The Panopticon project for a model prison obsessed the English philosopher Jeremy Bentham for almost 20 years. In the end, the project came to nothing; the Panopticon was never built. But it is precisely this that makes the Panopticon project the best exemplification of Bentham’s own theory of fictions, according to which non-existent fictitious entities can have all too real effects. There is probably no building that has stirred more philosophical controversy than Bentham’s Panopticon. The Panopticon is not merely, as (...) Foucault thought, “a cruel, ingenious cage”, in which subjects collaborate in their own subjection, but much more—constructing the Panopticon produces not only a prison, but also a god within it. The Panopticon is a machine which on assembly is already inhabited by a ghost. It is through the Panopticon and the closely related theory of fictions that Bentham has made his greatest impact on modern thought; above all, on the theory of power. The Panopticon writings are frequently cited, rarely read. This edition contains the complete “Panopticon Letters”, together with selections from “Panopticon Postscript I” and “Fragment on Ontology”, Bentham’s fullest account of fictions. A comprehensive introduction by Miran Bozovic explores the place of Panopticon in contemporary theoretical debate. (shrink)

In de jaren tachtig ondergaat het denken van de Franse filosoof Michel Foucault een koerswijziging. in navolging van Nietzsche ervaart Foucault de actuele situatie als een moreel interregnum, waarin 'andere mogelijkheden' zich aandienen. Voorwaarde is dat men de geschiedenis benut om toegang te krijgen tot het heden. Alleen door de gewelddadigheid van haar geschiedenis op het spoor te komen, kan men de verborgen gewelddadigheid van het technocratische bestuursregime ontmaskeren. Wat Foucault in deze jaren ontsluit is de ethische dimensie van zijn (...) politiek-filosofische gedachtegang. Door, zoals hij het noemt, 'zichzelf tot moreel subject te constitueren' ontstaat er ruimte, niet alleen voor actualiteitskritiek, maar ook voor de ontwikkeling van een andere levenswijze. (shrink)

This paper praises and criticizes Peter-Paul Verbeek's What Things Do . The four things that Verbeek does well are: remind us of the importance of technological things; bring Karl Jaspers into the conversation on technology; explain how technology "co-shapes" experience by reading Bruno Latour's actor-network theory in light of Don Ihde's post-phenomenology; develop a material aesthetics of design. The three things that Verbeek does not do well are: analyze the material conditions in which things are produced; criticize the social-political design (...) and use context of things; and appreciate how liberal moral-political theory contributes to our evaluation of technology. (shrink)

"... Dr. Ihde brings an enlightening and deeply humanistic perspective to major technological developments, both past and present." —Science Books & Films "Don Ihde is a pleasure to read.... The material is full of nice suggestions and details, empirical materials, fun variations which engage the reader in the work... the overall points almost sneak up on you, they are so gently and gradually offered." —John Compton "A sophisticated celebration of cultural diversity and of its enabling technologies.... perhaps the best single (...) volume relating the philosophical tradition to the broad issues raised by contemporary technologies." —Choice "... important and challenging... " —Review of Metaphysics "... a range of rich historical, cultural, philosophical, and psychological insights, woven together in an intriguing and clear exposition... The book is really a pleasure to read, for its style, immense learning and sanity." —Teaching Philosophy The role of tools and instruments in our relation to the earth and the ways in which technologies are culturally embedded provide the foci of this thought-provoking book. (shrink)

Machine generated contents note: Preface ix -- Chapter One: Technology, Technique, and the Body 3 --Chapter Two: The First Technology: Bottle-Feeding 30 --Chapter Three: Slow Motion: Zori 51 --Chapter Four: Double Time: Athletic Shoes 75 --Chapter Five: Sitting Up Straight: Posture Chairs 104 --Chapter Six: Laid Back: Reclining Chairs 134 --Chapter Seven: Mechanical Arts: Musical Keyboards 161 --Chapter Eight: Letter Perfect?: Text Keyboards 187 --Chapter Nine: Second Sight: Eyeglasses 213 --Chapter Ten: Hardheaded Logic: Helmets 238 --Epilogue: Thumbs Up 263 -- (...) Notes 269 --Suggestionsfor Further Reading 302 --Index 305. (shrink)

The question concerning technology.--The turning.--The word of Nietzsche: "God is dead."--The age of the world picture.--Science and reflection.

A summation of the work of one of the most influential and provocative interpreters of science, it aims at saving what is good and valuable in modernity and ...

Discusses the ethical implications of modern technology and examines the responsibility of humanity for the fate of the world.

This book is of interest to those working at the intersection of contemporary debates in philosophy, ethics, politics and cultural studies.

Thoroughly revised, this new edition of Critical Theory of Technology rethinks the relationships between technology, rationality, and democracy, arguing that the degradation of labor--as well as of many environmental, educational, and political systems--is rooted in the social values that preside over technological development. It contains materials on political theory, but the emphasis has shifted to reflect a growing interest in the fields of technology and cultural studies.

Technology is always limited to the realm of means, while morality is supposed to deal with ends. In this theoretical article about comparing those two regimes of enunciation, it is argued that technology is on the contrary characterized by the `ends of means' that is the impossibility of being limited to tools; technical artefacts are never tools if what is meant by this is a transmission of function in a mastered way. Once this modification of the meaning of technology is (...) accepted, then it is possible to relate technology, in a totally different way, to morality which is not about values, but about the exploration of ends. (shrink)

One of the most important texts of modern times, Herbert Marcuse's analysis and image of a one-dimensional man in a one-dimensional society has shaped many young radicals' way of seeing and experiencing life. Published in 1964, it fast became an ideological bible for the emergent New Left. As Douglas Kellner notes in his introduction, Marcuse's greatest work was a 'damning indictment of contemporary Western societies, capitalist and communist.' Yet it also expressed the hopes of a radical philosopher that human freedom (...) and happiness could be greatly expanded beyond the regimented thought and behaviour prevalent in established society. For those who held the reigns of power Marcuse's call to arms threatened civilization to its very core. For many others however, it represented a freedom hitherto unimaginable. (shrink)

AbeBooks.com: The Technological Society.