Heraclitus and Modern Poetry: Works Cited.

This article considers an interpretative model for the study of Heraclitus, which was first put forward by Alexander Mourelatos in 1973, and draws upon a related model put forward by Julius Moravcsik beginning in 1983. I further develop this combined model and provide a motivation for an interpretation of Heraclitus. This is also of interest for modern metaphysics due to the recurrence of structurally similar problems, including the ‘colour exclusion’ problem that was faced by Wittgenstein. Further, I employ (...) the model to shed new light on Heraclitus’ image of the river, while relating potential readings to various contemporary metaphysical views. (shrink)

I offer an examination of a core element in the reflectiveness of Heraclitus’ thought, namely, his rebuke of polymathy . In doing so, I provide a response to a recent claim that Heraclitus should not be considered to be a philosopher, by attending to his paradigmatically philosophical traits. Regarding Heraclitus’ attitude to that naïve form of ‘wisdom’, i.e., polymathy, I argue that he does not advise avoiding experience of many things, rather, he advises rejecting experience of things (...) as merely many independent things in their manifoldness , and, instead, to understand their unity and thereby to unify our knowledge of them. (shrink)

In Metaphysics Γ, Aristotle argues against those who seem to accept contradictions. He distinguishes between the Sophists, who deny the principle of non-contradiction through arguments, and the Natural Philosophers, whose physical investigations lead to the acceptance of objective contradictions. Heraclitus’ name appears throughout the discussion. Usually, he is associated with the discussion against the Sophists. In this paper, I explore how the discussion with the Natural Philosophers may illuminate both the interpretation of Heraclitus by Aristotle and Heraclitus’ (...) own worldview. To refute the Natural Philosophers, Aristotle proposes a general reconstruction of their reasoning. Roughly, relying on sensory evidence (A1), they see that the same thing changes from one opposite to another (A2). Such a change appears to characterize a generation out of non-being, which a Natural Philosopher does not accept (A3). To solve the problem, despite their different worldviews, Natural Philosophers hint at a state in which opposites co-occur, characterizing an objective contradiction (C). Looking at the discussion in Metaphysics Γ and Heraclitus fragments, sections 1–3 show how assumptions A1, A2, and A3 easily apply to Heraclitus. The case of the conclusion is more challenging. In the case of the Pluralists, the co-existence of opposites characterizes a state in which there is no generation. Such a view does not fit Heraclitus’ mobilism. To argue that Aristotle’s argument is general enough to encompass dynamic views, I examine his problematization of accepting the change of change in Metaphysics K and Physics V. There, after re-stating several points that appear in Metaphysics Γ, Aristotle argues that accepting the becoming of another becoming leads to a state of contradiction in which the becoming is perishing. Heraclitus’ B8, cited in Nicomachean Ethics, gives evidence that, for Aristotle, Heraclitus puts a process at the origin of an opposite process. Moreover, after examining the expression ‘living the death/dying the life’ in B62, I argue that Heraclitus was aware that his worldview implied a dynamic objective contradiction. Finally, an analysis of elemental changes in B36 proves that accepting objective contradictions does not make Heraclitus’ worldview less attractive. (shrink)

In fragment B 1 Heraclitus claims to have achieved a profound insight into the nature of things: ‘distinguishing each thing in accordance with its nature and explaining how it is.’ In a number of similarly cryptic remarks, he offers a series of clues to the nature of that insight. It is properly spoken of as noos or wisdom rather than as learning from experience (B 17, 28a, 40, 45, 54, 104, 107, 123). It consists of xunesis or understanding what (...) is common (B 2, 80, 89, 103) and requires paying attention (B 86, 118, 112) to how things opposed to one another are actually in agreement (B 8, 10, 12, 80, 88). In making these cryptic remarks Heraclitus was seeking to make his audience aware of the possibility that they might achieve a deep insight into the nature of the cosmos and their place within the larger scheme of things. -/- . (shrink)

This study forms a part of a larger investigation of the influence of the philosophy of Heraclitus of Ephesus on modern poetry. T. S. Eliot, to mention the best known of the many poets inspired by Heraclitus, selected two Heraclitus fragments (B 2 and B 60) as epigraphs for his “Burnt Norton”, the first of his Four Quartets. Eliot explained that he was drawn to the fragments because of their ‘ambiguity’ and ‘extraordinary poetic suggestiveness’. Similarly, in ‘This (...) Solitude of Cataracts’, Wallace Stevens spoke of ‘the flecked river which kept flowing and never the same way twice’ and elsewhere noted the ‘inherently poetic quality’ of many Heraclitean sayings. To gain some sense of the nature and magnitude of Heraclitus’ legacy for modern poetry we must first explore his vision of ‘a fiery cosmos being kindled in measures and extinguished in measures’ and a river into which one cannot step twice. -/- . (shrink)

In this paper, I offer a new solution to the old problem of how best to understand the meaning of the word ‘logos’ in the extant writings of Heraclitus, especially in fragments DK B1, B2 and B50. On the view I defend, Heraclitus was neither using the word in a perfectly ordinary way in these fragments, as some have maintained, nor denoting by it some kind of general principle or law governing change in the cosmos, as many have (...) claimed. Rather, I argue, Heraclitus deliberately traded on the ordinary use of the word in his time (to refer to a written or spoken presentation of things as ‘thus and so’) to denote the world’s constant presentation of itself as ‘thus and so’ to all of us in our experience – a kind of cosmic self-revelation. I show how this captures the sense in which ‘the logos’ is said to be ‘common’ (xunos) and to be the kind of thing most people fail to comprehend even before hearing Heraclitus’ own account, all without detaching Heraclitus’ use of the word from its ordinary contemporary meaning. This interpretation suggests Heraclitus was a thinker more centrally concerned with human (mis)understanding than with speculative cosmology. (shrink)

The aim of this critical note is to discuss Heraclitus' use of analogy as a pattern of thought not only with argumentative value but also ontological and epistemological status. Heraclitus' analogy is of two kinds and is expressed in the use of the adverbs ὥσπερ ("as") and ὅκωσπερ ("just as"). The first is used as an explanatory device, while the second denotes the ontological homogeneity of logos. Analogy reveals not only the inherent opposition of logos in each single (...) thing, but also the interdependent common interrelation between things. (shrink)

In this article, I examine Heraclitus’s 50th fragment with regard to the pronominal negation, ouk emou. In the first part of the paper, I argue that the dictum «one is all» is not something uttered by the logos, but rather is a response given by the human being according to the silent voice of the logos. Secondly, I proceed to analyze the deictic character of the negation ouk emou, aligning my interpretation with Agamben’s exposition of pronouns in Language and (...) Death. Thus, I argue that in Heraclitus’s case, the pronoun testifies to the event, or the happening, of language. This happening is demonstrated in a showing manner, rather than a communicative one. This reading enforces the argument that logos itself does not say anything, let alone that one is all, supporting Heidegger’s interpretation of language as consonance of silence (Geläut der Stille). (shrink)

Purpose. The author believes that the main topic of philosophical studies of Heraclitus was not nature, not dialectics, and not political philosophy; he was engaged in the development of philosophical anthropology, and all other questions raised by him were subordinated to it to one degree or another. It is anthropology that is the most "dark" part of the teachings of this philosopher, therefore the purpose of this article is to identify the hidden anthropological message of Heraclitus. In case (...) of success, it will become clear what made him "darken". Theoretical basis. The methodological basis of the article is the anthropological understanding of fragments of Heraclitus’ texts presented in a historical and philosophical context. Originality. The philosophical concept of Heraclitus is still a mystery for researchers of his work. The author of the article proposed such a variant of interpretation, within the framework of which different elements of this concept fit into a consistent model. Conclusions. The article proves that although the anthropological turn in philosophy is traditionally associated with the activities of the sophists and Socrates, the previous philosophical thought was also not devoid of anthropological ideas. Moreover, pre-Socratic philosophers posed problems, the interpretation of which brought the doctrine of man to the level of high-order abstractions, while surprisingly preserving the concreteness of the life-meaning questions that confront him. And one of the brightest representatives of pre-Socratic anthropology was Heraclitus of Ephesus. Religion was the motivator that made him study the world, man, and society. The doctrine of the Logos developed by Heraclitus had a tremendous impact on Plato and Philo of Alexandria, and through them on the author of the Fourth Gospel, who begins his story with a "Greek" rethinking of the mystery of the Incarnation. If Heraclitus claimed that a person carries a particle of the Logos, then John proclaimed that the Logos itself incorporated a particle of man. Despite all the differences between these approaches, each of them postulated the cosmic significance of human existence, which means that it brought anthropology to the ontological level. (shrink)

We propose in this article some new elements for the interpretation of Heraclitus' doctrine, concerning in particular the role of the opposition of contraries as generator of harmony, that results from Fragments 8DK and 51DK. This interpretation is based on the conceptual tool of matrices of concepts. After having described the basic elements that govern the latter, we set out to define in this conceptual framework the notions of opposition and contrary, as well as of harmony. This allows us (...) to give an interpretation and also a justification of Heraclitus' specific doctrine, according to which the opposition of contraries generates harmony. (shrink)

Heraclitus uses paradoxical language to present the relationship between opposites in his worldview. This mode of expression has generated much controversy. Some take the paradoxes as evidence of a contradictory identity of opposites (Barnes), while others propose a dynamic union through transformation without identity that avoids the contradiction (Graham). By examining B88 and B62, I seek to identify the stronger and weaker points of such readings. The contradictory identity reading thwarts the transformation between opposites. The dynamic reading offers a (...) plausible alternative. However, it skips a characterization of how Heraclitus conceives of the transformation between opposites in physical terms. To fill this gap, I consider Heraclitus’ use of what I call the anti-cognate internal object in B62. I argue that ‘living the death and dying the life’ is a case of change as mixture, a popular conception among the early Presocratics. Upon closer examination, the anti-cognate internal object suggests that real contradictions belong to Heraclitus conception of change. The details reveal a philosophically compelling view. (shrink)

The article considers the philosophical potential of Heraclitean ambiguity and implications for how one might engage philosophically with Heraclitus. While works on Heraclitus most commonly offer new interpretations or dispute or add nuance to established interpretations, this work somewhat sidesteps interpretive disputes to consider the philosophical value and relevance of Heraclitus’s fragments themselves. Specifically, a hermeneutical tool proposed by William Desmond called a “companioning approach,” is supported. Desmond’s companioning approach is considered in the context of Pierre Hadot’s (...) account of the history of hermeneutical practices to show that it merely defines and legitimizes a longstanding hermeneutical activity. Further, a recent work by A. V. Halapsis shows that Heraclitus’s ambiguity may have been a consequence of his anthropological commitments and that he may have intended to allow for something like a companioning engagement. (shrink)

This paper argues that Heraclitus was deeply and centrally interested in ethical questions, understood broadly as questions about how human beings should live. In particular, I argue, Heraclitus held that wisdom is essential for living well, and that most people lack the kind of fundamental insight into the nature of reality in which wisdom consists. Topics covered include Heraclitus’ views on: the good and bad condition of the soul, the nature and sources of wisdom, the reasons why (...) most people remain oblivious to the world in which they live, and the connections between acquiring genuine insight into reality and becoming like god. (shrink)

This book represents more than a decade of work (p. ix) by this eminent scholar. It is intended primarily for scholars of Classical Greek; however, F.’s laudable practice of, in most cases, providing English translations and repeating them when needed, makes it accessible to non-specialists and undergraduates, as he intended (pp. ix–x).

Both Heraclitus and Democritus, as the philosophers of historia peri phuseôs, consider nature and human character, habit, law and soul as interrelated emphasizing the links between phusis, kinesis, ethos, logos, kresis, nomos and daimon. On the one hand, Heraclitus’s principle of change (panta rhei) and his emphasis on the element of fire and cosmic motion ultimately dominate his ethics reinforcing his ideas of change, moderation, balance and justice, on the other, Democritus’s atomist description of phusis and motion underlies (...) his principle of moderation and his ideas of health and measured life. In this series, particularly referring to the main principles of motion, moderation and justice, I attempt to describe a coherent pre-Socratic ethical perspective based on the Heraclitean and Democritean fragments. I explore the connections between their physics and ethics also borrowing from Nietzsche’s lectures and writings on the Pre-Socratics. I redefine such Heraclitean and Democritean concepts as harmony, order, perfection, health, self-control, contentment, cheerfulness, concord, sound judgment, wisdom, measure and balance and discuss them under the principles of motion (phusis), moderation (sophrosyne) and justice. In doing so, I also expose the relevance of the Heraclitean notion of logos (interpreting it as the underlying categorical principle of transition between phusis and ethos) in bringing together these ideas and principles. Finally, based on this pre-Socratic Weltanschauung, I assess the possibility of a coherent picture of humanity, its nature and conduct as extending from or fitting into or extending-from-when-fitting-into the cosmos of moving forces and atoms. (shrink)

Marsilio Ficino is well known for his efforts to expand the philosophical canon of his time. He exhibited great interest in Platonism and Neoplatonism, but also endeavoured to recover understudied philosophical traditions of the ancient world. In his Theologia platonica de immortalitate animorum, he commented on the Presocratics. Ficino thought of the Presocratics as authorities and possessors of undisputed wisdom. This article seeks to explore the way in which Ficino treated the philosophy of Heraclitus in the Theologia platonica in (...) order to formulate his own philosophical ideas. (shrink)

In an early poem, "Year's End", Jorge Luis Borges takes the turning of the year as an occasion to consider how "something in us" endures, despite the fact that we are products of "infinite random possibilities" and "droplets in the stream of Heraclitus": It is not the emblematic detail of replacing a two with a three, nor that barren metaphor that brings together a time that dies and another coming up nor yet the rounding out of some astronomical process (...) that stuns and undermines the altiplano1 of this night, and compels us to keep listening for those twelve irreparable tollings of a bell. The true cause is a vague, pervasive apprehension of Time's enigma; a certain awe before the miracle that in spite of... (shrink)

The paper outlines a tentative genealogy of the Platonic metaphysics of sight by thematizing pre-Platonic thought, particularly Heraclitus and Parmenides. By “metaphysics of sight” it understands the features of Platonic-Aristotelian metaphysics expressed with the help of visual metaphors. It is argued that the Platonic metaphysics of sight can be regarded as the result of a synthesis of the Heraclitean and Parmenidean approaches. In pre-Platonic thought, the visual paradigm is still marginal. For Heraclitus, the basic structure of being is (...) its discursive articulation (logos) into conceptual pairs of binary opposites, an articulation that at the same time binds differences together into a tensional unity. The fundamental grasping of this ultimate unity-in-difference is conceived primarily through acoustic terms as a non-sensory “hearing.” For Parmenides, the ultimate unity of contraries is based on the capacity of thinking (noos) to intend anything as present; in fragment B 4, the exclusive relationship of thinking to intelligible presence is finally visualized in terms of a seeing or looking (leusso). (shrink)

‘Of Ephesus’ begins with a series of vivid impressions of a wild and free nature—vineyards rolling across the landscape, an untrammeled sky, a runaway donkey, flaming pinecones, roosters, and colorful kites and flags. Fire in some form (wildfires, the sun, flames, torches, lightning, sunlight) is the hallmark of a dynamic reality. The reference to ‘St. Heraclitus’ supports this interpretation: Elytis, like Heraclitus, seeks to alert his audience to the possible existence of a higher realm of being. So he (...) fashions a series of striking juxtapositions intended to disrupt our ordinary experience of the world and to spark a vision of an alternative reality. In the process he draws on Heraclitus’ doctrine of the unity of the opposites, on the conception of fire as the basic power that rules the cosmos, and on the conviction that beyond the world we know through ordinary sense experience lies a second, higher reality. (shrink)

In this paper I argue that we can solve the interpretation problem of quantum mechanics and the question of ontology of Quantum Field Theory on the basis of simple metaphysical position: The connection of the phase space with the ancient Theory of Logi of Beings, which is, by giving ontological meaning to the entities which "live" at the phase space, the Hamiltonian or Lagrangian formalism. There is a physical subject of such functions and it is the logos of a being. (...) Therefore we can refer to the logical space as the total sum of logi of being. The result of this position is that we can attribute to the wave function a physical meaning, a special case of logos of a being and also give an ontological meaning at a quantum field. The developed metaphysical scheme can interpret the quantum paradoxes, by using the commonly accepted mathematical formalism. It can also interpret certain issues of Quantum Field Theory, although further study of this topic is necessary. (shrink)

In ‘Hoi Rheontes’ (‘The Flowing Ones’), Alfred Lord Tennyson adopted the Heraclitean simile of the flowing river in support of philosophical relativism: (1) all things are changing all the time; therefore (2) nothing is, but is only in the process of appearing to be in some way; therefore (3) all beliefs are true. But the relativist doctrine refutes itself: it can only be true relatively to those who assert it. In his ‘In May’ the American poet Michael Collier rejected what (...) he regarded as Tennyson’s endorsement of skepticism concerning the senses. According to Collier, Heraclitus sought to show how there is pleasure to be found in sense experience. In his ‘Gift of Heraclitus’ the prize-winning Mexican poet José Emilio Pacheco drew on a dozen or so Heraclitean ideas to fashion an existential reflection on the human condition. Unlike natural substances, human reality is characterized by reflection, change, and unfulfilled desire. (shrink)

‘Cataracts’ in Stevens’ poems are falling waters—here a river flowing near a mountain. The ‘apostrophe that was not spoken’ may be an address that was not made, perhaps an unspoken affirmation of nature’s beauty. And the river that ‘is never the same twice’ can only be the flowing river Plato claimed Heraclitus used as a simile for all existing things: ‘Heraclitus says somewhere that everything gives way and nothing remains, and likening existing things to the flow of a (...) river, he says that you cannot step twice into the same river’ (Cratylus, 402a). There are five respects in which ‘This Solitude of Cataracts’ displays affinities with Heraclitean ideas: its use of a river as a simile for human experience, the poet’s desire to express the real nature of things, rivers and mountains as polar opposites, the exploitation of ambiguities, and the use of particulars as emblematic of general truths. (shrink)

Aἰών. Eternity in the Theology of Heraclitus of Ephesus -/- This article presents an attempt to establish the Heraclitean meaning of the word αἰών in the fragment B52 (Diels-Kranz). In the author’s view the very starting-point and only sound basis for that kind of endeavor should be meticulous, unbiased analysis of relevant aphorisms of the Ephesian sage and corresponding testimonies. Synoptic scrutiny of them substantiates the understandable conclusion that proud Heraclitus had an unambiguous and independent opinion about eternity. (...) His God – identified with the one and common world – is eternal not only in his „material” aspect as πῦρ ἀείζωον (‘an ever-living fire’, B30), but also in „rational” one as Λόγος ἐὼν ἀεί (‘Logos existing always’, B1). Consequently, one of his various names is Aἰών (‘He Who Always Is’). (shrink)

Robinson Jeffers’ dark view of humankind is thought to owe much to Friedrich Nietzsche while his admiration for the beauty of nature has been compared to sentiments expressed by Lucretius in de rerum natura. In many respects, however, the philosopher who stands closest to Jeffers in both thought and personality is the ancient Greek thinker Heraclitus of Ephesus. Jeffers’ extended poem ‘The Double Axe’ makes no fewer than five clear references to Heraclitean ideas: (1) ‘Heraclitus’ Sibyl whose voice (...) reached over ten thousand years’; (2) the opposites ‘winter and summer…rain the drought, and peace and war; (3) ‘the eternal fire-wheel; (4) ‘One existence, one music, one organism, one life, one God: star-fire and rock-strength, the sea’s cold flow/And man’s dark soul; and (5) ‘This divine outer universe is after all not at peace with itself, but full of violent strains and conflicts. The physical world is ruled by opposing tensions.’ -/- . (shrink)

Gerard Manley Hopkins is best remembered for his celebratory 'nature sonnets'— 'Pied Beauty', 'God's Grandeur', and 'The Windhover'. Less than a year before his death, however, Hopkins drew on ideas associated with the ancient Greek thinker Heraclitus of Ephesus to express a darker view of nature. In 'That Nature is a Heraclitean Fire and of the Comfort of the Resurrection’ Hopkins offers a vision of nature and human existence marked by dissolution and destruction. But the poet rejects that apocalyptic (...) vision in favor of the Christian promise of salvation: ‘in a flash, at a trumpet crash/ I am all at once what Christ is…’ In articulating his dark vision of nature Hopkins followed Heraclitus’ fragment B 30: ‘this cosmos…a fire.’ However, Heraclitus’ cosmos ‘always was, is, and will be, an ever-living fire, kindled in measures and extinguished in measures.’ It was not, therefore, the one-way descent to destruction Hopkins described. (shrink)

We consider semantic and syntactic transformations of the concept of "the logical" in the ancient philosophy in the form of crypto-logos, para-logismos, dia-logos, and syl-logismos. We interpret Heraclitus' concept of Logos as a cryptologos through which intuitive insight (epístasthai gnóomen) reveals hidden or implicit harmony (harmoníe aphanés) in nature (phýsis) as a conceptual unity of ontic opposites (tà enantía). In Pramenides' paraconsistent concept of the identity of Being and thought, we point to para-logical hypotheses about the One that are (...) carried out through antithetical deductions of thought and which maintain the dynamics of the ontic determinations of being (ón) in the statics of the conceptual determinations of Being (tò eînai). As the beginning of the explicative granulation of ''the logical'' we consider Plato's concept of the dialectical skill (dialektikè tékhne) of dividing concepts of genus into species and sub-species that logically represent ontic opposites in problem-formulated questions. Finally Aristotle's concept of lógos as a statement-making sentence / proposition (lógos apophantikós) made explicit the Being (tò eînai), or the Being as Being (tò ón hê ón), in semantic and syntactic figures and modes of syllogistic inferences in which ontological (eînai), ontic (ón), conceptual (logikôos) and linguistic (légomenon) correspondence is shown. We conclude that with these changes in the concept of lógos, the path has been taken from the hidden or implicit Truth of the phenomena of nature and the world (pân) to explicit truthfulness of propositions as the unhiddeness (alétheia) of Being trough the semantical and syntactical visibility of the logical structures of being, thought and language in scientific knowledge based on demonstration (apoódeiksis). (shrink)

In this paper, I explore a prominent question of Hericlitean scholarship: how is change possible? Karl Popper and G. S. Kirk tackle this same question. Kirk asserts that Heraclitus believed that change is present on a macrocosmic level and that all change is regulated by the cosmic principle logos. Popper, on the other hand, claims Heraclitus believed that change is microcosmic and rejected that all change is regulated by logos. I argue for a combination of aspects from each (...) of their claims and conclude that change is present both microcosmically and macrocosmically and that all change is governed by logos . (shrink)

In ‘Burnt Norton’, the first of his ‘four quartets’, Eliot selected two Heraclitus’ fragments as epigraphs. In quoting fragment B 60 (‘the way up and the way down are one and the same’) he was reminding his readers that entrance into a spiritual life calls for both engagement and withdrawal, for both descending and ascending. And in quoting B 2 he reaffirmed Heraclitus’ conviction that most people fail to recognize the truth even when it is directly presented to (...) them. In his later Cocktail Party Eliot revisited these themes by converting a depiction of a failed social gathering into an exploration of forms of authenticity. He also exploited the dual nature of the Heraclitean daimôn—as external overseer and as the soul which lies within each person—to transform an account of a gathering of friends and strangers into an extended reflection on the conflicts lying within each human soul. (shrink)

Praised for its reliance on observation rather than myth, the Milesian school signals the dawn of science in the West. Whereas Hesiod appeals to the long ago and far away to explain the here and now, Thales and his cohorts do the reverse. In this reversal, we are their thankful, even faithful heirs. But with Hesiod not everything is myth and hearsay. Indeed, Hesiod singles himself out by name as the bearer of a powerfully poetic and distinctly human wisdom that (...) he consistently contrasts with Zeus’ divine wisdom. In this article, the author argues that the Milesians attempt to gain access to divine wisdom, and thus disregard the ambiguities characteristic of human wisdom. One sees this especially in a tension between Thales’ political wisdom and natural philosophy, and later between Anaximander’s cosmology and cosmogony. The author concludes that Heraclitus appears to have been the first thinker to confront the Hesiodic worldview on its own terms, inasmuch as his attempt to bridge the divide between divine and human wisdom always keeps one eye on the ambiguities that pervade human experience. (shrink)

In here, philosophical-literate thinking on the way is mainly tried. On one side, making a philosophical analysis of Heraclitus’ fragment 60 is aimed. The different views on what Heraclitus might have meant in this article which is generally translated as the way up and the way down are one and the same are examined. On the other side, with a reading of Robert Frost’s famous poem of Road Not Taken, it has been tried whether a phenomenological interpretation of (...) the way based on passenger is possible or not. It has been researched if there is a common ground or not where this fragment and poem -which exhibit two different views on the way- have met each other. This fragment and poem has been linked together on the context of essentiality of the passenger for the way. (shrink)

This paper examines the relation between Pythagorean and Heraclitean political views. I argue that for Pythagoras, Heraclitus, and Archytas the cosmological and musical notions of harmony (ἁρμονία) and the related notion of concord (ὁμόνοια) have an intrinsic political significance. These thinkers variously reflect upon political harmony and concord, and agree that a crucial condition for it is law (νόμος), which according to Pythagoras and Heraclitus has a divine origin. I begin with the Heraclitean fragments 22 B51, 54, 72, (...) and 114 DK, in which social and political reflection is connected with the theory of the harmony of opposites. In the case of Pythagoras and early Pythagoreanism, the intense, albeit indirect political influence in Magna Graecia—as transmitted by Iamblichus and Porphyry—offers evidence for social and political ideas determined by a reflection on the cosmological role of harmony and number. Finally, Archytas’ political application of rational calculation in fragment 47 B3 DK, which aims at producing concord by establishing the just measures of wealth in the city, together with the testimony on Archytas’ intense and fruitful political activity, can be taken as confirmation that the thinker’s wider cosmological views were indeed intertwined with his political reflection and action. (shrink)

Heraclitus is the first philosopher, and one of the few ones, who is aware of original contradiction. His thought still presents some ambiguities mostly due to the still intuitive discovery of the relation between language, contradiction and logos. Heraclitus saw the contradiction. He does not care about how the fact of communication is possible, as it indeed is, but rather he endeavours to put into question its problematic essence. -/- .

There are elements in Heraclitus that are enticing to modern readers in that they point toward a certain intimacy of consciousness. Having read the fragments of this philosopher, we propose a reading that harmonizes his assertions about universality with his assertions about self-knowledge, in which we believe we can glimpse the discovery of self-awareness. In Heraclitus’ view, humans possess a soul with an unlimited horizon and a capacity to access the logos. A person must pursue introspection, listen to (...) the logos, and find the unity of all things and himself. This will enable us to gain a deeper understanding of the interiority of self-awareness without sacrificing its connection to the universal. Furthermore, individuals must speak the logos to themselves to act according to it. By acting otherwise, one would be acting against his own inner self. (shrink)

In different versions, from Heraclitus to Plato and from Plotinus to the Romantic poets, many thinkers have put forward the idea that the universe has a soul, the so called anima mundi. If the soul of a human being can be thought as the totality of the traits which form character and personality, that of the universe too can be imagined as a complex of distinct traits and dispositions which can be recognised in the phenomenal world. Then, we may (...) ask ourselves:are there events which suggest the idea of the existence of the soul of the world? In what sense do they differ from other events which drift away into nothing? How do they move us? Can they be captured by a photography? I reflect on these questions intertwining philosophy, travel tales, poetry and photography studies. Molti filosofi hanno sostenuto che l’universo ha un’anima, la cosiddetta anima mundi. Di questa idea sono state proposte diverse versioni a partire dalle cosmologie orientali e dal pensiero di Eraclito e Platone. Se l’anima di un essere umano puo' essere pensata come la totalita' dei tratti che formano la sua personalita', allora anche quella dell’universo puo' essere immaginata come un complesso di tratti distintivi e disposizioni rintracciabili nel mondo dei fenomeni. Ci possiamo allora chiedere: quali sono gli eventi che suggeriscono l’esistenza dell’anima del mondo o rivelano alcuni dei suoi tratti? In che senso differiscono da altri eventi che si perdono nel flusso indistinto e ininterrotto del tempo? Come ci emozionano? Possono essere catturati da una fotografia? Sciortino riflette su queste domande intrecciando filosofia, racconto di viaggio, poesia e critica della fotografia. Ne emerge un avvincente racconto, corredato da bellissime fotografie, di come la bellezza raggiunge i nostri cuori, muove la nostra immaginazione e ci rivela l’essenza delle cose. (shrink)

The Presocratic philosopher Heraclitus quoted an ancient Greek proverb, “Absent while present.” This paper argues that social technology, which makes us present to those absent, also makes us absent to those present. That is, technology connects our attentions to our virtual community of friends but in doing so it disconnects our attentions from those about us. Because we are finite beings, who dwell wherever our attentions reside, there is a real conflict between the connectivity of social technology and bodily (...) communion with those about us. The interpersonal presence afforded by social technology is a presence purchased at a price: the absence of the body. What social technology is incapable of achieving is bodily presence, and bodily presence is needed for intimacy and friendship. (shrink)

Title: «Giuseppina Grammatico and Heraclitus’ fragments: Translation in the “σύναψις silence-word”». Abstract: This work is intended to be a first translatological approach of the synapsis in Giuseppina Grammatico’s exegesis called The Synapsis Silence-Word in the Fragments of Heraclitus. Thus, this reflection aims to analyze how in Heraclitus’ fragments visited and translated by Grammatico we can see not only a synapsis —observed by her—, but a union between the silence and the word in which it is produced a (...) translation process. All this, analyzed through the interpretive theory approach (Lederer, 2003; Seleskovitch, 1981; Delisle, 1988). (shrink)

A ‘pious pessimism’ pervaded much of archaic Greek poetry: ‘It is for the gods to know and men merely to opine’ was the prevailing sentiment. However, in the late 6th century a set of independent-minded individuals began to move away from the older pessimism to embrace a more optimistic and secular outlook. In various ways they maintained that mere mortals could, if they were prepared to undertake the appropriate inquiries, achieve a clear and sure understanding of the entire cosmos. (...) class='Hi'>Heraclitus and Parmenides offered the most detailed lines of investigation, but both Pythagoras and Empedocles presented themselves as savants able and willing to impart their wisdom to all those prepared to listen to and embrace their teachings. Among the most important elements in this transition were the concepts of phusis or the essential nature of a th’ing, and the logos or rational account in which that nature could be formulated. -/- . (shrink)

This chapter aims to illuminate ways in which hope was significant in the philosophy of classical Greece. Although ancient Greek philosophies contain few dedicated and systematic expositions on the nature of hope, they nevertheless include important remarks relating hope to the good life, to reason and deliberation, and to psychological phenomena such as memory, imagination, fear, motivation, and pleasure. After an introductory discussion of Hesiod and Heraclitus, the chapter focuses on Plato and Aristotle. Consideration is given both to Plato’s (...) direct comments on hope and to the narrative contexts of his dialogues, with analysis of Plato’s positive and negative representations of hope, hope’s relationship to reason, and Plato’s more psychological approach in the Philebus, where hope finds a place among memory, recollection, pleasure, and pain. The chapter then reviews Aristotle’s discussions of confidence, hope, and courage, observing that although Aristotle does not mention hope as a virtue, he does note its importance to human agency and deliberation and as a foundation for the further development of virtue. The chapter concludes that discussions surrounding hope in ancient Greek philosophy are rich and challenging and can serve as a lively stimulus to further exploration of the concept of hope. (shrink)

Ancient Greek comedy takes interesting approaches to mythological narrative. This article analyzes one excerpt and eight fragments of ancient Greek Old, Middle, and New Comedy. It attempts to show a comic rationalizing approach to mythology. Poets analyzed include Aristophanes, Cratinus, Anaxilas, Timocles, Antiphanes, Anaxandrides, Philemon, Athenion, and Comic Papyrus. Comparisons are made to known rationalizing approaches as found in the mythographers Palaephatus and Heraclitus the Paradoxographer. Ancient comedy tends to make jokes about the ludicrous aspects of myth. Early Greek (...) myth rationalization and mythography share a similar approach to comedy in that they attempt to rationalize the improbable parts of myth narrative. (shrink)

Many of the poems of Louis MacNeice display a knowledge of the philosophical theories he studied during his undergraduate years in Oxford. In his ‘Variation on Heraclitus’ and in several other poems, MacNeice alludes to the ‘doctrine of flux’ Plato attributed to the Greek thinker Heraclitus of Ephesus. In ‘Plurality’, his most extended exploration of the conflict between the life-affirming doctrine of flux and a life-suppressing monism, MacNeice embraces the reality of change and rejects the monism he credits (...) to the philosopher Parmenides of Elea: ‘World is not like that, world is full of blind/ Gulfs across the flat, jags against the mind/ Swollen or diminished according to the dice/ Foaming, never finished, never the same twice.’ Although his understanding of the teachings of Heraclitus and Parmenides was controversial, it provided MacNeice with a framework within which to reflect on the conditions essential to living a free and productive life. (shrink)

Praktykowanie teorii. Koncepty wczesnych prac Daniela Libeskinda jako wzorce realnej architektury Treści wczesnych prac Libeskinda, w tym zwłaszcza idee zawarte w cyklach rysunków pod nazwą Micromegas: The Architecture of End Space (1979) i Chamber Works: Architectural Meditations on the Themes from Heraclitus (1983) oraz trzy maszyny określone jako Three Lessons in Architecture (1985) w decydujący sposób wpłynęły na wszystkie późniejsze realizacje architekta. Prace te w dużym zakresie zmieniły zasady oddzielania teorii od praktyki budowlanej, w tym tak- że odgraniczania architektury (...) od literatury czy filozofii. Już Micromegas były polemiką z traktowaniem rysunku architektonicznego wyłącznie jako utylitarnego narzędzia w procesie stwarzania budowli i postawiły na uczynienie z tej techniki pełnoprawnej postaci realnej architektury. Chamber Works w jeszcze większym stopniu niż prace z serii Micromegas akcentowały samodzielność rysunku i jego odrębność od wszelkiej rzeczywistości czy zewnętrznych źródeł treści. Maszyny połączone w Three Lessons in Architecture streszczały dokonania dawnych epok historii sztuki budowania. Reading Machine opowiadała o rzemieślniczych początkach, Memory Machine o intelektualizmie okresu nowożytnego, Writing Machine zaś o współczesnym okresie mechanizacji pamięci i kreacji. Zadaniem maszyn była metafizyczna refleksja nad głównymi założeniami i mitami architektury, a zarazem przeniesienie tej refleksji na poziom doświadczenia zmysłowego. W berlińskim Jüdisches Museum wymyślone liternictwo architektoniczne połączyło się z narracją na temat zagłady żydowskich mieszkańców miasta. Libeskind wykreował nie tyle budowlę,ile literacką relację o zbrodni przełamującej historię ludzkość. (shrink)

In this collection of essays, the author develops a new philosophy of life, which has in fact a long tradition. It goes back to some ancient Western thinkers, such as the Milesians, Heraclitus, Empedocles and Plato, for whom philosophy presupposes an affective engagement with the world and not merely its theoretical description or explanation. This classical tradition has been challenged by ideas of modernity, particularly by the idea that modern scientific knowledge is the highest form of human knowledge. However, (...) as the author argues, this idea is questionable. In his view, scientific knowledge represents merely a partial knowledge. Science looks at the world indifferently as if it were an object, an “It”, but in fact the world is not that. Love, an affective engagement, and not indifference, is the way to full knowledge. Furthermore, it is lov e that fosters life and brings all things into unity. Love and life are thus closely connected. Life is the central concept around which humanity can unite, forming a unity in diversity. The author claims that global solidarity among human beings can be achieved if there is the growing common understanding of what is right for life. (shrink)