This article explores Donna Haraway’s overlooked theories of coalition-building along with the tactics of transversalism. I initially outline Haraway’s contributions and discuss why the cyborg of coalition has been ignored. I then relate this work to transversal politics, a form of coalition-building that acknowledges both the need for more open understandings of the subject and also the threatening circumstances that form these ‘hybrid’ subjects. The intriguing alliance that can be formed between them offers ways of dealing with the (...) fears and self-defensiveness that often stand in the way of creating effective political groups. Having explored the tactics that could productively structure interactions between Haraway’s cyborg actors, I broaden this out to discuss community more generally, in order to further explore the possible applications of these theories of coalition. Finally, through the work of Linnell Secomb and Jean-Luc Nancy, I suggest a vision of a community of cyborgs. (shrink)

In response to suggestions that Deleuze and Guattari are the “enemy” of companion species, this essay explores the tension between Donna Haraway’s attacks against Deleuze and Guattari and their philosophy of becoming animal. The essay goes on to contextualize Deleuze and Guattari’s statements against pet-owners through a discussion of the psychoanalytical refiguration of desire and shows how their ostensible attack against pet owners fits into their larger critique against capitalism. The essay illustrates why Deleuze and Guattari and Haraway (...) are more in agreement than first meets the eye, finding commensurability through Haraway’s early work on embryology. Becoming animal does not begin and end with either humans or animals and the essay explores the high stakes of focusing on intensities rather than actual animal bodies. (shrink)

Este trabalho tem como objetivo apresentar uma perspectiva feminista da epistemologia social. A partir desta, criticar a ideia de universalização da verdade feita através do método tradicional da epistemologia analítica e das ciências, frequentemente ditas como neutras ou não corporificadas. Proponho demonstrar que o pesquisador é um corpo enquanto localização, isto é, está situado socialmente e historicamente, evidenciando suas consequência dentro da pesquisa científica. Para tanto, terei como principal escopo argumentativo as contribuições de Donna Haraway e Sandra Harding a (...) fim de articular a ideia de uma objetividade do conhecimento através de saberes que são localizados. Por fim, apontar essa perspectiva enquanto uma das ramificações essenciais para a epistemologia social. (shrink)

This essay focuses on the possibility of adopting a representational approach for technoscience, in which representation is considered as a situated process of dynamic “intra-action” (Barad 2007 ). Re-elaborating the recent critiques of representationalism (Thrift 2008 ), my analysis begins by analysing Hayles’s situated model of representation from an early essay where she explains her definition of constrained constructivism (Hayles [ 1991 ] 1997). The essay then discusses the notions of figuration and diffraction and the way they are employed by (...) Haraway in many of her writings for her critique of technoscience (Haraway 1991 , 1997 ). Finally, after considering diffraction through Barad’s reading of this practice in the context of her theory of agential realism ( 2007 ), it shows the links that relate constrained constructivism, situated knowledge and agential realism, and the way all of them work at “diffract[ing] the rays of technoscience” (Haraway 1997 : 16) through an alternative representational practice. (shrink)

Finishing this essay exactly one year after the official arrival of the SARS-COV-2 virus in Belgium and the Netherlands—where the cartographers of this essay are currently located—it is safe to say that the COVID-19 pandemic has immensely impacted our day-to-day lives. The pandemic has not only forced us to question various taken-for-granted existential certainties and luxuries provided by a capitalist system out to destroy the earth but has also re-spotlighted post-Enlightenment critiques of the human subject. If these pandemic times are (...) indeed more-than-human, then the clock is ticking for the discipline of philosophical anthropology to face these post-anthropological facts and receive what feminist science studies scholar Donna J. Haraway has aptly called a thorough dose of “epistemological electroshock therapy” (1988, p. 578). Taking Haraway’s foregoing call and the idea of thinking-with the (end of the) Anthropocene seriously, we construct a critical cartography of Emmanuel Levinas’ take on philosophical anthropology in dialogue with other major philosophical anthropologists and feminist new materialists while arguing for a post-anthropology for the Chthulucene. (shrink)

Puzio, Anna: Zeig mir deine Technik und ich sag dir, wer du bist? Was Technikanthropologie ist und warum wir sie dringend brauchen. In: Diebel-Fischer, Hermann/Kunkel, Nicole/Zeyher-Quattlender, Julian (Hg.): Mensch und Maschine im Zeitalter "Künstlicher Intelligenz". Theologisch-ethische Herausforderungen. LIT 2023. -/- Abstract: Der Aufsatz untersucht das vielschichtige Verhältnis von Mensch und Technik und plädiert für eine Technikanthropologie. Wie schon Gernot Böhme für die Technikphilosophie diagnostiziert hat, gibt es die Technikanthropologie „faktisch [ . . . ] nämlich mit einschlägigen Publikationen, Curricula und (...) Lehrstühlen“ und doch scheint es „kein überzeugendes Paradigma“ der Technikanthropologie und keine Technikanthropologie als voll entwickelte Disziplin oder Denkrichtung zu geben. Der Beitrag trägt zur Profilierung der Technikanthropologie bei. Es werden Aufgaben der Technikanthropologie herausgestellt, neue Ansätze vorgestellt und wegweisende Perspektiven für eine theologische Technikanthropologie entwickelt. Im ersten Schritt wird in Abschnitt 1 in die Technikanthropologie eingeführt. Es erfolgen die Einordnung technikanthropologischer Konzepte und die Erklärung wichtiger Begriffe. Anschließend wird in Abschnitt 2 das Verhältnis von Mensch und Maschine/Technik reflektiert und verdeutlicht, wie beide im Verhältnis zueinander neu ausgehandelt werden. Es wird gegen ein vorgängiges Verständnis sowohl desMenschen als auch derMaschine/Technik plädiert und auf die jahrhundertelangen Einschreibungen in die Vorstellungen von beiden hingewiesen. Zeig mir deine Technik und ich sag dir, wer du bist? Abschnitt 3 führt aus, wie Technik Mensch und Körper verändert und mitbestimmt, wasMensch und Körper bedeuten. In diesem Kontext wird bereits die Notwendigkeit einer Neukonzeption von Technikanthropologie deutlich. Abschnitt 4 zeigt, anhand zweier Ansätze, neue Wege der Technikanthropologie auf: einen radikalen Neuentwurf des Menschen durch Donna Haraway und des Sozialen durch Bruno Latour. Schließlich werden in Abschnitt 5 Perspektiven für eine konkrete theologische Technikanthropologie entwickelt. Gerade der anthropologische Zugang zur Technik wird sich als wichtiger Zugang der Theologie zum Technikdiskurs erweisen. (shrink)

As one of the seminal theorists further developing François Laruelle’s politically-poised “non-standard philosophy,” Katerina Kolozova’s approach to animality and feminism is part of a particular post-humanist Marxist continuum (which includes Rosi Braidotti, Luce Irigaray, Donna Haraway and N. Katherine Hayles). Nonetheless, Kolozova distinguishes herself from this lineage by adhering to Laruelle’s method, liquidating philosophy of its anthropomorphic nexus. Thus, Kolozova also belongs to a more recently inaugurated and nascent tradition, working in tandem with post-Laruellean philosophers of media, technology, aesthetics (...) and feminist critique, such as Bogna Konior, Yvette Granata, Jonathan Fardy and John Ó Maoilearca. Within this variegated assemblage, Kolozova’s most recent project, Capitalism’s Holocaust of Animals(2019), saliently reconciles and radicalizes Haraway’s epochal dyad of the “inhuman”—a bifurcation riven by technology on one node and the animal on the other—by a resolution of superlative unity. This methodology, adhering to Laruelle’s system of“synthesis-without-synthesizing” attempts to dissolve the spectral chimeras that have haunted philosophy’s metaphysical heredity, proffering a generic identity. (shrink)

In this article it is argued that the optical metaphor and critical practice of diffraction further developed by Donna Haraway and Karen Barad might be no less significant than the widely spread notion of reflection, when the questions of various practices of knowledge are addressed. By considering Paul Ramsden’s approach to learning/teaching and its underlying theory in higher education alongside Karen Barad’s methodology of diffraction, it is shown that Ramsden’s understanding of learning/teaching is rather based on the theoretical assumptions (...) of diffractive practice. His notion that teaching/learning are closely related and actively shaping each other, and that learners are not disconnected from the environment and their previous experiences with the subject matter and learning process itself, adds to Barad’s onto-epistemological position that knowers know the world at the same time as being the part of the world in its ongoing intra-activity. Ramsden’s understanding of relation is diffractive, because it is not about predefined binary entities and their fixed identities, but about layers and entanglements of various previous experiences and reactions to the learning environment. In addition, looking at learning/teaching processes through a different perspective also leads to a different approach to teaching and other ways of problem-solving. Both Ramsden and Barad distrust homologies, analogies, and causality-based conceptions of knowledge sharing. Instead, the ability to respond to an always new learning/teaching environment is assessed, which implies a diffractive type of sensitivity to the context, iterative process of re-turning, and the creation of dangerously indeterminate relationships and commitments. In this way, some of Barad’s philosophical notions, i.e., the diffraction pattern, intra-activity, returning, and others, also may acquire new practical content. (shrink)

With rising portmanteaux such as Ecosophy and ecolinguistics, a significant trend that aims to blend ecology with multiple disciplines continues to be on the ascent since the last century. The recent challenge to the anthropocentric worldview is a crucial motivation for such blends. With the upheaval of "genetic information," the information system that formerly bolstered and maintained anthropocentrism is now challenging its tenets. The term eco refers to the critical relationships between humans and nonhumans, between microscopic and macroscopic worlds. Ecolinguistics (...) studies the relation between eco and how we communicate about ecological entities and processes. Many studies have revealed how language and communication influence the environment and its nonhuman inhabitants. Critical Discourse Analysis (CDA henceforth), for instance, has exposed the role of language in reducing and promoting racism, social inequalities, and sexism. In a larger framework, Ecosophy provides intellectual and empirical insights that can give succinct access to unmuted communications in a more-than-human world by participating in more-than-mammal philosophies of survival, living, and dying. The paper will explore Dona Haraway's notion of SF (an abbreviation for speculative fabulations, string figures, speculative philosophy, and situated feminism) and Gregory Bateson's relational thesis of "double descriptions" to unite 'eco' and 'language' with each other. This will be done by suggesting alternative ways of approaching CDA and possible linguistic renovations (for instance, Prof. S. Veeramani’s notion of relexifying terms to promote environmental sensitivity and awareness). (shrink)

Cyborg and prosthetic technologies frame prominent posthumanist approaches to understanding the nature of race. But these frameworks struggle to accommodate the phenomena of racial passing and racial travel, and their posthumanist orientation blurs useful distinctions between racialized humans and their social contexts. We advocate, instead, a humanist approach to race, understanding racial hierarchy as an industrial technology. Our approach accommodates racial passing and travel. It integrates a wide array of research across disciplines. It also helpfully distinguishes among grounds of racialization (...) and conditions facilitating impacts of such racialization. (shrink)

Vision is an important metaphor in ethical and political questions of knowledge. The feminist philosopher Donna Haraway points out the “perverse” nature of an intrusive, alienating, all-seeing vision (to which we might cry out “stop looking at me!”), but also encourages us to embrace the embodied nature of sight and its promises for genuinely situated knowledge. Current technologies of machine vision – surveillance cameras, drones (for war or recreation), iPhone cameras – are usually construed as instances of the former (...) rather than the latter, and for good reasons. However, although in no way attempting to diminish the real suffering these technologies have brought about in the world, I make the case for understanding technologies of computer vision as material instances of embodied seeing and situated knowing. Furthermore, borrowing from Iris Murdoch’s concept of moral vision, I suggest that these technologies direct our labor towards self-reflection in ethically significant ways. My approach draws upon paradigms in computer vision research, phenomenology, and feminist epistemology. Ultimately, this essay is an argument for directing more philosophical attention from merely criticizing technologies of vision as ethically deficient towards embracing them as complex, methodologically and epistemologically important objects. (shrink)

Wie verändern sich Mensch und Körper durch Technik? Und welches Menschenverständnis vertritt der Transhumanismus? Anna Puzio befasst sich in der ersten philosophischen Studie zur Anthropologie des Transhumanismus mit führenden Personen des Feldes, u. a. mit Nick Bostrom, David Pearce und Natasha Vita-More. Neben Körperoptimierung und Medizintechnologien beleuchtet sie auch Alltagstechnologien wie Wearables. Dabei entwickelt sie einen neuen Ansatz zur Technikanthropologie und ein neues inklusives Menschen- und Körperverständnis im Anschluss an Donna Haraway und den Kritischen Posthumanismus im amerikanischen Raum.

Focusing particularly on the role of the clock in social life, this article explores the conventions we use to “tell the time.” I argue that although clock time generally appears to be an all-encompassing tool for social coordination, it is actually failing to coordinate us with some of the most pressing ecological changes currently taking place. Utilizing philosophical approaches to performativity to explore what might be going wrong, I then draw on Derrida’s and Haraway’s understandings of social change in (...) order to suggest a fairly unconventional, but perhaps more accurate, mode of reckoning time in the context of climate change, resource depletion, and mass extinctions. (shrink)

Wenn man heute Instagram öffnet, begegnen vielfältige Beiträge zu Gendervielfalt, sexueller Aufklärung, Umweltengagement und Körperoptimierung. Auf Instagram gibt es Queerness ebenso wie neue Lebensformen, ein neues Verhältnis zur Umwelt, veränderte Selbstverständnisse, eine breite Varianz von Formen der Selbstdarstellung und Körperinszenierung. Die hier gezeigten veränderten Lebenswirklichkeiten und Selbstverständnisse der Menschen legen nahe, dass diese neuen Entwicklungen in eine zeitgenössische Anthropologie, die sich mit dem menschlichen Selbstverständnis wissenschaftlich auseinandersetzt, aufgenommen werden müssen. Der Aufsatz nimmt die Social-Media-Plattform Instagram als Anlass, um Perspektiven für (...) eine zeitgenössische Anthropologie aufzuzeigen. Dazu wird untersucht, durch welche Perspektiven die Anthropologie ergänzt werden muss und wie die theoretischen Ansätze des Neuen Materialismus dafür fruchtbar gemacht werden können. Im ersten Schritt wird in die Themen auf Instagram sowie den Zusammenhang von Instagram und Anthropologie eingeführt (2). Davon ausgehend werden drei Themen für eine zeitgemäße Anthropologieuntersucht: Technik (Technikanthropologie), Körper und Körperoptimierung sowie Umwelt und die Beziehungen zu nichtmenschlichen Entitäten (3). Anschließend werden der Neue Materialismus (4) vorgestellt und dazu die Ansätze von Donna Haraway und Karen Barad skizziert, sodass daraus Schlüsse für eine zeitgemäße Anthropologie gezogen werden können (5). Dies mündet in einen Ausblick auf die weitere anthropologische Forschung (6). (shrink)

Like any broad narrative about the history of ideas, this one involves a number of simplifications. My hope is that by taking a closer look Spinoza's notorious remarks on animals, we can understand better why it becomes especially urgent in this period as well as our own for philosophers to emphasize a distinction between human and nonhuman animals. In diagnosing the concerns that give rise to the desire to dismiss the independent purposes of animals, we may come to focus on (...) a new aspect of what needs to change about contemporary thinking on species divisions. In what follows, I will bring out Spinoza's contradictory and ambivalent remarks pertaining to the specific differences between humans and animals. It is my suspicion that this ambivalence continues to plague us today. Like Spinoza, we want to say that humans are like and unlike animals. As a simply descriptive claim, it may be true and innocuous. Yet, the way we affirm our proximity and distance from nonhuman animals requires careful attention. Spinoza viewed this proximity as a source of danger. We might do well to emphasize, with thinkers such as Donna Haraway (2003),how our proximity and difference are also sources of pleasure and power, both to be able to enjoy the affectionate bond that can often develop between humans and our animal companions but also to quell the anxiety that might encourage us to exploit and abuse them. (shrink)

Abstract Gender and Ethics Committees: Where’s the Different Voice? -/- Prominent international and national ethics commissions such as the UNESCO Bioethics Commission rarely achieve anything remotely resembling gender equality, although local research and clinical ethics committees are somewhat more egalitarian. Under-representation of women is particularly troubling when the subject matter of modern bioethics so disproportionately concerns women’s bodies, and when such committees claim to derive ‘universal’ standards. Are women missing from many ethics committees because of relatively straightforward, if discriminatory, demographic (...) factors? Or are the methods of analysis and styles of ethics to which these bodies are committed somehow ‘anti-female’? It has been argued, for example, that there is a ‘different voice’ in ethical reasoning, not confined to women but more representative of female experience. Similarly, some feminist writers, such as Evelyn Fox Keller and Donna Haraway, have asked difficult epistemological questions about the dominant ‘masculine paradigm’ in science. Perhaps the dominant paradigm in ethics committee deliberation is similarly gendered? This article provides a preliminary survey of women’s representation on ethics committees in Eastern and Western Europe, a critical analysis of the supposed ‘masculinism’ of the principlist approach, and a case example in which a ‘different voice’ did indeed make a difference. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Affect Attunement in the Caregiver-Infant Relationship and Across SpeciesExpanding the Ethical Scope of ErosCynthia WillettCompelling glimpses into the ethical capacities of our animal kin reveal new possibilities for ethical relationships encompassing humans with other animal species. Consider the remarkable report of a female bonobo in a British zoo who assists a bird found in her cage by retrieving the fallen bird, and spreading its wings so that this fellow (...) creature might fly away to its freedom. Or the report of a cat in a nursing home who curls up around dying elderly patients, and remains steadily by their side as they, unbeknownst to the medical personnel, pass away.1 Or of a sacred moment of silence by a stream for baboons in East Africa.2 Or of the ethics that spontaneously emerges among wolves at play.3 On the basis of extensive studies, biologist Frans de Waal argues that such anecdotes are far from rare, and that some core elements of moral understanding and compassion occur among a significant range of nonhuman as well as the human animal species. Apes, monkeys, and perhaps all nonhuman animals fail to display a distinctly human capacity for abstract moral reasoning. As de Waal (2006) remarks, it is difficult to tell (173–75). But our furry and feathery kin do without a doubt demonstrate rich elements of ethical response, and they often enough extend their moral concern to creatures beyond their own species. Of course, they will also bite each other’s heads off or eat their own young as well. But this is just to say that animals are neither natural [End Page 111] innocents nor savage brutes. Like us, they belong to what post-Nietzschean philosophers might frame, somewhat ironically, as a postlapsarian world of good and evil.What kind of philosophical approach could account for these postlapsarian genealogies of ethics? Biologists, primatologists, and anthropologists are drawing upon investigations of prosocial behavior to remap the boundaries of ethics, as for example in Isabelle Stengers’s call for cosmopolitical ecologies of relationships (2010, 33). Such a cosmopolitics aims to encompass our kin and kind from diverse species within the ethical boundaries of common worlds. Donna Haraway discovers an opening for Stengers’s ecology of relationships in the intimate encounters among co-evolving species, especially those she calls companion species (2008, 83). She argues, following Derrida, that the abstract reasoning processes of Stoic and Kantian cosmopolitan ethics remain closed to the participation of nonhuman animals as anything more than dependents, failing to observe the ways in which they act as companions, if not moral subjects. But then, what normative force might bind together an ethically attuned biosocial sphere that we as humans co-inhabit with other animal species?To explore this question, this essay takes its cues from well-established research on the responsive, preverbal connection of the human infant and adult caregiver (Bateson 1979; Trevarthen 1984; Stern 1985, 2010; Gibbs 2001, 2010; Hansen 2004; Anderson 2006; Papoulias and Callard 2010; Willett 1995, 2001). To this research we can add new animal studies (Smuts 1999, 2001; Fudge 2002; de Waal 2006, 2009; Bekoff 2007; Molnar 2008; Haraway 2008). These animal studies provide a basis for extending an “ethics of eros” with roots in Luce Irigaray, Michel Foucault, Enrique Dussel, Africana feminism, Freudo-Marxist critical theory, and Plato (for discussions of this tradition, see Bergoffen 1997; Huffer 2009; Willett 2001)—but reconfigured in terms of social bonds across multiple animal species. In this tradition of ethics, the lack of a cognitive-based moral subjectivity that can translate into human terms does not consign nonhuman species to a mute moral status. On the contrary, some more primordial basis for relationship and meaning may weave thin but substantial threads of a postmoral ethics across regions of the biosphere.Given the diverse modes of subjectivity among animal species, and even the lack of what we call a moral subject altogether in many species, neither ordinary modes of empathy nor of moral understanding go very far in forging multispecies social bonds. For this reason, we turn to research on “the attunement of affects” in the infant-caregiver relationship (Stern 1985). As we shall see, this... (shrink)

The concept of the subject relies on humanist presuppositions. Regardless of whether purported to be decentred and posthumanist, the subject conceived in poststructuralist and philosophical terms remains anthropocentric and anthropomorphic. There is something irrecuperably Cartesian in the poststructuralist idea of the subject. Physicality, both bodily and that of the materiality of the machinic prosthesis, is barred from the constitution of the Self, as the real is barred but also foreclosed to it. The subject, therefore, is yet another philosophical phantasm, which (...) in its material actuality is determined as an instance of the signifying automaton. I argue that the “posthumanist” self, if conceived in Marxian and non-philosophical terms, ought to be viewed as the radical dyad of the signifying automaton and the real. It renders Haraway’s notion of the Cyborg more radical and unravels its inhumanity rather than posthumanity. (shrink)

(A chapter in a book edited by Rocco Gangle and Julius Greve, titled Superpositions: Laruelle and the Humanities) The human-in-human is nonhuman or “inhuman” (Haraway), monstrous along with the animal, the machine and the darkness of the out-there insofar as it remains a radical hybridity or one that is philosophically unmediated. The real precedes signification and occupies the position of mere materiality (either physicality or machinic materiality) unilaterally situated vis-à-vis a signifying agency. This dual unilaterality is placed within a (...) dyadic structure. The human radical constructedness grounded in—although not reducible to—the binary of technology and the organic (or “nature”) does not make it more rational, more “intelligent,” and less physical, less animal. Quite to the contrary, the kernel of hybridity does not contain a purely technological purpose and is not reducible to the philosophical fetish of rationalism —it is as unruly, as meaningless, as “merely material” as the animal. (shrink)

In the paper, I pose the question of how, on artistic, aesthetic, and philosophical levels, decoration and domestic handicrafts as subversive strategies enable the undermining and breakdown of class-based and patriarchal divisions into high and low, objective and subjective, public and private, masculine and feminine. I explore whether handicrafts, in accordance with feminist postulates, are transgressive, transformative, and inclusive. I link handicrafts with the feminist perspective, since, in the second half of the twentieth century, it was precisely the feminist movement (...) that initiated significant changes in the social and cultural perception of women, femininity, and gender relations. Thus I apply this perspective in the first place to the analysis of selected works of contemporary art in which handicrafts is used not only as a means of artistic expression but also as a subversive aesthetic strategy. I also demonstrate how the world of fashion transforms and aesthetizes handicrafts, whose presence in fashion makes it an area in which, in addition to imperatives and aesthetic values, social attitudes, ethical values, and world views are shaped. Finally, referring to the works of selected feminist authors (Mary Field Belenky, Mary Daly, Evelyn Fox-Keller, Donna Haraway), I show how these researchers have metaphorically interpreted handicrafts as specifically feminine ways of creating and developing knowledge. (shrink)

Whether we are said to be living in the Anthropocene, the Capitalocene, or are witnessing the start of the Chthulucene, as feminist science studies scholar Donna J. Haraway (2016) would describe the current post-anthropocentric era, there is a demonstratable need for affective, entangled, transversal forms of thinking-doing today. Writing this editorial almost a year after the COVID-19 pandemic erupted, and that as inhabitants of Belgium and South Africa—countries with complex ongoing capitalist-colonial legacies, socio-political presents, and heavily but also differently (...) hit by said pandemic—we more than ever feel that these are times of entwined crisis, chaos, and hardship, overflowing with cravings for pedagogical-philosophical responses that are affirmative, productive, and future-oriented. Reactions that are moreover part theory, part praxis, counter the nihilistic, and are future-focused while still grounded in the present, as to not defer responsibilities to future times (see Geerts & Carstens, 2019). (shrink)

In this paper, I engage with the motif of “the pluriverse” such as it has increasingly been used in the past few years in several strands of critical humanities pertaining to the so-called “ontological turn”: science and technology studies (Bruno Latour, Isabelle Stengers), critical geography and political ontology (Mario Blaser), cultural anthropology (Marisol de la Cadena, Arturo Escobar, Eduardo Viveiros de Castro), decolonial thought (Walter Mignolo), or posthuman feminism (Donna Haraway). These various iterations of the figure of the pluriverse (...) constitute a loose network of textual traces, a supposedly new scene for ‘humanities’, organized around what is understood as a pluralistic ontology. In political terms, the discourse of the pluriverse presents itself as a strategic response to the violence of universalism. It advocates for a multiversal ethics, a pluriversal cosmopolitics based on interspecies and multi-natural kinships, and more aware of the multiplicity of worlds and world-making practices that make up the post-globalization scene. Based on readings of Bruno Latour, Eduardo Viveiros de Castro, Arturo Escobar and Marisol de la Cadena among others, I argue that the notion of pluriversality remains self-contradictory and self-defeating as long as it relies on an ontological representation of world/worlds in the form of copresence. Drawing on Derrida’s deconstruction of the concept of world (cosmos, mundus) in his late writings, I propose to think an exorbitant plurality, before the pluriverse and before being. Beyond ontological pluralism, Derrida’s “infinity of untranslatable worlds” also signifies an irreducible interruption, the end of the world, of any “world-in-common”, thus raising the stakes for the ethical demand towards the other. (shrink)

As boundaries between domesticity and the undomesticated increasingly blur for cohabitants of Vancouver Island, home to North America’s densest cougar population, predatorial problems become more and more pressing. Rosemary-Claire Collard responds on a pragmatic plane, arguing that the encounter between human and cougar is only ever destructive, that contact results in death and almost always for the cougar. Advocating for vigilance in policing boundaries separating cougar from civilization, therefore, she looks to Foucault’s analysis of modern biopower in the first volume (...) of his History of Sexuality for support in favor of a more contemporary notion of biosecurity. In response to Collard’s arguments, concerned with ethical conclusions drawn on the basis of her policy-based proposal, I challenge the prohibition she places on encounter. In the first section, “Becoming Killable,” I address her use of Donna Haraway’s phraseology, and in the second section, “Biological Dangers,” I scrutinize her reading of Foucault, arguing that the appeals she makes distort the mode of argumentation at work for each thinker. The final section, “Facing Cougar, Facing Death,” advocates further ethical possibilities generated on the basis of Foucault’s correlation between overcoming the fear of death and resisting abuses of power with respect to others. My contention is that our transgressing boundaries constructed to separate humanity from the inhumane curtails tendencies toward the marginalization and subjugation of those animal others whose very existence brings us face to face with the fact of our own mortality. (shrink)

We take kelp as material entities immersed in a multitude of relations with other creatures (for whom kelp serves as both nourishment and shelter) and inorganic elements of the milieu it resides in, on the one hand, and as a figuration: a material-semiotic “map of contestable worlds” that encompasses entangled threads of “knowledge, practice and power” (Haraway 1997, 11) in its local and global sense, on the other. While drawing on our field notes from the congress and feminist posthumanities (...) and environmental humanities literatures (e.g. Alaimo 2016; Åsberg & Braidotti 2018; Sandilands & Erickson 2010; Iovino & Opperman 2014) – with a special focus on the so-called blue humanities/oceanic humanities (e.g. DeLoughrey 2019) – that unpack human/nonhuman relations in the context of the current environmental crisis and the accompanying “slow violence” (Nixon 2011), we mobilise a reflection on and make a proposal for “thinking with kelp” as a multi-faceted methodology of transversal and transdisciplinary knowledge production and practices: situated (Haraway 1988), enfleshed, transcorporeal (Alaimo 2010), collaborative, and committed to an ethics of multispecies response-ability (Haraway 2008). (shrink)

Social robotics designed to enhance anthropomorphism and zoomorphism seeks to evoke feelings of empathy and other positive emotions in humans. While it is difficult to treat these machines as mere artefacts, the simulated lifelike qualities of robots easily lead to misunderstandings that the machines could be intentional. In this post-anthropocentrically positioned article, we look for a solution to the dilemma by developing a novel concept, “abiozoomorphism.” Drawing on Donna Haraway’s conceptualization of companion species, we address critical aspects of why (...) robots should not be categorized with animals by showing that the distinction between nonliving beings and living beings is still valid. In our phenomenologically informed approach to social robotics, we propose that the concept of abiozoomorphism makes it possible to transcend the strong ethos of biotism that prevails in both robot design and academic research on social robots. (shrink)

As new communication technologies transform everyday life in the 21st century, personal, family, and other social relations are transformed with it. As a way of exploring the larger question, "how exactly does communication technology transform love and how love is lived?" here I explore the cell phone, instant messaging and other communication technologies as electronic extensions of maternal bodies connecting (cyber)mother to (cyber)children. -/- Feminist explorations of the marketing and use of cell phones, as well as other communication technologies, have (...) largely remarked on the pernicious gender ideologies intertwined with technological innovation and application. If, however, we take seriously Haraway’s (1991) claim that postmodern humans are cyborgs, the distinction between human animals and machines breaks down in ways that invite us to revision the questions we ask about technology. Thus instead of inquiring about the oppression engendered by the production and consumption of communication technologies, here I explore the ways in which technology functions as an extension and modification of human embodiment that transforms our experiences of intimacy and our ability to create, maintain and transform loving relationships with others. More specifically, I examine cyborg mothering as transformative of loving relationships between women and children. (shrink)

Creations of many contemporary artists indicate the emergence of technoculture. Although artistic manifestations of technoculture may appear to be a provocation, they encourage fundamental ontological questions, such as whether a person has unchanging nature; what was and is our relationship to the Other, and what it should be; to what extent can body and mind be altered before they stop being “human”; what is the future of our species. To properly understand the works of technoculture artists, it appears necessary to (...) have a thorough grasp post- and transhumanism as their key sources of inspiration. As a result, the developed tools will be employed to indicate which aspects of technoculture are a manifestation of post- and transhumanist ideas. This analysis is based primarily on the works of Stelarc and Orlan – two widely commented artists of technoculture. (shrink)

Much of the contemporary thought about ecology begins with the questioning of the human exceptionality. By means of this, anthropocentrism is rejected and replaced by a post-humanist framework. In this context, Martin Heidegger‘s oeuvre is credited for its search of alternatives to humanism, particularly because of its rejection of Sartre‘s anthropocentrism. However, while post-humanisms tend to behold the role of technology positively, Heidegger‘s critiques to the technique as a consequence of the same metaphysical and anthropocentric movement are widely known. Instead (...) of considering the common Heideggerian texts about technique, in this paper I explore the relationship between Heidegger and contemporary post-humanisms from the perspective of his existential analytic. In the first place, I will briefly describe the contemporary techno-scientific context, following the insights of Wiener, Haraway and Latour. In the second place, I will consider the relationship between Dasein, cyborgs and animals, discussing the Heideggerian interpretations of Hubert Dreyfus (What Computers Can’t Do) and Steven Crowell (We Have Never Been Animals). (shrink)

This essay is part of a larger project in which I construct a new, historically-informed, social justice-centered philosophy of dance, centered on four central phenomenological constructs, or “Moves.” This essay in particular is about the fourth Move, “resilience.” More specifically, I explore how Judith Butler engages with the etymological aspects of this word, suggesting that resilience involves a productive form of madness and a healthy form of compulsion, respectively. I then conclude by showing how “resilience” can be used in the (...) analysis of various Wittgensteinian “families” of dance, which in turn could facilitate positive educational changes in philosophy, dance and society, with particular efficacy on the axis of gender. In brief, by teaching a conception of strength as vulnerability (instead of machismo’s view of strength as apathetic “toughness”), a pedagogy of dancing resilience provides additional support for feminists (including Anzaldúa, Haraway, Butler and Concepción) who advocate a cautious openness toward seemingly-unlikely resources and allies (including analytic methodologies, Machiavellian politics, and the discourses of the natural sciences). (shrink)

This short essay presents a critical cartography of the critical new materialist notion and methodology of diffraction.

We will also problematize the concept of subjectivity and its centrality as problematized by Marx himself. We will consider his counter-proposal to look at things objectively, but not in the positivist sense of objectivity. It is not akin to object-oriented ontology either, because it looks like it is merging the subject and the object or that there the object is treated from a subjective position. I will explain this particular idea in Marx and that will lead us to the proposal (...) I will present here which is a conceptualization of a self rather than a subject, which sort of integrates in itself the category of matter and the real (rather than physicality and the bodily which are of course included, as such is the Marxist concern). I am proposing a further formalization by way of using the category of the real. The real also includes matter in the non-philosophical sense. (shrink)

(A chapter in the book edited by Ine Gevers, Robot Love: Can We Learn from Robots About Love?) Similarly to the method employed by Marx in his analysis of the capital and to de Saussure’s structuralist explanation of language, I suggest we conceive the categories in question as materially conditioned while resulting into full abstraction in the process of analysis. Thus, instead of theorising in terms of the anthropologically (and philosophically) conditioned phantasm of a “digital subjectivity” or a “cyborg self,” (...) let us radicalise and absolutise the concepts of the material and the ideal (or the mind understood in opposition to the material), arriving to physicality, regardless of whether organic or synthetic, and the automaton of signification as our main two categories of analysis. Therefore, let us also note that the category of “automaton” implies we are not dealing with a form of cognition but rather of language or signification. It is through operation with these categories that we shall postulate the sociopolitical and economic relevance of the cybernetic development for the post-human society and for the post-humanist self. The statement just made refers to a de facto political project, and it is impossible to arrive to results that would represent a fundamental change in relation to the humanist history of civilization/s without resorting to philosophical concepts. (shrink)

Nous vivons une crise écologique qui semble être provoquée par l’humain. Elle est la conséquence de la modernité, fondée sur la prééminence d’une humanité rationnelle en opposition à une nature qui serait extérieure à celle-ci. Pour se sortir de ladite crise, le discours sur l’anthropocène propose deux solutions : d’un côté, un techno-optimisme qui propose d’investir davantage dans les sciences et les technologies ; de l’autre, un cynisme éco-apocalyptique qui n’incite pas à l’action, mais paralyse l’être humain. Ces solutions perpétuent (...) l’opposition entre nature et culture qui est à l’origine de la crise. Le présent article décrit une nouvelle ontologie posthumaniste et néomatérialiste qui permet de concevoir des alternatives en soulignant l’interdépendance entre nature et culture. Haraway propose le Chthulucène pour remplacer l’anthropocène : l’opposition entre nature et culture sera effacée et la (sur)vie humaine et non humaine deviendra possible. (shrink)

Recent new materialist and posthumanist research in curriculum and pedagogy studies is focusing more and more on the intertwinement between social justice, fairness, and accountability, and how to put these ideals to use to create inclusive, consciousness-raising canons, curricula, and pedagogies that take the dehumanized and the more-than-human into account. Especially pedagogical responsibility, often rephrased as ‘response-ability’ to accentuate the entanglements that this notion engenders versus forgotten or forcefully eradicated knowledges, and between teacher and student as intra-active learners, is highlighted (...) in this ethico-political turn. In this chapter, a critical pedagogical cartography of response-ability is sketched out to philosophically expand on—and also better anchor—the above turn. This critical cartography is put together at the backdrop of critical new materialist reflections with regards to the COVID-19 crisis; a crisis demanding a pedagogical but also ethico-political reorientation toward the hauntological powers of past-present-future injustices, the thick material present, and a more response-able engagement with the world. (shrink)

This article seeks to further the discussion of mimesis in the current new materialist philosophies that are charged with doubts about the potential of mimetic practices, i.e., practices of reflection, and propose a more differential /diffractive notion of mimesis. It argues that the concept of mimesis and performative approaches to knowledge making can be compatible. The figures of mimesis appear in the conceptualizations of both reflective and diffractive practices, and if mimesis is considered rather as a diffractive operation, it could (...) be seen as having a different efficacy and ethico-political function. Drawing on Karen Barad’s and Isabelle Stengers’ arguments, I start by showing why in the representationalist view of knowledge making, the tool of mimesis is dysfunctional—it is a way of separating and classifying copies of reality. Then, I introduce a diffractive notion ofmimesis in line with the mimetic re-turn in posthuman studies. From the perspective of relational understanding of knowledge making supported in Barad’s and Stengers’ ethico-political proposals, mimesis can be perceived as a tool for provoking change and thus, imply a need to do it carefully. (shrink)

Compulsive smartphone users’ psyches, today, are increasingly directed away from their bodies and onto their devices. This phenomenon has now entered our global vocabulary as “smartphone zombies,” or what I will call “iZombies.” Given the importance of mind to virtually all conceptions of human identity, these compulsive users could thus be productively understood as a kind of human-machine hybrid entity, the cyborg. Assuming for the sake of argument that this hybridization is at worst axiologically neutral, I will construct a kind (...) of phenomenological psychological profile of the type of cyborg which engages in these patterns of behavior. I follow Judith Butler in seeing this identity as the result of performance practices, which as such can be modified or replaced using other performances. Pursing one such alternative, I compose a dancing critique that “reverse engineers” the choreographies implied by these cyborgs’ survival practices. The upshot of this critique is that their movement patterns do indeed align closely to those of horror cinema’s zombies. I therefore conclude by suggesting a few possible choreographic imperatives to facilitate more enabling ways of being for iZombie cyborgs today. (shrink)