Les Cahiers philosophiques de Strasbourg 52 contains an Introduction and 9 new research articles in French & English on Friedrich Schiller's philosophy in relation to German Idealism. All fully available online on Open-Edition and as free e-book. -/- Edited and introduced by Henny Blomme, Laure Cahen-Maurel, & David W. Wood. With contributions by Frederick C. Beiser, María del Rosario Acosta López, Cody Staton, Jeremy D. Hovda, Laure Cahen-Maurel, Quentin Landenne, Katia Hay, Louis Carré, and Charlotte Morel. -/- SOMMAIRE (...) / CONTENTS -/- Introduction: Friedrich Schiller, a German Idealist? (Henny Blomme, Laure Cahen-Maurel & David W. Wood) -/- 1. Frederick C. Beiser. Schiller’s Humanism -/- 2. María del Rosario Acosta López. Une dimension esthétique de la critique : la temporalité du beau dans les lettres de Schiller Sur l’éducation esthétique -/- 3. Cody Staton. In Search of Play: Schiller’s Drive Theory as a Turn Away from Kant -/- 4. Jeremy D. Hovda. Bildung between Kant and Schiller -/- 5. Laure Cahen-Maurel. Fichte avec Schiller : La querelle des Heures à la lumière de Grâce et Dignité -/- 6. Quentin Landenne. La Bildung chez Schiller et Fichte, entre esthétique et politique -/- 7. Katia Hay. On the Tragic-Sublime and Tragic Freedom: Thinking with Schiller and Schelling -/- 8. Louis Carré. Vicissitudes de l’État organique : Kant, Hegel, Schiller -/- 9. Charlotte Morel. Conjoindre idéalisme et réalisme après Hegel : Les lectures de Schiller par Lotze et Lange -/- Résumés / Abstracts. (shrink)

Forests, cars and orchestras are very different ontological entities, and yet very similar in some aspects. The relationships they have with the elements they are composed of is often assumed to be reducible to standard ontological relations, like parthood and constitution, but how this could be done is still debated. This paper sheds light on the issue starting from a linguistic and philosophical analysis aimed at understanding notions like plurality, collective and composite, and propos- ing a formal approach to characterise (...) them. We conclude the presentation with a discussion and analysis of social groups within this framework. (shrink)

Friedrich Schiller (1759-1805) is now regarded by many readers and scholars not simply as a poet, historian, or playwright, but as a genuine philosopher in his own right. -/- The following research articles in French and English are devoted to understanding the relationship between Schiller’s philosophy and German idealism, especially some of the chief figures associated with the inception and extended development of this movement: Kant, Reinhold, Fichte, Schelling, Hegel, and Lotze. -/- In the last twenty years in particular, ground-breaking (...) edited collections have appeared on the content and legacy of Schiller’s thought. The present volume of articles, however, is one of the first to attempt a broader investigation of Schiller’s connection to German idealism, in which the contributions have above all been written by scholars of German idealism itself. -/- The aim of this volume is to furnish foundational material for better answering the question: To what extent should Friedrich Schiller be considered a German idealist? Naturally, the response to this question depends on one’s conception of German idealism, a point discussed below. This introduction provides a brief overview of earlier scholarship on this topic and summarizes the findings of our contributors. (shrink)

This article presents a new reading of Fichte’s aesthetics that differs from a primarily functionalist interpretation of the imagination and art. It demonstrates that the “hovering” (Schweben) of the creative imagination should be viewed as the first principle of Fichte’s aesthetics, in which the latter consists of a triad of the pleasant, the beautiful and the sublime. Moreover, it argues that in the text Ueber Geist und Buchstab in der Philosophie (1795/1800) Fichte created a real and original monogram of the (...) hovering creative imagination, a monogram whose theoretical basis stems from Kant’s concept of the monogram in the 1st Critique as a “wavering sketch”. It contends that this overlooked but key artistic and practical example of a monogram opens up new perspectives for Fichtean aesthetics, further confirming that its first principle should be explicitly identified with the theory of the hovering imagination in the Grundlage der gesammten Wissenschaftslehre of 1794/95. (shrink)

Issue number 4 of "SYMPHILOSOPHIE: International Journal of Philosophical Romanticism" is devoted to the Dutch philosopher François Hemsterhuis and 250th anniversary of the birth of the German romantics Novalis and Friedrich Schlegel. This fourth issue of the journal contains nearly 600 pages of new research articles, translations, review-essays, and book reviews. The main section on Hemsterhuis among the German Romantics was guest edited by Daniel Whistler (Royal Holloway, University of London).

This third 2021 issue of "SYMPHILOSOPHIE: International Journal of Philosophical Romanticism" contains a main dossier of new research articles guest edited by Leif Weatherby (New York University) and devoted to the topic of early German romanticism and science. In addition to the papers of this main section issue number 3 of SYMPHILOSOPHIE includes translations of primary sources and book reviews. All contents are freely available online.

dolce, the first top-level ontology to be axiomatized, has remained stable for twenty years and today is broadly used in a variety of domains. dolce is inspired by cognitive and linguistic considerations and aims to model a commonsense view of reality, like the one human beings exploit in everyday life in areas as diverse as socio-technical systems, manufacturing, financial transactions and cultural heritage. dolce clearly lists the ontological choices it is based upon, relies on philosophical principles, is richly formalized, and (...) is built according to well-established ontological methodologies, e.g. OntoClean. Because of these features, it has inspired most of the existing top-level ontologies and has been used to develop or improve standards and public domain resources. Being a foundational ontology, dolce is not directly concerned with domain knowledge. Its purpose is to provide the general categories and relations needed to give a coherent view of reality, to integrate domain knowledge, and to mediate across domains. In these 20 years dolce has shown that applied ontologies can be stable and that interoperability across reference and domain ontologies is a reality. This paper briefly introduces the ontology and shows how to use it on a few modeling cases. (shrink)

This article argues that Novalis's philosophy of magical idealism essentially consists of three central elements: a theory of the creative or productive imagination, a conception of love, and a doctrine of transcendental medicine. In this regard, it synthesizes two adjacent, but divergent contemporary philosophical sources - J. G. Fichte's idealism and Friedrich Schiller's classicism - into a new and original philosophy. It demonstrates that Novalis's views on both magic and idealism, not only prove to be perfectly rational and comprehensible, but (...) even more philosophically coherent and innovative than have been recognised up to now. (shrink)

This article focuses on the apparently paradoxical remarks of Novalis on landscape, which followed the famous “Romantikertreffen” of August 1798: that decisive meeting of the “early German romantics” on the occasion of a communal visit to the painting and sculpture galleries in Dresden. We analyze how Novalis surpasses the phenomenological conception of landscape painting proposed by August Wilhelm Schlegel by resorting to the "incorrect" categories of sculpture and haptic sense to talk about the feeling for nature that governs landscape painting. (...) This is the aesthetics of Herder – his reflections in the treatise “Sculpture” (1778) on the actual concrete and tangible force of the beautiful and the central importance it accords to the experience of one’s own body (a highly modern conception) – which is diverted here in a typical Novalisian gesture that we will show is consistent with his philosophy. The reception of Herder has contributed to the development in Novalis of a Pygmalionic aesthetics of contact with things that casts a different light on early romanticism: it is not only the exclusive exercise of a critical reflexivity that assumes distance, but also of a sensibility that seeks a tactile meeting point as it were between what is separated. (shrink)

This article examines Hegel’s aesthetic judgment of the German romantic painter Caspar David Friedrich, which only first came to light in 1995 with the publication of the separate edition of the Ascheberg transcript of Hegel’s first lecture course on aesthetics, held at the University of Berlin in the winter semester of 1820/21. Firstly, before interpreting Hegel's criticism in more detail, I consider the current state of research on the relationship between Hegel and Caspar David Friedrich. It is striking to note (...) how little resonance Hegel’s judgment has found in the secondary literature. Going beyond some of the more speculative results of earlier scholarship, I show that by consulting a number of overlooked original German sources and documents from the years 1820-1821 it is possible to precisely determine those paintings of Caspar David Friedrich that Hegel would have known about and even viewed in person at that time. By comparing Hegel’s criticism in the Ascheberg transcript with these particular paintings of Friedrich viewed by Hegel in Dresden, and by furthermore reading this criticism in the larger context of Hegel's considerations on style and the topic of mysteriousness in painting, I argue that a number of consequences can be drawn from the philosopher’s two key reproaches of severity and affectation that are significant for both Hegel scholarship and Caspar David Friedrich research. (shrink)

This article presents a new interpretation of the notorious "Horen" dispute between Schiller and Fichte by examining the text that was the catalyst for it, Fichte’s "On Spirit and Letter in Philosophy" (1795-1800), from the overlooked perspective of Schiller’s 1793 essay "On Grace and Dignity". It demonstrates that the Horen dispute is based on a theoretical misunderstanding rather than an irreconcilable opposition, arguing that Schiller’s notion of grace as beauty in movement provides the idealism and aesthetics of Fichte’s Wissenschaftslehre with (...) a powerful conceptual tool that was lacking in Kant’s critical philosophy. (shrink)

This article argues for a much more profound interconnection between philosophical romanticism and Walter Benjamin’s theses "On The Concept of History" than has been acknowledged up to now. It particularly reveals a number of parallels between Benjamin’s historical approach and the philosophy of history of the two principal thinkers of Early German Romanticism, Friedrich Schlegel and Novalis, who had already formed the object of Benjamin’s doctoral thesis. It examines Benjamin’s final philosophical work in the light of three central topics inherited (...) from Early German Romanticism, which have been less explored in romanticism studies and Benjamin scholarship, yet are decisive for helping clarify what is at stake in Benjamin’s text: the relation to prophecy; the question of messianism; and the heliotropism of the past. -/- _____________ Cet article défend l’idée d’un lien entre la philosophie romantique et les thèses de Walter Benjamin Sur le concept d’histoire bien plus profond qu’on ne l’a admis jusqu’à présent. Il met plus particulièrement en lumière des parallèles entre la démarche historique de Benjamin et la philosophie de l’histoire des deux principaux penseurs du premier romantisme allemand, Friedrich Schlegel et Novalis, auxquels Benjamin avait déjà consacré sa thèse de doctorat. L’article examine le dernier écrit majeur de Benjamin à la lumière de trois thématiques centrales héritées du romantisme, qui ont été peu approfondies tant dans les études romantiques que dans le commentaire benjaminien et qui sont pourtant décisives pour éclaircir ce qui est en jeu dans ce texte : le rapport à la prophétie ; la question du messianisme ; et l’héliotropisme du passé. (shrink)

While it is now accepted in the secondary literature to treat Frühromantik - early German Romanticism - as a philosophical movement in its own right, the exact determination of the philosophical nature of this movement still remains one of the central stumbling blocks faced by interpreters. At the heart of this debate is the question of the relationship between the early romantics and Fichtean idealism. One point of rupture with Fichte and his theory of nature seems particularly obvious at first (...) glance: Novalis's substitution of the pronoun "you" for the Fichtean "Not-I". This occurs in one of Novalis’s most famous expressions: "(You). Instead of the Not-I – You.” ((Du). Statt Nicht-Ich – Du). For most commentators, when analyzing the romantic relationship between the human being and nature, this substitution becomes the clearest expression that Novalis rejects the supposed subjectivism of Fichte's philosophy. Here the Nicht-Ich, the Not-I, - i.e. nature – is often read in Fichte as something negative, as an abstract antithesis of the I - as everything that is not human or the subject. - Whereas Novalis, on the other hand, reinjects the human element, the "you", back into nature. It is furthermore argued by these commentators that this radical substitution is motivated by the romantic call to realize not only the inseparability of the human being and nature, but to recognize their equal value. It indicates a necessary departure from transcendental idealism in favor of a rapprochement with Schelling's philosophy of nature. However, could such an interpretation be based on a preconception, or even on a prejudice? I argue that it is; and that it is based on the assumption that Novalis breaks with Fichte’s philosophy. In contrast, I defend the view that the idea of Nature as a “You” is already to be found implicitly in Fichte and that Novalis’s above well-known expression should be read as in continuity with Fichte’s transcendental epistemology and as an original dialogical extension of it. To see this, one needs to retrace the context and the philosophical chain of events from Novalis back to Fichte, and from Fichte back to Jacobi. (shrink)

Introduction to: "The Edinburgh Edition of the Complete Philosophical Works of François Hemsterhuis", vol. 2: "The Dialogues of Francois Hemsterhuis, 1778-1787", edited and translated by Jacob van Sluis, Daniel Whistler (Edinburgh: Edinburgh University Press, 2022), pp. 22-41.

Cet ouvrage oriente la réflexion philosophique sur le romantisme allemand dans une voie nouvelle ayant pour point de départ la singularité des paysages peints par Caspar David Friedrich, et pour concept opératoire majeur la romantisation du monde, dont Novalis a fait le programme d’une philosophie spécifique. Analyser la critique par Hegel du style de Friedrich ; étudier l’invention par Novalis, dans le prolongement de Herder, de quelque chose comme un paysage-corps ; suivre au-delà de Kant le destin du concept de (...) sublime : tels sont les moments principaux d’un parcours qui permet de mettre au jour les liens existant entre la peinture de Friedrich et la problématique de la « révélation » énoncée par Novalis dans ses fragments sur la philosophie romantique. (shrink)

Histoire et utilisation du robot Bien que la robotique soit un marché économique relativement jeune et en pleine croissance, la genèse des robots remonte à l’Antiquité. Le premier robot à être déployé sur des lignes d’assemblage est Unimate, utilisé dès 1961 par General Motors. La robotique, en se di usant dans tous les pans de notre économie, va impacter les business modèles de nombreuses industries comme l’automobile et l’aéronautique mais aussi la construction ou l’agriculture. Aujourd’hui les robots industriels et de (...) service servent à de multiples tâches allant de la logistique à l’usinage en passant par la fonderie. La robotique constitue aussi et surtout un enjeu sociétal contribuant à relever les dé s de la mobilité, de la santé, de l’autonomie, du vieillissement et de l’éducation. Absence de dé nition et de régime juridique spéci que au robot En France, la notion de robot ne fait pas l’objet d’une dé nition juridique qui lui est propre. Les dé nitions relatives à l’environnement robotique peuvent tout de même se retrouver dans la norme ISO 8373:2012. Bien que les robots intéressent les juristes à plusieurs titres, le législateur n’a, à ce jour, pas adopté de régime juridique spéci quement applicable aux robots. Il convient donc de rechercher dans le droit positif le corpus de textes applicables aux robots. Ce corpus pourra alors recevoir l’appellation de « droit de la robotique ». Garanties Le vendeur d’un robot industriel et de service doit se conformer aux garanties légales que sont la garantie des vices cachés et la garantie d’éviction. Il doit également respecter les éventuelles garanties qui ont pu être convenues contractuellement Clauses contractuelles Le fournisseur d’un robot industriel et de service doit être particulièrement attentif aux clauses contractuelles rela- tives à la garantie, à la propriété intellectuelle, à la con dentialité, à la responsabilité et à la conformité aux directives techniques. Les spéci cités liées au robot, telles que les éléments relatifs à l’intelligence arti cielle, pourront être intégrées dans des annexes spéci ques. Intelligence arti cielle L’algorithme d’intelligence arti cielle dont est équipé un robot industriel et de service peut, dans certaines condi- tions, béné cier d’une protection grâce au droit d’auteur, à la protection du savoir-faire et au brevet. Aucun régime spécial n’existe à ce jour protégeant les œuvres conçues par le robot intelligent. Mobilité Les véhicules et drones autonomes utilisés au sein même de l’usine sont considérés comme des machines. Etant don- né les risques existants, il convient de xer de règles internes d’utilisation. Les véhicules autonomes ne peuvent à ce jour quitter l’espace privé. En revanche, les drones peuvent circuler dans l’espace aérien en respectant strictement le cadre réglementaire. Douanes Le taux de perception des droits de douanes d’un robot industriel et de service est conditionné par la connaissance de l’origine, préférentielle ou non préférentielle, du robot qui est déterminée par la position tarifaire de ce dernier. Le robot industriel et de service entre dans le chapitre 84, qui concerne notamment les machines, de la nomenclature du système harmonisé établi par l’Organisation mondiale de douanes. Sécurité En application de la « directive machines », le robot peut recevoir la quali cation de machine ou de quasi-machine. En vertu de cette directive, mais également au titre du Code du travail, de nombreuses obligations en matière de santé et de sécurité doivent être respectées pour la commercialisation et l’utilisation des robots. Conformité Le Code du travail, en transposant la « directive machines », a prévu de nombreuses obligations et procédures, appli- cables aux robots industriels et de service, permettant ainsi de s’assurer que ces derniers respectent les exigences de conformité nécessaires en matière de santé et de sécurité. Maintenance Dans le cadre de la maintenance, le fournisseur d’un robot industriel et de service est soumis à plusieurs obligations législatives aux titres de la disponibilité des pièces détachées et de la location. Les dispositions contractuelles de- vront prendre en considération les spéci cités propres au robot et ne pas ignorer la maintenance prédictive. Quali cation juridique Dans le cadre de la conception, de la fabrication et de l’utilisation du robot, il convient de porter une attention par- ticulière à quatre textes spéciaux qui peuvent être applicables aux robots industriels et de service : le règlement 428/2009 sur les biens à double usage, la directive 2014/35/UE applicable au matériel électrique basse tension, la directive 2014/53/UE applicable aux équipements radioélectriques et la directive 2014/30/UE sur la compatibilité électromagnétique. Responsabilité Bien que les régimes de responsabilité, civile et pénale, ne sont pas adaptés aux robots autonomes, la responsabilité civile de droit commun, la responsabilité du fait des choses, la responsabilité du fait des produits défectueux et la responsabilité des commettants du fait de leurs préposés peuvent s’appliquer en cas de fait dommageable causé par le robot tout comme la responsabilité pénale en cas d’infraction commise dans le cadre de l’utilisation du robot. Assurance La police d’assurance relative aux robots doit permettre de protéger le robot contre les risques auxquels ils sont confrontés mais également d’assurer la responsabilité pour les dommages qu’ils pourraient causer, on peut alors parler de « dommages robotiques ». Données et bases de données Les bases de données contenues dans un robot industriel et de service doivent respecter les droits dont dispose l’auteur sur la structure de la base de données et/ou les droits du producteur des bases de données dans lesquelles gurent les données utilisées. La réglementation Informatique et libertés est également applicable au robot lorsque celui-ci collecte et/ou traite des données personnelles. Droit de la robotique dans le monde Aucun Etat ne s’est à ce jour doté d’un régime juridique détaillé et spéci que à la robotique. Des dispositions juri- diques relatives aux robots peuvent tout de même se retrouver de façon éparse dans certains droits étrangers concer- nant notamment les drones et les véhicules terrestres autonomes. (shrink)

If Mont Blanc is a vague object, then its vagueness will depend on the context in which reference is made. In a geological context the mountain might include only rock, perhaps together with a certain amount of air in the crevices and tunnels which have been formed beneath its surface. In a context of soil chemistry we might include also a surrounding thin layer of organic matter. In a skiing context we might include some snow. This essay sketches in (...) informal terms the theory of granular partitions, which is designed to do justice to this context-dependence of vagueness by means of what might be described as a contextualized supervaluationism. Granularity and vagueness, it is argued, are two sides of a single coin: what is vague at one level of granularity may appear crisp at another. The resultant theory can be shown to resolve certain problems in our description of perceptual content, for example when John says that he sees the wall, but that he does not see the molecules by which the wall is constituted. (shrink)

Considerando el contexto bélico y el surgimiento de las vanguardias a inicios del siglo XX, fundamento en este trabajo las razones por las cuales la presencia del concepto de nivola, atribuida por Miguel de Unamuno para hacer referencia a la técnica literaria que emplea en su novela Niebla (1914), suscita una confrontación posible entre universos compuestos por elementos de la realidad y lo virtual. En ese sentido, será propicio explicar el procedimiento que origina esa colisión de planos establecidos. Para ello, (...) recurriré a categorías literarias que sustentan las teorías de la ficción, según la percepción de Thomas Pavel y Marie-Laure Ryan. (shrink)

According to neo-Russellianism, in a sentence such as John believes that Mont Blanc is 4000 m high, any other proper name co-referring with Mont Blanc can be substituted for it without any change in the proposition expressed. Prima facie, our practice of translation shows that this cannot be correct. We will then show that neo-Russellians have a way out of this problem, which consists in holding that actual translations are not a matter of semantics, but also make an (...) attempt at preserving some pragmatic features of the sentences to be translated. We then turn to translations that only preserve the semantic characteristics of the sentences and we argue that, although these translations are unable to show that neo-Russellianism is incorrect, they still show that it relies on some theses that seem to have no justification, apart from saving neo-Russellianism itself. (shrink)

There are three slogans in the history of Socialism that are very close in wording, viz. the famous Cabet-Blanc-Marx slogan: "From each according to his ability; To each according to his needs"; the earlier Saint-Simon-Pecqueur slogan: "To each according to his ability; To each according to his works"; and the later slogan in Stalin’s Soviet Constitution: "From each according to his ability; To each according to his work." We will consider the following questions regarding these slogans: a) What are (...) the earliest occurrences of each of these slogans? b) Where does the inspiration for each half of each slogan come from? c) What do the Saint-Simonians mean by “To each according to his ability”? d) What do they mean by “To each according to his works”? e) What motivates the shift from “To each according to his ability” to “From each according to his ability”? f) How should we envisage the progression toward “To each according to his needs”? g) What is the distinction between from “To each according to his works” and “To each according to his work”? (shrink)

Considering the war context and the emergence of the avant-garde in the early twentieth century, I base on this work the reasons why the presence of the concept of nivola, attributed by Miguel de Unamuno to refer to the literary technique used in his novel Mist (1914), provokes a possible confrontation between universes composed of elements of reality and the virtual. In that sense, it will be appropriate to explain the procedure that originates that collision of established plans. For this, (...) I will resort to literary categories that support the theories of fiction, according to the perception of Thomas Pavel and Marie-Laure Ryan. (shrink)

Nous distinguons ordinairement le corps de l’esprit : nous parvenons aisément à concevoir (même si nous n’y croyons pas forcément) que notre esprit survive à notre corps, ou qu’il aille se loger dans un autre corps. Il y a là, pensons-nous, une véritable différence de nature. Mais bien que cette distinction nous soit très intuitive, dès lors que nous cherchons à spécifier le critère sur lequel elle repose, elle se dérobe. Tout se passe comme si nous n’avions aucun mal à (...) classer les choses d’un côté ou de l’autre de la frontière qui sépare le corps de l’esprit, mais que nous ne parvenions pas à la définir précisément. A quel critère obéissons- nous en effet lorsque nous opérons une bipartition entre phénomènes mentaux et phénomènes physiques dans un ensemble tel que : une croyance, le téléphone du salon, un aimant, l’envie d’un florentin, le Mont Blanc, la vue du Mont Blanc, un claquement de porte, un regret, le bruit d’un moulin, la connaissance du théorème de Thalès, la jalousie, la couleur de la neige, le souvenir d’un citronnier à Menton ? Nous serions probablement tous d’accord pour ranger du côté des phénomènes physiques le téléphone du salon, le claquement de porte, la couleur de la neige, l’aimant, le Mont Blanc et le bruit du moulin ; et du côté des phénomènes mentaux la croyance, l’envie d’un florentin, le regret, la vue du Mont Blanc, la connaissance du théorème de Thalès, la jalousie et le souvenir d’un citronnier de Menton. Mais nous divergerions probablement si nous avions à formuler le critère d’après lequel nous avons opéré cette bipartition. La première chose à faire est donc de tenter d’examiner les critères qui peuvent nous permettre d’établir la distinction entre le corps et l’esprit afin de retenir le plus pertinent. Dans la mesure du possible, celui-ci devra être à la fois informatif (ne pas nous renvoyer simplement à la distinction intuitive que nous pratiquons quotidiennement) et neutre (par exemple être acceptable aussi bien par un dualiste que par un matérialiste). Une fois cette distinction établie, nous serons en mesure de poser trois problèmes. (shrink)

Review of Le Wen zi à la lumière de l'histoire et de l'archéologie (The Wenzi in the Light of History and Archaeology), by Charles Le Blanc.

This thesis is concerned with the ways in which meaning is generically mediated in the novel. In particular it addresses the productive diversity of meanings generated by critical interpretation and asks how, given this diversity, comprehension and consensus might be possible. I argue that the construction of subject, object, space and time is achieved in the novel through different manifestations of four key metaphors: voice, view, setting and event. These metaphors supply meanings that rely on a common experience of embodiment. (...) Embodiment supplies the basis for an intersubjectively established consensus which identifies subjects and objects in terms that correspond to the semiotic, syntagmatic and semantic uses of metaphor. I begin by surveying and reviewing certain constructionist accounts of language and meaning in order to establish the importance of metaphor in conveying meaning in rhetorical, rather than linguistic, terms. I then discuss two examples of continental philosophy on speech: Derrida on voice and Foucault on discourse. I demonstrate how meaning is rhetorically constructed according to the use to which metaphors are put—whether they denote formal, semantic, or functional aspects of meaning—through an explication of Foucault’s theory, reserving Derrida’s grammatology for my analysis of the stabilisation of meaning in the theory of certain narratologists (Gérard Genette and Marie-Laure Ryan). Voice and view are key terms in literary theory, and I examine refinements to these metaphors in Genette and Ryan. The insistence of these narratologists on restricting the rhetorical dimension of meaning undermines the value of the literary work, prompting me to argue for a relaxing of such constraints. I read Peter Carey’s True History of the Kelly Gang for its uses of voice and point of view, many of which expose the limitations of the narratological approach. This is a theoretical thesis, which engages a wide range of perspectives—constructionist, deconstructionist, sociological and structuralist—together with their various accounts of language, metaphor, speech and meaning. In terms of sociological approaches to genre and discourse, I employ the chronotope as a critical tool, examining it in the context of the theme of the country house to demonstrate the role of two of my key metaphors, setting and event, which are important for the construction of space and time in abstract terms. Focusing on novels by Jane Austen, Virginia Woolf, and Kazuo Ishiguro, in which the country house defines the space and the temporality through which thematic and “material” elements are mediated, I reveal how the chronotope supplies an overarching coherence that unites thought and event in narrative. My readings of these novels describe a theory that is concerned with the rhetorical capacities of genre rather than with taxonomic constructions of form. To this end I argue that the metaphorical dimensions of narrative—voice, view, setting and event—be loosely drawn, according to the acknowledged mutability of genre. I also emphasise the constructive effect of metaphor whilst according it a rhetorical versatility consistent with the mutability and instability of genre as a semiotic tool, concluding that consensus is achieved in our readings of novels through the form’s reliance on these four key metaphors of embodiment. These metaphors have ordinary, everyday, widespread usage beyond narrative theory; in appreciating their rhetorical value, it must be noted nonetheless that any confusion that ensues is productive, for it results in the diversities of meaning and form celebrated in the literary work. (shrink)

This paper investigates how the simulation of intelligence, an activity that has been considered the notional task of Artificial Intelligence, does not comprise its duplication. Briefly touching on the distinction between conceivability and possibility, and commenting on Ryan’s approach to fiction in terms of the interplay between possible worlds and her principle of minimal departure, we specify verisimilitude in Artificial Intelligence as the accurate resemblance of intelligence by its simulation and, from this characterization, claim the metaphysical impossibility of duplicating intelligence, (...) as neither verisimilarly nor convincingly simulating intelligence involves its duplication. To this end, we argue by a representative case of simulation that, albeit conceivable, Turing’s test for machine intelligence wrongly equates the occurrence of indistinguishable intelligence performance to intelligence duplication, which is grounded in a prima facie conceivable but metaphysically impossible view that separates intelligence from its origin. Finally, we establish the following criterion for evaluating simulation in Artificial Intelligence: simulations succeed in AI if and only if they are able to epistemically persuade human beings that intelligence has been duplicated, that is, if and only if verisimilar simulations can convincingly minimally depart from actual intelligence. (shrink)