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  1. Ethical consensus and the truth of laughter: the structure of moral transformations.Hub Zwart - 1996 - Kampen, The Netherlands: Kok Pharos Pub. House.
    There are several strategies for exposing the defects of established moral discourse, one of which is critical argumentation. However, under certain specific historical circumstances, the apparent self-evidence of established moral discourse has gained such dominance, such a capacity of resistance or incorporation, such an ability to conceal its basic vulnerability that its validity simply seems beyond contestation. Notwithstanding the moral subject’s basic discontent, he or she remains unable to challenge the dominant discourse effectively by means of critical argument. Or, to (...)
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  • (1 other version)Narrative closure.Noël Carroll - 2007 - Philosophical Studies 135 (1):1 - 15.
    In this article, “Narrative Closure,” a theory of the nature of narrative closure is developed. Narrative closure is identified as the phenomenological feeling of finality that is generated when all the questions saliently posed by the narrative are answered. The article also includes a discussion of the intelligibility of attributing questions to narratives as well as a discussion of the mechanisms that achieve this. The article concludes by addressing certain recent criticisms of the view of narrative expounded by this article.
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  • Epistemic and Aesthetic Conflict.Zoe Jenkin - 2023 - British Journal of Aesthetics 63 (4):457-479.
    Do epistemic and aesthetic values ever conflict? The answer might appear to be no, given that background knowledge generally enhances aesthetic experience, and aesthetic experience in turn generates new knowledge. As Keats writes, ‘Beauty is truth, truth beauty’ (Keats, 1996). Contra this line of thought, I argue that epistemic and aesthetic values can conflict when we over-rely on aesthetically enhancing background beliefs. The true and the beautiful can pull in different directions, forcing us to choose between flavours of normativity.
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  • Transgenerational Social Structures and Fictional Actors: Community-Based Responsibility for Future Generations.Tiziana Andina & Fausto Corvino - 2023 - The Monist 106 (2):150-164.
    The notion of transgenerational community is usually based on two diachronic interactions. The first interaction consists of present generations taking up the legacy (not only economic, but also institutional, artistic, cultural, and so forth) of past generations and giving it continuity, exercising a form of active agency. The second interaction occurs when present generations pass on their legacy to future generations. This is supposed to expand the boundaries of the community in a transgenerational sense (both backward- and forward-looking). In this (...)
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  • Virtues and vices – between ethics and epistemology.Nenad Cekić (ed.) - 2023 - Belgrade: Faculty of Philosophy, University of Belgrade.
    The statement everyone wants to live a fulfilled and happy life may seem simple, self-evident, and even trivial at first glance. However, upon closer philosophical analysis, can we unequivocally assert that people are truly focused on well-being? Assuming they are, the question becomes: what guidelines should be followed and how should one behave in order to achieve true well-being and attain their goals? One popular viewpoint is that cultivating moral virtues and personal qualities is essential for a life of "true" (...)
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  • Forms of enlightenment in art.Brian R. Nelson - 2010 - Cambridge, England: Open Angle Books.
    Mimesis and the portrayal of reflective life in action : Aristotle's Poetics and Sophocles' Oedipus the King -- The portrayal of reflective life in action in poetry : Shakespeare's dramatization of the poet in Sonnets 1-126 -- The portrayal of reflective life in action in music : Bach's Prelude and Fugue in B flat minor (The Well-Tempered Clavier, Book 1) and Beethoven's String Quartet in A minor, opus 132 -- The portrayal of reflective life in action in painting : discovery (...)
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  • Do Political Convictions Infect Every Fibre of Our Being?Joseph Ulatowski & David Lumsden - 2024 - Social Epistemology 38 (5):560-576.
    1. The current political scene in many countries is populated by polarised groups with sharply contrasting loyalties and beliefs implying that there are fundamental schisms between opposing groups....
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  • The Aesthetics of Crossword Puzzles.Robbie Kubala - 2023 - British Journal of Aesthetics 63 (3):381-394.
    This paper develops an aesthetics of crossword puzzles. I present a taxonomy of crosswords in the Anglophone world and argue that there are three distinct sources of aesthetic value in crosswords. First, and in common with other puzzles, crosswords merit aesthetic experiences of our own agency: paradigmatically, the aesthetic experience of struggling for and hitting upon the right solution. In addition to instantiating the aesthetic value of puzzles in general, crosswords in particular can have two other sources of aesthetic value: (...)
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  • What is self-narrative?Regina E. Fabry - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy.
    In recent years, philosophers of mind have explored the relationship between lived embodied experiences and self-narratives in bringing about a sense of self. This relationship has been vividly debated, with no consensus in the field. While some have argued that lived embodied experiences influence, but are not influenced by, self-narratives, others have maintained that lived embodied experiences and self-narratives influence each other across time. However, the very concept of ‘self-narrative’ and its scope of application has remained underspecified. The debate, I (...)
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  • The Narrative Characteristics of Images.Hannah Fasnacht - 2023 - British Journal of Aesthetics 63 (1):1-23.
    While much has been written about verbal narratives, we still lack a clear account of what makes images narrative. I argue that there are narrative characteristics of images and show this with examples of single images. The argument proceeds in three steps. First, I propose that from a semantic perspective, the following two characteristics are necessary for an image to be narrative: a representation of an event and a representation of time. Second, I argue that there are paradigmatic characteristics, such (...)
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  • A comparative study of multi-modal metaphors in food advertisements.Yuan Liang & Guirong Kou - 2022 - Semiotica 2022 (249):275-291.
    Multi-modal metaphor is a new perspective in metaphor research developed in modern times. Beyond the metaphor research of language, it combines text, image, sound, and other modes and provides new insights and perspectives for metaphor research. Food advertisements often combine sound, images, and other forms to promote the products and increase consumers’ desire to buy, and they often contain metaphors of multiple modes. However, under the perspective of cross-cultural research, when the same food brand is advertised in different countries, the (...)
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  • Assessing the Ethos Theory of Music.James O. Young - 2021 - Disputatio 13 (62):283-297.
    The view that music can have a positive or negative effect on a person’s character has been defended throughout the history of philosophy. This paper traces some of the history of the ethos theory and identifies a version of the theory that could be true. This version of the theory can be traced to Plato and Aristotle and was given a clear statement by Herbert Spencer in the nineteenth century. The paper then examines some of the empirical literature on how (...)
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  • The Poetic as an Aesthetic Category.Uriah Kriegel - 2023 - Journal of Aesthetics and Art Criticism 81 (1):46-56.
    Poems are not the only things we sometimes call poetic. We experience as poetic also prose passages, as well as films, music, visual art, and even occurrences in daily life. But what is it exactly for something to be poetic in this wider sense? Discussion of the poetic in this sense is virtually nonexistent in the extant analytic literature. The aim of this article is to get a start on trying to come to grips with this phenomenon—the poetic as an (...)
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  • Scholastic Humor: Ready Wit as a Virtue in Theory and Practice.Boaz Faraday Schuman - 2022 - History of Philosophy Quarterly 39 (2):113-129.
    Scholastic philosophers can be quite funny. What’s more, they have good reason to be: Aristotle himself lists ready wit (eutrapelia) among the virtues, as a mean between excessive humor and its defect. Here, I assess Scholastic discussions of humor in theory, before turning to examples of it in practice. The last and finest of these is a joke, hitherto unacknowledged, which Aquinas makes in his famous Five Ways. Along the way, we’ll see (i) that the history of philosophy is not (...)
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  • Balance or Propel? Philosophy and the Value of Unpleasantness.Filippo Contesi - 2022 - Journal of Philosophy of Emotion 3 (2):10-18.
    In Propelled, Elpidorou persuasively argues that the three prima facie undesirable conditions of boredom, frustration and anticipation are, in fact, importantly valuable to human life. His method is an interesting combination of existentialist explorations and reporting of cognitive science research, all written in a style more friendly to the analytic-philosophical tradition. However, I argue, the book’s precision and depth of philosophical analysis have some limitations. This is so in two main respects: first, in the relative lack of discussion of important (...)
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  • (1 other version)Aesthetic Truth Through the Ages: A Lonerganian Theory of Art History.Ryan Michael Miller - 2020 - Proceedings of the American Catholic Philosophical Association 94:139-151.
    Classical authors were generally artistic realists. The predominant aesthetic theory was mimesis, which saw the truth of art as its successful representation of reality. High modernists rejected this aesthetic theory as lifeless, seeing the truth of art as its subjective expression. This impasse has serious consequences for both the Church and the public square. Moving forward requires both, first, an appreciation of the strengths and weaknesses of the high modernist critique of classical mimetic theory, and, second, a theory of truth (...)
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  • Informal Logic: A 'Canadian' Approach to Argument.Federico Puppo (ed.) - 2019 - Windsor, Canada: Windsor Studies in Argumentation.
    The informal logic movement began as an attempt to develop – and teach – an alternative logic which can account for the real life arguing that surrounds us in our daily lives – in newspapers and the popular media, political and social commentary, advertising, and interpersonal exchange. The movement was rooted in research and discussion in Canada and especially at the University of Windsor, and has become a branch of argumentation theory which intersects with related traditions and approaches (notably formal (...)
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  • Figuration: A Philosophy of Dance.Joshua M. Hall - 2012 - Dissertation, Vanderbilt University
    Dance receives relatively little attention in the history of philosophy. My strategy for connecting that history to dance consists in tracing a genealogy of its dance-relevant moments. In preparation, I perform a phenomenological analysis of my own eighteen years of dance experience, in order to generate a small cluster of central concepts or “Moves” for elucidating dance. At this genealogical-phenomenological intersection, I find what I term “positure” most helpfully treated in Plato, Aristotle and Nietzsche; “gesture” similarly in Condillac, Mead and (...)
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  • Kantian Beauty, Fractals, and Universal Community.C. E. Emmer - 2019 - Dialogue and Universalism 29 (2):65-80.
    Benoit B. Mandelbrot, when discussing the global appeal of fractal patterns and designs, draws upon examples from across numerous world cultures. What may be missed in Mandelbrot's presentation is Immanuel Kant’s precedence in recognizing this sort of widespread beauty in art and nature, fractals avant la lettre. More importantly, the idea of the fractal may itself assist the aesthetic attitude which Kantian beauty requires. In addition, from a Kantian perspective, fractal patterns may offer a source for a sense of community (...)
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  • Inquiries into Cognition: Wittgenstein’s Language-Games and Peirce’s Semeiosis for the Philosophy of Cognition.Andrey Pukhaev - 2013 - Dissertation, Gregorian University
    SUMMARY Major theories of philosophical psychology and philosophy of mind are examined on the basis of the fundamental questions of ontology, metaphysics, epistemology, semantics and logic. The result is the choice between language of eliminative reductionism and dualism, neither of which answers properly the relation between mind and body. In the search for a non–dualistic and non–reductive language, Wittgenstein’s notion of language–games as the representative links between language and the world is considered together with Peirce’s semeiosis of cognition. The result (...)
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  • The Ethics of Narrative Art: philosophy in schools, compassion and learning from stories.Laura D’Olimpio & Andrew Peterson - 2018 - Journal of Philosophy in Schools 5 (1):92-110.
    Following neo-Aristotelians Alasdair MacIntyre and Martha Nussbaum, we claim that humans are story-telling animals who learn from the stories of diverse others. Moral agents use rational emotions, such as compassion which is our focus here, to imaginatively reconstruct others’ thoughts, feelings and goals. In turn, this imaginative reconstruction plays a crucial role in deliberating and discerning how to act. A body of literature has developed in support of the role narrative artworks (i.e. novels and films) can play in allowing us (...)
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  • The Problem of Tragedy and the Protective Frame.Darren Hudson Hick & Craig Derksen - 2017 - Emotion Review 9 (2):140-145.
    We explore the classical philosophical problem of the “paradox of tragedy”—the problem of accounting for our apparent pleasure in feeling pity and terror as audiences of staged tragedies. After outlining the history of the problem in philosophy, we suggest that Apter’s reversal theory offers great potential for resolving the paradox, while explaining some of the central intuitions motivating philosophical proposals—an ideal starting point to bridge a narrowing gap between philosophy and psychology.
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  • In Defense of Comic Pluralism.Nathaniel Sharadin - 2017 - Ethical Theory and Moral Practice 20 (2):375-392.
    Jokes are sometimes morally objectionable, and sometimes they are not. What’s the relationship between a joke’s being morally objectionable and its being funny? Philosophers’ answers to this question run the gamut. In this paper I present a new argument for the view that the negative moral value of a joke can affect its comedic value both positively and negatively.
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  • Superiority in Humor Theory.Sheila Lintott - 2016 - Journal of Aesthetics and Art Criticism 74 (4):347-358.
    In this article, I consider the standard interpretation of the superiority theory of humor attributed to Plato, Aristotle, and Hobbes, according to which the theory allegedly places feelings of superiority at the center of humor and comic amusement. The view that feelings of superiority are at the heart of all comic amusement is wildly implausible. Therefore textual evidence for the interpretation of Plato, Aristotle, or Hobbes as offering the superiority theory as an essentialist theory of humor is worth careful consideration. (...)
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  • Literature, Genre Fiction, and Standards of Criticism.James Harold - 2011 - Nonsite.Org 1 (4).
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  • Freud's Burden of Debt to Nietzsche and Schopenhauer.Eva Cybulska - 2015 - Indo-Pacific Journal of Phenomenology 15 (2):1-15.
    This paper addresses the questions raised by the evidence presented that many cardinal psycho-analytic notions bear a strong resemblance to the ideas of Schopenhauer and Nietzsche. In the process, the author considers not only that the 19th century Zeitgeist, given its preoccupation with the unconscious, created a fertile ground for the birth of psychoanalysis, but the influence on the Weltanschauung of Freud, Schopenhauer and Nietzsche of their common German cultural heritage, their shared admiration for Shakespeare and love of Hellenic culture, (...)
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  • The Philosophy of Biomimicry.Henry Dicks - 2016 - Philosophy and Technology 29 (3):223-243.
    The philosophy of biomimicry, I argue, consists of four main areas of inquiry. The first, which has already been explored by Freya Mathews, concerns the “deep” question of what Nature ultimately is. The second, third, and fourth areas correspond to the three basic principles of biomimicry as laid out by Janine Benyus. “Nature as model” is the poetic principle of biomimicry, for it tells us how it is that things are to be “brought forth”. “Nature as measure” is the ethical (...)
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  • Heidegger in the machine: the difference between techne and mechane.Todd Mei - 2015 - Continental Philosophy Review 49 (3):267-292.
    Machines are often employed in Heidegger’s philosophy as instances to illustrate specific features of modern technology. But what is it about machines that allows them to fulfill this role? This essay argues there is a unique ontological force to the machine that can be understood when looking at distinctions between techne and mechane in ancient Greek sources and applying these distinctions to a reading of Heidegger’s early thought on equipment and later thought on poiesis. Especially with respect to Heidegger’s appropriation (...)
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  • Fact, Fiction, and Fantasy.Ben Blumson - 2015 - Midwest Studies in Philosophy 39 (1):46-57.
    This paper argues: (1) All knowledge from fiction is from imagination (2) All knowledge from imagination is modal knowledge (3) So, all knowledge from fiction is modal knowledge Moreover, some knowledge is from fiction, so (1)-(3) are non-vacuously true.
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  • Narrative and the Literary Imagination.John Gibson - 2014 - In Allen Speight (ed.), Narrative, Philosophy & Life. Springer. pp. 135-50.
    This paper attempts to reconcile two apparently opposed ways of thinking about the imagination and its relationship to literature, one which casts it as essentially concerned with fiction-making and the other with culture-making. The literary imagination’s power to create fictions is what gives it its most obvious claim to “autonomy”, as Kant would have it: its freedom to venture out in often wild and spectacular excess of reality. The argument of this paper is that we can locate the literary imagination’s (...)
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  • Narrative, Myth, and History.Joseph Mali - 1994 - Science in Context 7 (1):121-142.
    The ArgumentDuring the last two decades the debate on the use and abuse of narrative in historiography has taken a new form: ideological instead of methodological. According to poststructuralist critics, the representation of past events and processes in the form of a coherent story turns history into mythology, which is (or serves) conservative ideology. This is so because the fabrication of organic continuity and unity between the past and the present (as well as the future) of society depicts its most (...)
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  • Culture, events, speech genres and stories.Peter Michalovič - 2011 - Human Affairs 21 (2):98-107.
    The aim of this paper is to interpret systematically M. M. Bakhtin’s views on genre. Although Aristotle was the first philosopher—and one of the first thinkers in general who focused on the issues of artistic and rhetorical genres, philosophy as such did not treat these issues for a considerably long time. One of the first philosophers who approached the genre issue within the larger context of the philosophy of language was Mikhail M. Bakhtin, a Russian philosopher and a literary scholar. (...)
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  • ¿Adiós a la democracia? Un análisis de las propuestas de paz del gobierno de Álvaro Uribe Vélez y su incidencia en las instituciones democráticas.Camila de Gamboa Tapias - 2010 - Estudios de Filosofía (Universidad de Antioquia) 42:9-42.
    En este texto quiero hacer un análisis de las propuestas de paz del gobierno de Uribe Vélez y sus efectos en las instituciones y la cultura democrática colombiana. El análisis no pretende evaluar directamente si las propuestas de paz fueron efectivas para dar por terminado el conflicto, sino mostrar el vínculo que existe entre una democracia débil, como la colombiana, la gran influencia de la personalidad de Uribe Vélez en el imaginario político y sus proyectos de seguridad democrática y de (...)
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  • Sport as a drama.Lev Kreft - 2012 - Journal of the Philosophy of Sport 39 (2):219-234.
    Argument of this text is that: to develop aesthetics of sport, we should not begin with aesthetics as philosophy of art but with aesthetics of everyday life; to start with aesthetics of sport, we should not begin with beautiful of ‘pure aesthetics’ but with the dramatic; to analyze the dramatic in sport, we should not open the analysis with analogy between theater and sport, but with sport as a sort of performance; to get at the meaning of sport as a (...)
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  • (3 other versions)The Web as A Tool For Proving.Petros Stefaneas & Ioannis M. Vandoulakis - 2012 - Metaphilosophy 43 (4):480-498.
    The Web may critically transform the way we understand the activity of proving. The Web as a collaborative medium allows the active participation of people with different backgrounds, interests, viewpoints, and styles. Mathematical formal proofs are inadequate for capturing Web-based proofs. This article claims that Web provings can be studied as a particular type of Goguen's proof-events. Web-based proof-events have a social component, communication medium, prover-interpreter interaction, interpretation process, understanding and validation, historical component, and styles. To demonstrate its claim, the (...)
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  • Where Ethics and Aesthetics Meet: Titian's Rape of Europa.A. W. Eaton - 2003 - Hypatia 18 (4):159 - 188.
    Titian's Rape of Europa is highly praised for its luminous colors and sensual textures. But the painting has an overlooked dark side, namely that it eroticizes rape. I argue that this is an ethical defect that diminishes the painting aesthetically. This argument-that an artwork can be worse off qua work of art precisely because it is somehow ethically problematic-demonstrates that feminist concerns about art can play a legitimate role in art criticism and aesthetic appreciation.
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  • Experience in the Very Moment of Writing: Reconsidering Walter Benjamin’s Theory of Mimesis.Atsuko Tsuji - 2010 - Journal of Philosophy of Education 44 (1):125-136.
    The purpose of this paper is to examine the ateleological moment of learning through imitation. In general, we can learn something new through imitating models we are given, which embody the values of our own society, culture and institutions. This means that imitation is understood in terms of the representation or reproduction of original models. In this understanding of imitation, however, the creative aspect of imitation is missed. In relation to this I shall, first, consider learning through imitation in terms (...)
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  • Art, morality and ethics: On the (im)moral character of art works and inter-relations to artistic value.Matthew Kieran - 2006 - Philosophy Compass 1 (2):129–143.
    The (im)moral character of art works often affects how we respond to them. But should it affect our evaluation of them as art? The article surveys the contemporary debate whilst outlining further lines of argument and enquiry. The main arguments in favour of aestheticism, the claim that there is no internal relation between artistic value and moral character, are considered. Nonetheless the connection between art's instructional aspirations and artistic value, as well as the ways in which works solicit responses from (...)
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  • Ética: Indagações e Horizontes / Ethics: Inquires and Horizons.Paulo Jesus, Maria Formosinho & Carlos Reis (eds.) - 2018 - Coimbra: Coimbra University Press.
    A presente obra assume-se como um projeto genuinamente interdisciplinar de reflexão ética, interrogando os seus fundamentos e explorando as suas interseções com diversas áreas das Ciências Humanas e Sociais. Reunindo especialistas de distintas áreas, oriundos de países diferentes, o livro tem como fio condutor um diálogo polifónico com o pensamento ético contemporâneo, enraizando-se na tradição crítica que procura refundar a racionalidade prática na construção humana de sentido e, por conseguinte, refutar o niilismo e o relativismo axiológico absoluto.
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  • The Eroticism of Landscape in Contemporary Contemplative Cinema.Rosine Bénard O’Kelly - 2020 - Journal of Aesthetics and Phenomenology 7 (2):159-171.
    This article questions how contemplative contemporary cinema “sexualize” the landscapes. Through the filmography of four directors, Abbas Kiarostami, Apichatpong Weerasethakul, Lars von Trier and B...
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  • The Rhetorical Aesthetics of More: On Archival Magnitude.Jenny Rice - 2017 - Philosophy and Rhetoric 50 (1):26-49.
    Lizard people, chemtrails, Illuminati, toxic fluoride in the water, radio-controlled chip implants, Jewish cabals, secret NASA technology, poisoned vaccinations, the shooting down of Pan Am Flight 103, government-sponsored brain washing, one-world government, JFK killed by the CIA, JFK killed by the mafia, staged moon landings, alien bodies hidden in military bunkers, Paul is dead, Tupac is alive. Conspiracy theories are endless. Not only are there many of them, but each theory is awash in details that connect innumerable dots. In thinking (...)
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  • Un-What?Jacques Rancière - 2016 - Philosophy and Rhetoric 49 (4):589-606.
    “Pedagogics of Unlearning”: this phrase obviously echoes a notion and a figure that I had set up in my own way when I published a book entitled The Ignorant Schoolmaster with the subtitle “Five Lessons in Intellectual Emancipation”.1 Both entail the idea of a specific form of learning, which is a negative one: learning how to unlearn, teaching as an ignoramus, learning the emancipatory virtue of ignorance. This idea raises two interrelated problems. First, how are we to understand the type (...)
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  • Moral and Epistemic Ambiguity in Oedipus Rex.Havi Carel - 2006 - Janus Head 9 (1):91-109.
    This paper challenges the accepted interpretation of Oedipus Rex, which takes Oedipus’ ignorance of the relevant facts to be an established matter. I argue that Oedipus’ epistemic state is ambiguous, and that this in turn generates a moral ambiguity with respect to his actions. Because ignorance serves as a moral excuse, my demonstration that Oedipus was not ignorant bears significantly on the moral meaning of the play. I next propose to anchor this ambiguity in the Freudian notion of the unconscious, (...)
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  • The theatricality of sport and the issue of ideology.Jean-François Morissette - 2014 - Journal of the Philosophy of Sport 41 (3):381-397.
    Through the study of Richard Gruneau and Gunter Gebauer’s respective works, this article examines the social significance and theoretical implications of sport’s capacity to represent social life in a theatrical manner. The drama-like images and representations sporting practices produce, institutions codify, and television programs enhance is considered in relation to ideology’s integrative, legitimating, and distorting functions . Acknowledging the filiations of ‘theatre’ with ‘theory’ – both words stand for ‘to contemplate, to see, to observe’ – this study considers theatricality as (...)
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  • What makes practice educational?Pádraig Hogan - 1990 - Journal of Philosophy of Education 24 (1):15–27.
    Pádraig Hogan; What Makes Practice Educational?, Journal of Philosophy of Education, Volume 24, Issue 1, 30 May 2006, Pages 15–26, https://doi.org/10.1111/j.146.
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  • By Way of Resemblance: On Benjamin’s Daoist Renewal of Dialectics.M. Ty - 2023 - Theory, Culture and Society 40 (4-5):177-200.
    Channeling affinities with certain motifs of Daoism, Walter Benjamin renews a form of dialectical thought that diffuses ideological notions of progress and grants minimal weight to the ontological distinction of the Subject. In fleeting yet pivotal moments of contact with Chinese aesthetics, Benjamin moves attention toward the practice of ‘thinking by way of resemblance’ – a phenomenon he variously enacts. Calling forth resonances within late-capitalist modernity, he retrieves from Daoist literature a notion of dialectical reversal freed from progressive synthesis, as (...)
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  • Cornelius Castoriadis. The Greek Imaginary: From Homer to Heraclitus. Edited by E. Escobar, M. Gondicas, and P. Vernay. Translated by J. V. Garner, and M.-C. Garrido Sierralta. Edinburgh: Edinburgh University Press, 2023. [REVIEW]George Peter Bifis, Phaedra Giannopoulou & Angeliki-Maria Argyrakou - 2023 - Conatus 8 (1):325-338.
    This essay will discuss the combined seminars presented in the book “The Greek Imaginary: from Homer to Heraclitus” by Cornelius Castoriadis. In these seminars he dissects Ancient Greek culture, politics, and religion in an investigative and analytic way. Through ancient Greek mythology and the Homeric texts a lot of information can be derived regarding the everyday lives, ideology, and philosophy of the time; all of the aforementioned will be explicated as well as the way Castoriadis specifically interprets certain aspects of (...)
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  • Beyond the Birth: middle and late Nietzsche on the value of tragedy.Claire Kirwin - 2023 - Inquiry: An Interdisciplinary Journal of Philosophy 66 (7):1283-1306.
    Nietzsche’s interest in tragedy continues throughout his work. And yet scholarship on Nietzsche’s account of tragedy has focused almost exclusively on his first book, The Birth of Tragedy – a work which is in many ways discontinuous with his more mature philosophical views. In this paper, I aim to illuminate Nietzsche’s post-Birth of Tragedy views on tragedy by setting them in the context of a particular historical conversation. Ever since Plato banished the tragic poets from the kallipolis, various philosophers have (...)
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  • Narrative autonomy and artificial storytelling.Silvia Pierosara - forthcoming - AI and Society:1-10.
    This article tries to shed light on the difference between human autonomy and AI-driven machine autonomy. The breadth of the studies concerning this topic is constantly increasing, and for this reason, this discussion is very narrow and limited in its extent. Indeed, its hypothesis is that it is possible to distinguish two kinds of autonomy by analysing the way humans and robots narrate stories and the types of stories that, respectively, result from their capability of narrating stories on their own. (...)
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  • Shredding, burning, tunnelling.Pelagia Goulimari - 2022 - Angelaki 27 (3-4):163-181.
    This essay marks the centenary of 1922, annus mirabilis of modernism but also the year when my grandparents became child refugees in the Asia Minor Catastrophe. In Mrs. Dalloway and her Diary, Virg...
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