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The Domain of Depiction.Dominic McIver Lopes - 2005 - In Mathew Kieran (ed.), Contemporary Debates in Aesthetics and Philosophy of Art. Malden, MA: Blackwell.details
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Inflected Pictorial Experience: Its Treatment and Significance.Robert Hopkins - 2010 - In Catharine Abell & Katerina Bantinaki (eds.), Philosophical Perspectives on Depiction. Oxford, GB: Oxford University Press. pp. 151.details
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Depicting.Roger Squires - 1969 - Philosophy 44 (169):193 - 204.details
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(1 other version)Reference and Existence: The John Locke Lectures.Saul A. Kripke - 2013 - New York: Oxford University Press.details
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(1 other version)Philosophy in a new key.Susanne Katherina Knauth Langer - 1942 - Cambridge,: Harvard University Press.details
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Problems and projects.Nelson Goodman (ed.) - 1972 - Indianapolis,: Bobbs-Merrill.details
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Marvelous images: on values and the arts.Kendall L. Walton - 2008 - New York: Oxford University Press.details
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(1 other version)Mimesis as make-believe: on the foundations of the representational arts.Kendall L. Walton - 1990 - Cambridge: Harvard University Press.details
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Defining depiction.Ben Blumson - 2009 - British Journal of Aesthetics 49 (2):143-157.details
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On pictorial representation.Richard Wollheim - 1998 - Journal of Aesthetics and Art Criticism 56 (3):217-226.details
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Art and illusion.Richard Wollheim - 1963 - British Journal of Aesthetics 3 (1):15--37.details
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On outlining the shape of depiction.Catharine Abell - 2005 - Ratio 18 (1):27–38.details
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Depiction.Christopher Peacocke - 1987 - Philosophical Review 96 (3):383-410.details
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Taking twofoldness seriously: Walton on imagination and depiction.Bence Nanay - 2004 - Journal of Aesthetics and Art Criticism 62 (3):285–289.details
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(1 other version)Meaning.Herbert Paul Grice - 1957 - Philosophical Review 66 (3):377-388.details
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A double content theory of artistic representation.John Dilworth - 2005 - Journal of Aesthetics and Art Criticism 63 (3):249–260.details
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Pictorial perception as illusion.Katerina Bantinaki - 2007 - British Journal of Aesthetics 47 (3):268-279.details
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The Varieties of Reference.Gareth Evans - 1982 - Oxford: Oxford University Press. Edited by John Henry McDowell.details
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The Language of Imagination.Alan R. White - 1990 - Cambridge: Blackwell.details
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Wollheim, Wittgenstein, and Pictorial Representation: Seeing-as and Seeing-In.Gary Kemp & Gabriele M. Mras (eds.) - 2016 - New York: Routledge.details
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(3 other versions)What makes representational painting truly visual?Richard Wollheim - 2003 - Aristotelian Society Supplementary Volume 77 (1):131–147.details
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Threefold Pictorial Experience and Aesthetic Attitude.Regina-Nino Mion - 2018 - In Jérôme Pelletier & Alberto Voltolini (eds.), The Pleasure of Pictures: Pictorial Experience and Aesthetic Appreciation. London: Routledge. pp. 107–124.details
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Painting as an Art.Richard Wollheim - 1987 - Princeton University Press.details
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The Blue and Brown Books.Ludwig Wittgenstein - 1958 - Philosophy 34 (131):367-368.details
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(1 other version)Subject and Predicate in Logic and Grammar.P. F. Strawson - 1974 - Philosophy 50 (194):481-483.details
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(1 other version)The Concept of Mind.Gilbert Ryle - 1950 - British Journal for the Philosophy of Science 1 (4):328-332.details
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Our Knowledge of the External World.Bertrand Russell - 1914 - Mind 24 (94):250-254.details
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(2 other versions)Languages of Art. An Approach to a Theory of Symbols.Nelson Goodman - 1970 - Critica 4 (11/12):164-171.details
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Threefoldness.Bence Nanay - 2018 - Philosophical Studies 175 (1):163-182.details
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Picture, Image and Experience: A Philosophical Inquiry.Robert Hopkins - 1998 - New York: Cambridge University Press.details
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(1 other version)Deeper Into Pictures: An Essay on Pictorial Representation.Flint Schier - 1986 - New York: Cambridge University Press.details
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(3 other versions)Philosophical Investigations.Ludwig Wittgenstein - 1953 - New York, NY, USA: Wiley-Blackwell. Edited by G. E. M. Anscombe.details
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(2 other versions)Contemporary Debates in Aesthetics and the Philosophy of Art.Matthew Kieran (ed.) - 2005 - Malden, MA: Wiley-Blackwell.details
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Pictures, Titles, Depictive Content.Kendall L. Walton - 2011 - In David Wagner, Wolfram Pichler, Elisabeth Nemeth & Richard Heinrich (eds.), Publications of the Austrian Ludwig Wittgenstein Society - N.S. 17. De Gruyter. pp. 395-408.details
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(1 other version)Theory and Philosophy of Art: Style, Artist, and Society.Meyer Schapiro - 1994 - New York: George Braziller.details
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Reducing the Space of Seeing-In.H. Bradley - 2014 - British Journal of Aesthetics 54 (4):409-424.details
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The Space of Seeing-In.Dan Cavedon-Taylor - 2011 - British Journal of Aesthetics 51 (3):271-278.details
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Literalism and Truthfulness in Painting.M. Podro - 2010 - British Journal of Aesthetics 50 (4):457-468.details
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Philosophical Perspectives on Depiction.Catharine Abell & Katerina Bantinaki (eds.) - 2010 - Oxford, GB: Oxford University Press.details
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Art and Illusion: A Study in the Psychology of Pictorial Representation.Ernst Hans Gombrich - 1960 - Phaidon.details
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Canny resemblance.Catharine Abell - 2009 - Philosophical Review 118 (2):183-223.details
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Aesthetic essays.Malcolm Budd - 2008 - New York: Oxford University Press.details
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Depictive Structure?Ben Blumson - 2011 - Philosophical Papers 40 (1):1-25.details
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Natural generativity and imitation.Crispin Sartwell - 1991 - British Journal of Aesthetics 31 (1):58-67.details
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Pictures, colour and resemblance.Michael Newall - 2006 - Philosophical Quarterly 56 (225):587–595.details
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Analog and digital.David K. Lewis - 1971 - Noûs 5 (3):321-327.details
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The Standard of Correctness and the Ontology of Depiction.Enrico Terrone - 2021 - American Philosophical Quarterly 58 (4):399-412.details
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(1 other version)Analog and Analog.John Haugeland - 1981 - Philosophical Topics 12 (1):213-225.details
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The Objective Eye: Color, Form, and Reality in the Theory of Art.John Hyman - 2006 - University of Chicago Press.details
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