Este texto investiga as implicações éticas pós-metafísicas da concepção heideggeriana da linguagem, partindo de Ser e Tempo para, então, discutir as obras da maturidade de Heidegger, elaboradas nos anos 50. Organiza-se em torno de duas hipóteses complementares: em primeiro lugar, a de que os traços fundamentais da concepção heideggeriana madura da linguagem já se encontravam delineados em Ser e Tempo, a despeito de ainda não estarem plenamente desenvolvidos àquela época. A segunda hipótese é a de que o acolhimento do ser, (...) que constitui o gesto e o impulso fundamental subjacentes à meditação heideggeriana sobre a linguagem, traz consigo implicações de caráter ético, pois permite pensar a possibilidade de um genuíno acolhimento do outro como outro. No período da ontologia fundamental, o acolhimento do ser próprio possibilita uma apropriação do dizer e da escuta que, por sua vez, torna possível o acolhimento do outro com quem coexisto no mundo. Nas obras posteriores, o acolhimento do ser depende da desconstrução da concepção metafísica do homem como animal racional e da linguagem como sistema proposicional lógico, em vista de uma meditação sobre a relação entre o ser dos mortais e o ser da linguagem. Argumento que essa meditação, por sua vez, permite a possibilidade de um ek-sistir "outro" e de uma "outra" relação com o próximo, inspiradas pela aceitação e afirmação da capacidade humana de experimentar a morte enquanto morte.This text investigates the ethical implications of Heidegger's conception of language, starting with Being and Time and then analyzing his mature texts of the fifties. It develops itself around two interrelated hypothesis: the first one is that Heidegger's mature understanding of the essence of language was already defined in its major lines in Being and Time, although at that moment it had not yet received its full development. The second hypothesis is that the welcoming of Being that underlies and constitutes the core of Heidegger's meditation on the essence of language brings with itself intrinsic ethical implications, since it provides the possibility of a post-metaphysical welcoming of the other. In the period of the project of fundamental ontology, the appropriation of one's own being through authentic resolution provided the possibility of appropriating one's own speaking and hearing, which is a fundamental precondition to acknowledging and welcoming the other as other. In his later works, the welcoming of Being depends on a thorough deconstruction of the metaphysical conception of the human being as the rational animal, as well as of the traditional understanding of language as an enclosed system of logic propositions. That process of deconstruction aims towards a meditation concerning the essential relationship between the essence of language and the mortal essence of human beings. I shall argue that it is this essential relationship that provides the path towards the condition for a post-metaphysical ethical encountering and welcoming of the other as other, inspired by the acceptance and affirmation of one's own capacity to experience one's own death as death. (shrink)

The main goal of this article is to examine the link between the idea of language, being and nothingness by comparing 16th century Turkish-Azeri poet Fuzûlî’s poetry and 20th century German philosopher Martin Heidegger’s philosophy departing from the latter’s thinking of being. There are similarities between Heidegger and Fuzûlî’s respective thoughts concerning the role of the human being’s relation to finitude which grounds the relationship between being and nothingness. The article consists of three sections. The first section makes sense of (...) Heidegger’s early and late thought in terms of its ontological unity, explaining the ways in which being and nothingness topologically co-determine one another in poetic language. The second section focuses on clarifying the sources that nourish Fuzûlî’s poetry, such as Sufism and the literary style of “Rind” as observed in classical Ottoman poetry, elucidating how these influences underpin the philosophical foundations of Fuzûlî’s poetry. The third section offers a philosophical interpretation of Fuzûlî’s lyric poems by illustrating how and why being and nothingness are not to be thought as mere opposites, pointing out their ontological belonging together. In the concluding section, it is argued that a poetic mode of existence necessitates an authentic experience of human finitude both for Heidegger and Fuzûlî. Although Fuzûlî’s poetry involves onto-theological influences from Sufism, Fuzûli manages to form an original idea of poetic existence, emphasizing that the poetic agent needs to take a step back from the mundane world of multitudes in order to unify with Being itself. As for Heidegger, it is doubtful whether there is such a mystical idea of being. Nonetheless, for both figures the more originary experience of finite human existence lies in the poetic interplay between being and nothingness. The poetic meaning of being comes to manifest itself in the process of one’s existential annihilation, which takes place in the movement of being-towards-death. Accordingly, exploring how the meaning of being requires the poetic experience of nothingness and how such an experience appears through language in Fuzûlî’s lyric poems provides a more comprehensive account of his thinking. (shrink)

Although Heidegger’s explicit account of “poetic dwelling” belongs to his later philosophy, there are important indications that he was already engaging with the core matter of the notion in his early thought. Contrary to the idea that in Being and Time, “dwelling” amounts to mere practical coping with the environment, we would like to demonstrate that the notion is already a poetic issue in his early thought, as it requires the appropriation of our relation to the world via an authentic (...) experience of finitude. Following a topological mode of thinking, the paper thematizes the connections between Heidegger’s early and later thought, and elucidates the following three points: First, “freeing” and “letting” appears as the appropriate ethos of a poetic experience of finitude, one that maintains the “clearing” of meaningfulness. Second, a topological reading of Being and Time can explicate the notions of authenticity and inauthenticity as different disclosures of the clearing where human being-world correlation occurs. Third, the notion of “keeping-still” (Schweigen) can be interpreted as an authentic disposition that frees space for the disclosure of existence. The paper concludes that an authentic experience of finitude through “stillness” appears to reorient human ethos by releasing “discourse” from absorption in “idle-talk” and that such an act of existential re-orientation of one’s disposition towards the world is the essence of “authenticity,” and Heidegger’s early “poetic dwelling”. (shrink)

Kirjoitus tarkastelee Martin Heideggerin myöhäisajattelussa esiin nousevaa olemisen ainutkertaisuuden (Einzigkeit, Einmaligkeit) teemaa ja sen edelleenkehittelyä Jean-Luc Nancyn ajattelussa. Teeman osoitetaan kytkeytyvän Heideggerin välienselvittelyyn filosofian esisokraattisen alun, erityisesti Parmenideen ajattelun kanssa. Parmenides ajattelee olemista kaikkia yksittäisiä ilmentymiään, "kuolevaisten" äärellisiä "näkemyksiä" (doksai) yhdistävänä absoluuttisen homogeenisena ja itseidenttisenä ilmeisyytenä (alētheia), todellisuuden puhtaana läsnäolona ajattelulle. Tätä vasten Heidegger ajattelee olemisen nimenomaan yksittäisten ilmentymiensä kontekstuaalisena ainutkertaisuutena, mielekkyystilanteiden ainutkertaistavana kontekstualisoitumisena. Nancy jatkaa ajatusta kuvailemalla olemista "ainutkertaiseksi-monikolliseksi" (singulier pluriel), mutta täydentää Heideggerin ajatteluun tunnetusti jäänyttä aukkoa soveltamalla ajatusta (...) yhteisön ajattelemiseen ainutkertaisuuksien yhdessäolemisena ja keskinäisyytenä. Näin avautuva "ainutkertaisuuden politiikan" teema onkin viime vuosikymmeninä noussut mannermaisen poliittisen ajattelun keskiöön. (shrink)

The article « La Défenestration » by Belgian philosopher Marc Richir has been translated into Russian for the first time for this issue of the “Horizon. Studies in Phenomenology.” In his early work “The Defenestration” Richir raises the question of relation between the subject and conceivable world. Here, a philosopher is pictured contemplating the world through the window of his tower. In such detachment from the world the thinker finds himself according to all Modern philosophies of consciousness. Husserl’s phenomenology inherits (...) this detachment, since Husserl imposes the structure of transcendental ego as external to the world. Richir abolishes the concept of transcendental ego with the help of heideggerian Dasein, but analyzing Heidegger’s ontology he comes to the conclusion that the latter remains fixated on beings. Believing a person to live in the fundamental openness of Being, Heidegger places such a person in the secondary world of “truth.” In order to overcome the remains of traditional philosophy in Heidegger’s ontology Richir turns to Merleau-Ponty’ “cosmology of the visible.” The author takes the Merleau-Ponty’s thesis that everything visible has something fundamentally invisible in it. This allows him to discover the universe of “nothing”, which includes both the visible and what is “behind” it. As a result Richir overcomes the classical dualism of the sensual and the intelligible. The concept of defenestration places the subject and the world in the same universe. (shrink)

El artículo analiza la interpretación heideggeriana en clave fenomenológica de Confesiones X. Mantiene que san Agustín es un fenomenólogo avant la lettre cuando propone como criterio del conocimiento de sí mismo “practicar la verdad en el corazón”. Se trata de algo más que un consejo; es un criterio de la verdad y para la verdad que reaparece una y otra vez a lo largo del libro X. Heidegger, sin embargo, menosprecia el pensamiento agustiniano por demasiado griego. Los dos ejes de (...) la lectura de Heidegger son: a) la resistencia agustiniana a reducir la experiencia vital a un sistema de conceptos; b) la exposición de la vida fáctica como inseguridad, inquietud, apertura existencial a Dios. (shrink)

This paper examines Aristotle’s vocabulary of pain, that is the differences and relations of the concepts of pain expressed by synonyms in the same semantic field. It investigates what is particularly Aristotelian in the selection of the pain-words in comparison with earlier authors and specifies the special semantic scope of each word-cluster. The result not only aims to pin down the exact way these terms converge with and diverge from each other, but also serves as a basis for further understanding (...) Aristotle’s philosophical conception of pain. (shrink)

This paper clarifies Merleau-Ponty’s distinction between speaking and spoken speech, and the relation between the two, in his Phenomenology of Perception. Against a common interpretation, I argue on exegetical and philosophical grounds that the distinction should not be understood as one between two kinds of speech, but rather between two internally related dimensions present in all speech. This suggests an interdependence between speaking and spoken aspects of speech, and some commentators have critiqued Merleau-Ponty for claiming a priority of speaking over (...) spoken speech. However, there is a sense in which Merleau-Ponty is right to emphasize the priority, namely, in terms of the ontological priority of the speaking subject with respect to language understood as a constituted cultural ideality. The latter only maintains its ontological status insofar as it is taken up by a language community. I favorably contrast Merleau-Ponty’s views on this question to those of the late Heidegger and de Saussure, and suggest potential applications of this clarified position for contemporary discussions in philosophy of language. (shrink)

In Heidegger’s last seminar, which was in Zähringen in 1973, he introduces what he called a “phenomenology of the inconspicuous”. Despite scholars’ occasional references to this “approach” over the last 40 years, this approach of Heidegger’s has gone largely under investigated in secondary literature. This article introduces three different, although not necessarily conflicting ways in which these sparse references to inconspicuousness can be interpreted: The a priori of appearance can never be brought to manifestation, and the unscheinbar is interwoven with (...) the scheinbar as an active characteristic or form of “hiddenness”, therefore making inconspicuousness inherent within all phenomenology. Or, there is now a particular step or reduction within phenomenology that involves one’s being attuned to the various modes of potential hiddenness, of which “inconspicuousness” is a particular character trait. Or there are particular, unique, and specific phenomena that give themselves “inconspicuously,” and there is also thus a corresponding, particular phenomenology in which one must engage in order to gain some kind of access to these specific things’ phenomenal strata. This paper introduces Heidegger’s “phenomenology of the inconspicuous” most especially in his last seminar in Zähringen in 1973, engages related references to unscheinbar in his 1942/1943 Seminar on Parmenides, and then puts forward an interpretation of what these somewhat ambiguous references could mean when contextualized according to Heidegger’s overall interests. This essay brings these references to light, and puts forward a proposal as to what kind of phenomenology Heidegger was–somewhat inconspicuously–referring. (shrink)

Tekst ma na celu bliższe zapoznanie Czytelnika z otwierającą cykl Aristotelica pracą doktorską Franza Brentano Von der mannigfachen Bedeutung des Seienden nach Aristoteles (1862), która znana jest głównie z tego, że miała zainspirować młodego Martina Heideggera i sprawić, że zajął się filozofią. Tekst bada naturę i siłę tej inspiracji. Część pierwsza opowiada historię powstania Von der mannigfachen … oraz przedstawia szerszy kontekst zetknięcia się Heideggera z filozofią Brentana, a także stara się przedstawić Heideggera na tle jego pozostałych uczniów (Kazimierz Twardowski, (...) Edmund Husserl, Alexius Meinong, Carl Stumpf, Anton Marty, et al.). Część druga omawia piętnaście tez o bycie, które stanowią sedno dzieła O wielorakim znaczeniu bytu u Arystotelesa i tym samym umożliwia porównanie tomistycznej w duchu ontologii Brentana z ontologią fundamentalną Heideggera, o czym traktuje część trzecia. Część trzecia stara się również zweryfikować faktyczną wysokość „długu”, jaki Heidegger miał u Brentana zaciągnąć i odpowiedzieć na pytanie, do jakiego stopnia, o ile w ogóle, Martina Heideggera możemy nazwać „brentanistą”. (shrink)

Niniejszy tekst jest poświęcony kwestii nicości w myśleniu Heideggera. Dokonana w Byciu i czasie analiza struktury Dasein wydobywa na jaw wiele jej istotnych aspektów, a właściwie egzystencjałów, z których jednym byłaby trwoga. W trwodze świat „staje się” nicością, ukazuje się w sposób pusty i bezlitosny, ale zarazem odsłania to Dasein możliwość jego autentycznej egzystencji, możliwość zin¬dywidualizowanego bycia-w-świecie. W wykładzie Czym jest metafizyka? Heidegger powraca do problematyki nicości, rozumiejąc ją już inaczej niż czyniła to metafizyka: mianowicie nicość była warunkiem umożliwiającym jawność (...) bytu dla człowieka. Bycie: nicość: to samo – ogólnie rzecz ujmując, Heidegger będzie twierdził, że nicość przynależy do bycia, co syntetycznie wyraża właśnie ta jego późna formuła. Ponieważ kwestia bycia jest ściśle związana z kwestią czasu, stąd problematyka nicości łączy się najściślej u Heideggera z problematyką temporalności, temporalności ujmowanej – co koniecznie trzeba podkreślić – ekstatycznie. Temporalizacja byłaby według Heideggera wolną oscylacją pierwotnej czasowości otwartego horyzontu, co umożliwiałoby światowanie (Welten), czyli wchodzenie bytów w świat. Z tej perspektywy, w wykładzie Metafizyczne podstawy logiki, nicość jest określana jako nihil originarium. Świat to nicość, która wydarza się wraz i dzięki pierwotnemu czasowaniu się, co późny Heideggera będzie także rozumiał jako czwarty wymiar czasu (Czas i bycie). Nicość jest także tematyzowana przez Heidggera w Przyczynkach do filozofii, gdzie jest z kolei objaśniana jako istotowa wibracja (Erzitterung) Bycia (Sein). Podczas seminarium w Le Thor (1969) Heidegger powie, że w wydarzaniu (Ereignis) nie zostało już pomyślane nic greckiego. Wydarzanie nie „jest”, ale „daje”, „wydarza” bycie i czas. Bycie to jednak nie metafizycznie rozumiana obecność. Bycie to także nie nieobecność, nie sprowadza się ono bowiem do metafizycznie rozumianej nicości, nicości pojmowanej w opozycji do bytu, ale to nicość w sensie nihil originarium, nicość w sensie temporalnym, a może nawet i energetycznym. Tak ujmowana przez Heideggera nicość zdaje się i tak jednak „zanikać” w nieprzedstawianym, niewyrażalnym wydarzaniu, wydarzaniu uchodzącym za ostatnie „słowo” jego filozofii. (shrink)

The article first outlines Edmund Husserl’s idea of “complete transformation” (völlige Umwendung) and the philosophy of “the turn” (Kehre) of Martin Heidegger. In the following chapter it is shown that you can understand both Husserl as well as Heidegger in the light of “the essential turn” in the German mysticism of the fourteenth century. In this way it becomes clear that Husserl’s idea of a “complete transformation” seems to be a forgotten “mystical” impetus of phenomenology, which was much more realized (...) by Martin Heidegger than by Husserl. In this way Heidegger’s philosophy of “the turn” appears as an important modern approach of the mystical philosophy of transformation. (shrink)

It is common to hear Māori discuss primordial states of Being, yet in colonisation those very central beliefs are forced into weaker utterances. In this process those utterances merely conform to a colonised agenda. ‘Mātauranga’, a tidy term that overwhelmingly refers to an epistemological knowing of the world, colludes nicely with its English equivalent, ‘knowledge’, to further colonise those core contemplations of Being. Its plausibility relies on an orderly regard of things in the world. In education, historical and current practices (...) of schooling pave the way for things in the world so that they amount to mātauranga for Māori, and even the term ‘ako’ will conspire in its own way. Both Novalis and Heidegger have the ability to identify subtly colonising philosophies, and may even propose some theoretical solutions for Māori. (shrink)

In this article, the Heidegger and Derrida controversy about the nature of questioning is revisited in order to rehabilitate questioning as an essential characteristic of contemporary philosophy. After exploring Heidegger's characterization of philosophy as questioning and Derrida's criticism of the primacy of questioning, we will evaluate Derrida's criticism and articulate three characteristics of Heidegger's concept of questioning. After our exploration of Heidegger's concept of questioning, we critically evaluate Heidegger's later rejection of questioning. With this, we not only contribute to the (...) discussion about why Heidegger rejected questioning in his later thought and whether this rejection is legitimized, but also to the rehabilitation of questioning in contemporary philosophy. (shrink)

A collaborative article by the Editorial Collective of Social Imaginaries. Investigations into social imaginaries have burgeoned in recent years. From ‘the capitalist imaginary’ to the ‘democratic imaginary’, from the ‘ecological imaginary’ to ‘the global imaginary’ – and beyond – the social imaginaries field has expanded across disciplines and beyond the academy. The recent debates on social imaginaries and potential new imaginaries reveal a recognisable field and paradigm-in-the-making. We argue that Castoriadis, Ricoeur, and Taylor have articulated the most important theoretical frameworks (...) for understanding social imaginaries, although the field as a whole remains heterogeneous. We further argue that the notion of social imaginaries draws on the modern understanding of the imagination as authentically creative. We contend that an elaboration of social imaginaries involves a significant, qualitative shift in the understanding of societies as collectively and politically-instituted formations that are irreducible to inter-subjectivity or systemic logics. After marking out the contours of the field and recounting a philosophical history of the imagination, the essay turns to debates on social imaginaries in more concrete contexts, specifically political-economic imaginaries, the ecological imaginary, multiple modernities and their inter-civilisational encounters. The social imaginaries field imparts powerful messages for the human sciences and wider publics. In particular, social imaginaries hold significant implications for ontological, phenomenological and philosophical anthropological questions; for the cultural, social, and political horizons of contemporary worlds; and for ecological and economic phenomena. The essay concludes with the argument that social imaginaries as a paradigm-in-the-making offers valuable means by which movements towards social change can be elucidated as well providing an open horizon for the critiques of existing social practices. (shrink)

At the core of Heidegger's philosophy, there lies this nagging question: what is the link between language and being? Using a famous formulation by Heidegger as a guide (‘When we go to the well, when we go through the woods, we are always already going through the word “well”, through the word “woods”’), the analysis focuses on the connection Heidegger establishes between being (what woods and well ‘are’), understanding (something is understood ‘as’ woods or well), and temporality (human understanding of (...) woods and well has changed since ancient Greek times, for example). Language is both what grants things their way to matter to us and thus to ‘be’ for us to the extent that we understand them, but language is also linked to a ‘happening’ (Geschehen) or an event so that things are not bound to their Geek being or current being: things ‘become being’ (seiend werden). Language is both the means for things to materialize in historical times: ‘being woods’ or ‘being a well,’ as well as a testimony to their entry into being. This is why language in its poetic use can make beings ‘more being’ (seiender). (shrink)

There is an obvious paradox in any attempt to map the topography of Paradise, for Paradise, theologians assure us, is outside of space as well as time. Yet mapping Paradise is what Dante's poem, the Paradiso, attempts to do. For the two preceding realms of the afterlife, hell and purgatory, Dante provides numerous finely articulated descriptions of rigorously ordered regions. And again for Paradise, the variegated states of the souls making up the spiritual order of the realm are expressed very (...) precisely by a topographical scheme, one in this case based on Ptolemy's system of the heavens. The seven planetary spheres are followed by the sphere of the fixed stars and the primum mobile, the whole finally bordering on the completely nonspatial heaven of the Empyrean. But this last “sphere” alone is Paradise in the full and strict sense. As Dante has Beatrice explain in canto 4.28–48, the whole poem attempts to describe this totally nonspatial order in terms of the array of the nine physical heavens as metaphorical correlatives for the successive degrees of beatitude experienced by the souls “in” the Empyrean. Paradise in this sense—as the Empyrean—is thus utopic, if any place is: it is literally “no place” at all. (shrink)

"Raymond Geuss is a major voice in contemporary philosophy, and this book will enhance his stature even further. Containing some of his best pieces so far, "Outside Ethics" reveals his impressive range as well as the depth of his thought.

This essay engages ways in which the manifestation of ‘world’ occurs in poetry specifically through images, and how we can conceive of the imagination in this regard without reducing the imagination to a mimetic faculty of consciousness subordinate to cognition. Continental thought in the last century offers rich resources for this study. The notion of a ‘world’ is related to the poetic image in ways fundamental to the Heidegger’s theory of language, and may be seen in Continental poetics following Heidegger, (...) including Blanchot’s examination of poetry in his account of the space of literature. By means of images, I shall demonstrate, poetic language is exemplary in relation to ‘world’ in two ways. (1) Images, poetically arranged, generate and open up a sense or experience of a world, specific to that poem, for its reader. Poetic images then, exhibit a generative evocation of world. (2) Through images, a poem may evoke the way in which space and time are inhabited as a world of human dwelling in an ontologically or existentially meaningful way. The relation of images to world is, then, an illumination or a disclosure of world. The first of these relations remains, to a large extent, immanent to the poem, but may be seen as an analogue of the essentially human experience of inhabiting a world. The second relation transcends the poem and relates the poem immediately to the existential framework of human dwelling. (shrink)

This paper carries out an intensive study of Heidegger's famous reflection on the word dao and of his citations from the Daodejing, with the purpose of elucidating his complex relation with Daoist thinking. First I examine whether dao could be said to be a guideword for Heidegger's path of thinking. Then I discuss Heidegger's citations, in six places of his writings, from five chapters of the Daodejing, by situating them in the immediate textual context as well as against the broad (...) background of the fundamental presuppositions and orientations of Heidegger and Laozi's thinking. My examination of Heidegger's citations from the Daodejing has for the first time gathered together all the relevant materials discovered so far. (shrink)

Modernity is not only the culmination of the “oblivion of being,” for it also provides, in the form of transcendental thinking, a way to recover the original relation of thought to being. Heidegger develops this account through several lecture courses from 1935–1937, especially the 1935–1936 lecture course on Kant, and the account receives a kind of completion in the 1936–1938 manuscript, Contributions to Philosophy. Kant limits the dominance of rationalistic prejudices by reconnecting thought to the givenness of being. He thereby (...) shows the way to overcome the West’s rationalistic oblivion of being. By returning to Kant and repeating him more fundamentally we prepare ourselves for Heidegger’s non-rationalistic thinking of being. This paper, then, reconsiders Heidegger’s relation to modern philosophy, demonstrating on the basis of his own texts that he appropriates modern philosophy but in a non-rationalistic way. Transcendental philosophy plays an essential though ambiguous transitional role in his thinking. (shrink)

Co jest większe, bycie czy nic? Anzelm dowodzi istnienia Boga przy pomocy nihil. Bóg jako to, od czego nic większego nie może zostać pomyślane przez skończony umysł. Właściwe dla Anzelma logiczne – i być może mistyczne – użycie słowa „nic” domaga się porównania z negatywną ontologią Heideggera i jej recepcją w ramach tzw. Szkoły z Kioto założonej przez Nishidę. Czyż jednak pustka buddyzmu zen nie odsyła nas do – niewypowiedzianej – boskiej obecności?

L'envahissement de l'espace par la technique est un fait accompli. Non seulement l'espace physique et l'espace organisationnel, mais aussi l'espace du discours et celui de l'écriture sont déjà bien occupés. La technique est en effet devenue un sujet de conversation quotidien, remplit les colonnes de toutes sortes de journaux et de revues et fait l'objet d'un nombre considérable d'études monographiques. Alors pourquoi ce titre encore qui risque d'aggraver le resserrement des habitants des lieux et hâter leur étouffement?

With the help of the natural history of “zero,” and the use of “zero” as a starting point, one may consider two types of metaphysics. On the one hand, the epistemological metaphysics, based on the perceptual/rational dichotomy, is related to the zero as a vacancy between numbers. On the other hand, the genetic metaphysics, based on the dichotomy of source-evolution (or origin and derivate), has much to do with the zero as a number between negative and positive numbers. In this (...) respect, zero represents the horizon of metaphysics: we can forever approach it, but we cannot ultimately arrive at it. Though serving as the point of convergence and divergence for all relationships, zero has no definable content of its own. Such is the essence of zero, and of metaphysics as well. (shrink)

A revisionist movement in Anglo-Saxon philosophy of science seeking to modulate the positivistic stress on formalized systems and to consider science as ongoing research in finite historical context strikes resonances with hermeneutical phenomenology , whose ontology likewise shifts the locus of truth from verification to discovery. Fusion of the two traditions is utilized to illuminate hitherto relatively unexplored facets of the logic and psychology of scientific discovery, as well as its ontology, here developed from the intentional intertwining of man and (...) nature and finding its locus in the linguistic historicity of fundamental scientific concepts. (shrink)

De moderne filosofie lijdt aan muziekvergetelheid. Opvallend is echter dat filosofen, wanneer ze toch aandacht schenken aan muziek, hun aandacht bij voorkeur op één bepaald genre richten, namelijk de opera. Filosofen zoals Søren Kierkegaard en Friedrich Nietzsche lieten hun gedachten over Don Giovanni, Parsifal en Carmen gaan, terwijl omgekeerd de filosofie van Arthur Schopenhauer de opera heeft beïnvloed via Wagner. Diens werk lijkt zich op het snijpunt van het grensverkeer tussen moderne filosofie en moderne muziek te bevinden. Het was zijn (...) ambitie de menselijke existentie en de menselijke geschiedenis in één panoramisch oeuvre te vatten, vanaf het primordiale begin tot en met de dramatische finale die ophanden leek: een catastrofale apotheose die een geheel nieuwe toekomst mogelijk zou maken. Dat is althans de verhaallijn van zijn meesterwerk Der Ring des Nibelungen. Aan het slot van Götterdämmerung lijkt zich een algehele verwoesting te hebben voltrokken: ‘Everything is destroyed and there is an enigmatic kind of hovering over the scene of destruction’ (Badiou 2010, p. 106), een ambivalente stemming van hoop en destructie zette Wagner op muziek. Voor Wagner is dan ook een hoofdrol in deze studie weggelegd: voor zijn muziektheoretische geschriften (waarin hij over een ‘muziek van de toekomst’ filosofeerde), maar meer nog voor de muzikale totaalkunstwerken die hij daadwerkelijk componeerde. (shrink)

En el presente artículo proponemos un abordaje de los análisis en torno al cuerpo en trabajos fundamentales de Husserl y Heidegger, a partir de una distinción de diferencias y continuidades. Buscaremos demostrar que las especificaciones de la corporeidad de Heidegger remiten a una aclaración del entramado comprensivo y de significación en el que también se hallan articulados los análisis fenomenológicos de su maestro. Para ello, en primer lugar, especificaremos las consideraciones de Husserl sobre la corporalidad y la inter-corporalidad, distinguiendo su (...) perspectiva gnoseológica y ética. Luego, dedicaremos un apartado a las aclaraciones de Heidegger en la década de 1920 y otro, a sus descripciones específicas en sus seminarios de la década de 1960, donde desarrolla el carácter ontológico de la corporeidad. Finalmente, analizaremos algunas implicancias relativas a estas tematizaciones, distinguiendo sus enfoques y orientaciones comprensivas sobre el cuerpo. (shrink)

Martin Heidegger has retrospectively characterized his philosophy as “phenomenology of the invisible”. This paradoxical formula suggests that the aim of his thinking was to examine the origin of the phenomena. Furthermore, Heidegger has also stated that his philosophy is ultimately motivated by a theological interest, namely the question of God’s absence. Following the guiding thread of those remarks, this essay analyzes the essential traits of Heidegger’s thought by interpreting them as an attempt to develop a phenomenology of the invisible. Heidegger’s (...) attitude towards physics and metaphysics, his theory of truth, his reading of Aristotle, his concept of Dasein, his understanding of nothingness are all situated within the problematic context of the relation between the invisible and the revealed. Heidegger’s thought is thereby posited at the point of intersection of phenomenology, ontology, and theology. (shrink)

In this paper Russian Symbolist philosophy is represented primarily by Viacheslav Ivanov (1866--1949), but its conclusions are intended to be valid for other philosophers we classify as Symbolist, including Nikolai Berdiaev and S. L. Frank. It is posited that, by comparing Ivanov''s cosmology, aesthetics, and anthropology to those of Martin Heidegger, one can reconceive of Symbolist philosophy as an existential hermeneutic. This, it is claimed, can help to identify a common basis among the Symbolist philosophers, and also to place Russian (...) thought in the context of modern European philosophy and vice versa. (shrink)

This study is a philosophical work on Martin Heidegger's thinking. Its primary purpose is to study Heideggerian concepts. Secondly, it brings into focus two other thinkers who play with Heidegger 's thought, and thirdly, it applies Heideggerian thinking to truth and art. The study is compilation of eight articles, which are divided under three titles: I Heidegger and the Truth. II Heidegger and Truth in the Horizon of Nietzsche and Foucault, III Art in the Heideggerian Light. The main themes in (...) this study are truth and art. The first part of the study is comprised of research work on Heid egger's theory and the concept of truth, which he present in his main work Sein und Zeit. Another important theme is the Heideggerian concept of world, which is the foundation of Heidegger's Alethetical truth. Heidegger uses the concept in the phrase "being in the world." This "being in the world" is a situation in which Dasein always exists, and Heidegger claims that there is no truth without Dasein. Art, especially the work of art and poetry, are connected with the truth in Heidegger's philosophy. Art has played a central role throughout the entire tradition of western philosophy, and the same is true in Heidegger's philosophy. But Heidegger does not follow the traditional aesthetic theory of art. He formulates the question of the essence of art as an ontological question. Art is the place where the truth occurs. This kind of understanding of truth and art needs to overcome metaphysics. Heidegger regards Friedrich Nietzsche as the last representative of metaphysics, which is why Nietzsche's philosophy as nihilism must be overcome. I deal with these questions in the second part of my study. In the third part of the study I examine what is left of the truth and art in the postmodern era. In his later writings, Heidegger leaves out Dasein and changes his style of writing. The concept of the world is still essential, but it now lives its own life along with earth, gods and mortals. The main aim of this study is to bring Heidegger's theory of the truth into focus and into the Finnish philosophical discourse. Secondly, it shows what happens to the work of art in the postmodern era. (shrink)

It is commonly believed that philosophica l comparison depends on having some common measure or standard between and above the compared parts. The paper is to show that the foregoing common belief is incorrect and therewith to inquire into the possibility of cross-cultural philosophical comparison. First, the ‘comparison paradox’ will be expounded. It is a theoretical difficulty for the philosophical tendency represented by Plato’s theory of Ideas to justify comparative activities. Further, the connection of the comparative paradox with the obstacles (...) met by cross-cultural philosophical comparisons will be demonstrated. It will be shown that to attribute the difficulty of cross-cultural comparisons to incommensurability of traditions is irrelevant and misleading. It is to be argued that the original possibility of comparison depends on the ‘comparative situation’, i.e., the mechanism of meaning-production that functions in a non-universalistic and anonymous way. A philosophical paradigm does facilitate the attendance of such a situation, but it is also possible for the situation to emerge between paradigms in a gamesome way. Accordingly, the genuine comparison at issue will not originate primarily and merely on the level of concepts and propositions, but can only be achieved through inter-paradigmatic conditions, where we have the sharp awareness of a paradigm’s boundary from which we can attempt to achieve situational communication with another paradigm. In light of this, the perspective of a philosophical comparison differs not only from the traditional or universalistic one, but also from Gadamer’s hermeneutics, such as the doctrine of ‘fusion of horizons’. The new perspective finds an illustration in Heidegger’s relations with Daoism. (shrink)

In coming to words, language “reserves” itself: it holds back its event, keeping it illegible and silent. It is possible to see much of modern innovative or “experimental” poetry as such an experience of reticence and stillness, an experiment of language listening to itself “speaking” in order to allow the force of the illegible to come to speech. How this silence both limits what can be said and holds what has been written open to the possibilities of saying otherwise comes (...) from the “restraint” characteristic of the specific way in which language “speaks,” that is, arrives each time singularly as words precisely by withholding this very arrival from signification. Myung Mi Kim’s poetry stands out among contemporary American poets precisely for its specific attentiveness to this simultaneously “generative” and “constraining” force of silence. To understand better the workings of this force of silence, I examine Kim’s poetry in the context of Heidegger’s reflection on language, specifically his point about the withdrawal and restraint “essential” to the unfolding of language. I suggest that this withdrawal marks the poietic momentum of language, which can be traced, though, only by way of a listening response. This listening response becomes in turn a kind of constraint under which poetic thinking operates, a holding back of assertions and statements in favor of a listening which responds precisely to how the saying withholds itself from what comes to be said. Exploring the proximity between Kim’s poetry and Heidegger’s thinking, this essay examines how this withdrawal—a restraint at play in language itself--necessitates the attitude of poetic “reservedness.”. (shrink)

Procuraremos investigar as condições filosóficas que permitiram que o pensamento de Heidegger tenha identificado, nos anos 1930, a questão da comunidade àquela da Alemanha. Trata-se de mostrar que isso se deve ao modo pelo qual ele compreendeu o contexto de surgimento de sua investigação. Na sequência de sua obra (em particular no conjunto de estudos sobre poesia da década de 1950, reunidos em A Caminho da Linguagem), Heidegger procurará interrogar uma transformação desse contexto que impedirá todo pensamento da comunidade em (...) termos de limites locais. (shrink)

Two major twentieth century philosophers, of East and West, for whom the nothing is a significant concept are Nishida Kitarō and Martin Heidegger. Nishida’s basic concept is the absolute nothing upon which the being of all is predicated. Heidegger, on the other hand, thematizes the nothing as the ulterior aspect of being. Both are responding to Western metaphysics that tends to substantialize being and dichotomize the real. Ironically, however, while Nishida regarded Heidegger as still trapped within the confines of Western (...) metaphysics with its tendency to objectify, Heidegger’s impression of Nishida was that he is too Western, that is, metaphysical. Yet neither was too familiar with the other’s philosophical work as a whole. I thus compare and assess Nishida’s and Heidegger’s discussions of the nothing in their attempts to undermine traditional metaphysics while examining lingering assumptions about the Nishida–Heidegger relationship. Neither Nishida nor Heidegger means by “nothing” a literal nothing, but rather that which permits beings in their relative determinacy to be what they are and wherein or whereby we find ourselves always already in our comportment to beings. Nishida characterizes this as a place that negates itself to give rise to, or make room for, beings. For Heidegger, being as an event that clears room for beings, releasing each into its own, is not a being, hence nothing. We may also contrast them on the basis of the language they employ in discussing the nothing. Yet each seemed to have had an intuitive grasp of an un/ground, foundational to experience and being. And in fact their paths cross in their respective critiques of Western substantialism, where they offer as an alterantive to that substantialist ontology, in different ways, what I call anontology. (shrink)

The reason for the emergence of consciousness of filial piety is that parental care could activate reciprocal filial piety. Parental care and filial piety are two supplementary phenomena caused by the same time consciousness. Phenomenology neglects consciousness of filial piety because it lacks the thinking that sees the fundamental “meaning of time” in the intersection of “past” and “future”. The consciousness of filial piety can only be really constituted by a human being’s personal experience. “Frustrations in personal life” and “breeding (...) of children for oneself” are two occasions for an adult to fight against the separating effect of individualized consciousness and regain awareness of filial piety. (shrink)

In this paper I will discuss some interesting philosophical questions bound to color science, in its variant founded by Berlin and Kay’s linguistic and anthropological research. I will first refer to various criticisms, expressed by dissenting scientists. Further criticisms implied by a rather philosophical perspective will follow; a particular attention is paid to the question of synchronicity vs . diachronicity. The controversy about Berlin and Kay’s conception is paralleled by the development of Wittgenstein’s views on color that I will sketch (...) in short. Wittgenstein’s philosophy offers tools for illuminating the problem from yet another point of view. In the final part of the paper, I will try to point to the limits of the conception of basic color categories, but also to assess its relevance and possible philosophical contribution in terms of language games variety; especially with respect to the Color Incompatibility The orem and its implications. (shrink)

In Heidegger’s thinking, a language is neither words nor expressions. The discussion of a language brings not the language itself but rather us into its essence, and makes us gather unto “the genesis of the very language itself.” With snows and vesper bells, Heidegger summoned both heaven and earth and gods and men, making them merge into a single world. Likewise, Zhuangzi used the words of Qixie to summon the fleeting clouds in an endless sky and a dusky earth populated (...) by living beings and dust. (shrink)

Outside Ethics brings together some of the most important and provocative works by one of the most creative philosophers writing today. Seeking to expand the scope of contemporary moral and political philosophy, Raymond Geuss here presents essays bound by a shared skepticism about a particular way of thinking about what is important in human life--a way of thinking that, in his view, is characteristic of contemporary Western societies and isolates three broad categories of things as important: subjective individual preferences, knowledge, (...) and restrictions on actions that affect other people. He sets these categories in a wider context and explores various human phenomena--including poetry, art, religion, and certain kinds of history and social criticism--that do not fit easily into these categories. As its title suggests, this book seeks a place outside conventional ethics.Following a brief introduction, Geuss sets out his main concerns with a focus on ethics and politics. He then expands these themes by discussing freedom, virtue, the good life, and happiness. Next he examines Theodor Adorno's views on the relation between suffering and knowledge, the nature of religion, and the role of history in giving us critical distances from existing identities. From here he moves to aesthetic concerns. The volume closes by looking at what it is for a human life to have "gaps"--to be incomplete, radically unsatisfactory, or a failure. (shrink)

After the publication of Jaques Derrida’s book, L’animal que donc je suis, anti-speciesism has been looking for a theoretical foundation for its ethical content. In my opinion, the defect of all these philosophical perspectives is that they still reduce animals to objects of human philosophy. Here, I develop a new framework in which animals are considered as subjects of their own philosophy. In analogy to the concept of ethnophilosophy, the concept of speciophilosophy is here introduced. The different ways of thinking (...) between humans and other animals are outlined, by explaining the difference between verbal reasoning and thinking through images. Human philosophies are shown to be anthropocentric ideologies, related to carnivorism. Subsequently, animal speciophilosophies are discussed and a dialogical symphilosophein among all living beings is proposed to be the extension of the so-called philosophy of dialogue. Finally, it is shown how this perspective was present in the original Christian ethics. (shrink)

O artigo começa dando uma visão panorâmica do processo pelo qual se passou, na modernidade, da libertação da palavra à industrialização da palavra, esboçando algumas reações a esse desenvolvimento, em particular a de Heidegger. Prossegue pelo exame detalhado da regra de verbalização do inconsciente, sobre a qual repousa a clínica freudiana, mostrando os limites teóricos e clínicos desse tipo de comunicação entre o analista e o analisando. Passa, em seguida, ao estudo da comunicação não-verbal, característica da clínica winnicottiana dos psicóticos, (...) para concluir: 1) que certos modos do inconsciente são comunicáveis, mas não verbalizáveis, 2) que a crise da comunicação verbal, detectada por Winnicott na psicanálise, apresenta paralelos notáveis com a crítica de Heidegger da palavra gramaticalmente - isto é, ciberneticamente - correta, como o único meio de falar sobre os seres humanos e seus assuntos.The article starts by giving an overview of the process by which the liberation of speech became the industrialization of speech in Modern Times, outlining some reactions to it, such as the one formulated by Heidegger. It continues with a detailed study of the rule for verbalization of the unconscious, upon which the Freudian psychoanalysis is founded, showing theoretical and clinical limits of this kind of communication between the analyst and the analyzand. It goes over to the examination of the different modes of non-verbal communication, characteristic of the Winnicottian clinic of psychotics, in order to conclude 1) that some modes of the unconscious are communicable, but not verbalizable; 2) that the crises of verbal communication, detected by Winnicott in psychoanalysis, exhibits noteworthy parallels to the Heideggerian critique of the grammatically, that is, cibernatically correct language as the only means of talking about human beings and affairs. (shrink)

This paper is an attempt to criticize the reification of language present in Heidegger’s writings after the Kehre . The steps of the argument are as follows. First, it is argued that the specific features of Heidegger’s conception of language after the Kehre can be traced back to Heidegger’s conception of the ontological difference in Being and Time . The common element in both conceptions is the assumption that meaning determines reference (i.e. that the way entities are understood determines which (...) entities we can refer to). In the next step the implications of this assumption are shown through an analysis of Heidegger’s conception of designation in Being and Time and after the Kehre . Finally, this conception of designation is criticized with the help of the analysis of designation offered by the so-called theories of direct reference. Key Words: Donnellan • Heidegger • language • linguistic idealism • meaning • ontological difference • reference • referential/attributive distinction. (shrink)