenomenological, many of the contributions either engage non-phenomenological philosophy (e. (shrink)