Results for 'Blanchot'

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  1. Review of Chris Danta's Literature Suspends Death: Sacrifice and Storytelling in Kierkegaard, Kafka and Blanchot[REVIEW]Martijn Boven - 2012 - Radical Philosophy 174 (july/august):51-53.
    In 'Literature Suspends Death: Sacrifice and Storytelling in Kierkegaard, Kafka and Blanchot' Chris Danta takes Genesis 22 as the starting point for an investigation of the role of literary imagination. His aim is to read the Genesis story from a literary-theoretical perspective in order to show how it can 'illuminate the secular situation of the literary writer.' To do this, Danta stages a fruitful confrontation between Søren Kierkegaard as defender of religion and inwardness and Franz Kafka and Maurice (...) as defenders of literature. In this review, three important points in this confrontation are highlighted. 1. The problem of identification. 2. The moment of substitution. 3. The spectrality of the writer. (shrink)
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  2. Bare Exteriority. Philosophy of the Image and the Image of Philosophy in Martin Heidegger and Maurice Blanchot.Emmanuel Alloa - 2005 - Colloquy (10):69-82.
    The article explores the striking coincidences in Heidegger's and Blanchot's account of the image as death mask. The analysis of the respective theories of the image brings forth two radically divergent conceptions of thinking as "laying patent" (Heidegger) and of thinking as "laying bare" (Blanchot).
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  3.  33
    Sonic Booms in Blanchot.David Appelbaum - 2018 - Angelaki 23 (3):144-157.
    Blanchot’s rejection of vision as the fundamental philosophical metaphor is well known: “Seeing is not speaking” 25). Furthermore, his central idea of the limit-experience is a “detour from everything visible and invisible”. As part of his Heideggerian heritage, the increased importance of hearing lacks the critical appraisal it deserves. Pari passu for voice. Blanchot’s investigation of voice, spoken, interior, literary, is extensive. Various works of fiction, notably The One Who Was Standing Apart From Me, explore the meme, which (...)
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  4. Forgetting to Remember: From Benjamin to Blanchot.Amresh Sinha - 2005 - Colloquy 10.
    Let us begin with Lethe, a river in Hades whose waters caused forgetfulness to dead souls who drank from it. The daughter of Eris, Lethe was the sister of Thanatos , and with Zeus she bore the Graces/Charites. According to some myths, she was the mother of Dionysus. She was the goddess of oblivion and the river with the same name. When someone died and went to Hades, they had to drink from her water so they would forget their previous (...)
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  5.  91
    In His Voice: Maurice Blanchot's Affair with the Neutral.David Appelbaum - 2015 - Albany: State University of New York Press.
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  6.  12
    Berlín.Facundo Bey - 2019 - Discusiones Filosóficas 20 (34):187-190.
    El presente texto de Maurice Blanchot (1907-2003) apareció por primera vez en una traducción al italiano de Guido Neri bajo el título “II nome Berlino” [El nombre Berlín], publicado en 1964 en la revista literaria dirigida por Elio Vittorini e Italo Calvino Il menabó 7, año 6, pp. 121-25. El texto original en francés se extravió y, con la autorización del propio Blanchot, Hélène Jelen y Jean-Luc Nancy tradujeron la versión italiana al francés para publicarla en 1983 como (...)
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  7. On the Night of the Elemental Imaginary.Susanna Lindberg - 2011 - Research in Phenomenology 41 (2):157-180.
    This essay is a comparison between Schelling's and Blanchot's conceptions of the night of the imaginary. Schelling is the most romantic of the German idealist philosophers and Blanchot the most extreme of the French “deconstructionists.“ Their historical link is actually indirect, but they offer two complementary views on the “same“ impersonal nocturnal experience of the imaginary, the approach of which requires a certain self-overcoming of philosophy towards literature.
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  8.  36
    La follia della pagina bianca. Scrivere per divenire-folli. [REVIEW]Fabio Vergine - 2016 - Doppiozero 1.
    Recensione di "La grande straniera. A proposito di letteratura", di Michel Foucault.
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  9. Resisting Agamben: The Biopolitics of Shame and Humiliation.Lisa Guenther - 2012 - Philosophy and Social Criticism 38 (1):59-79.
    In Remnants of Auschwitz , Giorgio Agamben argues that the hidden structure of subjectivity is shame. In shame, I am consigned to something that cannot be assumed, such that the very thing that makes me a subject also forces me to witness my own desubjectification. Agamben’s ontological account of shame is problematic insofar as it forecloses collective responsibility and collapses the distinction between shame and humiliation. By recontextualizing three of Agamben’s sources – Primo Levi, Robert Antelme and Maurice Blanchot (...)
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  10. De L’Existence À L’Existant.Emmanuel Levinas - 1947 - Vrin.
    Une négation qui se voudrait absolue, mais niant tout existant -jusqu’à l’existant qu’est la pensée effectuant cette négation même- ne saurait mettre fin à la « scène » toujours ouverte de l’être, de l’être au sens verbal : être anonyme qu’aucun étant ne revendique, être sans étants ou sans êtres, incessant « remue-ménage », pour reprendre une métaphore de Blanchot, il y a impersonnel, comme un « il pleut » ou un « il fait nuit ». Terme foncièrement distinct (...)
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  11.  63
    The Princeton Handbook of World Poetries. [REVIEW]Subhasis Chattopadhyay - 2019 - Prabuddha Bharata or Awakened India 124 (7):573.
    Roland Greene and Stephen Cushman have revived the 1950s' edition of this book. & it is worth reading even by philosophers for in the final analysis, from Plato to Blanchot to Jean-Luc Marion are all poets. Where does poetry end and philosophy begin!!??
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