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Music, imagination, and culture.Nicholas Cook - 1990 - New York: Oxford University Press.details
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A spreading-activation theory of retrieval in sentence production.Gary S. Dell - 1986 - Psychological Review 93 (3):283-321.details
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Music, Imagination and Culture.Peter Kivy - 1992 - Journal of Aesthetics and Art Criticism 50 (1):76-79.details
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Recognition-by-components: A theory of human image understanding.Irving Biederman - 1987 - Psychological Review 94 (2):115-147.details
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The representation of harmonic structure in music: Hierarchies of stability as a function of context.J. Bharucha - 1983 - Cognition 13 (1):63-102.details
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Emotion and meaning in music.Leonard B. Meyer - 1956 - [Chicago]: University of Chicago Press.details
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Feature discovery by competitive learning.David E. Rumelhart & David Zipser - 1985 - Cognitive Science 9 (1):75-112.details
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Implicit learning and tacit knowledge.Arthur S. Reber - 1989 - Journal of Experimental Psychology: General 118 (3):219-235.details
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Implicit learning out of the lab: the case of orthographic regularities.Sébastien Pacton, Pierre Perruchet, Michel Fayol & Axel Cleeremans - 2001 - Journal of Experimental Psychology: General 130 (3):401.details
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Explaining Music: Essays and Explorations.Leonard B. Meyer - 1975 - Journal of Aesthetics and Art Criticism 33 (3):351-354.details
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Emotion and Meaning in Music.Julius Portnoy - 1957 - Journal of Aesthetics and Art Criticism 16 (2):285-286.details
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A Generative Theory of Tonal Music.Fred Lerdahl & Ray Jackendoff - 1987 - Journal of Aesthetics and Art Criticism 46 (1):94-98.details
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Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys.Carol L. Krumhansl & Edward J. Kessler - 1982 - Psychological Review 89 (4):334-368.details
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Time, our lost dimension: Toward a new theory of perception, attention, and memory.Mari R. Jones - 1976 - Psychological Review 83 (5):323-355.details
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Dynamic attending and responses to time.Mari Riess Jones & Marilyn Boltz - 1989 - Psychological Review 96 (3):459-491.details
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Competitive Learning: From Interactive Activation to Adaptive Resonance.Stephen Grossberg - 1987 - Cognitive Science 11 (1):23-63.details
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Scale and contour: Two components of a theory of memory for melodies.W. Jay Dowling - 1978 - Psychological Review 85 (4):341-354.details
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Connectionist and Memory‐Array Models of Artificial Grammar Learning.Zoltan Dienes - 1992 - Cognitive Science 16 (1):41-79.details
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The internal representation of pitch sequences in tonal music.Diana Deutsch & John Feroe - 1981 - Psychological Review 88 (6):503-522.details
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Effect of repetition of standard and of comparison tones on recognition memory for pitch.Diana Deutsch - 1972 - Journal of Experimental Psychology 93 (1):156.details
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Mechanisms of Implicit Learning: Connectionist Models of Sequence Processing.Axel Cleeremans - 1993 - MIT Press.details
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Music in the Moment.Jerrold Levinson - 1999 - Philosophical Quarterly 49 (196):403-405.details
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La perception de la musique.R. Francès - 1961 - Revue Philosophique de la France Et de l'Etranger 151:387-388.details
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Neural nets, temporal composites, and tonality.Jamshed J. Bharucha - 2002 - In Daniel Levitin (ed.), Foundations of Cognitive Psychology: Core Readings. MIT Press. pp. 455.details
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Implicit learning of artificial grammars.Arthur S. Reber - 1967 - Journal of Verbal Learning and Verbal Behavior 6:855-863.details
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Implicit learning and tacit knowledge.Arthur S. Reber - 1989 - Journal of Experimental Psychology 118:219-35.details
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