Results for 'Abel Chikanda'

29 found
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  1.  86
    International Migrants and Refugees in Cape Town’s Informal Economy.Godfrey Tawodzera, Abel Chikanda, Jonathan Crush & Robertson K. Tengeh - 2015 - Waterloo, ON, Canada: Southern African Migration Programme.
    Attacks on migrant and refugee entrepreneurs and their properties by South African rivals and ordinary citizens have become a common phenomenon throughout the country, including the city of Cape Town. Business robberies often result in deaths or serious injuries. The Somali Community Board has noted that over 400 Somali refugees, many of them informal traders, were murdered in South Africa between early 2002 and mid-2010. The police are frequently accused by migrants of fomenting or turning a blind eye to xenophobic (...)
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  2. Chris Abel. The Extended Self: Architecture, Memes and Minds. [REVIEW]Joshua August Skorburg - 2017 - Environmental Philosophy 14 (1):151-153.
    Review of: Abel, C. (2014). The extended self: Architecture, memes and minds. Manchester University Press.
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  3. Real Patterns and Indispensability.Abel Suñé & Manolo Martínez - forthcoming - Synthese 198 (5):4315-4330.
    While scientific inquiry crucially relies on the extraction of patterns from data, we still have a far from perfect understanding of the metaphysics of patterns—and, in particular, of what makes a pattern real. In this paper we derive a criterion of real-patternhood from the notion of conditional Kolmogorov complexity. The resulting account belongs to the philosophical tradition, initiated by Dennett :27–51, 1991), that links real-patternhood to data compressibility, but is simpler and formally more perspicuous than other proposals previously defended in (...)
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  4.  64
    Is Mental Privacy a Component of Personal Identity?Abel Wajnerman Paz - 2021 - Frontiers in Human Neuroscience 15.
    One of the most prominent ethical concerns regarding emerging neurotechnologies is mental privacy. This is the idea that we should have control over access to our neural data and to the information about our mental processes and states that can be obtained by analyzing it. A key issue is whether this information needs more stringent protection than other kinds of personal information. I will articulate and support the view, underlying recent regulatory frameworks, that mental privacy requires a special treatment because (...)
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  5.  19
    Reply to Abell’s and Currie’s Comments on Gilmore’s Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind.Jonathan Gilmore - 2022 - British Journal of Aesthetics 62 (2):205-214.
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  6. McIntosh's Unrealistic Picture of Peacocke and Hopkins on Realistic Pictures.C. Abell - 2005 - British Journal of Aesthetics 45 (1):64-68.
    I defend Christopher Peacocke's and Robert Hopkins's experienced resemblance accounts of depiction against criticisms put forward by Gavin McIntosh in a recent article in this journal. I argue that, while there may be reasons for rejecting Peacocke's and Hopkins's accounts, McIntosh fails to provide any.
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  7. Art: What It Is and Why It Matters.Catharine Abell - 2012 - Philosophy and Phenomenological Research 85 (3):671-691.
    In this paper, I provide a descriptive definition of art that is able to accommodate the existence of bad art, while illuminating the value of good art. This, I argue, is something that existing definitions of art fail to do. I approach this task by providing an account according to which what makes something an artwork is the institutional process by which it is made. I argue that Searle’s account of institutions and institutional facts shows that the existence of all (...)
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  8. The Epistemic Value of Photographs.Catharine Abell - 2010 - In Catharine Abell & Katerina Bantinaki (eds.), Philosophical Perspectives on Depiction. Oxford University Press.
    There is a variety of epistemic roles to which photographs are better suited than non-photographic pictures. Photographs provide more compelling evidence of the existence of the scenes they depict than non-photographic pictures. They are also better sources of information about features of those scenes that are easily overlooked. This chapter examines several different attempts to explain the distinctive epistemic value of photographs, and argues that none is adequate. It then proposes an alternative explanation of their epistemic value. The chapter argues (...)
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  9. II—Genre, Interpretation and Evaluation.Catharine Abell - 2015 - Proceedings of the Aristotelian Society 115 (1pt1):25-40.
    The genre to which an artwork belongs affects how it is to be interpreted and evaluated. An account of genre and of the criteria for genre membership should explain these interpretative and evaluative effects. Contrary to conceptions of genres as categories distinguished by the features of the works that belong to them, I argue that these effects are to be explained by conceiving of genres as categories distinguished by certain of the purposes that the works belonging to them are intended (...)
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  10.  66
    O CONCEITO DE HÁBITO A PARTIR D’AS PAIXÕES DA ALMA DE DESCARTES.Abel dos Santos Beserra - 2021 - Kinesis 13 (34):52-80.
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  11. Philosophie der modernen Physik - Philipp Frank und Abel Rey.Matthias Neuber - 2010 - Grazer Philosophische Studien 80 (1):131-149.
    The aim of this paper is to show that the French philosopher and historian of science Abel Rey played a more influential role in the formative phase of the Vienna Circle than hitherto supposed. On the whole, it will be argued that Rey's contribution had political impact. His interpretation of "modern physics" in 1907 in the face of the alleged "bankruptcy of science" should be appreciated as a masterpiece of applied enlightenment thought. As such, it was especially paradigmatic for (...)
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  12. Pictorial Implicature.Catharine Abell - 2005 - Journal of Aesthetics and Art Criticism 63 (1):55–66.
    It is generally recognised that an adequate resemblance-based account of depiction must specify some standard of correctness which explains how a picture’s content differs from the content we would attribute to it purely on the basis of resemblance. For example, an adequate standard should explain why stick figure drawings do not depict emaciated beings with gargantuan heads. Most attempts to specify a standard of correctness appeal to the intentions of the picture’s maker. However, I argue that the most detailed such (...)
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  13.  22
    ¿Cómo entender el vínculo entre censura y desarrollo emocional? Un caso de intercambio entre paideía platónica y neurociencia cognitiva.Mariana Noe & Abel Wajnerman Paz - 2016 - Revista Latinoamericana de Filosofia 42 (1):59-76.
    In the present article, we attempt to elucidate the conceptual rela- tionship between censorship and emotional development. We employ a framework from emotion regulation studies in order to clarify how censorship works and to ex- plain why it cannot affect emotional development in the same way as the remaining types of emotional regulation. Nevertheless, we argue that, by focusing on Plato’s ac- count of censorship, and specifically of its sociocultural function, one can find that it is not a useless device (...)
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  14. Comics and Genre.Catharine Abell - 2012 - In Aaron Meskin & Roy T. Cook (eds.), The Art of Comics: A Philosophical Approach. Blackwell. pp. 68--84.
    An adequate account of the nature of genre and of the criteria for genre membership is essential to understanding the nature of the various categories into which comics can be classified. Because they fail adequately to distinguish genre categories from other ways of categorizing works, including categorizations according to medium or according to style, previous accounts of genre fail to illuminate the nature of comics categories. I argue that genres are sets of conventions that have developed as means of addressing (...)
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  15. Against Depictive Conventionalism.Catharine Abell - 2005 - American Philosophical Quarterly 42 (3):185 - 197.
    In this paper, I discuss the influential view that depiction, like language, depends on arbitrary conventions. I argue that this view, however it is elaborated, is false. Any adequate account of depiction must be consistent with the distinctive features of depiction. One such feature is depictive generativity. I argue that, to be consistent with depictive generativity, conventionalism must hold that depiction depends on conventions for the depiction of basic properties of a picture’s object. I then argue that two considerations jointly (...)
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  16. On Outlining the Shape of Depiction.Catharine Abell - 2005 - Ratio 18 (1):27–38.
    In this paper, I discuss the account of depiction proposed by Robert Hopkins in his book Picture, Image and Experience. I first briefly summarise Hopkins’s account, according to which we experience depictions as resembling their objects in respect of outline shape. I then ask whether Hopkins’s account can perform the explanatory tasks required of an adequate account of depiction. I argue that there are at least two reasons for which Hopkins’s account of depiction is inadequate. Firstly, the notion of outline (...)
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  17. Cain and Abel: Re-Imagining the Immigration 'Crisis'.Abi Doukhan - 2020 - Religions 11 (112):1-12.
    This essay proposes to interpret the significance of the so-called immigration crisis in the light of the ancient story of Cain and Abel. Much more than a mere conflict between brothers, this essay will argue that the story of Cain and Abel presents two archetypal ways of dwelling in the world: the sedentary and the nomadic. As such, the story sheds a shocking new light on our present crisis, deeply problematizing the sedentary and revealing in an amazing tour (...)
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  18.  41
    The Extended Self: Architecture, Memes and Minds.Chris Abel - 2014 - Manchester: Manchester University Press.
    In his wide-ranging study of architecture and cultural evolution, Chris Abel argues that, despite progress in sustainable development and design, resistance to changing personal and social identities shaped by a technology-based and energy-hungry culture is impeding efforts to avert drastic climate change. The book traces the roots of that culture to the coevolution of Homo sapiens and technology, from the first use of tools as artificial extensions of the human body to the motorized cities spreading around the world, whose (...)
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  19.  12
    Commentary on Fiction: A Philosophical Analysis, by Catharine Abell; and Imagining and Knowing: The Shape of Fiction, by Gregory Currie.Jonathan Gilmore - 2022 - British Journal of Aesthetics 62 (2):173-183.
    Each of these books offers a richly developed and nuanced account of the nature of fiction. And each poses major challenges to a view about which there is a near-consensus. Catharine Abell draws on a theory of the institutions of fiction to advance a systematic re-envisioning of the metaphysics and epistemology of the contents of stories. Gregory Currie argues that fiction’s relationship to the imagination, and the way stories communicate their contents to readers, seriously undermine fiction’s cognitive values.
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  20. Architecture and Identity: Responses to Cultural and Technological Change 3rd Edition.Chris Abel - 2017 - Abingdon: Routledge.
    Expanding his collected essays on architectural theory and criticism, Chris Abel pursues his explorations across disciplinary and regional boundaries in search of a deeper understanding of architecture in the evolution of human culture and identity formation. From his earliest writings predicting the computer-based revolution in customised architectural production, through his novel studies on 'tacit knowing' in design or hybridisation in regional and colonial architecture, to his radical theory of the 'extended self', Abel has been a consistently fresh and (...)
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  21. Review of Gregory Currie , Narratives and Narrators: A Philosophy of Stories. [REVIEW]Catharine Abell - 2011 - Philosophy in Review 31 (5):324-326.
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  22. Review of Anthony Everett, The Nonexistent. [REVIEW]Catharine Abell - 2016 - British Journal of Aesthetics 56 (2):209-212.
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  23. 'What the Tortoise Said to Achilles': Lewis Carroll's Paradox of Inference.Amirouche Moktefi & Francine F. Abeles (eds.) - 2016 - London: The Lewis Carroll Society.
    Lewis Carroll’s 1895 paper, 'What the Tortoise Said to Achilles' is widely regarded as a classic text in the philosophy of logic. This special issue of 'The Carrollian' publishes five newly commissioned articles by experts in the field. The original paper is reproduced, together with contemporary correspondence relating to the paper and an extensive bibliography.
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  24.  93
    Review of Zenon Pylyshyn's Seeing and Visualizing: It's Not What You Think. [REVIEW]Catharine Abell - 2005 - PSYCHE: An Interdisciplinary Journal of Research On Consciousness 11.
    This book has three principle aims: to show that neither vision nor mental imagery involves the creation or inspection of picture-like mental representations; to defend the claim that our visual processes are, in significant part, cognitively impenetrable; and to develop a theory of “visual indexes”. In what follows, I assess Pylyshyn’s success in realising each of these aims in turn. I focus primarily on his arguments against “picture theories” of vision and mental imagery, to which approximately half the book is (...)
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  25.  28
    The Self-Field: Mind, Body and Environment.Chris Abel - 2021 - Oxford: Routledge.
    In this incisive study of the biological and cultural origins of the human self, the author challenges readers to re-think ideas about the self and consciousness as being exclusive to humans. In their place, he expounds a metatheoretical approach to the self as a purposeful system of extended cognition common to animal life: the invisible medium maintaining mind, body and environment as an integrated 'field of being'. Supported by recent research in evolutionary and developmental studies together with related discoveries in (...)
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  26.  90
    A Sociological Study on the Origin of the Act of Sin -The Case of Adam's Story-.Coşkun Dikbıyık - 2018 - Tasavvur - Tekirdag Theology Journal 4 (2):506 - 538.
    This study is a theoretical work in the field of sociology of religion which aims to explain the origin of the act of sin and the fundamental motives of crime and deviation tendencies in this context, from Adam’s story in the Qur'an, the main source of Islam. Sin is regarded as a negative act in religious-cultural sense where one struggles for life and tries to protect itself. Though a direct correlation cannot be established with belief values, the sense of sin (...)
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  27. Duration in Relativistic Spacetime.Antony Eagle - 2010 - In Dean Zimmerman (ed.), Oxford Studies in Metaphysics: Volume 5. Oxford University Press. pp. 113-17.
    In ‘Location and Perdurance’ (2010), I argued that there are no compelling mereological or sortal grounds requiring the perdurantist to distinguish the molecule Abel from the atom Abel in Gilmore’s original case (2007). The remaining issue Gilmore originally raised concerned the ‘mass history’ of Adam and Abel, the distribution of ‘their’ mass over spacetime. My response to this issue was to admit that mass histories needed to be relativised to a way of partitioning the location of Adam/ (...), but that did not amount to relativising any fundamental natural intrinsic properties—the latter are all had unrelativised, and (so most perdurantists would say). (shrink)
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  28. Psychology as a Natural Science in the Eighteenth Century.Gary Hatfield - 1994 - Revue de Synthèse 115 (3-4):375-391.
    Psychology considered as a natural science began as Aristotelian "physics" or "natural philosophy" of the soul. C. Wolff placed psychology under metaphysics, coordinate with cosmology. Scottish thinkers placed it within moral philosophy, but distinguished its "physical" laws from properly moral laws (for guiding conduct). Several Germans sought to establish an autonomous empirical psychology as a branch of natural science. British and French visual theorists developed mathematically precise theories of size and distance perception; they created instruments to test these theories and (...)
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  29. Exploring Self and Emotion: Unamuno´s Narrative Fiction as Thought Experiment.Ingrid Vendrell Ferran - 2019 - In Garry L. Hagberg (ed.), Narrative and Self-Understanding. Between Literature and Philosophy. Palgrave.
    In this paper, I explore Unamuno’s narrative fictions as thought experiments about self and emotion. I begin by developing a notion of thought experiment consequent with his understanding of philosophy as a form of literature. Next, I focus on the philosophy of the emotions implicit in his major essay Del Sentimiento trágico de la vida. The third section offers a case study in the form of envy in the novel Abel Sánchez. The final section addresses different forms of knowledge (...)
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