Uno de los problemas centrales que el filósofo francés Bernard Stiegler ha abordado para sostener una constitución tecno- lógica de la humanidad, es la cuestión del origen del hombre. El asunto recae en preguntarse si es posible pensar quién es el hombre desde esta tesis, sin volver a la metafísica o la filosofía trascendental. Esta posición ha de estar enraizada en una ontología que aprehenda el componente causal a nivel relacional, dejando de lado las explicaciones en las cuales la causa (...) es substancialista. Para dar desarrollo a esta propuesta, este artículo se compone de dos partes generales: la primera está destinada a presentar hasta dónde sigue y en dónde se separa Stiegler de la concepción zoo-antropológica de André Leroi-Gourhan sobre el origen del hombre; para luego explicar las bases epistemológicas y ontológicas sobre las que Stiegler erige sus tesis tecno-ontológica de la humanidad; a saber: los fundamentos de la transducción simondoniana y la diferancia derridiana. (shrink)

Este texto muestra cómo la tradición fenomenológica de la filosofía de la tecnología ha interrogado y cuestionado a la tecnología moderna entendida como ciencia aplicada y neutral. El análisis inicia con la indagación ontológica sobre el significado de la técnica para el hombre llevada a cabo por Heidegger y Ortega, para señalar luego la pertinencia de encontrar vínculoscon otros modos de considerar la acción práctica del hombre y explicitar con ello el acercamiento entre la racionalidad técnica con el poder humanizante (...) de la imaginación y la creatividad. Finalmente se muestra cómo este vínculo fue desarrollado por Gaston Bachelard bajo la sugerente idea de un racionalismo inventivo que debe acompañar tanto a la práctica científica del sabio como a la construcción técnica de los fenómenos por parte del ingeniero. (shrink)

Este texto busca narrar o encontro feliz das trajetórias do ativista Cleodon Silva e da instituição Casa dos Meninos, e como esse encontro pode nos ajudar a repensar o papel daquilo que Gilbert Simondon chamou de “mecanólogo” ou “tecnólogo”: aquele que estuda os indivíduos técnicos completos, que introduz na cultura “a consciência da natureza das máquinas, de suas relações mútuas e de suas relações com o homem, e dos valores implicados nestas relações”.

The machine-organism analogy has played a pivotal role in the history of Western philosophy and science. Notwithstanding its apparent simplicity, it hides complex epistemological issues about the status of both organism and machine and the nature of their interaction. What is the real object of this analogy: organisms as a whole, their parts or, rather, bodily functions? How can the machine serve as a model for interpreting biological phenomena, cognitive processes, or more broadly the social and cultural transformations of the (...) relations between individuals, and between individuals and the environments in which they live? Wired Bodies. New Perspectives on the Machine-Organism Analogy provides the reader with some of the latest perspectives on this vast debate, addressing three major topics:1) the development of a ‘mechanistic’ framework in medicine and biology; 2) the methodological issues underlying the use of ‘simulation’ in cognitive science; 3) the interaction between humans and machines according to 20th-century epistemology. (shrink)

There are many possible definitions of “technology” and I will discuss some of these in this book. However, in this introduction let me use a definition of Svante Lindqvist who defines technology very intuitively as “those activities, directed towards the satisfaction of human wants, which produce change in the material world.” He says also “the distinction between human “wants” and more limited human “needs” is crucial, for we do not use technology only to satisfy our essential material requirements.” Consequently, from (...) this perspective, a technology that is “broken” could be defined as those activities, directed towards the satisfaction of human wants that are intended to produce changes in the material world that either do not manage to satisfy these wants or do not produce changes in the material world, or both. This is the third edition, updated October 2015. (shrink)

A summary is provided of Ruyer's important contribution, also a reversal from some conclusions held in his secondary doctoral dissertation, about the limits inherent in technological progress, and an attempt is made to show the coherence of this position to Ruyer's metaphysics. Simondon's response is also presented, and subsequently analyzed especially as it culminates in a concept of concretizations. As Simondon indicated, and with a displacement in Ruyer's limitating framework on unconditional growth, we end up searching for what represents the (...) category of the ultimate for those two philosophers of the cyberworld. (shrink)

Existen muchas definiciones posibles de “tecnología” y discutiré algunas de estas en este libro. Sin embargo, en esta introducción, usaré una definición intuitiva de tecnología: "aquellas actividades, dirigidas hacia la satisfacción de las necesidades humanas, "que producen cambios en el mundo material". En consecuencia, desde esta perspectiva, una tecnología "rota" podría definirse como aquellas actividades, dirigidas hacia la satisfacción de los deseos humanos destinados a producir cambios en el mundo material que no logran satisfacer estos deseos o no producen cambios (...) en el mundo material, o ambos. Cualquier definición de tecnología implica el uso de términos como "actividad" y expresiones como "dirigidas hacia" que son muy difíciles de definir sin entrar en consideraciones filosóficas profundas. Veremos que una discusión filosófica será cada vez más necesaria a medida que pasemos por los diferentes aspectos de las tecnologías rotas. (shrink)

Este artigo foi composto a partir da comunicação apresentada no Ciclo de conferências "Humanos e animais: os limites da humanidade", promovido pelo IEA/USP. Já bastante modificado desde então, o texto incorpora ainda comentários de interlocutores de diferentes áreas ou perspectivas de conhecimento, de modo a explicitar tanto as dificuldades quanto o caráter promissor de tais esforços interdisciplinares. No mesmo passo, as reflexões do artigo emergem do exame de uma bibliografia heterogênea, mas que, conforme o tratamento aqui despendido, converge para a (...) urgência contemporânea de se conceber e praticar um outro pacto entre os humanos modernos e os animais, sem o qual o próprio humanismo ver-se-á ameaçado. Para outro humanismo, outra natureza insiste em pedir passagem. This article was composed from a communication presented in the cycle of conferences "Humans and animals: the limits of humanity", promoted by IEA/USP. Amply modified since then, the text incorporates commentaries of interlocutors from different areas or perspectives of knowledge, so as making explicit both the difficulties and the promising character of such interdisciplinary efforts. In the same time, the reflections of the article emerge from the use of a heterogeneous bibliography, but that, in conformity with the treatment here used, converges to the contemporary urgency of conceiving and practicing another pact between modern humans and the animals. Without this pact humanism itself will be menaced. For other humanism, another nature insists in asking its place. (shrink)

In the ways that they currently link images and bodies, online computer games are not just a new form of commodity. As toys, they also materialise a collective, historical temporality. Disjunctions in the timing and spacing of action in computer game play suggest a different kind of temporality might be involved in the formation of contemporary collectives. These games highlight the role of ‘realtime’ in the constitution of an experience of speed. Through Giorgio Agamben's notion of the whatever body, and (...) a particular realtime game, this paper argues that computer games can help locate certain rhythms and times associated with globalised informatic collectives. The whatever body provides a way of negotiating the globalised yet inessential commonality of information, in terms of a temporality which wavers between a‐historical synchronisation and singular events. (shrink)

ArgumentIn 1895 when the Lumière brothers unveiled their cinematographic camera, many scientists were elated. Scientists hoped that the machine would fulfill a desire that had driven research for nearly half a century: that of capturing the world in its own image. But their elation was surprisingly short-lived, and many researchers quickly distanced themselves from the new medium. The cinematographic camera was soon split into two machines, one for recording and one for projecting, enabling it to further escape from the laboratory. (...) The philosopher Henri Bergson joined scientists, such as Etienne-Jules Marey, who found problems with the new cinematographic order. Those who had worked to make the dream come true found that their efforts had been subverted. This essay focuses on the desire to build a cinematographic camera, with the purpose of elucidating how dreams and reality mix in the development of science and technology. It is about desired machines and their often unexpected results. The interplay between what “is” (the technical), what “ought” (the ethical), and what “could” be (the fantastical) drives scientific research. (shrink)

A partir del análisis e interpretación de diversos textos fundacionales sobre el grupo de discusión y su concepción en el ámbito español y latinoamericano, se critica la idea reduccionista de entender esta técnica como una forma más abierta y menos directiva del genérico focusgroup anglosajón. Dicha confusión es analizada con el fin de establecer las relaciones existentes entre ambas técnicas y las posibles diferencias que las distingue y opone entre sí. El resultado del análisis lleva a concebir al grupo de (...) discusión cómo una técnica necesitada del focusgoup y, a la vez, establecer en dicha necesidad un motivo para indagar en la parte sustantiva de la dinámica grupal que caracteriza a esta técnica.This articleanalyses the tendency to understand the technique of discussiongroup asa less directivefocus group. This simplifying idea is confusing and is criticized with the objective to know the motives that hold together both techniques. The analysis established the dependent relationship between discussiongroup and focus group, as well as finding in this dependence the reason to understand the discussiongroup as a group dynamics totally different to the focus group. (shrink)

Synthetic biologists are extremely concerned with responsible research and innovation. This paper critically assesses their culture of responsibility. Their notion of responsibility has been so far focused on the identification of risks, and in their prudential attitude synthetic biologists consider that the major risks can be prevented with technological solutions. Therefore they are globally opposed to public interference or political regulations and tend to self-regulate by bringing a few social scientists or ethicists on board. This article emphasizes that ethics lies (...) beyond prudence and requires a cultural evaluation of the modes of existence of the various microorganisms designed by synthetic biologists, independently of their potential applications. (shrink)

If research works, inspired by the instrumental approach of Rabardel (1995), shone the activities instrumented by the teachers by spotting instrumental geneses (Saujat, 2000), on the other hand, none tried to consider their systems of instruments (Bourmaud, 2006). Inspired by an investigation realized in the branch of industry, we discuss the opportunity of such analysis for the training of the teachers. From a case study based on interviews investigating the redefined task (Leplat, 1997) of professionals in charge of safety in (...) company, we determine the five characteristics of a system of instruments for one of the professionals became trainer. Si des travaux de recherche, inspirés de l'approche instrumentale de Rabardel (1995), ont éclairé les activités instrumentées des enseignants en repérant des genèses instrumentales (Saujat, 2000), en revanche aucun n’a cherché à considérer leurs systèmes d'instruments (Bourmaud, 2006). Inspirés par une investigation réalisée dans le secteur industriel, nous discutons de l'opportunité d’une telle analyse pour la formation des enseignants. A partir d’une étude de cas appuyée sur des d’entretiens explorant la tâche redéfinie (Leplat, 1997) de professionnels chargés de sécurité en entreprise, nous déterminons les cinq caractéristiques d’un système d’instruments chez un des professionnels devenu formateur. (shrink)

On the basis of a close reading of three authors , I try to elucidate what the growing presence of digital technologies in our lives implies for the sphere of schooling and education. Developing a technocentric perspective, I discuss whether what is happening today concerns just the newest form of humankind's fundamental dependency on a technological milieu or that it concerns a fundamental shift. From Flusser, I take the idea that the practice of writing shapes human subjectivity, as well as (...) our very sense of history and progress, and that with the advent of digital technologies the possibility of a posthistorical era is granted. I confront this idea with Stiegler's analysis of technological tools and practices as strongly materialized memories, which amounts to a plea for securing the link with the particular history behind the technologies we use. Here, education should play a conservative role and take responsibility for using technologies in a correct way. I argue that Stiegler is not wholly consistent on this point and, moreover, that his view precludes the possibility to rethink the very meaning of education under present conditions. This possibility is opened if we turn to a philosopher which is ruthlessly criticized by Stiegler for being a technophobe: Agamben. I argue, however, that a more detailed reading of Agamben—n combination with Flusser—might show a completely different and far more positive appreciation for digital technology and that this view offers an opening for rethinking what education is all about. (shrink)

This essay argues that nano-images would be best understood with an aesthetical approach rather than with an epistemological critique. For this aim, I propose a ‘techno-aesthetical’ approach: an enquiry into the way instruments and machines transform the logic of the sensible itself and not just the way by which it represents something else. Unlike critical epistemology, which remains self-evidently grounded on a representationalist philosophy, the approach developed here presents the advantage of providing a clear-cut distinction between image-as-representation and other modes (...) of existence of images, such as the one of ‘ imaginaction ’ that I draw from a comparison between far-field and near-field microscopies. Once this regime of imaginaction is distinguished from representation, I focus on nanotechnological percepts and argue that they follow a transmodal logic. I then draw the implications of this enquiry in terms of a new sensible condition that changes the way we think of non-living objects. Finally, I conclude that if techno-aesthetics dares to posit and articulate sensibility beyond the privileged sphere of subject/object relationships, it simultaneously engages us to consider the political character of our responsibilities towards the design of nano-engineered sensorial spaces. (shrink)

Koopman’s book revolves around the notion of transition, which he proposes is one of the central ideas of the pragmatist tradition but one which had not previously been fully articulated yet nevertheless shapes the pragmatist attitude in philosophy. Transition, according to Koopman, denotes “those temporal structures and historical shapes in virtue of which we get from here to there”. One of the consequences of transitionalism is the understanding of critique and inquiry as historical pro...

This paper argues that Darwin's theory of evolution offers two modes of understanding the relation between life and human knowledge. On the one hand, Darwin can be included within a general turn to “life,” in which human self-knowledge is part of a general unfolding of increasing awareness and anthropological reflexivity; life creates an organism, man, capable of discerning the logic of organic existence. On the other hand, Darwin offers the possibility of understanding life beyond the self-maintenance of organism and, therefore, (...) beyond the rational of life's putative striving. (shrink)

It was during the Gulf War that I discovered the gas mask to be an object. As it became increasingly credible and imminent, the unfathomable menace was crucially rescaled to the toxic potency and dispersal pattern of law-abiding molecules. So it went with the gas mask: the Gulf War transformed it from a vaguely morbid mental image into a facial object of survival. But to be drafted on the nation-wide defensive maelstrom as a life-saving object (and not, as it happened, (...) a life-taking one) the real effectiveness of the gas mask was by no means sufficient - it had also to be effectively realized, and this in turn necessitated that confidence in its claimed capacities had to be gained, and competence in its appropriate performance mastered. (shrink)

In animal husbandry in The Netherlands, as in a wide variety of other societal areas, we see an increased awareness of the fact that progress cannot be attained anymore by simply repeating the way we modernized this sector in the decades before, due to the multiplicity of the problems to be dealt with. The theory of reflexive modernization articulates this macro-social phenomenon, and at the same time serves as a prescriptive master-narrative. In this paper, I analyse the relationship between Feenberg's (...) instrumentalization theory and reflexive design; that is, the approach of doing reflexive modernization. Feenberg's analytical distinction between primary and secondary instrumentalization is useful in highlighting the way social and political values are inscribed into technological arrangements, but is not meant as a method. Reflexive design, on the other hand, is meant to be a reflective and deliberative method that aims to articulate, assess and reintegrate hitherto unquestioned values and presuppositions into new designs of production systems. Reflexive design thus may be seen as a conscious strategy of making explicit the separate stages of instrumentalization in advance, instead of criticizing the implicit embedding of dominant values in technological artefacts once they have been realized. The approach is illustrated with a case from animal husbandry. (shrink)

This article investigates religious ideals persistent in the datafication of information society. Its nodal point is Thomas Bayes, after whom Laplace names the primal probability algorithm. It reconsiders their mathematical innovations with Laplace's providential deism and Bayes' singular theological treatise. Conceptions of divine justice one finds among probability theorists play no small part in the algorithmic data-mining and microtargeting of Cambridge Analytica. Theological traces within mathematical computation are emphasized as the vantage over large numbers shifts to weights beyond enumeration in (...) probability theory. Collateral secularizations of predestination and theodicy emerge as probability optimizes into Bayesian prediction and machine learning. The paper revisits the semiotics and theism of Peirce and a given beyond the probable in Whitehead to recontextualize the critiques of providence by Agamben and Foucault. It reconsiders datafication problems alongside Nietzschean valuations. Religiosity likely remains encoded within the very algorithms presumed purified by technoscientific secularity or mathematical dispassion. (shrink)

While self-organization has been an integral part of academic discussions about the distinctive features of living organisms, at least since Immanuel Kant’s Critique of Judgement, the term ‘self-assembly’ has only been used for a few decades as it became a hot research topic with the emergence of nanotechnology. Could it be considered as an attempt at reducing vital organization to a sort of assembly line of molecules? Considering the context of research on self-assembly I argue that the shift of attention (...) from self-organization to self-assembly does not really challenge the boundary between chemistry and biology. Self-assembly was first and foremost investigated in an engineering context as a strategy for manufacturing without human intervention and did not raise new perspectives on the emergence of vital organization itself. However self-assembly implies metaphysical assumptions that this paper tries to disentangle. It first describes the emergence of self-assembly as a research field in the context of materials science and nanotechnology. The second section outlines the metaphysical implications and will emphasize a sharp contrast between the ontology underlying two practices of self-assembly developed under the umbrella of synthetic biology. And unexpectedly, we shall see that chemists are less on the reductionist side than most synthetic biologists. Finally, the third section ventures some reflections on the kind of design involved in self-assembly practices. (shrink)

In this paper I examine the notion of ‘artifact’ and related notions in the dominant version of extended cognition theory grounded on extended functionalism. Although the term is ubiquitous in the literature, it is far from clear what ECT means by it. How are artifacts conceptualized in ECT? Is ‘artifact’ a meaningful and useful category for ECT? If the answer to the previous question is negative, should we worry? Is it important for ECT to have a coherent theory of artifacts? (...) And what are the demands and constraints that ECT imposes on this theory? I distinguish between two aspects of ECT, one narrow, aligned with extended functionalism ; and one broad or pluralistic, in which EF is combined with other theoretical resources in the context of diverse research programs. I begin by determining the problems in conceptualizing artifacts from EF. Then I address the question of why a concept of artifact may be relevant to ECT. Next, I examine the efforts of Richard Heersmink to combine ECT with dominant theories of artifacts in the philosophy of technology. I argue that both approaches fail to yield a meaningful notion of artifact, let alone one of ‘cognitive’ artifact. Finally, I argue that narrow ECT places rather strong constraints on a theory of artifacts, since it locates the specificity of ‘artifact’ in material aspects of realization that are, by definition, outside its theoretical purview. I examine, then discard, the possibility that a materialist and objectivist theory of artifacts may be of help. And finally I briefly explore some ways in which a broad, pluralistic ECT may address some of these shortcomings. (shrink)

RESUMO Analisar linhas delimitadoras de um certo desenvolvimento tecnológico é uma tarefa já empreendida por diversos autores. Este é um tipo de abordagem que se inspira em parte em ação semelhante empreendida em relação à ciência. Neste artigo pretendemos apresentar algumas linhas, a que chamamos tendências, que marcam as tecnologias móveis, como celulares, smartphones ou tablets. Estudamos alguns artefactos e funcionalidades que, não sendo exclusivos deste tipo de dispositivo, marcam direções e hegemonias. Para o efeito, desenvolvemos uma análise sociotécnica que (...) se centra em uma observação e utilização desse tipo de tecnologia. O resultado é uma tipologia que mostra cinco tendências: realismo; continuidade técnico-corporal; prioridade ao contexto; velocidade; e compatibilidade/multifuncionalidade. Essas diferentes formulações sociotécnicas permitem compreender como essas materialidades inscrevem-se no espaço social, ao mesmo tempo que exibem projetos que emergem de intenções sociais. O proliferar das tecnologias móveis faz com que a compreensão dessas dinâmicas seja de enorme relevância para questionarmos o futuro tecnológico que se instala. ABSTRACT The delimitation of defining lines of certain technological development is something that several authors already established. This kind of approach is inspired in similar task applied to science. In this work it is intended to present some lines, that we call tendencies, which mark mobile technologies development, like mobile phones, smartphones or tablets. This work makes an analysis of some artifacts and its features, which make some directions and hegemonic dominations, although they are not exclusive of these technologies. It is applied a sociotechnical analysis based on observation and on the use of this kind of technologies. The output is the identification of five tendencies: realism; techno-body continuity; priority to context; velocity; and compatibility/multi-functionality. This different sociotechnical forms allow the understanding of how these materialities are inscribed in social space, and how some projects are a result of social intentions. The proliferation of mobile technologies shows by itself the relevance of this approach in order to question technological future. (shrink)

A crise dos modelos de representação fundadas em unidades coerentes e ordenadas parece ter como um dos traços o que Bruno Latour (1993) chamou de “híbridos”(1). Os híbridos são a figura da multiplicidade que não cabe em categorias e que a modernidade “varia para baixo do tapete”. Atualmente, assistimos ao “retorno dos que nunca foram”, que interpelam de forma contundente nossas formas de vida, fortemente apoiadas na técnica. Mas como apreender os fluxos de discursos e práticas mediatizadas que nos atravessam (...) sem cair nas armadilhas do tecnicismo? Que configurações poderiam hoje assumir práticas e discursos críticos? Que agenciamentos propor? Tentar compreender o estatuto do tecnológico, do político, do artístico, do urbano e do banal como “artes do fazer” parece-nos uma tarefa urgente e necessária. Gilles Deleuze (1977), em “Kafka, por uma literatura menor” (2), deixa-nos uma importante pista, ao afirmar, em sua definição de agenciamento, que “a técnica é antes de tudo social”. A direção nos permite avançar para além das concepções instrumentalistas e dicotômicas da técnica e percebê-la enquanto processo complexo de mediação. De fato, como também afirmava Simondon (1989), os objetos técnicos sempre foram gerados por mediação e geradores de mediação(4). O presente número da Revista Logos traz justamente contribuições para fomentar esse debate e para compor o já vasto quadro das cartografias sobre tecnologia e sociabilidade no Brasil, no campo das possibilidades de mediação sociotécnica. Trata-se de um número especial, organizado dentro da parceria PPGC-Uerj e Centre d’Etudes sur l”Actuel et lê Quotidien (CEAQ) - Paris V, com a colaboração do Professor Stéphane Hugon, coordenador do GRETECH, grupo de pesquisa sobre Tecnologia e Quotidiano. Se, por um lado, o conjunto de artigos compartilha determinados referenciais teóricos, por outro, acolhe também visões próprias, forjadas a partir de diferentes experiências sociais e em distintos contextos culturais. Em comum, todos partem de certa forma da percepção de que as mediações presentes nos processos de sociabilidade podem colaborar nos processos de negociação com as regras e códigos sociais vigentes para inventar outros possíveis. Todos, de certa forma, dão a ver, em seu conjunto, que entramos numa arena onde os diversos elementos que constituem o social interagem e ganham novos contornos: o político não dialoga apenas com o “ideológico”, mas também com o cultural, o subjetivo, o artístico. Da mesma forma, a arte, por exemplo, não diz respeito apenas ao cânone, mas também ao político, ao urbano, ao sensual e ao banal. Com isso, também a noção de tecnologia se amplia e, entendida como “máquina social”, pode ajudar-nos a melhor apreender as dimensões dos fenômenos culturais e de comunicação hoje. Os onze textos reunidos neste número apontam exatamente para o momento singular em que vivemos sob alguns de seus mais diversos ângulos. Stéphane Hugon da Universidade René Decartes-Paris V/CEAQ discute a importância dos processos de apropriação da tecnologia no quotidiano; João Maia e Eduardo Bianchi, da UERJ, abordam a sociabilidade de jovens adolescentes de uma favela carioca como forma criativa de cidadania; Vicenzo Susca, da Universidade René Decartes-Paris V e da Università di Lingue e Comunicazione de Milão, aborda o aspecto subversivo das tecnologias, através de uma perspectiva transpolítica; Beatriz Bretas da UFMG apresenta estudos de caso sobre modos de organização de redes sociais virtuais no Brasil; Fabio Larocca discute como as tecnologias alteram nosso olhar sobre as dinâmicas sócio-espaciais no contexto das cidades; Florian Dauphin faz uma análise do sofware livre na França, país com uma das mais fortes tradições de organização social desse movimento na Europa; José Pinheiro Neves, da Universidade do Minho, recupera a contribuição de Simondon para uma análise da percepção das imagens nas telas dos computadores; Shangsub Choi, do Korea Information Society Development Institute, aborda as mudanças propiciadas pela internet no quotidiano de pessoas e empresas e as possibilidades de contra-poder; a arquiteta e urbanista Julieta Leite aposta na integração das tecnologias digitais aos tecidos da cidade para a construção de novas experiências espaciais coletivas; Maria da Luz Correia analisa a recuperação da comunicação por cartões postais nos dias atuais. Finalmente, Hedi Zamouri faz uma etnografia da Brigada Anti-Pub, movimento contra o abuso da publicidade nos espaços públicos de Paris e José Cláudio Castanheira resenha o último livro de Shetyl Turkle, “História íntima dos objetos”. A Logos 29, edição especial, chega assim aos leitores com uma gama variada de proposições e de lugares de observação, brindando-nos com novas pistas para a análise de questões que compõem a pesquisa atual no campo da comunicação. Desejamos a todos uma boa leitura. Fernando Gonçalves Editor temático desta edição especial da Logos. Professor adjunto da Faculdade de Comunicação Social da Uerj e membro do Grupo de pesquisa Comunicação, Arte e Cidade, do PPGC-Uerj, onde leciona a disciplina “Tecnologias e Formas de Vinculação Social”. Notas 1 Latour, Bruno. Jamais fomos modernos. Rio de Janeiro: Ed. 34, 1994. 2 Deleuze, Gilles. Kafka, por uma literatura menor. Rio de Janeiro: Imago, 1977. 3 Simondon, Gilbert. Du mode d’existence des objets techniques. 4eme Édition. Paris: Aubier, 1989. (shrink)

Scientists and engineers who extensively use the term “nanomachine” are not always aware of the philosophical implications of this term. The purpose of this paper is to clarify the concept of nanomachine through a distinction between three major paradigms of machine. After a brief presentation of two well-known paradigms - Cartesian mechanistic machines and Von Neumann's complex and uncontrolled machines – we will argue that Drexler's model was mainly Cartesian. But what about the model of his critics? We propose a (...) third model - Gilbert Simondon's notion of concrete machines – which seems more appropriate to understand nanomachines than the notion of “soft machines”. Finally we review a few strategies currently used to design nanomachines, in an effort to determine which paradigm they belong to. (shrink)

Le droit est pour une part national—à base d’histoire et de géographie, de droit romain, de common law, de charia etc. selon les pays—mais les organismes internationaux, comme la FAO, ou continentaux, comme la Commission de Bruxelles, ne peuvent agir efficacement qu’en partageant et faisant partager des conceptualisations juridiques. Certes, les normes, règlements et directives ne représentent pas tout le droit, mais les relations entre concepts nouveaux (totalement partagés) et concepts anciens (partiellement partagés ou non partagés) tendent à permettre une (...) explicitation des points communs et des différences. Il ne s’agit pas ici de droit comparé, mais de terminologie comparée, ou plutôt de confrontation terminologique. L’idée principale est qu’il faut distinguer ce qui est partagé entre experts (c’est-à-dire des conditions nécessaires et suffisantes) et ce qui ne l’est pas (ce qui est plus ou moins «encyclopédique» ou «idiomatique»). Une autre conviction, fondée sur les versions parallèles et les définitions spécialisées, est qu’il existe un vocabulaire juridique fondamental, vecteur de concepts minimaux partagés. L’option méthodologique est double: d’abord, un niveau «global» (une approche onomasiologique) garantissant que l’on ne se fonde pas sur les mots; ensuite, un niveau «local» , où les mots sont traités comme tels (linguistiquement et culturellement). (shrink)

Buber’s distinction between the ‘I-It’ mode and the ‘I-Thou’ mode is seminal for dialogic education. While Buber introduces the idea of dialogic space, an idea which has proved useful for the analysis of dialogic education with technology, his account fails to engage adequately with the role of technology. This paper offers an introduction to the significance of the I-It/I-Thou duality of technology in relation with opening dialogic space. This is followed by a short schematic history of educational technology which reveals (...) the role technology plays, not only in opening dialogic space, but also in expanding dialogic space. The expansion of dialogic space is an expansion of what it means to be ‘us’ as dialogic engagement facilitates the incorporation, into our shared sense of identity, of aspects of reality that are initially experienced as alien or ‘other’. Augmenting Buber with an alternative understanding of dialogic space enables us to see how dialogue mediated by technology, as well as dialogue with monologised fragments of technology, can, through education, lead to an expansion of what it means to be human. (shrink)

The term " technoscience " gained philosophical significance in the 1970s but it aroused ambivalent views. On the one hand, several scholars have used it to shed light on specific features of recent scientific research, especially with regard to emerging technologies that blur boundaries (such as natural/artificial, machine/living being, knowing/making and so on); on the other hand, as a matter of fact " technoscience " did not prompt great interest among philosophers. In the French area, a depreciative meaning prevails: " (...) technoscience " means the contamination of science by management and capitalism. Some even argue that " technoscience " is not a concept at all, just a buzzword. In this chapter, on the contrary, we make the case for the constitution of a philosophical concept of technoscience based on the characterization of its objects in order to scrutinize their epistemological, ontological, political and ethical dimensions. (shrink)

The promises of nanotechnology have been framed by a variety of metaphors, that not only channel the attention of the public, orient the questions asked by researchers, and convey epistemic choices closely linked to ethical preferences. In particular, the image of the ‘therapeutic missile’ commonly used to present targeted drug delivery devices emphasizes precision, control, surveillance and efficiency. Such values are highly praised in the current context of crisis of pharmaceutical innovation where military metaphors foster a general mobilization of resources (...) from multiple fields of cutting-edge research. The missile metaphor, reminiscent of Paul Ehrlich’s ‘magic bullet’, has framed the problem in simple terms: how to deliver the right dose in the right place at the right moment? Chemists, physicists and engineers who design multi-functional devices operating in vitro can think in such terms, as long as the devices are not actually operating through the messy environment of the body. A close look at what has been done and what remains to be done suggests that the metaphor of the “therapeutic missile” is neither sufficient, nor even necessary. Recent developments in nanomedicine suggest that therapeutic efficacy cannot be obtained without negotiating with the biological milieu and taking advantage of what it affords. An ‘oikological’ approach seems more appropriate, more heuristic and more promising than the popular missile. It is based on the view of organism as an oikos that has to be carefully managed. The dispositions of nanocapsules have to be coupled with the affordances of the environment. As it requires dealing with nanoparticles as relational entities (defined by their potential for interactions) rather than as stable substances (defined by intrinsic properties) this metaphor eventually might well change research priorities in nanotechnology in general. (shrink)

resumo : Redescoberta a partir da década de 1990, a obra de Gilbert Simondon coloca a técnica em uma posição central na reflexão filosófica. Mais do que uma faculdade do humano, a técnica aparece em Simondon como uma afecção determinante para todo regime do coletivo e do psíquico, fundadora de configuração do modo de estar no mundo. Este artigo visa retraçar o caminho pelo qual Simondon encontra a técnica como um problema filosófico antigo e escamoteado, cuja recuperação se torna urgente (...) com a contemporânea imbricação entre a tecnologia e o devir do fenômeno humano. abstract : The work of Gilbert Simondon, recovered in the 1990s, places technicity in a central position for philosophical thought. More than a human faculty, technicity appears in Simondon as a determinant affection for the entire regime of collective and psychic existence. It finds thus a plethora of configurations of the modalities of being in the world. This essay seeks to retrace the ways in which Simondon discovers technicity as an ancient philosophical problem that has been veiled, the recovery of which becomes ever more urgent given the contemporary interpenetration between technology and the becoming of the human phenomenon. (shrink)

RESUMO O conceito de desejo é raro na obra de Simondon. Stiegler baseia nessa falta sua crítica ao filósofo, causa de seu caráter “apolítico”. Mas todas as categorias com que está associado o desejo estão presentes: a noção de incompletude, o impulso para objetos exteriores, a relação necessária entre corpo e coletivo. Este artigo explora as conexões entre o conceito de subconsciente afetivo-emotivo em Simondon e a concepção do desejo como produtor de seus objetos. Essas conexões permitem questionar a inserção (...) de Simondon na filosofia de seu tempo e, pela releitura da crítica de Stiegler, esboçar as diretrizes da reflexão política apoiada em Simondon. ABSTRACT Simondon seldom mentions desire. Stiegler criticizes him for that, arguing it renders his thought “apolitical”. Yet, every category to which desire is associated can be found in Simondon: a notion of incompleteness, the impulse towards exterior objects, the relation between body and collective. This paper explores the links between Simondon's affective-emotive subconscious and the concept of desire, conceived as producer of its objects. These connections help to question Simondon's link to other philosophers of his day, by means of a reading of Stiegler's critique, which helps to sketch the outlines of a political reflection based on Simondon. (shrink)

This article is based on the general introduction and the opening sections of chapters 1 and 2 from the author's book,Living in the Labyrinth of Technology. It revisits the process of industrialization as having a dual component: people changing technology and technology changing people. The latter is almost universally overlooked and provides a different perspective.

To overcome the art-craft dualism, a root and branch reform of a traditionally hegemonic view on human activities is needed. By focusing on Gilbert Simondon’s fundamental claims, the article aims to display the most important consequences of a more in-depth understanding of poiesis, especially in relation to its reintegration with the sphere of praxis and collective ethos and to its connections with the idea of creativity. The field of production will lastly be associated with the concept of “living practice”, regarded (...) as important for the definition of a contemporary poietics. (shrink)

While today there is much discussion about the ethics of artificial intelligence, less work has been done on the philosophical nature of AI. Drawing on Bergson and Ricoeur, this paper proposes to use the concepts of time, process, and narrative to conceptualize AI and its normatively relevant impact on human lives and society. Distinguishing between a number of different ways in which AI and time are related, the paper explores what it means to understand AI as narrative, as process, or (...) as the emergent outcome of processes and narratives. It pays particular attention to what it calls the “narrator” and “time machine” roles of AI and the normative implications of these roles. It argues that AI processes and narratives shape our time and link past, present, and future in particular ways that are ethically and politically significant. (shrink)

Those who know the work of Karl Popper will have recognized in my title the transformation into interrogation of a formula repeated several times by this eminent philosopher of science, whom some consider as the greatest of the 20th century in his specific field - even if they do not share his theses. This Popperian formula, to which I wish to devote my analyzes here, has at least the merit of being clear and impactful. But as often, what is clear (...) and impactful can become too simple for what is to be thought, and perhaps even too simple to express faithfully the philosophy which one seeks to summarize there. Writing this, I am not claiming that Popper was not really a falsificationist. Far be it from me to dispute that the great thesis of his epistemology consists in making any scientific theory worthy of the name falsifiable or refutable. This is indisputable: for Popper, the dividing line between scientific theory and non-scientific theory lies precisely in this falsifiable character. (shrink)

This work examines Gilles Deleuze’s concept of intensity and the role of this concept in his philosophy of technology. The work has two main objectives. First, it analyses the role of Deleuze’s theory of intensity in his metaphysical system and in his philosophy of technology. Second, on the basis of this theory, it presents an original analysis of the creative potential of technology. The importance of the concept of intensity in Deleuze’s philosophy has been acknowledged, but so far, his views (...) on intensity have not been analysed in terms of a consistent theory. Furthermore, the implications of Deleuze’s theory of intensity for his and Félix Guattari’s analysis of technology have been entirely overlooked. This thesis shows for the first time the pivotal role of intensity in Deleuze’s philosophy and demonstrates the importance of the concept of intensity for the analysis of technicity. Part I explicates Deleuze’s theory of intensity. For Deleuze, intensity is the nature of the gradual variation of material, heterogeneous wholes. Within such wholes, intensity characterises variation in processes of individuation and systemic transformation. Moreover, these intensive processes and transformations take place within a sphere of material immediacy. Part II fleshes out the implications of this theory for a philosophy of technics. It proposes a definition of technics as immediate interaction with material variation. Technics always has an established role as a component of a particular social system, but it also bears a constant undercurrent of creative and transformative potential. Finally, the current dominance of information technology and the potential for technical creativity in contemporary society are examined on the basis of the analysis of intensive technics. The work offers an original and comprehensive analysis of Deleuze’s theory of intensity and demonstrates his contribution to the philosophy of technology. It also clarifies the processual nature of materiality and the nature of systemic transformation. Finally, it offers conceptual tools for fathoming the constraints as well as the creative potential of technics in contemporary culture. (shrink)

John Dewey puts aesthetic experience at the center of his reflection on art and beauty, reconsidering it dynamically. Nowadays, this view opened the path to somaesthetics, a term coined by Richard Shusterman, and aesthetic anthropology. Here, it is argued that the contribution of pragmatist aesthetics could be further developed by exploring its analogies with techno-aesthetics, a paradigm proposed by French philosopher Gilbert Simondon in the early 1980s. Art occupies accordingly a special place within the different forms of aesthetic experience, being (...) considered as a way of experimenting the impact of new technologies in the human experience. It is a process by which technologies create ‘devices’ for experimenting perception and reflection: namely, ways of reconstructing the nature of the human mind in-between body and technology, and by means of their interaction. Cinema reconsidered after Dewey’s fellow George H. Mead, offers an exemplary case as both artistic and technological devices. (shrink)

Les outils médiatiques numériques se déploient toujours plus au cœur de notre quotidien. Nous proposons ici de les considérer légitimement comme objets sociologiques, c’est-à-dire comme des “traces matérielles” à partir desquelles il est possible de reconstruire les schémas organisationnels de notre monde contemporain. Au-delà du simple “medium is message”, en tant qu’objets techniques, les médias numériques se présentent tout autant comme des “dispositifs” que comme un cadre existentiel. Plus qu’un simple moyen d’arraisonner le monde, ils doivent être vus comme des (...) moyens de raisonner sur le monde. En élaborant une définition des artefacts qui implique la prégnance des objets au sein d’un univers symbolique, nous considérerons les outils numériques comme des “objets sociaux totaux”, partie prenante de la part immatérielle à partir de laquelle les sociétés se constituent. (shrink)

Bernard Stiegler is known as a leading philosopher of technics. He has developed an original interpretation of technics as an externalized epiphylogenetic memory that remembers in the p...