This article considers the significance of the Blessed Isles in Nietzsche’s Thus Spoke Zarathustra. They are the isolated locale to which Zarathustra and his fellow creators retreat in the Second Part of the book. I trace Zarathustra’s Blessed Isles back to the ancient Greek paradisiacal afterlife of the makarōn nēsoi and frame them against Nietzsche’s Platonic conception of philosophers as “commanders and legislators,” but I argue that they represent something more like a modern Epicurean Garden. Ultimately, I (...) suggest that Zarathustra’s Epicurean impulse toward withdrawal (whether into a sequestered friendship community or mountain solitude) undermines his Platonic attempts at great politics. (shrink)

In Thus Spoke Zarathustra, Nietzsche presents passion as constituting human agency. He encountered this Humean view in Schopenhauer, and recognized its explanatory advantages over Platonic and Kantian rationalism. Zarathustra's poetic speeches anticipate and address contemporary objections to the view that passion constitutes agency. "On the Despisers of the Body" explains why understanding the self as constituted by passion provides better explanations of reasoning, value judgment, and the unity of the self than Christine Korsgaard's neo-Kantian view. "On Enjoying and (...) Suffering the Passions" explains why understanding virtues as constituted by passions provides a better explanation of moral phenomenology than John McDowell's rationalism. (shrink)

Name der Zeitschrift: Nietzsche-Studien Jahrgang: 44 Heft: 1 Seiten: 231-266. -/- Abstract: In this essay I defend my interpretation of the unheard words that Zarathustra whispers into Life’s ear in “The Other Dance Song” and that have long kept commentators puzzled. I argue that what Zarathustra whispers is that he knows that Life is pregnant with his child. Zarathustra’s ability to make Life pregnant depends on his overcoming of Eternal Recurrence which threatens to strangle him with disgust (...) of human beings and all of existence, thereby making him into a spiritual eunuch whose will has turned into not-willing. The insemination of Life is a transfiguring act that raises Life from her blind animality (or materiality) into the level of a spiritually fertile existence, which is the condition of human freedom. This act is performed with the help of our capacity for theoretical knowledge, which is why it requires love of Wisdom. However, love of Wisdom can make us infertile, and thus unfree, when pursued for its own sake (knowledge can choke). I conclude by considering who might be the child of Zarathustra and Life. -/- Zusammenfassung: In diesem Aufsatz verteidige ich meine Interpretation der unhörbaren Wörter, die Zarathustra in „Das andere Tanzlied“ in das Ohr des Lebens flüstert und seit langem Kommentatoren ratlos machen. Was Zarathustra flüstert, ist, so meine These, dass er weiß, dass das Leben mit seinem Kind schwanger ist. Zarathustras Fähigkeit, das Leben zu schwängern, hängt von seiner Überwindung des Gedankens der ewigen Wiederkehr ab, der ihn durch den Überdruss am Menschen und an allem Dasein zu erwürgen bedroht und ihn dabei zu einem spirituellen Eunuchen macht, dessen Wollen zum Nicht-Wollen geworden ist. Die Befruchtung des Lebens ist eine umgestaltende Tat, die das Leben von seiner blinden Tiernatur (oder Stofflichkeit) auf die Ebene eines spirituell fruchtbaren Daseins erhebt, was die Voraussetzung menschlicher Freiheit ist. Dieser Akt wird mit Hilfe unserer Fähigkeit zu theoretischem Wissen ausgeführt, weshalb er Liebe zur Weisheit erfordert. Liebe zur Weisheit kann uns jedoch unfruchtbar und damit unfrei machen, wenn sie um ihrer selbst willen verfolgt wird (Wissen kann ersticken). Ich schließe mit der Überlegung ab, wer Zarathustras und des Lebens Kind sein könnte. (shrink)

Nietzsche takes moral judgments to be false beliefs, and encourages us to pursue subjective nonmoral value arising from our passions. His view that strong and unified passions make one virtuous is mathematically derivable from this subjectivism and a conceptual analysis of virtue, explaining his evaluations of character and the nature of the Overman.

The first essay of Nietzsche’s On the Genealogy of Morals seeks to uncover the roots of Judeo-Christian morality, and to expose it as born from a resentful and feeble peasant class intent on taking revenge upon their aristocratic oppressors. There is a broad consensus in the secondary literature that the ‘slave revolt’ which gives birth to this morality occurs in the 1st century AD, and is propogated by the inhabitants of Roman occupied Judea. Nietzsche himself strongly suggests such a view. (...) However, in a telling later passage from Ecce Homo, Nietzsche claims that the hsitorical Zarathustra—a Bronze age iranian religious thinker—was the first to consider the opposite of Good vs. Evil; that “Zarathustra created this most fateful of errors, morality” (EH, 'Destiny', §3). However, Nietzsche does not discuss Zarathustra or Zoroastrianism in his critique of moral values and their origin. This creates a prima facie tension. If at least part of what essentially characterises 'morality' preceded Judeo-Christianity, are moral values only contingently related to the feelings of ressentiment essential to Nietzsche’s story of the slave revolt? If the answer is 'yes', then the scope of Nietzsche's critique of morality may be somewhat limited. If the answer is 'no', then we require an answer as to why Nietzsche's genealogy—if it is an exercise in ascertaining the “real history of morality” (GM, Pref: §7)—does not extend further back in history. In this paper, I explore how the extent of Nietzsche's knowledge of Zoroastrianism informs his critique of slave morality in On the Genealogy of Morals. I argue that Nietzsche views the historical Zarathustra—like Socrates and Plato—as a forerunner of ‘morality’ in his creative conception of good and evil in metaphysical terms. From here, it is argued that the proposed tension can be dissolved by viewing Judeo-Christian morality merely as the latest and paradigmatic expression of slave morality. (shrink)

In this paper I focus on the figure of the ape in Nietzsche's texts, and how it fits into his putative naturalism. I examine the lowly status and ignoble qualities that he associates with this animal and argue that they betray a residual anthropocentricism profoundly at odds with Nietzsche's dehumanized conception of nature. Accordingly, I suggest a reading of Nietzsche's ape remarks that brings them more into accord with his non-teleological and non-hierarchical conception of species. Ultimately, I argue that a (...) robust, thorough going Nietzschean naturalism would require the affirmation of the ape, including everything it comes to represent for Nietzsche. (shrink)

Contemporary theorists critical of the current vogue for compassion might like to turn to Friedrich Nietzsche as an obvious ally in their opposition to the sentiment. Yet this essay argues that Nietzsche’s critique of compassion is not entirely critical, and that the endorsement of one’s sympathetic feelings is actually a natural outgrowth of Nietzsche’s immoralist ethics. Nietzsche understands the tendency to share in the suffering of their inferiors as a distinctive vulnerability of the spiritually strong and healthy. Their compassion, however, (...) is an essential element of the imaginative creativity that Nietzsche holds to be the goal of human existence. Although shared suffering may prove debilitating for some, great individuals must come to affirm their compassion as necessary in achieving accurate knowledge of the human condition. (shrink)

I examine Zarathustra's increasing ambivalence about his role as philosopher-prophet-legislator, connecting the speech "On Passing By" (Z III.7) with his doctrine of amor fati (GS 276) as a pivotal moment in his gradual ascent up the ladder of love/affirmation and consequent overcoming of great politics. Forthcoming 2022.

In this chapter, I contend that Nietzsche’s robust critiques of human exceptionalism and the “humanization of nature [Vermenschlichung der Natur]”, as well as his positive, proto-ecocentric vision of the “naturalization of humanity [Vernatürlichung des Menschen]”, afford contemporary environmental philosophy a novel perspective from which to critique anthropocentric conservation ideologies (according to which nature conservation ought to be motivated by the interests and aims of humanity, especially economic development and prosperity). Importantly, I also argue that Thus Spoke Zarathustra is the (...) work in which Nietzsche’s positive vision appears most conspicuously, as suggested by Zarathustra’s relationship to the natural world and exhortations to “remain faithful to the earth.” -/- As Nietzsche’s critique of anthropocentrism reinforces his positive project, I will begin by detailing Nietzsche’s rejection of human exceptionalism (section 1). In addition, I will analyze Nietzsche’s critique of the “humanization of nature” (KSA 10:10[43]; 10:13[20]; 12:1[29]), emphasizing specific pernicious projections of human values onto the other-than-human world. Although these themes appear throughout Nietzsche’s body of work, they are central to Zarathustra. -/- After describing Nietzsche’s critical project, I present his positive, proto-ecocentric vision for humanity’s re-naturalization, one he most emphatically endorses and fleshes out in Zarathustra (section 2). This positive vision can be found in his calls for the human being to become more natural and to cultivate a noble reverence and gratitude for the natural world so that we may learn from it about ourselves—rather than falsifying it for our ends and then insisting that we are part of this other, falsified nature. Only when we can see ourselves as natural beings—specifically, as living beings willing power, embedded in a world with other living beings who do the same—can we identify tasks and pursue aims that empower and strengthen us. In Nietzsche’s view, this recognition results only from an attunement to the other-than-human world. Finally, after adding a few important caveats to proto-ecocentric strains in Nietzsche’s thought, I briefly explain the contributions his thought might make to contemporary environmental philosophy and policy (section 3). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Nietzsche’s Thus Spoke Zarathustra: A Critical Guide ed. by Keith Ansell-Pearson and Paul LoebPatrick HassanKeith Ansell-Pearson and Paul Loeb, eds., Nietzsche’s Thus Spoke Zarathustra: A Critical Guide (Cambridge Critical Guides) Cambridge: Cambridge University Press, 2022. xii + 280 pp. ISBN: 978-1-108-49084-9 (cloth); 978-1-108-79648-4 (paper). Cloth, £75.00; Paper, £24.99.Nietzsche’s Thus Spoke Zarathustra (Z), written in instalments between 1883 and 1885, has had a tremendous impact within (...) and outside of academic philosophy. A text that famously was distributed to German soldiers in World War I by military order, Z has been discussed and praised among philosophers, literary theorists, and artists. Nietzsche himself considered the book to be his crowning achievement, not-so-modestly describing it as “the greatest present that has ever been made to [mankind] so far” (EH P:4). Nevertheless, contemporary Nietzsche scholars disagree about the text’s philosophical and aesthetic quality, and about its overall importance in Nietzsche’s corpus. On one end of the spectrum, some commentators find Z overblown, laborious to get through, and beyond these perceived aesthetic flaws, lacking in philosophical quality and (perhaps thankfully) inessential to understanding Nietzsche’s philosophical aims. In an introduction to a relatively recent edition, for example, Robert Pippin describes Z as “in large part a failure” (Thus Spoke Zarathustra [Cambridge: Cambridge University Press, 2006], xiii). On the other end of the spectrum, some commentators take Nietzsche at his word, finding Z to be a literary wonder, marking a new epoch of the use of German language, preceded in the modern period only by Goethe and Luther. But further, and more relevant for philosophers, this faction take Z to be of the upmost importance for unlocking Nietzsche’s philosophy proper, and in particular, to reveal the solutions he constructed [End Page 212] for various philosophical problems and existential challenges for the human being that he merely diagnoses elsewhere in his corpus.Keith Ansell-Pearson and Paul Loeb’s critical guide brings together an impressive lineup of Nietzsche scholars in an attempt to reinforce the view that Z is not only useful but in fact essential to understanding the key themes of Nietzsche’s philosophy; that, as they put it, Z “needs to assume a central role in any informed appreciation of his style of philosophical practice as well as of the fundamental content of his core ideas” (1). Comprising eleven essays, most of which are well-argued and tightly focused on well-selected controversies, this attempt is largely successful, though I have some reservations, which I shall get to below.As the editors explain in their opening remarks, this collection does not aim at introductions, overviews, or mere walk-throughs of Z. Nor does it aim at a comprehensive account of all of the exegetical controversies surrounding the text. Rather, the more reasonable goal of the collection is to facilitate a “philosophical discussion of the topics that are the subject of interest today in the field of philosophy” (2). Given Z’s difficult and unusual style—the intricacies of which are taken up in Benedetta Zavatta’s insightful contribution exploring Nietzsche’s deployment of satire and parody to form a new kind of critique—and the expected philosophical, literary, and historical labor Nietzsche (and the editors) demand in order to fully appreciate it, this is an admirable undertaking for the contributors. Many essays skillfully draw out the issues of contemporary interest and demonstrate Nietzsche’s relevance to ongoing fundamental philosophical debates. The editors are to be commended for their careful selection of quality essays in this respect.For example, Neil Sinhababu convincingly argues that Z provides the most compelling critique in Nietzsche’s corpus of various rationalist theses; for instance, that reason is central to explaining moral motivation, moral knowledge, moral agency, and moral subjecthood. As Sinhababu presents Nietzsche’s brand of sentimentalism—a tradition more frequently addressed in the Anglophone world by way of figures such as Hume, Hutcheson, and Smith—it has the conceptual resources, moreover, to resist contemporary rationalist objections as they arise in the work of those such as Christine Korsgaard and John McDowell.Nietzsche’s primary strength... (shrink)

In this paper I examine the relation between modern transhumanism and Nietzsche’s philosophy of the superhuman. Following Loeb, I argue that transhumanists cannot claim affinity to Nietzsche’s philosophy until they incorporate the doctrine of eternal recurrence to their project of technological enhancement. This doctrine liberates us from resentment against time by teaching us reconciliation with time and something higher than all reconciliation. Unlike Loeb, however, I claim that this “something higher” is not a new skill (prospective memory), but rather a (...) love for the past in the form of loving that aspect of it that is still with us, namely, the will to power itself, which is the engine of all life. Love of the past is thus equivalent to love of life. Since human beings are conscious incarnations of the will to power, in our case, love of life manifests itself as love of our humanity or love for that aspect of ourselves that connects us to each other, for we recognize it to be the same in all of us. Thus, learning this kind of love enables us to joyfully coordinate our wills in the pursuit of Zarathustra’s superhuman ideal without turning it into a destructive mockery of itself. While learning this kind of love would facilitate a joyful version of transhumanism, I conclude by suggesting that it is unlikely to be achieved through technological interventions of the sort envisioned by transhumanists. Instead, it requires the kind of participatory pedagogical program that Nietzsche thought his Zarathustra would fulfill. (shrink)

While it seems to be evident that the vision of the eternal return of the same is the solution to the riddle mentioned in "On the vision and the riddle," exactly what constitutes the riddle is anything but clear. Li ke all good riddles the solution demands a paradigm shift. Nietzsche's riddle is solved by a radical rethinking of the concept of time, from a straight line to a circle. I give a detailed account of how Nietzsche's riddle is formulated (...) in such a way tha t the eternal return of the same is the only possible solution. (shrink)

This paper offers a reading of Thus Spoke Zarathustra, arguing that there is a conflict between Zarathustra's hope for something greater (in the form of the Übermensch) and his conception of the eternal recurrence.

This article recapitulates and develops the attempts in the Nietzschean traditions to address and overcome the proliferation of nihilism that Nietzsche predicted to unfold in the next 200 years (WP 2). Nietzsche approached nihilism not merely as a psychology but as a labyrinthic and pervasive historical process whereby the highest values of culture and founding assumptions of philosophical thought prevented the further flourishing of life. Therefore, he thought nihilism had to be encountered and experienced on many, often opposing, fronts to (...) be fully consumed and left behind. Thus, just as Nietzsche captured the subtle reinventions of nihilism in new forms in his time, in the new doers assumed behind new deeds (WP 488), this article focuses on the contemporary tectonic shifts brought by digital technology and challenges subjectivation and narrativization of algorithmic will to power in human-like interfaces such as ChatGPT. Having identified philosophers and himself as the most advanced nihilists in their overvaluation of truth, in the 4th part of Thus Spoke Zarathustra, Nietzsche grappled with the difficult, perhaps impossible, temporality of post-nihilistic historicity that oscillates between highest creativity and highest truths, especially in the sections entitled The Shadow and At Noon whereby he explored new temporal techniques to evade the relapses into temporal nihilisms of the notions of linear progress or eternity (TSZ, 4). By drawing on this juncture, this article offers ways to address transfigurations of nihilism behind new technological performances of subjectivity. The article points toward creative temporalities beyond narrativity and subjectivity insofar as the statistical operations and probabilistic estimations of language-models exceed grammatical construction of meaning. This multifaceted application of his thought on the contemporary ontic reality is necessary to perceive our comet's incalculable movement as a veritable ray of sunshine. (shrink)

Joy of a certain kind has an important affective role in demonstrating the overcoming of nihilism for Nietzsche. In this chapter I explore how one might arrive at a point where they too can give voice to Zarathustra’s proclamation that “all joy wills eternity.” There are consistent references to eternity and infinitude in passages of Nietzsche’s discussing nihilism. This is most obviously borne out in Nietzsche scholarship with reference to discussions of eternal recurrence. But eternal recurrence does not have (...) a monopoly for denoting Nietzsche’s employment of the motifs of eternity and infinitude. Eternal recurrence and its affirmation, I argue, is only a kind of end point for a process of overcoming nihilism. -/- My concern here is the manner in which Nietzsche employs these motifs to track three different stages related to nihilism. The first stage demonstrates an affective response of initial disorientation, which aims to engender a realization by the “marketplace atheists” that humanity must undergo the phenomenon of nihilism. Th e second stage documents an active confrontation with this phenomenon, which in turn offers deeper, more terrifying yet also more positive consequences of this realization, ones proffering new forms of freedom. The third stage is the constructive use to which Nietzsche sets these motifs in the service of life-affirmation, of which eternal recurrence plays an integral part. I examine several important passages using these motifs in Nietzsche’s mature writings, particularly from The Gay Science and Thus Spoke Zarathustra, to claim that they inform a developmental process concerning the realization of nihilism and its overcoming. -/- I conclude by claiming that the motifs of eternity and infinitude’s employment at each of these three stages mirrors the substance of the “Three Metamorphoses of the Spirit” section in Thus Spoke Zarathustra. (shrink)

Thus Spoke Zarathustra expresses a revolt against the quest for “afterworlds.” Nietzsche is seen transferring rationality to the body, welcoming the many in akingdom of the un-unified multiple, with a burst of enthusiasm at the figure of recurrence. At first, he values an acceptation of suffering through reconciliation with time, and puts the onus on the divine to refute the dismembering of the oneness of meaning and unity of the soul’s quest for joy in eternity. Then confrontingChristianity, he sees (...) its refusal to sacrifice anyone, at the cost of making all sick with a unique healer, and rejects it as incompatible with his ideal of plenitude. Inthe absence of an ontology of the person, the affirmation of the individual and his value, opposed to the antagonistic affirmation of the many put in front of theone God and destroyed by him, ends up dislocating the reality of the self. The Nietzschean option resisted any leveling down—this is its merit—yet the mysteryof the Trinity needs to be brought into the reflection to respect Nietzsche’s own terms in defining the final problem which is also the one option: Dionysus orthe Crucified? (shrink)

We explore how one might respond emotionally to the eternal recurrence. Zarathustra himself serves as our central case study. First we clarify the idea of eternal recurrence and its role in Nietzsche’s philosophy, explaining why the eternal recurrence has the emotional consequences Nietzsche describes when he first introduces the idea in The Gay Science. Then we describe Zarathustra’s emotional journey from horror at the eternal recurrence to loving it, in the sections from “On Great Events” to “The Seven (...) Seals, or: The Yes and Amen Song.”. (shrink)

This article re-exams the old tension between the philosopher and the city. Reading Ibn Bājja’s Governance of the Solitary and Nietzsche’s Thus Spoke Zarathustra against the background of Plato’s Republic, I argue that they both embrace several key aspects of Platonic political philosophy: the assumption that philosophical natures can grow spontaneously in sick cities, the ideal of the philosopher legislator and the correlative project of founding a virtuous new regime. Yet in preparation for this final task, each prescribes a (...) regimen of solitude for philosophers, so that they might preserve their own health and autonomy. While this spiritual exercise at first appears merely temporary and provisional—aimed at the cultivation of a philosopher ruler and the eventual establishment of a healthy political regime —I argue that both Ibn Bājja and Zarathustra ultimately abandon their Platonic ambitions and opt instead for the apolitical contemplative life. (shrink)

O presente artigo pretende abordar o conceito de trágico, entendido como elemento principal ou elemento orquestrador do projecto nietzschiano em busca de uma determinação para uma nova forma de existência estética. Objectivo do autor é, pois, em primeiro lugar, explicitar o sentido da nova existência estética tal como Nietzsche, pela mão de Zaratustra, imputa à figura do Übermensch, o qual estabelece um projecto de justificação estética; em segundo lugar, trata-se de mostrar que o conceito de 'trágico'está estreitamente relacionado com o (...) conceito metafísico de 'eterno retorno'de tal modo que isso pretende, por um lado, ultrapassar a dimensão determinada da vida humana em algo maior ou melhor, e, por outro, visa a completa realização da vida humana que pode ser repetida, salientando que este movimento de repetição afirma o retorno dionisíaco do trágico. Objectivo do autor do artigo é, assim, provar que o projecto nietzschiano anuncia o Übermensch como uma nova forma de existência estética, ao mesmo tempo que recupera os conceitos de 'trágico' e 'dionisíaco', conceitos estes que animam a obra Die Geburt der Tragödie. Consequentemente, trata-se de ver até que ponto o Übermensch está afirmado como objectivo necessário e primário neste projecto, o qual permanece, contudo, uma herança enigmática em que nos deixa a filosofia de Nietzsche. /// The present article presents a brief approach to the concept of the 'tragic' understood as a main element or a conducting element in the Nietzschean project that searches for a determination of a new form of aesthetic existence. The author aims, thus, at two things: first, to explicit the meaning of this new aesthetic existence that Nietzsche, by the hand of Zarathustra, imputes to the figure of the Übermensch, which establishes a project of aesthetic justification; secondly, to show that the concept of the 'tragic' is closely related to the metaphysical concept of the 'eternal return' in such a way that it purposes, on the one hand, to surpass a determined dimension of human life into something bigger or better, and, on the other, to bring about a complete realisation of human life that can be repeated, so that the movement of repetition qffirms the dionysiac return of the tragic. The goal of the article is, moreover, to prove that the Nietzschean project announces the Übermensch as a new form of aesthetic existence while recovering the main concepts of 'tragic' and 'dionysiac', concepts that animate the book Die Geburt der Tragödie. Therefore, we shall see how the Ubermensch is placed as a necessary and prime objective in this project, which remains part of the enigmatic legacy with which Nietzsche's philosophy leaves us. (shrink)

In the following paper, pursuing a lead from Heidegger’s 1937 reading of Nietzsche’s Also Sprach Zarathustra (ASZ), I first claim that the Nietzschean emphasis on awakening the thought and the thinker of eternal return should be read as analogous to Heidegger’s own call to awaken a fundamental attunement in the 1929/30 lecture course, Die Grundbegriffe der Metaphysik (GDM). I bolster this claim by insisting on a Nietzschean inspiration in the very call to awaken a fundamental attunement, which can be (...) identified on both implicit and explicit levels of the text. Initially exploring these levels, I argue that their commonality announces in part Heidegger’s effort to digest a debt of gratitude to the Nietzschean concept of horizon, and the task of the paper becomes to locate and articulate the connection between Nietzschean horizonality and the Heideggerian phenomenon of attunement. This is achieved through the dynamics of sleep and awakening as Heidegger contends with them thematically in GDM. By enumerating key steps of Heidegger’s argument, I show how attunement demonstrates the force of the problem of horizon and with it, the extent to which Heidegger’s thinking can be said to be intimate with that of Nietzsche. (shrink)

A deeply personal reckoning with family, mental illness, and suicide, Dana Trusso captures the meaning of Nietzsche's armor fati--to love one's fate--through her surreal imagery and longing to heal intergenerational wounds. Lines are drawn from Lars von Trier's Melancholia, Sonic Youth's Experimental Jet Set, Trash and No Star, and lines she read from her aunt's journals as a child. -/- The photo is a sculpture of an earth goddess by Jean-Philippe Richard located in the botanical gardens of Èze, France. Nearby (...) is Le Chemin de Nietzsche, a steep hike from the seaside to mountainous ruins that is said to have inspired Thus Spoke Zarathustra. (shrink)

This essay delves into Nietzsche’s understanding of the jester in Thus Spoke Zarathustra. I argue here that its existence explains the shifting ethos from tragedy to comedy. The jester in the societal context exhibits the figure of fictionalism that redirects reality into a detour of comic interplays. As such, he embodies fictional overcoming from the modern backdrop. I then employ On the Genealogy of Morals to explain further four principles that aid in taking into effect the birth of the (...) jester. Nietzsche’s critique of morality attacks such principles as ressentiment, guilt and bad conscience taken together, free will, and ascetic ideal. Later, I present a way of going into the shadows as a manner of confronting the jester and overcoming it. (shrink)

Both for Kant and for Nietzsche, aesthetics must not be considered as a systematic science based merely on logical premises but rather as a set of intuitively attained artistic ideas that constitute or reconstitute the sensible perceptions and supersensible representations into a new whole. Kantian and Nietzschean aesthetics are both aiming to see beyond the forms of objects to provide explanations for the nobility and sublimity of human art and life. We can safely say that Kant and Nietzsche used the (...) dualities of the beautiful/sublime and Apollonian/Dionysian to advocate their general philosophical worldview, and that the initial formation (in Observations and The Birth of Tragedy) and final dissolution (in the Critique of Judgment and Zarathustra and other later works) of these dualities are determined by the gradually established telos of their philosophical endeavor. Therefore, by observing the evolution of these so-called dualities, Kaplama gathers important clues as to how Kant’s and Nietzsche’s aesthetics transformed into different ways to affirm human art and life. On the one hand, Kaplama argues, the Dionysian came to be the heart and soul of Nietzschean aesthetics and ethics, and the Apollonian (or the formal drive of individuation) was reduced into a mere aesthetic criterion. On the other, Kant treats the sublime (which is originally an idea-producing feeling and/or judgment) as a mere appendix to his Critique of Judgment and aesthetic theory teleologically reducing it into its possible moral consequences. This is why Schopenhauer calls the sublime “by far the most excellent thing in the Critique of Judgment” which touches on the real problem of aesthetics very closely but does not provide a real solution for it. Kant’s forced teleological move is to make his theory of aesthetic judgment stand as a ‘reaffirmation’ of the earlier ethical justification he believed to have accomplished in the first two Critiques and the Groundwork where he defends an affirmation of human life through a teleological morality centered on the principle of free-will. In contrast, Nietzsche’s aesthetics (particularly the Dionysian) guides his ethics and metaphysics again through defining an ideal human nature without which ethos would be static and meaningless, lacking the ability to move and change and represent the tragic pathos of human life. (shrink)

Until recently one begins to speak of the “experimental philosophy” in the thought of Nietzsche. This novel way of approaching the philosopher of Röcken is due specifically to the reflections of Andreas Urs Sommer, an eminent interpreter of Nietzsche. Sommer explains the “experimental philosophy” supported by paragraph 125 of The Gay Science and goes hand in hand with an important figure in that paragraph: the madman. This article aims to explain what “experimental philosophy” is and then describe that literary artifice, (...) besides being found in paragraph 125, can be found in other texts by Nietzsche. That is to say, we will stop to analyze some texts of Thus spoke Zarathustra, fundamentally in those that are the question of the solitude. Is it possible to conclude that "experimental philosophy" can be framed in the theme of Nietzsche's solitude? The use of “experimental philosophy” can show us, as far as possible, a novel way of approaching the thoughts of the German philosopher and away from the conventional interpretation that has marked the twentieth century so profoundly. Does the philosopher really express his philosophy to us? It is a question that we intend to answer in this work. (shrink)

Deleuze’s interpretation of Nietzsche, the function of biological dialectic and the symbolic value of sign and writing in “Also sprach Zarathustra”. Sexual difference and Derridian interpretation of Nietzsche’s Zarathustra.

This narrative commentary on Nietzschean ambitions, in part influenced by Zarathustra and Ecce Homo, centers on a long, ongoing, expansive, and highly imaginative technological projects by two men, Stuart Beholt and Alby Tolby. Having worked up adventurous software in university days, their experiences interwoven with their friendship bring out a panoply of current philosophical issues--and beyond. This narrative philosophy evokes and explores more issues than current philosophical debates concerning emerging technologies can include in a more conventional work. At the (...) same time, this structure makes the read readily accessible , including such issues as the intriguing recent flirtation of religion and materialism that have only been broached in the literature. At the same time, high finance and monetary issues, besides the alluring beauty of solving tremendous engineering problems, pull the two übermensch into ever greater schemes, well evoking the question of the limits of ethics and epistemology. Even if this approach does not coincide with the reader's research, it can offer an enjoyable delving into philosophical problems. (shrink)

This paper examines Nietzsche’s conflicted relation to Epicurus, an important naturalistic predecessor in the ‘art of living’ tradition. I focus in particular on the Epicurean credo “live unnoticed” (lathe biōsas), which advocated an inconspicuous life of quiet philosophical reflection, self-cultivation and friendship, avoiding the public radar and eschewing the larger ambitions and perturbations of political life. Perhaps unsurprisingly, the idea looms largest and is most warmly received in Nietzsche’s middle period writings, where one finds a repeated concern with prudence, withdrawal (...) and concealment, and where the primary emphasis is on private pluralistic experiments in therapeutic self-cultivation among small groups of free spirits. The idea of the Epicurean Garden appeals greatly to Nietzsche at this time as well, and I suggest that Zarathustra’s Blessed Isles are best understood as a friendship community along these lines. However, Nietzsche’s growing impatience with human imperfections and the siren song of great politics eventually lead him away from Epicurus and back to Plato. Beginning with Zarathustra, the paradigm of the modest, hidden helpful philosopher-therapist is replaced by the more ambitious philosopher-legislator who takes upon himself the task of determining the future of humanity. Nonetheless, I argue that we can profit more from the modest, practical insights of Nietzsche’s Epicurean art of living. (short version). (shrink)

In his 1937 lectures, Heidegger searches for Nietzsche’s initial thought of “the Moment”. This paper mimics Heidegger’s pursuit of Nietzsche’s Moment by tracing Heidegger’s own early arrival at the Moment in Being and Time, published 10 years prior to his lectures on Nietzsche. Both Zarathustra and Dasein are chased in and out of an authentic relationship with the Moment by their own shadows, which disappear at midday. Dasein’s shadow is the being that is always closest-at-hand, the being in whom (...) I lose myself in everyday care. Dasein forgets itself in inauthentically securing its identity in that which it cares for and that which it is not, darkness. Yet Dasein also confronts its own finitude in its negative double as it witnesses the daily dwindling of its shadow—the everyday passing away of time. (shrink)

Film Two Faces of Dr. Jekyll (1960, režie Terrence Fisher) by se dal interpretovat skrze dílo F. Nietzscheho. -/- Při interpretaci vycházím především z díla „Mimo dobro a zlo”, dále pak z děl „Tak pravil Zarathustra" a „Vůle k moci”. -/- V tomto filmu nevystupuje Dr. Jekyll jako ztělesnění dobra, jak tomu bylo v předloze, nýbrž jako obraz samotného Nietzscheho, člověka zapáleného pro hledání vyššího bytí, pro hledání nadčlověka. Člověka odsouzeného ke zkáze. -/- Jekyllova nevyrovnanost, vášeň a touha po (...) nadčlověku zrcadlí Nietzscheho i jeho životní osud. (shrink)

Table of Contents: 1. The introduction of infinities 2. Gay Science 341, “The greatest weight”, considers infinite value 3. The argument of KSA 11:11:38[12] anticipates Poincaré’s theorem 4. “The Soothsayer” envisions the dark side of eternal recurrence 5. “On Redemption” tells of the will’s struggle with the past 6. “The Stillest Hour” struggles to speak of infinite negative value 7. “On The Vision and the Riddle” envisions the cosmology 8. “The Convalescent” has animals proclaiming recurrence 9. “The Other Dancing Song” (...) expresses love of life 10. “Once More” and “The Drunken Song” sing of infinities 11. “The Seven Seals” proposes marriage to Eternity 12. Part IV pits Zarathustra against the soothsayer 13. “The Ass Festival” celebrates worldly value. (shrink)

This dissertation re-examines the principal philosophical thrusts of the German Enlightenment period, from the perspective of their totalizing-mythological function, and investigates how this function is criticized by the non-totalizing function of myth found within the primary mythical images in the work of Goethe, Nietzsche, Rilke, and Walter Benjamin. ;Utilizing the revolutionary book by Hans Blumenberg on the function of myth in German Idealism and Romanticism, I instigate a discourse between Blumenberg's totalizing work on myth and the negative-dialectical work on myth (...) as proposed by Theodor Adorno. I locate the German origins of this negative-dialectical myth-making in the work of Goethe, specifically his non-totalizing image, Wilhelm Meister. I locate the development of this use of myth in Nietzsche's Zarathustra, and, finally, trace a similar function at work in Rilke's Malte and Walter Benjamin's historical materialist. ;Contrary to Habermas, who argues that Nietzsche opened up two roads to postmodernity, one leading to the "ontologization of aesthetics" and the other to the "totalizing critique" of reason , I put forth the argument that the Nietzschean "two roads" metaphor is useful but needs to be re-shaped, configuring one road toward the mythological history and historical mythology of Rilke and Walter Benjamin, and another road the Theodor Adorno's "thorough critique" of reason. ;The need to revise Habermas's "two roads to post-modernity" theory mythographically, rests on the primary investigation of this dissertation: to trace by de-scription the practical incarnation of the word on German soil . I define this process of "practical incarnation" as that word which subversively desires to de-scribe and trans-figure the neurotic -psychotic structure that has defined the parameters of Western discourse, at least since neo-Platonic Christianity influenced cultural codifications of the West. Finally, I maintain that the primary image of criticism which emerges from the dialectical work of the writers herein, is the image of man-child, a classless, non-totalizing image implicit in Goethe's Wilhelm Meister, and developed in the Kind-Mensch constellation in the work of Nietzsche, Rilke, and Walter Benjamin. (shrink)

The Iranian prophet and reformer Zarathustra (Greek: Zoroaster) founded his religion in the 6th Century BC. In a series of visions he was taken up to Heaven and Ahura Mazda - creator of all that is good - charged him with enlisting Humanity in the fight against Aura Mainyu - the principle of chaos and destruction - offering Mankind a free choice between Good and Evil. It is hard to overstate the importance of Zoroastrianism. According to Professor of Iranian (...) Studies Dr Mary Boyce: "It was the first to teach the doctrines of an individual judgment, Heaven and Hell, the future resurrection of the body, the general Last Judgment, and life everlasting for the reunited soul and body." 'The Teachings of Zoroaster' is an excellent introduction to this little-known and often misunderstood religion, giving Zoroastrianism its rightful place as the precursor of many Christian, Judaic and Islamic beliefs. (shrink)

El pensador suizo Andreas Urs Sommer es, sin dudarlo, uno de los actuales especialistas de Nietzsche. En el año 2017 publica un texto titulado Nietzsche und die Folgen, un libro que recobra la figura del pensador alemán a la luz de ideas bastantes novedosas que hasta ahora no habían sido presentadas por la mayoría de los intérpretes de Nietzsche. En ese sentido, la filosofía experimental (Experimentalphilosophie) que presenta Sommer es la que ha llamado la atención de la crítica. Se trataría (...) de esconder bajo el juego experimental la filosofía de Nietzsche, omitiendo de ese modo un cierto tipo de compromiso de sus postulados filosóficos. Esta determinación está cobrando fuerza en la medida en que nos muestra las consecuencias de la filosofía experimental. Este trabajo pretende desarrollar, por un lado, los postulados centrales de la propuesta de Sommer para luego confrontarlos a la luz de la crítica y en qué medida dicha crítica es medular. Lo anterior da luces a una discusión que, más que inclinarse a la polémica, muestra el nutriente de una fructífera investigación. -/- The Swiss thinker Andreas Urs Sommer is, undoubtedly, one of Nietzsche’s current specialists. In the year of 2017 publishes a text entitled Nietzsche und die Folgen, a book that recovers the figure of the German thinker in the light of quite novel ideas that until now had not been presented by most of the interpreters of Nietzsche. In that sense, the experimental philosophy (Experimentalphilosophie) presented by Sommer is the one that has caught the attention of critics. It would be a matter of hiding Nietzsche’s philosophy under the experimental game, thus omitting a certain type of commitment from his philosophical postulates. This determination is gaining strength insofar as it shows us the consequences of experimental philosophy. This work aims to develop, on the one hand, the central postulates of Sommer’s proposal and then confront them in the light of criticism and to what extent such criticism is central. The foregoing gives light of a discussion that more than leaning to the controversy shows the nutrient of a fruitful investigation. (shrink)

This collection of writings on aesthetics includes selections from Theodor Adorno, Walter Benjamin, Mikhail Bakhtin, Sigmund Freud, Martin Heidegger, Amy Mullin, Friedrich Nietzsche, and Frederich Wilhelm Joseph von Schelling. This collection may still be available as a print-on-demand title at the Ryerson University bookstore.

The author of this unusual and fascinating monograph is an intellectual historian whose interests extend well beyond Nietzsche to encompass Weimar classicism, 20th century analytical psychology and classical Greek and Hellenistic philosophy. Although this may at first sound like a strange juxtaposition, Bishop’s previous studies have made a compelling case that vital aspects of Nietzsche’s thought come sharply into focus when he is read in relation to figures such as Goethe and Schiller on the one hand and Jung on the (...) other, with an eye to certain formative themes and metaphors in the Platonic tradition. What we find when we set these thinkers in dialogue with one another is a distinct intellectual-spiritual lineage predominantly concerned with the possibilities of self-transformation. Bishop’s interpretative approach is perhaps closest to Pierre Hadot in this respect, albeit more oriented towards modern German thought and uniquely informed by Jungian depth psychology. (shrink)

The main question: During the last 100 years, why nobody among great minds (Einstein, Bohr, Schrodinger, Heisenberg, Feynman, etc. etc.) have discovered the correct answer to the main problems of Quantum Mechanics, but after I published my articles and first two books (2002-2010 – FREE all my FIVE books, on various sites, all English), many people started to ‘find’ the solution to these problems? Why nobody have found the answer to the mind-brain problem, but after my publications, many people have (...) found the solution to this problem (and many related problems)??? Why, after my SIX book has been published at SPRINGER, people finding solutions to these two problems (and many related problems) have appeared exactly as ‘mushrooms after the rain’??? If they have published just similar ideas to my ideas, it means all this amalgam of people (so many) are smarter than Einstein, Bohr, Schrodinger, Heisenberg, Descartes, Kant, Spinoza, etc., etc.??? If they have similar ideas to my ideas, then, STATISTICALLY, WE HAVE BEEN LIVING IN THE PERIOD WITH THE GREATEST NUMBER OF GREATEST GENIUSES OF ALL TIMES!!! In such a short period, so many people have published similar ideas to my ideas referring to the mind-brain problem, quantum mechanics problems, and many other problems in Cognitive Neuroscience, Physics and Philosophy! Do you believe this????? From 2014, I have sent emails to thousands of people regarding this fact! The people were professors and students (Physics, Cognitive Neuroscience, and Philosophy) from universities that belong to many countries in the entire WORLD!!! (shrink)

Nietzsche suggests that even individuals who take themselves to bear an affirmative attitude toward life would be horrified by the thought of eternal recurrence (roughly, the idea that our lives will repeat endlessly in exactly the same fashion). But why? Why is it supposed to be more difficult to affirm recurring lives than to affirm a non-recurring, singular life? I argue that standard interpretations of eternal recurrence are unable to answer this question. I offer a new interpretation of eternal recurrence, (...) which attributes its difficulty to the conditional nature of ordinary affirmation. Affirmation is conditional when it depends on the possibility of excising objectionable elements from the object of affirmation. What Nietzsche means to reveal, with eternal recurrence, is that even the most apparently affirmative individuals often manifest only a conditional affirmation of life, a form of affirmation that conceals a tacit negation. Eternal recurrence brings this hidden negation to light, thereby encouraging us to move toward an unconditionally affirmative stance. I conclude by reflecting on why Nietzsche takes the distinction between conditional and unconditional affirmation to be such an important philosophical idea. I argue that those who devote themselves to challenging, long-term goals will face psychological pressures that tend to deform unconditional affirmation into conditional affirmation. (shrink)