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  1. “Man-Machines and Embodiment: From Cartesian Physiology to Claude Bernard’s ‘Living Machine’”.Charles T. Wolfe & Philippe Huneman - forthcoming - In Justin E. H. Smith (ed.), Embodiment, Oxford Philosophical Concepts. Oxford University Press.
    A common and enduring early modern intuition is that materialists reduce organisms in general and human beings in particular to automata. Wasn’t a famous book of the time entitled L’Homme-Machine? In fact, the machine is employed as an analogy, and there was a specifically materialist form of embodiment, in which the body is not reduced to an inanimate machine, but is conceived as an affective, flesh-and-blood entity. We discuss how mechanist and vitalist models of organism exist in a more complementary (...)
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Auguste Comte
  1. Franz Brentano and Auguste Comte's Positive Philosophy.Denis Fisette - 2018 - Brentano Studien 16 (1):69-106.
    My aim in this study is to show that the philosophical program elaborated by Brentano in his Psychology is largely indebted to the research conducted by Brentano on British empiricism and Comte's positive philosophy at Würzburg. This research represents the starting point of, and backdrop to, the project for philosophy as science, which is at the heart of his Psychology, and sheds new light on the philosophical stakes of many debates he leads in that work. Furthermore, Brentano's research informs us (...)
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  2. Alexandre Joseph Hidulphe Vincent on George Gemistos Plethon.Katelis Viglas - 2012 - Anistoriton Journal of History, Archaeology and ArtHistory 13 (1):1-12.
    George Gemistos Plethon’s work in all its dimensions has attracted many scholars across the ages. One of those scholars was Alexandre Joseph Hidulphe Vincent, a French mathematician and erudite, who in the first and the only critical edition of Plethon’s Book of Laws by C. Alexandre in the nineteenth century, added three notes on his calendar, metrics and music, as he could reconstruct them from the ancient text. Vincent’s calculations were dictated by the main scientific thought of his time, which (...)
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19th Century French Philosophy, Misc
  1. La democracia tocquevilliana: entre el dualismo y la dialéctica de la libertad.Andrés Stark Azócar - 2016 - Estudios Filosóficos:311-322.
    For Alexis de Tocqueville, a faithful son of the Enlightenment, the priority given to the individual in the pursuit of truth represents the starting point of an inexorable march of equality towards individual autonomy. In other words, in agreement with the historicist movements of the 19th Century, Tocqueville interprets history as a dialectical progress: History understood as progress in the Hegelian sense, whose becoming unfolds in virtue of a steady and unalterable progress towards a better society-civilization as a creation of (...)
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  2. Mechanical Neuroscience: Emil du Bois-Reymond’s Innovations in Theory and Practice.Gabriel Finkelstein - 2015 - Frontiers 9 (130):1-4.
    Summary of the major innovations of Emil du Bois-Reymond (1818-1896).
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  3. A Chronicle of Pragmatism in France Before 1907: William James in Renouvier’s Critique Philosophique.Mathias Girel - 2007 - In Sergio Franzese (ed.), Fringes of Religious Experience, Cross-Perspectives on James’s The Varieties of Religious Experience. Ontos Verlag. pp. 169-200.
    In this paper, I'm giving an account of William James's reception in the columns of Charles Renouvier's journal, La Critique philosophique. The papers explores the discussions between James and Renouvier on Free Will, Philosophical systems, Consciousness and Pluralism.
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  4. La temporalidad como estructura de L'Action (1893) de Maurice Blondel.Patricio Agustín Perkins - 2010 - Tópicos 19:65-81.
    El trabajo analiza la estructura de L'Action (1893) del filósofo francés Maurice Blondel en tres niveles diferentes según el modelo de la configuración triádica de la temporalidad. El primer nivel está implícito en la analítica de la acción llevada a cabo en la Introduction a la obra; el segundo nivel se identifica con el análisis de la pasividad del primer momento de la cuarta parte; el tercer nivel abarca la obra considerada en su globalidad, extendiéndose a la problemática del fenómeno (...)
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