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Experience and Reason

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  1. Deciding to believe.Bernard Williams - 1973 - In Problems of the Self. Cambridge [Eng.]: Cambridge University Press. pp. 136--51.
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  • The ontology of epistemic reasons.John Turri - 2009 - Noûs 43 (3):490-512.
    Epistemic reasons are mental states. They are not propositions or non-mental facts. The discussion proceeds as follows. Section 1 introduces the topic. Section 2 gives two concrete examples of how our topic directly affects the internalism/externalism debate in normative epistemology. Section 3 responds to an argument against the view that reasons are mental states. Section 4 presents two problems for the view that reasons are propositions. Section 5 presents two problems for the view that reasons are non-mental facts. Section 6 (...)
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  • Concerning the ultimate ground of the differentiation of directions in space.Immanuel Kant - 1992 - In David Walford & Ralf Meerbote (eds.), Immanuel Kant, Theoretical Philosophy 1755--1770. Cambridge University Press. pp. 365--72.
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  • Disjunctivism and perceptual psychology.Tyler Burge - 2005 - Philosophical Topics 33 (1):1-78.
    This essay is a long one. It is not meant to be read in a single sitting. Its structure is as follows. In section I, I explicate perceptual anti-individualism. Section II centers on the two aspects of the representational content of perceptual states. Sections III and IV concern the nature of the empirical psychology of vision, and its bearing on the individuation of perceptual states. Section V shows how what is known from empirical psychology undermines disjunctivism and hence certain further (...)
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  • Evidentialism: Essays in Epistemology.Earl Brink Conee & Richard Feldman - 2004 - Oxford, England: Oxford University Press. Edited by Richard Feldman.
    Evidentialism holds that the justified attitudes are determined entirely by the person's evidence. This book is a collection of essays, mostly jointly authored, that support and apply evidentialism.
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  • Intentionality: An Essay in the Philosophy of Mind.John R. Searle - 1983 - New York: Oxford University Press.
    John Searle's Speech Acts (1969) and Expression and Meaning (1979) developed a highly original and influential approach to the study of language. But behind both works lay the assumption that the philosophy of language is in the end a branch of the philosophy of the mind: speech acts are forms of human action and represent just one example of the mind's capacity to relate the human organism to the world. The present book is concerned with these biologically fundamental capacities, and, (...)
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  • The Problem of Perception.A. D. Smith - 2002 - Cambridge, Mass.: Harvard University Press.
    The Problem of Perception offers two arguments against direct realism--one concerning illusion, and one concerning hallucination--that no current theory of ...
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  • Psychology From an Empirical Standpoint.Franz Brentano - 1874 - Routledge.
    Unlike the first English translation in 1974, this edition contains the text corresponding to Brentano's original 1874 edition.
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  • Sense-data.George Edward Moore - 1953 - In Some Main Problems in Philosophy. London: Allen & Unwin.
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  • Vision and intentional content.Tyler Burge - 1991 - In Ernest Lepore (ed.), John Searle and His Critics. Cambridge: Blackwell. pp. 195-214.
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  • Perception, Hallucination, and Illusion.William Fish - 2009 - New York, US: Oxford University Press.
    In the first monograph in this exciting area since then, William Fish develops a comprehensive disjunctive theory, incorporating detailed accounts of the three ...
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  • The imaginary: a phenomenological psychology of the imagination.Jean-Paul Sartre - 2004 - New York: Routledge. Edited by Arlette Elkaïm-Sartre.
    Webber's perceptive new introduction helps to decipher this challenging, seminal work, placing it in the context of the author's work and the history of ...
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  • Art and its objects: with six supplementary essays.Richard Wollheim - 1980 - New York: Cambridge University Press. Edited by Richard Thomas Eldridge.
    What defines a work of art and determines the way in which we respond to it? This classic reflection was written with the belief that the nature of art has to be understood simultaneously from the artist's as well as the spectator's viewpoint.
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  • Truly understood.Christopher Peacocke - 2008 - New York: Oxford University Press.
    A theory of understanding -- Truth's role in understanding -- Critique of justificationist and evidential accounts -- Do pragmatist views avoid this critique? -- A realistic account -- How evidence and truth are related -- Three grades of involvement of truth in theories of understanding -- Anchoring -- Next steps -- Reference and reasons -- The main thesis and its location -- Exposition and four argument-types -- Significance and consequences of the main thesis -- The first person as a case (...)
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  • Disjunctivism: perception, action, knowledge.Adrian Haddock & Fiona Macpherson (eds.) - 2008 - New York: Oxford University Press.
    This volume will be an essential resource for anyone working in the central areas of philosophy, and the starting point for future research in this fascinating ...
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  • A treatise of human nature: a critical edition.David Hume - 2007 - New York: Oxford University Press. Edited by David Fate Norton & Mary J. Norton.
    David and Mary Norton present the definitive scholarly edition of Hume's Treatise, one of the greatest philosophical works ever written. The first volume contains the critical text of David Hume's Treatise of Human Nature (1739/40), followed by the short Abstract (1740) in which Hume set out the key arguments of the larger work; the volume concludes with A Letter from a Gentleman to his Friend in Edinburgh (1745), Hume's later defense of the Treatise.
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  • Normativity and the will: selected papers on moral psychology and practical reason.R. Jay Wallace (ed.) - 2006 - New York: Oxford University Press.
    Normativity and the Will collects fourteen important papers on moral psychology and practical reason by R. Jay Wallace, one of the leading philosophers currently working in these areas. The papers explore the interpenetration of normative and psychological issues in a series of debates that lie at the heart of moral philosophy. Themes that are addressed include reason, desire, and the will; responsibility, identification, and emotion; and the relation between morality and other normative domains. Wallace's treatments of these topics are at (...)
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  • Arts and minds.Gregory Currie - 2004 - New York: Oxford University Press.
    Philosophical questions about the arts go naturally with other kinds of questions about them. Art is sometimes said to be an historical concept. But where in our cultural and biological history did art begin? If art is related to play and imagination, do we find any signs of these things in our nonhuman relatives? Sometimes the other questions look like ones the philosopher of art has to answer. Anyone who thinks that interpretation in the arts is an activity that leaves (...)
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  • Practical Reality.Jonathan Dancy - 2000 - Oxford, GB: Oxford University Press.
    Practical Reality is a lucid original study of the relation between the reasons why we do things and the reasons why we should. Jonathan Dancy maintains that current philosophical orthodoxy bowdlerizes this relation, making it impossible to understand how anyone can act for a good reason. By giving a fresh account of values and reasons, he finds a place for normativity in philosophy of mind and action, and strengthens the connection between these areas and ethics.
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  • Approach to aesthetics: collected papers on philosophical aesthetics.Frank Sibley (ed.) - 2001 - New York: Oxford University Press.
    A complete collection of Frank Sibley's articles on philosophical aesthetics, this volume includes five, remarkable, hitherto unpublished papers written in Sibley's later years. It addresses many topics, among them the nature of aesthetic qualities versus non-aesthetic qualities, the relation of aesthetic description to aesthetic evaluation, the different levels of evaluation, and the objectivity of aesthetic judgement. The later papers constitute both a significant development of Sibley's individual approach to aesthetics, such as his discussion of the distinction between attributive and predicative (...)
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  • The metaphysics of beauty.Nick Zangwill - 2001 - Ithaca: Cornell University Press.
    In The Metaphysics of Beauty, Zangwill argues that it is essential to beauty that it depends on the ordinary features of things.
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  • Reasoning, meaning, and mind.Gilbert Harman - 1999 - New York: Oxford University Press.
    In this important new collection, Gilbert Harman presents a selection of fifteen interconnected essays on fundamental issues at the center of analytic philosophy. The book opens with a group of four essays discussing basic principles of reasoning and rationality. The next three essays argue against the once popular idea that certain claims are true and knowable by virtue of meaning. In the third group of essays Harman presents his own view of meaning and the possibility of thinking in language The (...)
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  • Intention, plans, and practical reason.Michael Bratman - 1987 - Cambridge: Cambridge, MA: Harvard University Press.
    What happens to our conception of mind and rational agency when we take seriously future-directed intentions and plans and their roles as inputs into further practical reasoning? The author's initial efforts in responding to this question resulted in a series of papers that he wrote during the early 1980s. In this book, Bratman develops further some of the main themes of these essays and also explores a variety of related ideas and issues. He develops a planning theory of intention. Intentions (...)
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  • Meaning, knowledge, and reality.John Henry McDowell - 1998 - Cambridge, Mass.: Harvard University Press.
    This is the second volume of John McDowell's selected papers.
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  • Self-trust: a study of reason, knowledge, and autonomy.Keith Lehrer - 1997 - New York: Oxford University Press.
    The eminent philosopher Keith Lehrer offers an original and distinctively personal view of central aspects of the human condition, such as reason, knowledge, wisdom, autonomy, love, consensus, and consciousness. He argues that what is uniquely human is our capacity for evaluating our own mental states (such as beliefs and desires), and suggests that we have a system for such evaluation which allows the resolution of personal and interpersonal conflict. The keystone in this system is self-trust, on which reason, knowledge, and (...)
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  • The sources of normativity.Christine M. Korsgaard - 1996 - New York: Cambridge University Press. Edited by Onora O'Neill.
    Ethical concepts are, or purport to be, normative. They make claims on us: they command, oblige, recommend, or guide. Or at least when we invoke them, we make claims on one another; but where does their authority over us - or ours over one another - come from? Christine Korsgaard identifies four accounts of the source of normativity that have been advocated by modern moral philosophers: voluntarism, realism, reflective endorsement, and the appeal to autonomy. She traces their history, showing how (...)
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  • Values of art: pictures, poetry, and music.Malcolm Budd - 1996 - New York, N.Y.: Penguin Books.
    Auth: University College London, Distributed by Viking.
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  • The pleasures of aesthetics: philosophical essays.Jerrold Levinson - 1996 - Ithaca, NY: Cornell University Press.
    What Is Aesthetic Pleasure? When is pleasure in an object properly denominated aesthetic? The characterization of aesthetic pleasure is something that ...
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  • The moral problem.Michael Smith - 1994 - Cambridge, Mass., USA: Blackwell.
    What is the Moral Problem? NORMATIVE ETHICS VS. META-ETHICS It is a common fact of everyday life that we appraise each others' behaviour and attitudes from ...
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  • Aesthetic value.Alan H. Goldman - 1995 - Boulder, Colo.: Westview Press.
    In this concise survey, intended for advanced undergraduate students of aesthetics, Alan Goldman focuses on the question of aesthetic value, using many practical examples from painting, music, and literature to make his case. Although he treats a wide variety of views, he argues for a nonrealist view of aesthetic value, showing that the personal element can never be factored out of evaluative aesthetic judgments and explaining why this is so.
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  • Truth and objectivity.Crispin Wright - 1992 - Cambridge, Mass.: Harvard University Press.
    Recasting important questions about truth and objectivity in new and helpful terms, his book will become a focus in the contemporary debates over realism, and ...
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  • Wise choices, apt feelings: a theory of normative judgment.Allan Gibbard - 1990 - Cambridge: Harvard University Press.
    This book examines some of the deepest questions in philosophy: What is involved in judging a belief, action, or feeling to be rational?
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  • Moral vision: an introduction to ethics.David McNaughton - 1988 - New York, NY: Blackwell.
    This book introduces the reader to ethics by examining a current and important debate. During the last fifty years the orthodox position in ethics has been a broadly non-cognitivist one: since there are no moral facts, moral remarks are best understood, not as attempting to describe the world, but as having some other function - such as expressing the attitudes or preferences of the speaker. In recent years this position has been increasingly challenged by moral realists who maintain that there (...)
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  • Contemporary theories of knowledge.John L. Pollock - 1986 - London: Hutchinson.
    This new edition of the classic Contemporary Theories of Knowledge has been significantly updated to include analyses of the recent literature in epistemology.
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  • Imagination, experience, and possibility.Christopher Peacocke - 1985 - In John Foster & Howard Robinson (eds.), Essays on Berkeley: a tercentennial celebration. New York: Oxford University Press.
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  • Of the Standard of Taste.David Hume - unknown
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  • Of the standard of taste.David Hume - 1875 - In Essays, Moral, Political, and Literary. Indianapolis: Liberty Press. pp. 226-249.
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  • Précis of the illusion of conscious will.Daniel M. Wegner - 2004 - Behavioral and Brain Sciences 27 (5):649-659.
    The experience of conscious will is the feeling that we are doing things. This feeling occurs for many things we do, conveying to us again and again the sense that we consciously cause our actions. But the feeling may not be a true reading of what is happening in our minds, brains, and bodies as our actions are produced. The feeling of conscious will can be fooled. This happens in clinical disorders such as alien hand syndrome, dissociative identity disorder, and (...)
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  • Why people see things that are not there: A novel perception and attention deficit model for recurrent complex visual hallucinations.Daniel Collerton, Elaine Perry & Ian McKeith - 2005 - Behavioral and Brain Sciences 28 (6):737-757.
    As many as two million people in the United Kingdom repeatedly see people, animals, and objects that have no objective reality. Hallucinations on the border of sleep, dementing illnesses, delirium, eye disease, and schizophrenia account for 90% of these. The remainder have rarer disorders. We review existing models of recurrent complex visual hallucinations (RCVH) in the awake person, including cortical irritation, cortical hyperexcitability and cortical release, top-down activation, misperception, dream intrusion, and interactive models. We provide evidence that these can neither (...)
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  • Introduction: Varieties of disjunctivism.Adrian Haddock & Fiona Macpherson - 2008 - In Adrian Haddock & Fiona Macpherson (eds.), Disjunctivism: perception, action, knowledge. New York: Oxford University Press.
    Inspired by the writings of J. M. Hinton (1967a, 1967b, 1973), but ushered into the mainstream by Paul Snowdon (1980–1, 1990–1), John McDowell (1982, 1986), and M. G. F. Martin (2002, 2004, 2006), disjunctivism is currently discussed, advocated, and opposed in the philosophy of perception, the theory of knowledge, the theory of practical reason, and the philosophy of action. But what is disjunctivism?
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  • Pain.Murat Aydede - 2019 - Stanford Encyclopedia of Philosophy.
    Pain is the most prominent member of a class of sensations known as bodily sensations, which includes itches, tickles, tingles, orgasms, and so on. Bodily sensations are typically attributed to bodily locations and appear to have features such as volume, intensity, duration, and so on, that are ordinarily attributed to physical objects or quantities. Yet these sensations are often thought to be logically private, subjective, self-intimating, and the source of incorrigible knowledge for those who have them. Hence there appear to (...)
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  • Direction of Fit and Motivational Cognitivism.Sergio Tenenbaum - 2010 - In Russ Shafer-Landau (ed.), Oxford Studies in Metaethics. Oxford: Oxford University Press. pp. 235-64.
    The idea of direction of fit has been found appealing by many philosophers. Anscombe’s famous examples have persuaded many of us that there must be some deep difference between belief and desire that is captured by the metaphor of direction of fit. Most of the aim of the paper is to try to get clear on which intuitions Anscombe’s example taps into. My view is that there is more than one intuition in play here, and I will try to show (...)
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  • Consciousness, color, and content.Michael Tye - 2003 - Philosophical Studies 113 (3):233-235.
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  • Doxastic deliberation.Nishi Shah & J. David Velleman - 2005 - Philosophical Review 114 (4):497-534.
    Believing that p, assuming that p, and imagining that p involve regarding p as true—or, as we shall call it, accepting p. What distinguishes belief from the other modes of acceptance? We claim that conceiving of an attitude as a belief, rather than an assumption or an instance of imagining, entails conceiving of it as an acceptance that is regulated for truth, while also applying to it the standard of being correct if and only if it is true. We argue (...)
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  • Epistemic normativity.Hilary Kornblith - 1993 - Synthese 94 (3):357 - 376.
    This paper examines the source and content of epistemic norms. In virtue of what is it that epistemic norms have their normative force? A semantic approach to this question, due to Alvin Goldman, is examined and found unacceptable. Instead, accounts seeking to ground epistemic norms in our desires are argued to be most promising. All of these accounts make epistemic norms a variety of hypothetical imperative. It is argued that such an account may be offered, grounding our epistemic norms in (...)
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  • Kant, quasi-realism, and the autonomy of aesthetic judgement.Robert Hopkins - 2001 - European Journal of Philosophy 9 (2):166–189.
    Aesthetic judgements are autonomous, as many other judgements are not: for the latter, but not the former, it is sometimes justifiable to change one's mind simply because several others share a different opinion. Why is this? One answer is that claims about beauty are not assertions at all, but expressions of aesthetic response. However, to cover more than just some of the explananda, this expressivism needs combining with some analogue of cognitive command, i.e. the idea that disagreements over beuaty can (...)
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  • How Does Coherence Matter?Niko Kolodny - 2007 - Proceedings of the Aristotelian Society 107 (1pt3):229 - 263.
    Recently, much attention has been paid to ‘rational requirements’ and, especially, to what I call ‘rational requirements of formal coherence as such’. These requirements are satisfied just when our attitudes are formally coherent: for example, when our beliefs do not contradict each other. Nevertheless, these requirements are puzzling. In particular, it is unclear why we should satisfy them. In light of this, I explore the conjecture that there are no requirements of formal coherence. I do so by trying to construct (...)
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  • Aesthetic judgements, aesthetic principles and aesthetic properties.Malcolm Budd - 1999 - European Journal of Philosophy 7 (3):295–311.
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  • On pictorial representation.Richard Wollheim - 1998 - Journal of Aesthetics and Art Criticism 56 (3):217-226.
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  • Quasi-realism, acquaintance, and the normative claims of aesthetic judgement.Cain Samuel Todd - 2004 - British Journal of Aesthetics 44 (3):277-296.
    My primary aim in this paper is to outline a quasi-realist theory of aesthetic judgement. Robert Hopkins has recently argued against the plausibility of this project because he claims that quasi-realism cannot explain a central component of any expressivist understanding of aesthetic judgements, namely their supposed ‘autonomy’. I argue against Hopkins’s claims by contending that Roger Scruton’s aesthetic attitude theory, centred on his account of the imagination, provides us with the means to develop a plausible quasi-realist account of aesthetic judgement. (...)
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