We aimed to identify the critical insights from empirical peer-reviewed studies on online romance fraud published between 2000 and 2021 through a systematic literature review using the Preferred Reporting Items for Systematic Reviews and Meta-Analyses (PRISMA) protocol. The corpus of studies that met our inclusion criteria comprised twenty-six studies employing qualitative (n = 13), quantitative (n = 11), and mixed (n = 2) methods. Most studies focused on victims, with eight focusing on offenders and fewer investigating public perspectives. All (...) the victim-focused studies relied on data from the Global North, except for Malaysia. Five offender-focused studies used online data available in the public domain, and three derived their data from West Africa. Our review highlights offenders' techniques to deceive and manipulate victims, as revealed in these studies, and highlights some limitations of offender- and victim-focused studies. The dominant framework used across the studies was found to be the “Scammers Persuasive Techniques Model.” While this framework provides a helpful way of considering the stages of victim involvement, it also faces some limitations, which we highlight. Our study reviews the current state of empirical knowledge on romance fraud and identifies certain gaps and biases in the literature. We argue there is a need for further research into online romance fraud to enhance our understanding of it both from the perspective of the offender as well as the experience of the victim. We also highlight the need for a more inclusive and greater range of regional and global diverse range of data sources and perspectives. Given the scale and impact of online romance fraud, we conclude that its study would benefit from a richer empirical engagement that recognizes it as both a regional and global phenomenon. (shrink)

This study sets out to examine the ways Nigerian cyber-fraudsters (Yahoo-Boys) are represented in hip-hop music. The empirical basis of this article is lyrics from 18 hip-hop artists, which were subjected to a directed approach to qualitative content analysis and coded based on the moral disengagement mechanisms proposed by Bandura (1999). While results revealed that the ethics of Yahoo-Boys, as expressed by musicians, embody a range of moral disengagement mechanisms, they also shed light on the motives for the Nigerian cybercriminals' (...) actions. Further analysis revealed additional findings: “glamorization/de-glamorization of cyber-fraud” and “sex-roles-and-cultures”. Having operated within the constraint of what is currently available (a small sample size), this article has drawn attention to the notion that Yahoo-Boys and some musicians may be “birds of a feather.” Secondly, it has exposed a “hunter-and-antelope-relationship” between Yahoo-Boys and their victims. Thirdly, it has also highlighted that some ethos of law-abiding citizens is central to Yahoo-Boys’ moral enterprise. Yahoo-Boys, therefore, represent reflections of society. Arguably, given that Yahoo-Boys and singers are connected, and the oratory messages of singers may attract more followers than questioners, this study illuminates the cultural dimensions of cyber-fraud that emanate from Nigeria. In particular, insights from this study suggest that cyber-fraud researchers might look beyond traditional data sources (e.g., cyber-fraud statistics) for the empirical traces of “culture in action” that render fraudulently practices acceptable career paths for some Nigerian youths. (shrink)

This article is about the manifestations of similarities between two seemingly distinct groups of Nigerians: cybercriminals and politicians. Which linguistic strategies do Twitter users use to express their opinions on cybercriminals and politicians? The study undertakes a qualitative analysis of ‘engaged’ tweets of an elite law enforcement agency in West Africa. We analyzed and coded over 100,000 ‘engaged’ tweets based on a component of mechanisms of moral disengagement (i.e., advantageous comparison), a linguistic device. The results reveal how respondents defend the (...) actions of online fraudsters (“the deviant group”) by strategically comparing them to the wrongful acts of corrupt politicians (“the respectable group”). Similarly, the results show how respondents positioned this linguistic strategy to compare “the powerless group” (online fraudsters) and “the powerful group” (politicians) in society. Indeed, tweet responses suggest that the Economic and Financial Crimes Commission (EFCC) generally looks downwards for culprits (i.e., online fraudsters) while ignoring fraudulent politicians. We conclude that the process by which some actions are interpreted as a crime compared to others is a moral enterprise. (shrink)

The article is based on lyrics from 2007 to 2017 involving 18 hip-hop artists. All the songs I studied were by male singers apart from one entitled, “Maga no need pay,” which involved seven multiple artists. In all the songs, the glamorization of cybercrime and cybercriminals was one of the most significant themes. The implications are discussed.

This is a theoretical treatment of the term "Sha Zhu Pan" (杀猪盘) in Chinese, which translates to “Pig-Butchering” in English. The article critically examines the propagation and validation of "Pig Butchering," an animal metaphor, and its implications for the dehumanisation of victims of online fraud across various discourses. The study provides background information about this type of fraud before investigating its theoretical foundations and linking its emergence to the dehumanisation of fraud victims. The analysis highlights the disparity between academic literature, (...) subjected to rigorous peer-review processes, and sensationalised narratives prevalent in the media. While academic works subject "pig butchering" to critical scrutiny and refrain from endorsing derogatory terms to depict fraud victims, numerous media outlets employ this term uncritically, further worsening the predicament of these victims. "Pig butchering" is firmly rooted in the concept of dehumanisation, and this article underscores how language moulds perceptions of fraud and behaviour, extending to the development of preventive strategies. The role of law enforcement agencies in generating and disseminating materials is also a central theme, emphasising their responsibility as trusted sources of information. We suggest that these agencies should adopt non-victim shaming language to encourage victims to report crimes and alleviate the stigma attached to victimisation. Additionally, the article offers valuable cross-cultural insights by comparing metaphors from Chinese and Nigerian contexts. This comparative analysis enriches our comprehension of the global dimensions of online fraud and its cultural diversities, highlighting the substantial impact of language on perceptions and behaviours. We advocate for a departure from victim-blaming tendencies perpetuated by select media outlets, urging a more compassionate and accurate portrayal of those affected by online fraud. We, therefore, call for a more empathetic and accurate portrayal of individuals affected by online fraud, aligning with the broader objective of promoting understanding and support for these victims. (shrink)

Through the lens of feminist speech act theory, this paper argues that artificial intelligence romance systems objectify and subordinate nonvirtual women. AI romance systems treat their users as consumers, offering them relational invulnerability and control over their (usually feminized) digital romantic partner. This paper argues that, though the output of AI chatbots may not generally constitute speech, the framework offered by an AI romance system communicates an unjust perspective on intimate relationships. Through normalizing controlling one’s intimate partner, (...) these systems operate as speakers that rank women as non-player characters and license their oppression, which is unjust even in the absence of empirical harms. Understanding AI romance systems as speakers has implications for policymakers. First, this account helps close the so-called responsibility gap in the operation of an AI system. Second, it places these systems under the purview of institutions’ policies regarding hate speech, suggesting one avenue for arguing that these systems may violate extant policies. Finally, it provides support for the pursuit of empirical research into AI romance systems’ effects on users. (shrink)

In this paper, which discusses data from Gargano Apulian Italo-Romance, I propose that prepositional and non-prepositional genitives are fundamentally two different types of phrases, and that the interpretation of a non-prepositional noun as the possessor is not due to a silent preposition or head-modifier inversion, but rather to an agreement mechanism taking place between the modifier and its head. We propose that, just as a genitive can agree with its head for gender and number features so it can for (...) definiteness, and that agreement for definiteness yields a genitival interpretation of the non-prepositional noun. I.e., definiteness can externalize the syntactic relation between head and modifier. We also propose that in this Apulian variety, non-prepositional genitives are syntactic phases (Chomsky 2001), and that the same holds for non-prepositional ‘qualitative’ predicative phrases in the same language. This would explain the impossibility of accessing the phrase through syntactic operations such as extraction. DOI 10.1111/1467-968X.12229 . (shrink)

Two things have been missing from discussions of Emerson and skepticism. The first—and the most glaring omission, given his precise, unambiguous definition of skepticism as “unbelief in cause and effect” (“Worship”)—is Emerson’s causationism. The second is his view of skepticism as organically related to a wide array of other forms of anti-realism or “romance.” Only the first can explain the second and thereby give us a better sense of how Emerson’s specific response to skepticism as a philosophical problem fits (...) into his broader, resolutely realist vision of the conduct of life. (shrink)

This essay makes a number of distinctions between the motives of love and of duty, and argues that ideally they act in concert so as to generate constancy in loving relations. The essay revolves around a case in which a husband or wife is tempted to infidelity. It is argued that resistance to the temptation is optimally grounded in love for the spouse rather than simply in a duty to resist initiated perhaps through promise or vow. This is not, however, (...) to undermine altogether the significance of promises of this sort; it is rather to put a proper emphasis on the sentiment of love as an effective spring to action and to suggest that the sentiment itself ideally brings a past promise or vow of fidelity into present relief in a choice situation. (shrink)

El artículo trata sobre las visiones de la historia comprometidas en la gubernamentalidad neoliberal, pragmática y presentista, y sus relaciones con el fascismo utópico, futurista y destinal. Para iniciar este debate usa como punto de arranque los análisis y discusiones biopolíticas; al mismo tiempo se pregunta sobre las condiciones de una visión histórica de la filosofía que pueda servir de alternativa a las filosofías del origen o del destino sin diluirse en el debate sobre las épocas históricas.

Just War Theory (JWT) replaced an older "warrior code," an approach to war that remains poorly understood and dismissively treated in the philosophical literature. This paper builds on recent work on honor to address these deficiencies. By providing a clear, systematic exposition of "Honor War Theory" (HWT), we can make sense of paradigm instances of warrior psychology and behavior, and understand the warrior code as the martial expression of a broader honor-based ethos that conceives of obligation in terms of fair (...) competition for prestige. Far from being a romantic and outmoded approach to war, HWT accounts for current conflicts and predicts moral intuitions that JWT either rejects or cannot comfortably accommodate. So although it is not recommended as a replacement for JWT, there is good reason think that a fully mature, realistic, and yet properly normative theory of war ethics will incorporate a variety of insights from HWT. (shrink)

É relativamente recente a perspectiva revisionista dos intentos filosóficos de Platão. Apesar disso, a ideia de um filósofo preocupado apenas em construir um edifício sistemático e hermético tem se mostrado cada vez menos sustentável, principalmente quando se observam as diversas fontes que apontam para interesses que não se restringem à filosofia, bem como para o desenvolvimento dos aspectos dramáticos presentes no corpus platônico como um todo. A ideia de que a literatura tem uma influência na obra platônica parece clara e (...) um consenso entre os estudiosos, visto as inúmeras referências que Platão faz, por exemplo, à poesia épica nas figuras de Homero e Hesíodo. Mas pouco parece ter sido dito a respeito do inverso: da influência que Platão poderia ter exercido na literatura posterior. Visando lidar com esse obscurecimento, o presente estudo tem como intento primordial identificar e analisar a possível existência de elementos platônicos em dois romances do período imperial grego, a saber, em Quéreas e Calírroe de Cáriton de Afrodísias e em Dáfnis e Cloé de Longo. Em seguida, intenta demonstrar de que modo Platão, ao exercer uma clara influência na literatura posterior, deixou atrás de si não somente o já reconhecido legado filosófico, mas contribuiu substancialmente para o desenvolvimento da atividade literária, efetuando uma síntese complexa entre filosofia e literatura, ao mesmo tempo em que nos leva a questionar a suposta rigidez inflexível que as distinguem. (shrink)

The need for the definite article to express a singular kind ("the cat") in the Germanic languages is predicted by Borer's (2005) structural approach to the mass-count distinction. Chierchia's (1998) "down" operator can apply to nPs to derive mass kinds ("rice") and to DivPs to derive plural kinds ("cats"), but there is no determinerless structure that exclusively denotes properties of atomic individuals to which this same operator can apply to derive singular kinds. The only alternative is the process that Chierchia (...) proposes for plural kinds in Romance, where the definite article returns a maximal individual that can be intensionalized into a kind. In articleless languages like Mandarin, this account allows for a universal property-denoting denotation of nP and simultaneously captures the fact that singular kinds have the same distribution as mass kinds. (shrink)

In 2010s, the love story between Sidapa and Bulan, two oft-described as male gods, widely circulated online and eventually became a folkloric representation about the LGBTQIA+ during the pre-colonial Philippines. But in 2019 this queer mythological romance was exposed to be a hoax. However, instead of dismissing the story altogether for being a hoax, especially given the story’s already irreversible circulation in popular culture today, this paper rather examines the “mythification” of Sidapa-Bulan queer romance as a case for (...) historical rethinking. Drawing from a bricolage of digital, ethnohistorical, and historiographical materials, this paper is divided into four sections. The first section dissects this paper’s conceptual tools: the use of seemingly anachronistic categories of “queer” and “LGBTQIA+,” and how these categories intersect with the concepts of “myth-making” as a sociological (and by extension, historical) phenomenon, and what came to be known as “neo-archiving” (i.e., the use of fiction in response to the gaps in history). The second section explains the paper’s methodology and sources, specifically its use of four historical thinking skills in dissecting the Sidapa-Bulan myth. The third section examines the Sidapa-Bulan myth as a historical case, specifically in terms of sourcing and close reading, corroborating, and contextualizing. And the fourth section attempts to offer, albeit in broad strokes, some potential ways to move forward from the damages caused by the Sidapa-Bulan myth. As such, this paper argues that only by maintaining transparency over its own history, that the Sidapa-Bulan queer romance, as a case of contemporary myth-making (where queer artists, authors, and allies did not merely passively consume the story, but rather actively re-define and appropriate it), can become useful and integral in rethinking and, thus, enriching the Philippine LGBTQIA+ past. But in a practical sense, this paper demonstrates how historical thinking skills can empower the public to detect, dissect, and dispel disinformation today. (shrink)

What is the role of intimacy in sex? The two culturally dominant views on this matter both share the implicit assumption that sex is genuinely intimate only when connected to romance, and hence that sex and intimacy stand in a contingent relationship: it is possible to have good sex without it. Liberals embrace this possibility and affirm the value of casual sex, while conservatives attempt to safeguard intimacy by insisting on romantic exclusivity. I reject their shared assumption and argue (...) for a necessary connection between intimacy and sex, in that sexual activity as such aims at a specific form of intimacy, irrespective of whether it takes place in casual encounters or romantic relationships, and the difference between good and bad sex consists in whether this end is attained. To defend this view, I develop a general account of intimacy, as based on joint action, and apply it to isolate its specifically sexual form. (shrink)

In this essay I argue that Machiavelli does not hold that all deception is permissible in war. While Machiavelli claims that "deceit... in the conduct of war is laudable and honorable," he insists that such deceit, or ruses of war, is not to be confounded with perfidy. Any Lee's U.S. Civil War film, "Ride With the Devil," illustrates this difference. The film also illustrates the difference between lying as part of romance, which is permitted, and lying at the moment (...) of truth in a relationship, when admitting one's feelings, which is not. (shrink)

According to the book blurb (p. iv), the themes explored in the volume include the nature of love, romanticism, and marriage; the passage and experience of time; the meaning of life; the art of conversation, the narrative self; gender; and death. All these topics are indeed touched upon to a greater or lesser extent. I find this book to be, in its essence, an investigation of love and romance. So, my main question here is: what can we learn about (...) romantic life from this philosophical exploration of the Before trilogy? (shrink)

Romance sui generis, sua estrutura narrativa se tece a partir de contos interconectados, sempre eivados de paixões intensas a ponto de pôr em cheque não só os limites entre fantasia e fato, como também a própria noção de realidade. Sua densa trama psicológica, exuberantemente simbólica, toca aspectos profundos da existência humana. Seu título é uma referência à menção de G.W. Hegel à 'Coruja de Minerva', em que afirma que apenas quando as civilizações aproximam-se de sua decadência final, de sua (...) derradeira agonia, pode a Filosofia expressar algo de substancial conteíudo acerca de sua história, pois tais verdades mais profundas a respeito só poderiam ser capturadas ao saírem de cena ao sobrevir do "crepúsculo", ou seja, apenas em retrospecto. Portanto, a reflexão dos filósofos abordaria a história humana de maneira análoga ao olhar da coruja de caça ao sobrevoar os campos ao cair da noite. Estaria uma última 'Coruja de Minerva' já pairando sobre a humanidade neste século 21, tão obscurecido por temores e sinais apocalípticos? (shrink)

The Internet has revolutionized the way knowledge is currently produced, stored and disseminated. A few finger clicks on a keyboard can save time and many hours of search in libraries or shopping in stores. Online trademarks with an prefix such as e-library, e-business, e-health etc., are increasingly part of our daily professional vocabularies. However, the Internet has also produced multiple negative side effects, ranging from an unhealthy dependency to a dehumanization of human relationships. Fraudulent, unethical and scam practices are (...) also flourishing through for example misleading online advertising methods. Some social and professional networks gather users’ profiles for selling and advertising purposes, sometimes by making it technically difficult to unsubscribe. Here, I discuss some of these unethical aspects and propose some potential solutions to reduce them. (shrink)

A life without liberty and material resources is not a good life. Equally, a life devoid of meaningful social relationships—such as friendships, family attachments, and romances—is not a good life. From this it is tempting to conclude that just as individuals have rights to liberty and material resources, they also have rights to access meaningful social relationships. I argue that this conclusion can be defended only in a narrow set of cases. ‘Pure’ social relationship deprivation—that is, deprivation that is not (...) caused, or accompanied, by deficits in liberties and material resources— mostly generates demands of private beneficence. I suggest that social relationship deprivation is unjust, hence a rights violation, only when it is due to factors—such as one’s race—that are irrelevant to one’s being a good participant in social relationships. I thus conclude that access to meaningful social relationships is not a fundamental concern for theories of justice. (shrink)

This paper presents an overview of the risks and benefits of Social AI, understood as conversational AI systems that cater to human social needs like romance, companionship, or entertainment. Section 1 of the paper provides a brief history of conversational AI systems and introduces conceptual distinctions to help distinguish varieties of Social AI and pathways to their deployment. Section 2 of the paper adds further context via a brief discussion of anthropomorphism and its relevance to assessment of human-chatbot relationships. (...) Section 3 of the paper provides a survey of potential and in some cases demonstrated harms associated with user interactions with Social AI systems. Finally, Section 4 discusses how the benefits and harms of Social AI can best be addressed, with a primary focus on how frameworks from AI ethics can inform their development. (shrink)

Love is often seen as the most intimate aspect of our lives, but it is increasingly engineered by a few programmers with Artificial Intelligence (AI). Nowadays, numerous dating platforms are deploying so-called smart algorithms to identify a greater number of potential matches for a user. These AI-enabled matchmaking systems, driven by a rich trove of data, can not only predict what a user might prefer but also deeply shape how people choose their partners. This paper draws on Jürgen Habermas’s “colonization (...) of the lifeworld” thesis to critically explore the insidious influence of delegating romantic decision-making to an algorithm. The love lifeworld is colonized inasmuch as online dating algorithms encroach into our romantic relations to the extent that communicative action within romance is replaced by the technocratic rules of an algorithm. (shrink)

Life after retirement is to some people the most dreaded period of their life because of the uncertainty that surrounds it. Even with proper planning by way of contributory pension scheme during one’s active period in service, the uncertainty of both the political and economic policies in the country makes the future of pensioners and the aged very bleak and unpredictable. The delay in payment and the administrative bottle neck creates an atmosphere of fear and insecurity physically, psychologically, economically, socially (...) and emotionally among most employees in Nigeria. Their fear is justified by the incessant corruption scam that has bedeviled the pension scheme in Nigeria over the years. The paper investigated Some Socio-Ethical Implications of Corruption on Retirees, using the management of the Pension Scheme in Nigeria as a case study. The study discovered the multiple negative effect of corruption on retirees to include frustration, depression and poverty that has led to untimely death of many pensioners who gave their all to the nation and were neglected and abandoned after retirement. Many died because their gratuities were not paid; even their monthly pensions that they depended so much on were scarcely paid on time. Some of their adult children who would have taken care of them are unemployed, some are married and taking care of their own families and their responsibility does not allow them take care of their parents as it was in the African traditional setting. The study recommended that the appointment of pension manager should be apolitical and that persons of credible, impeccable and uncompromising track record of honesty and sincerity be appointed as pension manager to reduce the plight of the aged in Nigeria. (shrink)

People loved for their beauty and cheerfulness are not loved as irreplaceable, yet people loved for “what their souls are made of” are. Or so literary romance implies; leading philosophical accounts, however, deny the distinction, holding that reasons for love either do not exist or do not include the beloved’s distinguishing features. In this, I argue, they deny an essential species of love. To account for it while preserving the beloved’s irreplaceability, I defend a model of agency on which (...) people can love each other for identities still being created, through a kind of mutual improvisation. (shrink)

Genre discourse is widespread in appreciative practice, whether that is about hip-hop music, romance novels, or film noir. It should be no surprise then, that philosophers of art have also been interested in genres. Whether they are giving accounts of genres as such or of particular genres, genre talk abounds in philosophy as much as it does the popular discourse. As a result, theories of genre proliferate as well. However, in their accounts, philosophers have so far focused on capturing (...) all of the categories of art that we think of as genres and have focused less on ensuring that only the categories we think are genres are captured by those theories. Each of these theories populates the world with far too many genres because they call a wide class of mere categories of art genres. I call this the problem of genre explosion. In this paper, I survey the existing accounts of genre and describe the kinds of considerations they employ in determining whether a work is a work of a given genre. After this, I demonstrate the ways in which the problem of genre explosion arises for all of these theories and discuss some solutions those theories could adopt that will ultimately not work. Finally, I argue that the problem of genre explosion is best solved by adopting a social view of genres, which can capture the difference between genres and mere categories of art. (shrink)

O uso dos nomes próprios sem nenhum outro indexador externo aos seus portadores expressa uma escolha narrativa em Úrsula (1859), romance de Maria Firmina dos Reis (1822-1917). Esse uso permite introduzir uma concepção de maternidade como condição para historicidade em contexto patriarcal e escravocrata. A autora não assina a novela, senão sob a descrição indefinida de “uma maranhense”, e, como pretendo demonstrar, essa indefinição é consistente com a vindicação da universalidade na narrativa, em que a autoria de uma história (...) não deve influenciar o sentido da denúncia da escravidão e do patriarcado. O uso dos nomes como descrições, em contraste, desempenha a função normativa de condenar a escravidão e o patriarcado e de condicionar uma historicidade. Primeiro, farei uma breve consideração histórica e biográfica, buscando contextualizar Úrsula, tanto na história do Brasil como na história da literatura do Brasil, com o intuito de situar a natureza abolicionista do texto. Em seguida, tratarei da relação de coextensão entre natureza e liberdade na determinação desse abolicionismo. Depois, chamarei a atenção para o sentido da escolha narrativa pelo uso dos nomes como descrições definidas. Por fim, apresentarei como esse uso permite à autora introduzir uma noção de historicidade, a partir do atrelamento do abolicionismo à função materna. Este último passo é o que constitui o ineditismo e a potência feminista do texto de Firmina, sob o manto da prosa romântica de folhetim. (shrink)

We investigate the morphosyntax of qualitative binominal constructions (QBCs) in a Southern Italo-Romance language from the Apulian town of San Marco in Lamis. QBCs are complex noun phrases like ‘a jewelN1 of a villageN2’, appearing here prepositionally (with the preposition də, ‘of’, allowing definites, indefinites, and demonstratives) and non-prepositionally (only allowing definites with definite articles and not proper names). We propose that in the latter, a categorial match in the determiner layer, which we call ‘match D’, relates N1 and (...) N2. N1 is embedded as a noun, allowing for: 1) the recursive DP strategy of non-prepositional genitives, and 2) the extension of this mechanism to QBCs. This leads to the impossibility of syntactic extraction, which we connect to the concept of phase. With non-denominal N1s, N1’s article is treated as a head-agreeing adjectival linker, forming a constituent with the modifier but agreeing with the head. A phrase is interpreted as a QBC if N1 and N2 share the same number features and if the features of N1 do not allow for it to be interpreted as the possessum of N2 . We also discuss external agreement with the construction, presenting data supporting the relevance of the [+HUMAN] feature for agreement relations. (forthcoming, Italian Journal of Linguistics). (shrink)

This work aims at an initial description of prepositionless genitives in the Romance variety of San Marco in Lamis, spoken in the Southern Italian region of Apulia. The construction will be compared with other Romance, Semitic, Albanian, and Iranian varieties whereby the expression of possession is connected to the presence of D elements, or to morphology stemming from them. The paper deals, in particular, with the behaviour of the construction with elements such as definite and indefinite articles, demonstratives, (...) proper names, and with how pre-nominal adjectival modification of genitives and post-nominal adjectival modification of heads can only occur in the prepositional kind of the construction. This is also the case with demonstratives preceding heads and genitives in the form raised nominals. It will be seen that genitives are only interpreted as such when they are non-raised, i.e. when they are articled. The pre-genitival article is thus understood to be a pivotal element in the interpretation of the second DP as genitival. (shrink)

The aim of this dissertation is an analysis of agreement in relation to genitival constructions. It proposes that the Apulian non-prepositional enitives of San Marco in Lamis can be described as regulated by a definiteness agreement mechanism manifesting itself in the necessity of articled heads (excluding vocatives) and genitival nouns, coupled with an adjacency requirement which limits the realization of post-nominal modifiers of the head in a post-genitival position, where they might only refer to the genitive noun. This work thus (...) proposes that such agreement for definiteness is the same holding in Romanian non-al genitives which result in the linker construction when agreement is disrupted. In chapter 1 we thus introduce Kartvelian genitives by Suffixaufnahme which notoriously represent a genitive-head noun morphological agreement phenomenon. Plank (1995) also shows that in a series of genitives, Suffixaufnahme shows up only on the last one, demonstrating that when it comes to agreement in genitives, local dynamics of sorts are often at stake (as it happens with the Costruct State). In 2 we move to linkers; linkers have been connected to agreement in Suffixaufnahme genitives at least since Plank (1995) and later works such as Larson and Yamakido (2006), Manzini et al (2016), and Manzini (2018), according to which linkers can be assimilated to agreement. In fact, in synthetic systems such as Romanian and Aromanian, Albanian and Arbëresh, and Kurdish varieties, linkers agree for φ with either the head or the genitive noun. Giurgea and Dobrovie-Sorin (2013: 126) further show that in Romanian non-linker constructions possessives agree for case with the head noun. In linker constructions, agreement for case is not present: it’s the linker itself which agrees with the head noun, this time for φ. Chapter 3 deals with genitival modification in Hebrew and a number of Arabic varieties. It proposes that the pseudoprepositions found in Arabic varieties are nouns in the Construct State. This was previously proposed for Palestinian Arabic in Mohammad (1999), which also shows that such elements agree for φ with the modified noun. 3.2 takes into account the Semitic preposition l-, dealing with the question of whether this lement can be characterized as possessive and locative as it happens for Romance a. 4 analyzes Apulian non-prepositional genitives and proposes as anticipated that the necessity of articled nouns in the construction is to be linked to an agreement relation taking place via D. Lastly, 5 subsumes the conclusions of this work. (shrink)

The reality of our everyday life is now stifled by dense images taken by mobile phones. It is still acceptable to claim that digital photographic images are currently invading the phone memory space and social media communication platforms used for working and daily activities like Whatsapp, Instagram, or Telegram. The sheer production and distribution of such images give rise to the virality of malicious digital photographs. This unfortunate circumstance can lead to the negative spread of hoaxes, misinformation, and disinformation. Virality (...) then undermines veracity. Digital photographic records fabricated exponentially are then thinning the line between the truth and the viral. Such image manipulation is indeed a serious problem because public scamming is now orchestrated and conducted through digitally reconstructed images which are aggressively invading chatrooms. To cope with this surge, the authors propose philosophical analyses through examining all possible ways to manipulate photographic images conceived by 35 artists participating in Bandung Photography Triennale 2022. As analytical instruments to probe the prospect of veracity to distance itself from virality, the authors employed three triangulated categories extracted from philosophical discourses on photography, that is, the Eye, the time signature, and the ideology. (shrink)

In this paper, I explore Bach’s idea (Bach, 2000) that null appositives, intended as expanded qua-clauses, can resolve the puzzles of belief reports. These puzzles are crucial in understanding the semantics and pragmatics of belief reports and are presented in a section. I propose that Bach’s strategy is not only a way of dealing with puzzles, but also an ideal way of dealing with belief reports. I argue that even simple unproblematic cases of belief reports are cases of pragmatic intrusion, (...) involving null appositives, or to use the words of Bach, ‘qua-clauses’. The main difference between my pragmatic approach and the one by Salmon (1986) is that this author uses the notion of conversational implicature, whereas I use the notion of pragmatic intrusion and explicature. From my point of view, statements such as ‘‘John believes that Cicero is clever’’ and ‘‘John believes that Tully is clever’’ have got distinct truth-values. In other words, I claim that belief reports in the default case illuminate the hearer on the mental life of the believer, that includes specific modes of presentation of the referents talked about. Furthermore, while in the other pragmatic approaches, it is mysterious how a mode of presentation is assumed to be the main filter of the believer’s mental life, here I provide an explanatory account in terms of relevance, cognitive effects, and processing efforts. The most important part of the paper is devoted to showing that null appositives are required, in the case of belief reports, to explain certain anaphoric effects, which would otherwise be mysterious. My examples show that null appositives are not necessitated at logical form, but only at the level of the explicature, in line with the standard assumptions by Carston and Recanati on pragmatic intrusion. I develop a potentially useful analysis of belief reports by exploiting syntactic and semantic considerations on presuppositional clitics in Romance. (shrink)

[English version also available] The Blood of Others begins at the bedside of a mortally wounded Résistance fighter named Hélène Bertrand. We encounter her from the point of view of Jean Blomart, her friend and lover, who recounts the story of their relationship : their first meeting, unhappy romance, bitter breakup, and eventual reunion as fellow fighters for the liberation of occupied France. The novel invites the reader to interpret Hélène and Jean’s story as one of positive ethical development. (...) On this progressive reading, although both characters are initially mired in bad faith and ethical irresponsibility, they ultimately transform themselves into ethically exemplary figures. Through their participation in violent political resistance against the occupation, they recognize their responsibility to humanity and actualize that responsibility in the form of positive political engagement. I will argue, on the contrary, that Jean and Hélène exhibit a unique form of bad faith that Beauvoir identifies in The Ethics of Ambiguity, a dangerous form of bad faith, distinct from the Sartrean conception, that promotes the indiscriminate use of violence for political ends. (shrink)

Humans should come down from their destructive arrogance stool to take the best cognizance of the fact that nature is a sculptural work of God. Their failure to realise this fact has been responsible for their formulation of the secular environmental theories which include; anthropocentrism, zoocentrism, biocentrism, ecocentrism, and the hybrid eco-feminism. Romanced with these theories the Holy Scriptures are also implicated by reading them in the light of one of these theories and considered anthropocentric. As a matter of fact, (...) the best of these secular theories should never be taken to be representing theocentric view of the environment. (shrink)

The aim of this article is twofold: to provide a valid account of Spinoza’s theory of fictitious ideas, and to demonstrate its coherency with the overall modal metaphysics underpinning his philosophical system. According to Leibniz, the existence of romances and novels would be sufficient to demonstrate, against Spinoza’s necessitarianism, that possible entities exist and are intelligible, and that many other worlds different from ours could have existed in its place. I argue that Spinoza does not actually need to resort to (...) the notion of possible entities in order to explain the incontrovertible existence of fictions and fictitious ideas. In order to demonstrate this, I first show how, according to Spinoza, true ideas of nonexistent things need not be regarded as fictitious ideas. Then, I will show by which means Spinoza can justify the real existence of fictions and fictitious ideas in the human mind through our present knowledge of actually existing things, to conclude that fictitious ideas neither add anything to what we already know of things, nor do they increase the extent of the existing conceivable reality by demanding the existence of possible non-actualised entities. (shrink)

The sixteenth-century Cossacks became the favourite topic of Ukrainian authors of the nineteenth century who dealt with national and individual identity issues. Nikolai Gogol, the celebrated Russian author who had Ukrainian origin and was born in a Cossack village, wrote the epic romance of Taras Bulba, which narrated the story of Cossacks and their struggle for preserving their independence. While the work has been previously studied under the light of postcolonial theoretical framework, using the concepts developed by Homi Bhabha (...) to scrutinize the situation and the destiny of the two main hybrid characters, Taras Bulba’s sons, takes a step further and reveals the deeply ingrained anxiety and ambivalence in the Cossack mentality. The article focuses on the two main hybrid characters who choose divergent paths upon encountering the conflict brought to them by the imperial power. (shrink)

As obras "Crime e Castigo" de Fiódor Dostoiévski e "A Morte de Ivan Ilitch" de Liev Tolstói são pilares da literatura russa do século XIX que transcenderam seu tempo para se tornarem referências fundamentais na exploração das complexidades éticas, morais e filosóficas da condição humana. Ambos os livros, o primeiro um romance e o segundo uma novela, não apenas cativam pela profundidade psicológica de seus personagens, mas também servem como palcos para uma profunda reflexão sobre questões de Justiça, moralidade (...) e a interseção entre o indivíduo e o sistema legal. (shrink)

This thesis, which is based on six peer-reviewed publications, is a theoretical and qualitative treatment of the ways in which social and contextual factors serve as a resource for understanding the particularities of ‘cybercrime’ that emanates from Nigeria. The thesis illuminates how closer attention to Nigerian society aids the understanding of Nigerian cybercriminals (known as Yahoo Boys), their actions and what constitutes ‘cybercrime’ in a Nigerian context. ‘Cybercrime’ is used in everyday parlance as a simple acronym for all forms of (...) crimes on the internet, whereas ‘cybercrime’ in a Nigerian context is rooted in socioeconomics and determined by it. In particular, the defrauding of victims for monetary benefit is the most significant theme that emerged from the analysis of Yahoo Boys. While all six publications are situated at the intersections of multiple fields of study, they all share a common endorsement of the constructionist/interpretivist position. The six published works comprise: [a] three conceptual publications; and [b] three empirical publications. The conceptual publications deconstruct the meanings of multiple taken-for-granted concepts in cybercrime scholarship and develop more robust conceptual lenses, namely: (1) ‘Digital Spiritualization’; (2) ‘The Tripartite Cybercrime Framework – TCF’; and (3) ‘The Synergy between Feminist Criminology and the TCF’. These new conceptual lenses represent the candidate’s contribution to developing theory in the field. Alongside this, the empirical section includes three sets of qualitative data, which include: (1) interviews with seventeen Nigerian parents; (2) lyrics from eighteen Nigerian musicians; and (3) interviews with forty Nigerian law enforcement officers. These diverse sources of qualitative data provide a more fully-developed understanding of ‘cybercrime’ in the Nigerian context (and elsewhere). All six-published works, while individually contributing to knowledge, collectively shed clearer light on the centrality of cultural context in the explanation of ‘cybercrime’. (shrink)

contents -/- ONT vol 1 i. short review: Beyond the Black Rainbow ii. as you die, hold one thought iii. short review: LA JETÉE -/- ONT vol 2 i. maya means ii. short review: SANS SOLEIL iii. vocab iv. eros has an underside v. short review: In the Mood for Love -/- ONT vol 3 i. weed weakens / compels me ii. an Ender's Game after-party iii. playroom is a realm of the dead iv. a precise german History v. short (...) review: STATUES ALSO DIE vi. Kenneth Clark, curator for Fascism vii. a protest poem, in industry lit viii. Lawrence and the English Romance -/- ONT vol 4 i. short review: The Eyes of Tammy Faye ii. vR is efficient R iii. all thru Asia, robes for monks iv. same of God, and of the one God sent v. i thought of the Messiah / muse would be vi. conscience is strong vii. a monk's exalted end -/- ONT vol 5 -/- i. for Shakespeare's Richard the Third ii. the truth is i pass over so many words iii. the boori nazar / nadhar iv. i've awe for jihaad v. short review: Hail, Caesar! vi. a minute of Nothing, gone from YouTube vii. we were rivalrous friends, again viii. my bardo pdf ix. within i'm a weak old mandarin -/- ONT vol 6 i. short review: The Intern ii. the confusion of Chinatown iii. we'll remember water, in Theology iv. Respironics versus ResMed v. i'd bet my life for what vi. the Mad Max deity vii. they'd kill my rat, not heal him -/- ONT vol 7 i. Austen would eroticize all life ii. Merchant/Ivory, a name oddly right iii. Ellie Arroway / Agent Starling iv. abattoir / l’abattoir / laboratoire v. von Neumann's brain an anomaly vi. was terrified of death, delighted in the a-bomb vii. the Greatest Brain is variously named -/- ONT vol 8 i. the day they shot the sacrifice ii. Yay or Nay, on Animal Testing iii. an ought is an is / an is is an ought iv. Behaviorism is for zombies v. a finding from the neuro-lab, on empathy vi. i’ve never had discernible abs vii. a cowardice i'm assenting to perpetually -/- ONT vol 9 i. Day of the Locust / Triffids ii. we're wide on a Paramount soundstage iii. HOLLYWOOD, an ecologic history iv. yet one more site of end-time art v. he's "a bookworm with bulging lobes" vi. apartment is my state of being apart vii. enlightenment means a weight's release -/- ONT lates and xtras i. re Gödel's ontological argument ii. deep in pi's numeric noise iii. from Nothing, something iv. endless in the wrong direction, tragic v. they give you all Eternity to answer vi. what of God's mercy? vii. informed consent and prayer viii. i won't live on. a deed i've done may ix. my selective memory x. Janus means: in close-up foam, two faces xi. a liveable world is a readable world xii. what Supervenes from this? xiii. at each extreme our naming is anachronism xiv. Cat is a collapsing of the wave-function xv. diminishing returns in the history of Experiment xvi. all those undershared Nobels xvii. ice preserves the Cold from heat xviii. a desert spreads xix. Pinker's wit, on jokes xx. Rome surrounds St. Paul / Paul is now the center xxi. each is a gathering Ministry xxii. white boy shot execution-style xxiii. the McDonald's Statement of Claim xxiv. first & last: Don Quixote / Ulysses xxv. The Summer of Rave xxvi. this electro is intrinsically anonymous xxvii. all thru Asia, Drake-Rihanna xxviii. WHO IS BETTER: PLATON OR KANT? (shrink)

Apesar de ter florescido no século XII, a tradição do Graal, remonta ao século VI, com a história da “Destruição e Conquista da Bretanha”, escrita pelo clérigo Gildas, que não parece querer retratar mais do que fatos da época envolvendo líderes locais com status de Rei, lutas pelo poder, batalhas e assassinatos em família, todavia, se alguma tradição subterrânea (prática comum entre os judeus) havia, envolvendo esses personagens, sobre isso, Gildas, nada falou. -/- A memória desses homens guerreiros volta à (...) tona em meados do ano 828, em “A História dos Britânicos”, de Nennius, e mais tarde na “História dos Reis da Grã-Bretanha”, de Geoffrey of Monmouth, entre os anos de 1138 -1139. A tradição ressurge entre os anos de 1181 e 1190, com Chrétien de Troyes, que escreve “Perceval, a História do Graal”, que fica inacabada com sua morte. Poucos anos depois, entre 1191 e 1202, Robert de Boron escreve a “História do Graal ou José de Arimatéia”, onde introduz elementos cristãos, como o cálice da Última Ceia que recolheu o sangue do Cristo. No mito, José é preso, Cristo o visita e explica os mistérios do cálice. Após deixar a prisão, José viaja com seus sogros e outros seguidores para oeste, fundando uma dinastia de guardiões do Graal, de quem o rei Artur é descendente. Quase em seguida, surge “Parzival”, de Wolfram Schenbach, escrito entre os anos de 1195 – 1215, que, sem dúvida, é a obra mais robusta em simbolismos e que maior interesse desperta; o autor, por exemplo, não se refere ao Graal como “cálice sagrado”, mas o designa como “pedra”, expurgando, por assim dizer, o simbolismo cristão posto no romance por Robert de Boron e introduzindo o simbolismo judaico. -/- Agora, a questão da literatura arturiana parece estar ligada a algum tipo de tradição marginal que remonta aos primórdios do cristianismo, similarmente à queda da Judeia, já que absorve ambos os elementos. Chrétien de Troyes, que iniciou este novo ciclo da tradição, deixa a entender que escreveu sua história a pedido de Philip I, Conde de Flandres, da Casa de Alsace, isso por que o prólogo da obra (316) é dedicada a seu patrono com altos elogios, apresentando-o como o mais bravo dos homens do Império de Roma, dedicatória similar feita a uma obra anterior, encomendada por Maria de Champagne. Outro dado que chama a atenção, é a possibilidade de Chrétien ter sido um judeu convertido, hipótese fundamentada no fato de a cidade de Troyes ter sido um grande centro de comércio e ensino judaicos, mas também pela assinatura em um de seus poemas, “Philomena”, onde se refere como “Crestien li Gois” e o termo “Goy” implicaria um judeu convertido (317). -/- Logo a seguir à obra de Chrétien, Robert de Boron retoma a tradição acrescentando motivos cristãos e, tal como seu antecessor, a serviço de um nobre, Gautier de Montbéliard (318), da Casa de Montfaucon. Apesar de a obra de Robert ter se popularizado pelos elementos novos que introduziu, não é aquela que mais desperta interesse entre os estudiosos, no entanto, a adição de símbolos cristãos em uma tradição a princípio não cristã, pode referir-se a desvio de foco, mais que a qualquer outro objetivo, ideia que é reforçada quando entendemos que os autores escrevem a pedido de determinadas famílias nobres. Quase ao mesmo tempo, surge a obra capital do romance do Graal, escrita pelo alemão Wolfram Schenbach, que, não fugindo à regra, liga sua história à Casa de Anjou, na época, a família mais poderosa na Europa Ocidental e na Terra Santa, onde seus membros se revezavam como reis de Jerusalém. Um dado curioso é que Philip I, Conde de Flandres da Casa de Alsace, patrono da Chrétien de troyes era primo em primeiro grau do Rei Balduíno, de Jerusalém, da Casa de Anjou. -/- Wolfram Schenbach cita Kyot de Provence, identificado como Guiot de Provins, como sendo sua fonte (319). Historicamente, Guiot foi um autor renomado e popular em sua época, monge e porta voz dos Templários, que escreveu, desde canções de amor, a críticas à Igreja e também canções de adoração ao Templo, o que parece indicar uma origem judaica. Segundo Wolfram, kyot encontrou na cidade de Toledo (320) um antigo manuscrito escrito por Flegetanis, um judeu forçado ao batismo cristão, contendo a história “daquilo que era chamado Graal”, esse é um ponto importante quando entendemos que estamos lidando com uma tradição judaica e não cristã. Depois de ler o manuscrito, Kyot passa a investigar alguns dados nele contido, em vários centros da Europa, buscando principalmente as obras de escrita latina, encontrando finalmente, na França, nos anais da Casa de Anjou (321) ; a história de Mazadan e o registro de sua família (322). -/- O que essa informação quer nos dizer, nas entrelinhas, é que os registros familiares de Mazadan, foram reconhecidos como sendo os mesmos dos manuscritos de Flegetanis, no entanto, alguns estudiosos de “Parzival” dão como não confiável a referência ao personagem Kyot de Provence, não o identificando a Guiot de Provins (323), talvez porque Wolfram não faz qualquer referência ao poeta até o livro oito, para, abruptamente, citá-lo no livro nove, onde explica toda a história. Quero dizer que a referência feita no livro nove e não antes, como seria habitual, denota um antigo simbolismo judaico de utilizar o algarismo “nove” como expressão da verdade (324), veja, por exemplo, a fundação da Ordem do Templo por simbólicos “nove” cavaleiros, não mais, não menos. Das obras, portanto, sobre o romance do Graal, aquela que merece estudo e investigação é Parzival, se quisermos um motivo dentre tantos, a “coisa” que os outros autores chamam Graal, Wolfram não denomina “cálice”, mas “pedra”. -/- William: Lancio; pensei ter entendido quando você falou sobre o simbolismo do cálice associado ao romance do Graal. Mas agora estou confuso, quando diz que o cálice foi um motivo cristão adaptado a essa tradição e a que merece estudo e investigação é aquela em que o Graal não é simbolizado pelo cálice e sim por uma pedra. -/- Lancio: William, quando falamos ou escrevemos sobre simbolismo, o discurso ganha muitas e diferentes interpretações e todas estarão sempre em conformidade com a capacidade daqueles ou daquelas que nos ouvem ou nos leem, mas, todos aqueles que forem além da leitura ou do simples ouvir, questionarão e esses saberão mais. Quando me referi ao cálice como símbolo, associando-o à tradição do Graal, o fiz como ilustração simbólica a uma ritualística, nesse caso; o cálice é aquele que toma variadas formas, que é maleável a diversas leituras e interpretações, que é histórico e é judeu, não é fábula e por isso é também pedra. -/- William: desculpe, Lancio, eu continuo sem entender. A que cálice que também é pedra você se refere? -/- Lancio: o mesmo símbolo que sempre representou a tradição do Graal, não em Robert de Boron, mas em Wolfram Schenbach. Novamente, William, o cálice, antes de ser um símbolo cristão pela fábula de José de Arimatéia, é um símbolo judaico e quando discorri sobre esse simbolismo, era o cálice judaico ou o que se designou chamar de cálice, que Wolfram chamou de “pedra”, o símbolo em questão. -/- William: por maior esforço de memória, eu não consigo compreender a substituição de cálice por pedra dentro do mesmo simbolismo. Quando você deu o exemplo do coração como cálice, sim, é passível de entendimento, mas substituir o coração por pedra e manter o mesmo significado simbólico? -/- Lancio: a dúvida corajosa é a boa dúvida e isso em qualquer disciplina, por ser ela capaz de provocar perguntas capitais. Em poucas palavras, com o que já ouviu; você será capaz de entender o simbolismo do cálice. Primeiro devemos buscar, nas tradições judaicas, um ato ritualístico em que o cálice participe e não é difícil encontrá-lo, pois há no seio do judaísmo uma tradição em que o cálice ou vaso de ouro, como também é chamado, participa, refere-se ao sacrifício das frutas frescas, (omer), contudo, esse simbolismo em que está inscrito o cálice, nada diz à nossa investigação, é uma tradição judaica e nela se encerra, mas não podemos dizer o mesmo da sua representação nas moedas cunhadas pelos seguidores de Judas, o Galileu, quando estes tomaram Jerusalém e o Templo em 66 DC, dando início à primeira revolta contra Roma, proporcionando ao reino judeu, um breve período independência (326). Assim, torna-se ele, o cálice, símbolo daquela revolta e mais do que isso, torna-se o cálice um símbolo em si mesmo, capaz de servir à lembrança e à memória. Quando fiz referência ao simbolismo do cálice, era a esse simbolismo que me reportava e quanto à sua metamorfose em pedra, falarei agora. -/- Wolfram chama aquilo que representa o Graal, não de “cálice”, mas de “lapsit exiliis”, cuja tradução, apesar dos esforços de pesquisa e imaginação, definitivamente não está resolvida. -/- O nome “lapsit exillis” reúne assim como o nome “Lazalies”, “Mazadan” ou “Terdelaschoye”, um sentido propositadamente ambíguo, por isso há sempre dificuldade quanto a seu estudo (337), se é possível encontrar um tímido consenso sobre o significado da palavra lapsit, como sendo “pedra”, no que se refere à palavra composta, entretanto, não há consenso algum quanto ao significado, sendo muitas e corajosas, as interpretações que se tem buscado dar, inclusive com o sentido de “pedra do exílio” ou “pedra exilada”(338), que embora esteja no cesto das interpretações fantasiosas, devo dizer que não deveria, porque “pedra” é uma palavra largamente utilizada nos escritos judaicos com sentido além do literal, significando família, isso é possível devido a composição das palavras na língua hebraica, constituídas em sua maioria por duas ou mais palavras menores, assim pedra, “even”, soletrado, alef, beit, nun, é um acrônimo para av - ben, que significa “pai e filho”, representando a palavra pedra, esse conceito. -/- Esse simbolismo permeia toda a literatura judaica cristã (339). Quando, por exemplo, se diz em determinado versículo que Jacob pegou “pedras” e colocou sob sua cabeça como travesseiro e em outro versículo que Jacob ao acordar tirou a “pedra”, no singular, que tinha posto anteriormente sob sua cabeça; isso revela uma aparente discrepância, no entanto, isso significa, à luz dos intérpretes da Lei, que as “pedras”,no plural, significam os 12 filhos de Jacob, as 12 tribos de Israel que se fundiram em um só povo, uma só nação, uma só “pedra.”(340) Portanto, chamar o Graal por “lapsit exiliis” ou “pedra exilada” ou “pedra do exílio” ou ainda “pedra no exílio”, pelo simbolismo hebreu, significa o mesmo que dizer; família exilada, família do exílio ou família no exílio, termo aplicável ao povo judeu em geral e às famílias judias em particular, mas por ser o romance do Graal uma tradição relacionada a uma família específica, é a essa família que devemos buscar. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:This Universalism Which Is Not OneLinda M. G. Zerilli (bio)Ernesto Laclau. Emancipation(s). London: Verso, 1996.Judging from the recent spate of publications devoted to the question of the universal, it appears that, in the view of some critics, we are witnessing a reevaluation of its dismantling in twentieth-century thought. One of the many oddities about this “return of the universal” 1 is the idea that contemporary engagements with it are (...) more or less of a piece, and that they reflect a growing consensus that poststructuralist political theories are incapable of generating a viable alternative to the collective fragmentation that characterizes late modernity. 2 The putative return to the universal marks, on this view, both a homecoming to Enlightenment ideals—purified of their more poisonous elements, of course—and a reconciliation of sorts between those who refuted these ideals and those who sought to realize them. Now that “we” all know and agree that poststructuralism is critically valuable but politically bankrupt; now that we all know and agree that the “old universal” was indeed a “pseudo-universal,” so the homecoming narrative goes; we can get on with the project of constructing a “new universal.” 3 This authentic universal would really be inclusive of all people, regardless of race, class, gender, sexuality, ethnicity, nationality, and whatever else attaches to the “embarrassing etcetera” that, as Judith [End Page 3] Butler reminds us, inevitably accompanies such gestures of acknowledging human diversity.Before signing on to this felicitous agreement about “the necessity of universalism,” we may wish to know whether we have anything like a minimal agreement in language, that is, whether we who speak of this universal are even speaking about the same thing. Apart from the not insignificant problem of translating from a philosophical to a political idiom, the whole question of this agreement is virtually occluded by the rush to rescue politics from the virulent particularisms that admit no common ground or sense of collective belonging. Presented in terms of the familiar binary couple, the choice between universalism and particularism seems settled by merely pointing to global and domestic political realities. Universalism is the only alternative to social fragmentation, wild child of the collapse of communism, the rise of deadly nationalisms, and the multiculturalist romance with particularism. To invoke the name of the universal in any affirmative sense is already to sign on to the political diagnosis and its solution.One of the many virtues of Ernesto Laclau’s Emancipation(s) is that it offers both an alternative to the binarisms spawned by the “return” to the universal (for example, false universalism/true universalism) and a trenchant critique of the original binary couple itself (universalism/ particularism). Demonstrating the imbrication of the universal and the particular, Laclau shows why it is a matter not of choosing one over the other but of articulating, in a scrupulously political sense, the relation between the two. He thus explicitly rejects the notion that this relation is one of mutual exclusion, and shows that the tendency to see it as just that has led to the impasse of the contemporary debate, an impasse that is glossed over in some highly visible academic cases by proclaiming the necessary return to the universal. Although the language of universalism as spoken by Laclau searches for some common ground between particularists and universalists, it is more by way of articulating their mutual contamination, that is, how each is rendered impure by the irreducible presence of the other.The Problem of UniversalsLaclau situates his collection of essays in the context of the increasingly polarized debate over multiculturalism, a debate in which the classical universalism of the philosophical tradition has come under serious question. Reading his essays, one comes to see the deep dependence of the entire contemporary discussion on this tradition, even when its metaphysical assumptions are explicitly rejected (as, say, in the work of Seyla Benhabib) or insufficiently comprehended (as in most of the popularized political discourse). Laclau’s book can help us to see that the political question of universalism cannot be posed properly as long as it remains tethered to the classical philosophical “problem of universals.” At stake in sorting out the affinities and... (shrink)

Is the history of philosophy primarily a contribution to PHILOSOPHY or primarily a contribution to HISTORY? This paper is primarily contribution to history (specifically the history of New Zealand) but although the history of philosophy has been big in New Zealand, most NZ philosophers with a historical bent are primarily interested in the history of philosophy as a contribution to philosophy. My essay focuses on two questions: 1) How did New Zealand philosophy get to be so good? And why, given (...) that is so good (a point I am at pains to establish), has it apparently had so slight a cultural impact within New Zealand itself? Did we get the wrong Anderson – the uninspiring William, who was Professor at Auckland, rather than his talented younger brother John, who had such a huge cultural influence as Professor of Philosophy at Sydney? Perhaps but that can only be part of the story since we managed to attract even bigger stars, (notably Karl Popper) as well as breeding bigger talents of our own (Prior, Baier, Bennett, Mulgan, Hursthouse, Waldron and many more). Do we export our best talent? Sometimes – but the stars that stay and the stars who arrive don’t seem to have much impact in New Zealand itself however brightly they shine in the international philosophical firmament. Is it too esoteric? Perhaps, but esoteric philosophy can still have a cultural impact, witness, Moore, Popper and the younger Anderson. Is it, like many of New Zealand’s cultural products (from romance novels to movies), primarily intended for an international audience? That’s a large part of the answer but only a part. Another part of the answer is that philosophy HAS had a cultural impact but that impact is not readily apparent. For NZ philosophers have been less keen to push their ideological barrows and more keen to produce critical thinkers, and critical thinkers don’t all think alike. The logician George Hughes was apparently a life-changing teacher not because he had a nostrum but because he taught people to think. As one of his students said ‘the only ism you believe in is the syllogism’. On the whole the history of New Zealand Philosphy is a ‘From Log Cabin to White House’ tale, ‘From colonial obscurity through struggle and adversity to philosophical excellence’. But there are shadows in the picture. Some departments have nearly come to grief through bureaucratic and political misadventures, and it is hard to resist the suspicion that there is often an element of hostility to philosophers on the part of both university bureaucrats and fellow-academics. I speculate as to why this is the case (we are too argumentative and don’t confine our argumentative tendencies to the cloister) but conclude with some upbeat reflections. on the future of New Zealand Philosophy. (shrink)

The current image of Georg Lukács (1885-1971) is widely swayed by an interpretative standard grounded on a deep partition between his young (1910-1918),intermediate (1918-1930) and mature (1930-1971) intellectual production. Despite rejecting an undeniable discontinuity in Lukács’ philosophical evolution,especially between his pre-Marxist works (The Soul and the Forms and Theory of Romance) and the post-1918 Marxist production, I aim for a global reconsideration of Lukács’ philosophy, evaluating a greater unity in his thought. A reflection on ethical problems, specifically on the (...) matter of responsibility, emerges – and not by chance – during different turning points of Lukács’ personal life. On the poverty of Spirit (1913), Tactic and Ethic (1918) and The social responsibility of the philosopher (1960 ca.) are the three essays in which Lukács attempts in different ways to give a philosophical legitimation of some decisive biographical choices, such as his separation from Irma Seidler (1911), his adhesion to the Communist Party (1918) and his acceptance of Socialism, even after the dramatic events of Budapest in 1956. A more unitary consideration of Lukács’ thought could be reached only through a deeper reflection on the content of the ethical problem of responsibility in his thinking. Despite their differences, the essays mentioned above are united in terms of the meaning of a true responsibility,which Lukács conceives always in a direct connection – maybe in an excessively binding way ‒ between individual choice and the course of history. (shrink)

Compartmentalizing our distinct personal identities is increasingly difficult in big data reality. Pictures of the person we were on past vacations resurface in employers’ Google searches; LinkedIn which exhibits our income level is increasingly used as a dating web site. Whether on vacation, at work, or seeking romance, our digital selves stream together. One result is that a perennial ethical question about personal identity has spilled out of philosophy departments and into the real world. Ought we possess one, unified (...) identity that coherently integrates the various aspects of our lives, or, incarnate deeply distinct selves suited to different occasions and contexts? At bottom, are we one, or many? The question is not only palpable today, but also urgent because if a decision is not made by us, the forces of big data and surveillance capitalism will make it for us by compelling unity. Speaking in favor of the big data tendency, Facebook’s Mark Zuckerberg promotes the ethics of an integrated identity, a single version of selfhood maintained across diverse contexts and human relationships. This essay goes in the other direction by sketching two ethical frameworks arranged to defend our compartmentalized identities, which amounts to promoting the dis-integration of our selves. One framework connects with natural law, the other with language, and both aim to create a sense of selfhood that breaks away from its own past, and from the unifying powers of big data technology. (shrink)

Esta pesquisa tenciona apreender a moda das roupas, e afins, na obra de Marcel Proust, À la Recherche du temps perdu. Este escopo desdobra-se num exame sobre a fundação da estética proustiana da moda das roupas, assim como no exame acerca da história das roupas e sua função identitária, e no exame das vestimentas de importantes personagens femininas. O pensamento de Gilles Deleuze mostra-se presente em diversas etapas do trabalho, colaborando na costura do vestido proustiano. -/- This research intends to (...) capture the fashion of clothes and related subjects in the Marcel Prousts romance À la Recherche du temps perdu. The scope of this work is unfolded in an investigation on the foundations of the Proustian clothing fashions aesthetic, as well as the examination about the history of clothing and their identity role, and as well as the garments of important female characters. Ideas of Gilles Deleuze show up at various stages of this research, collaborating in Proustian fashion dress. (shrink)

The Blood of Others begins at the bedside of a mortally wounded Résistance fighter named Hélène Bertrand. We encounter her from the point of view of Jean Blomart, her friend and lover, who recounts the story of their relationship : their first meeting, unhappy romance, bitter breakup, and eventual reunion as fellow fighters for the liberation of occupied France. The novel invites the reader to interpret Hélène and Jean’s story as one of positive ethical development. On this progressive reading, (...) although both characters are initially mired in bad faith and ethical irresponsibility, they ultimately transform themselves into ethically exemplary figures. Through their participation in violent political resistance against the occupation, they recognize their responsibility to humanity and actualize that responsibility in the form of positive political engagement. I will argue, on the contrary, that Jean and Hélène exhibit a unique form of bad faith that Beauvoir identifies in The Ethics of Ambiguity, a dangerous form of bad faith, distinct from the Sartrean conception, that promotes the indiscriminate use of violence for political ends. (shrink)

A primary dimension of our engagement with fictional works of art – paradigmatically literary, dramatic, and cinematic narratives – is figuring out what is true in such representations, what the facts are in the fictional world. These facts include not only those that ground any genuine understanding of a story – say, that it was his own father whom Oedipus killed – but also those that may be missed in even a largely competent reading, say, that Emma Bovary's desires and (...) dissatisfactions are fed by reading romance novels. (shrink)

Giovanni Pico della Mirandola was (probably) poisoned by his secretary, Cristoforo da Casalmaggiore, as Marin Sanudo testifies in his Diarii. After Pico’s remains exhumation, some years ago, it was also supposed that the main responsible of the poisoning was Marsilio Ficino. The purpose of this paper is to trace the ‘romance’ sources of this strange supposition.

Baseado na perspectiva da geofilosofia de Deleuze e Guattari em um processo que se sobrepõe à relação envolvendo sujeito e objeto enquanto fronteira do pensamento e que implica o pensamento como desdobramento de uma violência e as formações genealógicas do saber, o artigo se detém na análise do paradoxal mundo do Instituto Benjamenta em uma construção fílmica adaptada do romance Jakob von Gunten, de Robert Walser, que encerra um movimento que traz como conteúdo a matéria que se impõe ao (...) caos imanente e converge para o horizonte que abrange Arte, Filosofia e Ciência. Dessa forma, convergindo para a questão que encerra a imagem ortodoxa, dogmática, pré-filosófica, natural e moral do pensamento, o artigo recorre ao filme Instituto Benjamenta enquanto construção que assinala a intersecção de séries infinitas de imagens de pensamento que escapam ao horizonte da circunscrição da visualidade através de inter-relações ilimitadas que emergem carregadas de complexidade em um processo que defende a superação das imagens dogmáticas do pensamento e da mera exposição do conteúdo do arcabouço histórico do pensamento enquanto objeto que tende à reprodução de ideias e noções e implica a “repetição” de interpretações na relação de ensino e aprendizagem, impedindo o exercício de criação de conceitos, característica da Filosofia, segundo Deleuze, convergindo para a necessidade da instauração de uma experiência capaz de viabilizar a emergência do “novo” através das possibilidades suscitadas no acontecimento da construção do conhecimento. (shrink)

Poetry is a literary work of two different worlds, the ideal world and the factual world. This research describes the ideal world and the factual world, gap/opposition or equivalent. The method is descriptive qualitative. The research results showed an equivalent and opposition in the poetry of Surat Cinta (love letter) by WS Rendra. The equivalent is seen in the aspects of romance leading to: (1) passion, (2) love, (3) remembered and thought in the heart, (4) restless, (5) worried, and (...) (6) sad. Whereas, the opposition is seen in the aspect of expression in the form of: (1) thoughts with feelings, (2) men with women, (3) love with grief, and (4) sweetly with bitterly. The equivalent and opposition in the poetry of Surat Cinta by WS Rendra as a whole build the integrity of meaning in poetry. (shrink)