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  1. Negative dialectics.Theodor W. Adorno - 1973 - New York: Continuum.
    Negative Dialects is a phrase that flouts tradition. As early as Plato, dialectics meant to achieve something positive by means of negation; the thought figure of a 'negation of negation' later became the succinct term. This book seeks to free dialectics from such affirmative traits without reducing its determinacy.
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  • Renaissance Concepts of Method.Richard H. Popkin - 1962 - Philosophy and Phenomenological Research 23 (1):140-141.
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  • (1 other version)The Actuality of Philosophy.Theodor W. Adorno - 1977 - Telos: Critical Theory of the Contemporary 1977 (31):120-133.
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  • Use of Pleasure.Michel Foucault & Robert Hurley - 1984
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  • (1 other version)Image, music, text.Roland Barthes & Stephen Heath - 1978 - Journal of Aesthetics and Art Criticism 37 (2):235-236.
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  • The Dialectical Imagination: A History of the Frankfurt School and the Institute of Social Research, 1923-1950.Martin Jay - 1973 - University of California Press.
    Herbert Marcuse, Erich Fromm, Max Horkheimer, Franz Neumann, Theodor Adorno, Leo Lowenthal—the impact of the Frankfurt School on the sociological, political, and cultural thought of the twentieth century has been profound. _The Dialectical Imagination_ is a major history of this monumental cultural and intellectual enterprise during its early years in Germany and in the United States. Martin Jay has provided a substantial new preface for this edition, in which he reflects on the continuing relevance of the work of the Frankfurt (...)
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  • Power/Knowledge: Selected Interviews and Other Writings, 1972-1977.Michel Foucault - 1980 - Vintage.
    Michel Foucault has become famous for a series of books that have permanently altered our understanding of many institutions of Western society. He analyzed mental institutions in the remarkable Madness and Civilization; hospitals in The Birth of the Clinic; prisons in Discipline and Punish; and schools and families in The History of Sexuality. But the general reader as well as the specialist is apt to miss the consistent purposes that lay behind these difficult individual studies, thus losing sight of the (...)
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  • The Origin of German Tragic Drama.Walter Benjamin - 1978 - Journal of Aesthetics and Art Criticism 37 (1):103-104.
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  • Postmodern Condition: A Report on Knowledge.Jean-François Lyotard - 1984 - Univ of Minnesota Press.
    In this book it explores science and technology, makes connections between these epistemic, cultural, and political trends, and develops profound insights into the nature of our postmodernity.
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  • The rediscovery of meaning: and other essays.Owen Barfield - 2006 - San Rafael, Calif.: Barfield Press.
    The rediscovery of meaning -- Dream, myth, and philosophical double vision -- The meaning of 'literal' -- Poetic diction and legal fiction -- The harp and the camera -- Where is fancy bred? -- The rediscovery of allegory (I) -- The rediscovery of allegory (II) -- Imagination and inspiration -- Language and discovery -- Matter, imagination, and spirit -- Self and reality -- Science and quality -- The coming trauma of materialism -- Participation and isolation: a fresh light on present (...)
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  • (1 other version)Minima moralia: reflections on a damaged life.Theodor W. Adorno - 1974 - New York: Verso. Edited by E. F. N. Jephcott.
    A reflection on everyday existence in the 'sphere of consumption of late Capitalism', this work is Adorno's literary and philosophical masterpiece.
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  • Plato and Platonism.Wm Hammond & Walter Pater - 1894 - Philosophical Review 3 (1):77.
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  • The Literary Absolute: The Theory of Literature in German Romanticism.Jean-Luc Nancy & Philippe Lacoue-Labarthe - 1988 - SUNY.
    The Theory of Literature in German Romanticism Philippe Lacoue-Labarthe, Jean-Luc Nancy. Preface: The. Literary. Absolute. I. "There are classifications that are bad enough as classifications, but that have nonetheless dominated entire ...
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  • The Post-Modern Condition: A Report on Knowledge.Jean-Francois Lyotard - 1985 - Australasian Journal of Philosophy 63:520.
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  • (1 other version)Der Begriff der Kunstkritik in der deutschen Romantik.Walter Benjamin - 1920 - Frankfurt: Suhrkamp. Edited by Uwe Steiner.
    Diese Hardcover-Ausgabe ist Teil der TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit (...)
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  • (1 other version)The actuality of philosophy.Theodor W. Adorno - 2000 - In O., Connor & B. (eds.), The Adorno Reader. Blackwell. pp. 120-133.
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  • The origin of negative dialectics: Theodor W. Adorno, Walter Benjamin and the Frankfurt Institute.Susan Buck-Morss - 1977 - Hassocks, Eng.: Harvester Press.
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  • Wittgenstein's Vienna.Allan Janik - 1973 - Chicago: I.R. Dee. Edited by Stephen Toulmin.
    This is a remarkable book about a man (perhaps the most important and original philosopher of our age), a society (the corrupt Austro-Hungarian Empire on the eve of dissolution), and a city (Vienna, with its fin-de siecle gaiety and corrosive melancholy). The central figure in this study of a crumbling society that gave birth to the modern world is Wittgenstein, the brilliant and gifted young thinker. With others, including Freud, Viktor Adler, and Arnold Schoenberg, he forged his ideas in a (...)
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  • Renaissance concepts of method.Neal Ward Gilbert - 1960 - New York,: Columbia University Press.
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  • The Concept of Method.Alan Pasch - 1964 - Journal of Philosophy 61 (12):372-375.
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  • Soul and Form.Georg Lukacs & Judith Butler - 2010 - Columbia University Press.
    György Lukács was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. Soul and Form was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, Lukács laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text. For (...)
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  • Of Grammatology.Jacques Derrida - 1982 - Philosophy and Rhetoric 15 (1):66-70.
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  • El Problema de la Filosofia Hispanica.Marjorie S. Harris - 1962 - Philosophy and Phenomenological Research 23 (2):300-301.
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  • El problema de la filosofía hispánica.Eduardo Nicol - 1998 - Fondo De Cultura Economica USA.
    El problema de la filosof a hisp nica concierne m s bien al car cter de la filosof a contempor nea en Hispanoam rica, es decir, a su ethos. "Parece como si no pudi ramos hacer filosof a en nuestro mundo hisp nico, -se ala Nicol en el prefacio- sin debatir previamente la cuesti n del car cter y estilo de lo que vamos a hacer y c mo adaptarlo al genio aut ctono y a los destinos de nuestra comunidad." (...)
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  • (1 other version)Montaigne.H. Friedrich - 1976 - Tijdschrift Voor Filosofie 38 (4):640-641.
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  • (2 other versions)Plato and Platonism.Walter Pater - 1894 - New York: Johnson Reprint.
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  • El problema de la filosofía hispánica.Eduardo Nicol - 1963 - Les Etudes Philosophiques 18 (1):108-109.
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  • Prisms.Theodor W. Adorno (ed.) - 1981 - MIT Press.
    The eminent critic and scholar analyzes a wide range of topics, including Aldous Huxley's Brave New World, jazz, the music of Bach, and museums.
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  • The Concept of Method.Justus Buchler - 1961 - Lanham, MD: Upa.
    Originally published in 1961 by Columbia University Press.
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  • Applied Grammatology: Post-Pedagogy from Jacques Derrida to Joseph Beuys.Gregory L. Ulmer - 1985 - Journal of Aesthetics and Art Criticism 44 (2):200-202.
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  • Renaissance Concepts of Method.Eugene F. Rice - 1962 - Philosophical Review 71 (2):263.
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  • The Concept of Method.Frederick C. Dommeyer - 1963 - Philosophical Review 72 (1):113.
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  • (2 other versions)Music and Technique.T. W. Adorno - 1977 - Télos 1977 (32):79-94.
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  • (1 other version)Montaigne.H. Friedrich - 1952 - Revista Portuguesa de Filosofia 8 (4):445-446.
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