Results for 'Stanislav Bilyuga'

10 found
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  1. Economic Development, Sociopolitical Destabilization and Inequality.Leonid Grinin, Andrey Korotayev, Kira Meshcherina, Stanislav Bilyuga & Alisa Shishkina - 2017 - Russian Sociological Review 16 (3):9-35.
    In the 1960s Mancur Olson and Samuel Huntington suggested that the positive correlation between per capita income and the level of sociopolitical destabilization that they detected for low and middle income countries might be partly accounted for by the growth of the inequality associated with the economic and technological development in these countries. The empirical tests we perform generally support this hypothesis, but they also identify certain limits for such an explanation. Our tests reveal for low and middle income countries (...)
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  2. La Tierra según Stanislav Lem.Enrique Morata - 2014 - Bubok.
    Comentario de "Solaris" de Stanislav Lem.
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  3. Discussions on Pagan Theology in the Academia and in the Pagan Community.Stanislav Panin - 2015 - Mediterranean Journal of Social Sciences 6 (3 S1):602-606.
    A concept of Pagan Theology has been producing a number of discussions throughout the last decade and particularly in the last few years both inside and outside Pagan community. In this paper, the author analyzes three aspects of the phenomenon of Pagan Theology and discussions emerged around it. The first aspect is the genesis of the idea of Pagan Theology. It includes an examination of academic and religious roots of this research programme. The second aspect is a view on Pagan (...)
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  4. Eranos Strikes Back: Alternatives to the Hanegraaff’s Approach in the Study of Esotericism.Stanislav Panin - 2014 - European Journal of Science and Theology 10 (6):1-7.
    In this article, the author analyzes dominating contemporary approaches to the study of esotericism including those of W. Hanegraaff that is popular today among European scholars and its alternatives developing in the USA and the United Kingdom. The author argues that these methodologies should be understood as competitive „research programmes‟ inside the complex field of the academic study of esotericism and can‟t be described in terms of „old‟ and „new‟ paradigms like Hanegraaff tends to do it.
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  5. Insider and the Academia: The Past and the Future of “Going Native in Reverse” in the Study of Esotericism.Stanislav Panin - 2015 - Aliter (5):3-9.
    The concept of “going native in reverse” reflects the fact that nowadays more and more people involved in new religious movements and esoteric groups participate in academic activities related to the study of religion in general and particularly in the study of their movements. On the one hand, these people bring insider’s perspective in the academia. On the other hand, they bring academic knowledge and critical mind in esoteric community and change it. This situation seems to be a positive tendency (...)
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  6. Solaris, Directed by Andrei Tarkovsky - Psychological and Philosophical Aspects.Nicolae Sfetcu - manuscript
    About the main psychological and philosophical aspects detached from the film Solaris directed by Andrei Tarkovski, as well as the cinema techniques used by the director to convey his messages to the spectator. In the "Introduction" I briefly present the relevant elements of Tarkovski's biography and an overview of Stanislav Lem's Solaris novel and the film Solaris directed by Andrei Tarkovsky. In "Cinema Technique" I talk about the specific rhythm of the scenes, the radical movement triggered by Tarkovsky in (...)
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  7. Filmul Solaris, regia Andrei Tarkovsky – Aspecte psihologice și filosofice.Nicolae Sfetcu - manuscript
    În acest eseu evidențiez principalele aspecte psihologice și filosofice desprinse din filmul Solaris regizat de Andrei Tarkovski, precum și tehnicile cinematografice utilizate de regizor pentru a-și transmite mesajele spectatorului. În ”Introducere” prezint pe scurt elementele relevante din biografia lui Tarkovski și o prezentare generală a romanului Solaris a lui Stanislav Lem și filmul Solaris în regia lui Andrei Tarkovsky. În ”Tehnica cinematografică” vorbesc despre ritmul specific al scenelor, mișcarea radicală declanșată de Tarkovsky în cinematografia modernă, rolul elementelor simbolice și (...)
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  8. Field Creativity and Post-Anthropocentrism.Stanislav Roudavski - 2016 - Digital Creativity 27 (1):7-23.
    Can matter, things, nonhuman organisms, technologies, tools and machines, biota or institutions be seen as creative? How does such creativity reposition the visionary activities of humans? This article is an elaboration of such questions as well as an attempt at a partial response. It was written as an editorial for the special issue of the Digital Creativity journal that interrogates the conception of Post-Anthropocentric Creativity. However, the text below is a rather unconventional editorial. It does not attempt to provide an (...)
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  9.  89
    Review of Listening Into the Heart of Things-on MDMA and LSD by Samuel Widmer (1989).Michael Starks - 2016 - In Suicidal Utopian Delusions in the 21st Century: Philosophy, Human Nature and the Collapse of Civilization-- Articles and Reviews 2006-2017 2nd Edition Feb 2018. Henderson,NV, USA: Michael Starks. pp. 573-575.
    This is an early volume from a much respected psychedelic psychotherapist. He has written several other books since this one but until recently none of his books were on Amazon and still you can only find a German edition and a Spanish one (from 1993) but no English one (except a couple used copies). This is sad since these drugs have enormous therapeutic potential but afaik government suppression still prevents their use. The most interesting and readable parts are the case (...)
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  10.  17
    Le film Solaris, réalisé par Andrei Tarkovski - Aspects psychologiques et philosophiques.Nicolae Sfetcu - 2020 - Drobeta Turnu Severin: MultiMedia Publishing.
    Les principaux aspects psychologiques et philosophiques détachés du film Solaris réalisé par Andrei Tarkovski, ainsi que les techniques cinématographiques utilisées par le réalisateur pour transmettre ses messages aux spectateurs. Dans « Introduction », je présente brièvement les éléments pertinents de la biographie de Tarkovski et un aperçu du roman Solaris de Stanislav Lem et du film Solaris réalisé par Andrei Tarkovsky. Dans « Technique cinématographique », je parle du rythme spécifique des scènes, du mouvement radical déclenché par Tarkovski dans (...)
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