First published in 1990, _Existentialism_ is widely regarded as a classic introductory survey of the topic, and has helped to renew interest in existentialist philosophy. The author places existentialism within the great traditions of philosophy, and argues that it deserves as much attention from analytic philosophers as it has always received on the continent.

This book is Lash's most comprehensive statement in social and cultural theory. It is a book addressed to sociologists and philosophers, to students of urban life, modern languages, cultural studies and the visual arts. Alongside the Enlightenment has emerged another modernity. This second modernity has - in opposition to the Enlightenment rationality of progress, order, homogeneity and cognition - initiated a different rationality of uncertainty, transience, experiment, and the unknowable. This second, this other modernity, is present in notions of 'difference' (...) and 'reflexivity' so central to the contemporary world-view. The logic, however, of such notions can, itself, lead to the same unhappy abstraction of the first modernity. What is forgotten, Scott Lash argues, is the dimension of the ground. This book consists of explorations into this ground: as place, community, belonging, sociality, tradition, life-world; as symbol, sensation, in the tactile character of the sign. The book addresses the other modernity's forgotten ground. The first and second modernities co-existed in a state of irresolvable tension along the history of western industrial capitalism. This is thrown into crisis, Lash argues, with the turn of the twenty-first century emergence of the global information culture. What are the implications of this explosion of first and second modernities into today's technological culture? When the previously existing third space of difference is exploded into the general indifference of information and communication flows? How might we lead our lives in an age in which difference - and indeed the ground itself - become primarily a matter for memory, for mourning? (shrink)

The Civilizing Process stands out as Norbert Elias' greatest work, tracing the 'civilizing' of manners and personality in Western Europe since the Middle Ages, and showing how this was related to the formation of states and the monopolization of power within them. It comprises the two volumes originally published in English as The History of Manners and State Formation and Civilization, now, in a single volume, the book is restored to its original format and made available world-wide to a new (...) generation of readers.In this new edition, the original text is extensively revised, corrected, and updated. The Revised Edition reveals anew and afresh the greatness of Elias' masterpiece. (shrink)

Michael Foucault's writing has shaped the teaching of half a dozen disciplines, ranging from literary criticism to the history of criminology. But none of his books offers a satisfactory introduction to the entire complex body of his work. The Foucault Reader precisely serves that purpose. It contains selections from each area of Foucault's thought, a wealth of previously unpublished writings, and an interview with Foucault during which he discusses his philosophy with unprecedented candor.

Language and the birth of "literature." A preface to transgression. Language to infinity. The father's "no." Fantasia of the library.--Counter-memory: the philosophy of difference. What is an author? Nietzsche, genealogy, history. Theatrum philosophicum.--Practice: knowledge and power. History of systems of thought. Intellectuals and power. Revolutionary action: "until now.".

Originally published in 1985, this is a short meditation by a great old man on people relating to other people who are dying, and the need for all of us to open ...

From Odysseus' seduction by the song of the Sirens to Oscar Moore's 1991 novel A Matter of Life and Sex , whose protagonist courts death through sex and dies of AIDS, the frustrated relationship between death and desire has fixated the Western imagination. Philosophers have grappled with it and poets have told of its beauty and pain. In this strikingly original work, cultural critic Jonathan Dollimore once again demonstrates his remarkable ability to take on the complex and reveal its relevance (...) with eloquence and grace. Death, Desire and Loss in Western Culture is a rich testament to our ubiquitous preoccupation with the tangled web of death and desire. In these pages we find nuanced analysis that blends Plato with Shelley, Hölderlin with Foucault. Dollimore, a gifted thinker, is not content to summarize these texts from afar; instead, he weaves a thread through each to tell the magnificent story of the making of the modern individual. An immensely important book, Death, Desire and Loss in Western Culture is a challenge to the way we understand desire, sexuality, and the very notion of identity. (shrink)

Taking a post-psychoanalytic, queer-theoretical approach, this book links philosophical and aesthetic issues in two distinct periods through the examination of a variety of imaginative texts, from canonical poetry and fiction to avant-garde music and film.

This book offers a conversation with Nietzsche rather than a consideration of the secondary literature, yet it takes to task many prevalent approaches to his work, and contests especially the way we often restrict our encounter with him to ...

The 'death of man', the 'end of history' and even philosophy are strong and troubling currents running through contemporary debates. Yet since Nietzsche's heralding of the 'death of god', philosophy has been unable to explain the question of finitude. Very Little...Almost Nothing goes to the heart of this problem through an exploration of Blanchot's theory of literature, Stanley Cavell's interpretations of romanticism and the importance of death in the work of Samuel Beckett. Simon Critchley links these themes to the philosophy (...) of Emmanuel Levinas to present a powerful new picture of how we must approach the importance of death in philosophy. A compelling reading of the convergence of literature and philosophy, Very Little...Almost Nothing opens up new ways of understanding finitude, modernity and the nature of the imagination. (shrink)