Results for 'Eran Tal'

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Eran Tal
McGill University
  1. Old and New Problems in Philosophy of Measurement.Eran Tal - 2013 - Philosophy Compass 8 (12):1159-1173.
    The philosophy of measurement studies the conceptual, ontological, epistemic, and technological conditions that make measurement possible and reliable. A new wave of philosophical scholarship has emerged in the last decade that emphasizes the material and historical dimensions of measurement and the relationships between measurement and theoretical modeling. This essay surveys these developments and contrasts them with earlier work on the semantics of quantity terms and the representational character of measurement. The conclusions highlight four characteristics of the emerging research program in (...)
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  2. Measurement Accuracy Realism.Paul Teller - 2013
    This paper challenges “traditional measurement-accuracy realism”, according to which there are in nature quantities of which concrete systems have definite values. An accurate measurement outcome is one that is close to the value for the quantity measured. For a measurement of the temperature of some water to be accurate in this sense requires that there be this temperature. But there isn’t. Not because there are no quantities “out there in nature” but because the term ‘the temperature of this water’ fails (...)
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  3. Language and Scientific Explanation: Where Does Semantics Fit In?Eran Asoulin - 2020 - Berlin, Germany: Language Science Press.
    This book discusses the two main construals of the explanatory goals of semantic theories. The first, externalist conception, understands semantic theories in terms of a hermeneutic and interpretive explanatory project. The second, internalist conception, understands semantic theories in terms of the psychological mechanisms in virtue of which meanings are generated. It is argued that a fruitful scientific explanation is one that aims to uncover the underlying mechanisms in virtue of which the observable phenomena are made possible, and that a scientific (...)
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  4. Why Should Syntactic Islands Exist?Eran Asoulin - 2020 - Mind and Language.
    Sentences that are ungrammatical and yet intelligible are instances of what I call perfectly thinkable thoughts. I argue that the existence of perfectly thinkable thoughts is revealing in regard to the question of why syntactic islands should exist. If language is an instrument of thought as understood in the biolinguistics tradition, then a uniquely human subset of thoughts is generated in narrow syntax, which suggests that island constraints cannot be rooted in narrow syntax alone and thus must reflect interface conditions (...)
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  5. Phrase Structure Grammars as Indicative of Uniquely Human Thoughts.Eran Asoulin - 2019 - Language Sciences 74:98-109.
    I argue that the ability to compute phrase structure grammars is indicative of a particular kind of thought. This type of thought that is only available to cognitive systems that have access to the computations that allow the generation and interpretation of the structural descriptions of phrase structure grammars. The study of phrase structure grammars, and formal language theory in general, is thus indispensable to studies of human cognition, for it makes explicit both the unique type of human thought and (...)
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  6. Language as an Instrument of Thought.Eran Asoulin - 2016 - Glossa: A Journal of General Linguistics 1 (1):1-23.
    I show that there are good arguments and evidence to boot that support the language as an instrument of thought hypothesis. The underlying mechanisms of language, comprising of expressions structured hierarchically and recursively, provide a perspective (in the form of a conceptual structure) on the world, for it is only via language that certain perspectives are avail- able to us and to our thought processes. These mechanisms provide us with a uniquely human way of thinking and talking about the world (...)
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  7. Is higher-order evidence evidence?Eyal Tal - 2020 - Philosophical Studies 178 (10):3157-3175.
    Suppose we learn that we have a poor track record in forming beliefs rationally, or that a brilliant colleague thinks that we believe P irrationally. Does such input require us to revise those beliefs whose rationality is in question? When we gain information suggesting that our beliefs are irrational, we are in one of two general cases. In the first case we made no error, and our beliefs are rational. In that case the input to the contrary is misleading. In (...)
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  8. The Creative Aspect of Language Use and the Implications for Linguistic Science.Eran Asoulin - 2013 - Biolinguistics 7:228-248.
    The creative aspect of language use provides a set of phenomena that a science of language must explain. It is the “central fact to which any signi- ficant linguistic theory must address itself” and thus “a theory of language that neglects this ‘creative’ aspect is of only marginal interest” (Chomsky 1964: 7–8). Therefore, the form and explanatory depth of linguistic science is restricted in accordance with this aspect of language. In this paper, the implications of the creative aspect of language (...)
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  9. Wittgenstein on Musical Depth and Our Knowledge of Humankind.Eran Guter - 2017 - In Garry L. Hagberg (ed.), Wittgenstein on Aesthetic Understanding. Palgrave-Macmillan. pp. 217-247.
    Wittgenstein’s later remarks on music, those written after his return to Cambridge in 1929 in increasing intensity, frequency, and elaboration, occupy a unique place in the annals of the philosophy of music, which is rarely acknowledged or discussed in the scholarly literature. These remarks reflect and emulate the spirit and subject matter of Romantic thinking about music, but also respond to it critically, while at the same time they interweave into Wittgenstein’s forward thinking about the philosophic entanglements of language and (...)
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  10. The Good, the Bad, and the Vacuous: Wittgenstein on Modern and Future Musics.Eran Guter - 2015 - Journal of Aesthetics and Art Criticism 73 (4):425-439.
    This article explains Wittgenstein's distinction between good, bad, and vacuous modern music which he introduced in a diary entry from January 27, 1931. I situate Wittgenstein's discussion in the context of Oswald Spengler's ideas concerning the decline of Western culture, which informed Wittgenstein's philosophical progress during his middle period, and I argue that the music theory of Heinrich Schenker, and Wittgenstein's critique thereof, served as an immediate link between Spengler's cultural pessimism and Wittgenstein's threefold distinction. I conclude that Wittgenstein's distinction (...)
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  11. Is Evidence of Evidence Evidence?Eyal Tal & Juan Comesaña - 2017 - Noûs 51 (1):95-112.
    We examine whether the "evidence of evidence is evidence" principle is true. We distinguish several different versions of the principle and evaluate recent attacks on some of those versions. We argue that, whatever the merits of those attacks, they leave the more important rendition of the principle untouched. That version is, however, also subject to new kinds of counterexamples. We end by suggesting how to formulate a better version of the principle that takes into account those new counterexamples.
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  12. On Not Explaining Anything Away.Eran Guter & Craig Fox - 2018 - In Gabriele M. Mras, Paul Weingartner & Bernhard Ritter (eds.), Philosophy of Logic and Mathematics, Contributions to the 41st International Wittgenstein Symposium. Kirchberg am Wechsel, Austria: Austrian Ludwig Wittgenstein Society. pp. 52-54.
    In this paper we explain Wittgenstein’s claim in a 1933 lecture that “aesthetics like psychoanalysis doesn’t explain anything away.” The discussions of aesthetics are distinctive: Wittgenstein gives a positive account of the relationship between aesthetics and psychoanalysis, as contrasted with psychology. And we follow not only his distinction between cause and reason, but also between hypothesis and representation, along with his use of the notion of ideals as facilitators of aesthetic discourse. We conclude that aesthetics, like psychoanalysis, preserves the verifying (...)
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  13. Tal and Comesaña on Evidence of Evidence.Luca Moretti - 2016 - The Reasoner 10 (5):38-39.
    R. Feldman defends a general principle about evidence the slogan form of which says that ‘evidence of evidence is evidence’. B. Fitelson considers three renditions of this principle and contends they are all falsified by counterexamples. Against both Feldman and Fitelson, J. Comesaña and E. Tal show that the third rendition––the one actually endorsed by Feldman––isn’t affected by Fitelson’s counterexamples, but only because it is trivially true and thus uninteresting. Tal and Comesaña defend a fourth version of Feldman’s principle, which––they (...)
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  14.  97
    “A Small, Shabby Crystal, yet a Crystal”: A Life of Music in Wittgenstein’s Denkbewegungen.Eran Guter - 2019 - In B. Sieradzka-Baziur, I. Somavilla & C. Hamphries (eds.), Wittgenstein's Denkbewegungen. Diaries 1930-1932/1936-1937: Interdisciplinary Perspectives. Innsbruck, Austria: StudienVerlag. pp. 83-112.
    Ludwig Wittgenstein's life and writings attest the extraordinary importance that the art of music had for him. It would be fair to say even that among the great philosophers of the twentieth century he was one of the most musically sensitive. Wittgenstein’s Denkbewegungen contains some of his most unique remarks on music, which bear witness not only to the level of his engagement in thinking about music, but also to the intimate connection in his mind between musical acculturation, the perils (...)
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  15. Wittgenstein, Modern Music, and the Myth of Progress.Eran Guter - 2017 - In Ilkka Niiniluoto & Thomas Wallgren (eds.), On the Human Condition – Essays in Honour of Georg Henrik von Wright’s Centennial Anniversary, Acta Philosophica Fennica vol. 93. Helsinki: Societas Philosophica Fennica. pp. 181-199.
    Georg Henrik von Wright was not only the first interpreter of Wittgenstein, who argued that Spengler’s work had reinforced and helped Wittgenstein to articulate his view of life, but also the first to consider seriously that Wittgenstein’s attitude to his times makes him unique among the great philosophers, that the philosophical problems which Wittgenstein was struggling, indeed his view of the nature of philosophy, were somehow connected with features of our culture or civilization. -/- In this paper I draw inspiration (...)
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  16. Wittgenstein on Mahler.Eran Guter - 2013 - In Danièle Moyal-Sharrock, Volker A. Munz & Annalisa Coliva (eds.), Mind, Language and Action: Contributions to the 36th International Wittgenstein Symposium. Austrian Ludwig Wittgenstein Society.
    In this paper I explain Wittgenstein’s ambivalent remarks on the music of Gustav Mahler in their proper musico-philosophical context. I argue that these remarks are connected to Wittgenstein’s hybrid conception of musical decline and to his tripartite scheme of modern music. I also argue that Mahler’s conundrum was indicative of Wittgenstein’s grappling with his own predicament as a philosopher, and that this gives concrete sense to Wittgenstein’s admission that music was so important to him that without it he was sure (...)
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  17. A Surrogate for the Soul: Wittgenstein and Schoenberg.Eran Guter - 2011 - In Enzo De Pellegrin (ed.), Interactive Wittgenstein. Springer. pp. 109--152.
    This article challenges a widespread assumption, arguing that Wittgenstein and the Austrian composer Arnold Schoenberg had little in common beyond their shared cultural heritage, overlapping social circles in fin-de-ciecle Vienna. The article explores Wittgenstein's aesthetic inclinations and the intellectual and philosophical influences that may have reinforced them. The article culminates in an attempt to form a Wittgensteinian response to Schoenberg's dodecaphonic language and to answer the question as to why Wittgenstein and Schoenberg arrived at very different ideas about contemporary music (...)
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  18. Ornamentality in the New Media.Eran Guter - 2010 - In Anat Biletzki (ed.), Hues of Philosophy: Essays in Memory of Ruth Manor. College Publications. pp. 83-96.
    Ornamentality is pervasive in the new media and it is related to their essential characteristics: dispersal, hypertextuality, interactivity, digitality and virtuality. I utilize Kendall Walton's theory of ornamentality in order to construe a puzzle pertaining to the new media. the ornamental erosion of information. I argue that insofar as we use the new media as conduits of real life, the excessive density of ornamental devices which is prevalent in certain new media environments, forces us to conduct our inquiries under conditions (...)
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  19.  36
    Kant's Theory of Emotion: Toward A Systematic Reconstruction.Uri Eran - 2021 - Dissertation, Indiana University
    Putting together Kant's theory of emotion is complicated by two facts: (1) Kant has no term which is an obvious equivalent of "emotion" as used in contemporary English; (2) theorists disagree about what emotions are. These obstacles notwithstanding, my dissertation aims to provide the foundation for a reconstruction of Kant's theory of emotion that is both historically accurate and responsive to contemporary philosophical concerns. In contrast to available approaches which rest on contested assumptions about emotions, I start from the generally (...)
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  20. Toward an Aesthetics of New-Media Environments.Eran Guter - 2016 - Proceedings of the European Society for Aesthetics.
    In this paper I suggest that, over and above the need to explore and understand the technological newness of computer art works, there is a need to address the aesthetic significance of the changes and effects that such technological newness brings about, considering the whole environmental transaction pertaining to new media, including what they can or do offer and what users do or can do with such offerings, and how this whole package is integrated into our living spaces and activities. (...)
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  21.  55
    Susanne Langer on Music and Time.Eran Guter & Inbal Guter - 2021 - Estetika 58 (1):35-56.
    Susanne Langer’s idea of the primary apparition of music involves a dichotomy between two kinds of temporality: ‘felt time’ and ‘clock time’. For Langer, musical time is exclusively felt time, and in this sense, music is ‘time made audible’. However, Langer also postulates a ‘strong suspension thesis’: the swallowing up of clock time in the illusion of felt time. In this essay, we take issue with the ‘strong suspension thesis’, its philosophic foundation and its implications. We argue that this thesis (...)
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  22. Evidence of Evidence is Evidence.Juan Comesaña & Eyal Tal - 2015 - Analysis 75 (4):557-559.
    Richard Feldman has proposed and defended different versions of a principle about evidence. In slogan form, the principle holds that ‘evidence of evidence is evidence’. Recently, Branden Fitelson has argued that Feldman’s preferred rendition of the principle falls pray to a counterexample related to the non-transitivity of the evidence-for relation. Feldman replies arguing that Fitelson’s case does not really represent a counterexample to the principle. In this note, we argue that Feldman’s principle is trivially true.
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  23. The Rights of Persons and the Rights of Property.Eran Asoulin - 2017 - Arena 151.
    Mirvac chief executive Susan Lloyd-Hurwitz, not one usually associated with sympathy for tenants on the rental market, said earlier this year that ‘renting in Australia is generally a very miserable customer experience…the whole industry is set up to serve the owner not the tenant’ Her observation is basically correct and the solution she offers is to change the current situation where small investors, supported by generous government tax concessions, provide effectively all of the country’s private rental housing. Lloyd-Hurwitz wants Mirvac, (...)
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  24. A Critique of Susanne Langer’s View of Musical Temporality.Eran Guter & Inbal Guter - 2018 - Proceedings of the European Society for Aesthetics, Vol. 10.
    Susanne Langer’s idea of the primary apparition of music involves a dichotomy between two kinds of temporality: “felt time” and “clock time.” For Langer, musical time is exclusively felt time, and in this sense, music is “time made audible.” However, Langer also postulates what we would call ‘a strong suspension thesis’: the swallowing up of clock time in the illusion of felt time. In this paper we take issue with the ‘strong suspension thesis’ and its implications and ramifications regarding not (...)
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  25. The Philosophical Significance of Wittgenstein’s Experiments on Rhythm, Cambridge 1912–13.Eran Guter - 2020 - Estetika 57 (1):28-43.
    Wittgenstein’s experiments on rhythm, conducted in Charles Myers’s laboratory in Cambridge during the years 1912–13, are his earliest recorded engagement in thinking about music, not just appreciating it, and philosophizing by means of musical thinking. In this essay, I set these experiments within their appropriate intellectual, scientific, and philosophical context in order to show that, its minor scientific importance notwithstanding, this onetime excursion into empirical research provided an early onset for Wittgenstein’s career-long exploration of the philosophically pervasive implications of aspects. (...)
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  26. Impurely Musical Make-Believe.Eran Guter & Inbal Guter - 2015 - In Alexander Bareis & Lene Nordrum (eds.), How to Make-Believe: The Fictional Truths of the Representational Arts. De Gruyter. pp. 283-306.
    In this study we offer a new way of applying Kendall Walton’s theory of make-believe to musical experiences in terms of psychologically inhibited games of make-believe, which Walton attributes chiefly to ornamental representations. Reading Walton’s theory somewhat against the grain, and supplementing our discussion with a set of instructive examples, we argue that there is clear theoretical gain in explaining certain important aspects of composition and performance in terms of psychologically inhibited games of make-believe consisting of two interlaced game-worlds. Such (...)
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  27. Measure for Measure: Wittgenstein's Critique of the Augustinian Picture of Music.Eran Guter - 2019 - In Hanne Appelqvist (ed.), Wittgenstein and the Limits of Language. London: Routledge. pp. 245-269.
    This article concerns the distinction between memory-time and information-time, which appeared in Wittgenstein’s middle-period lectures and writings, and its relation to Wittgenstein’s career-long reflection about musical understanding. While the idea of “information-time” entails a public frame of reference typically pertaining to objects which persist in physical time, the idea of pure “memory-time” involves the totality of one’s present memories and expectations that do now provide any way of measuring time-spans. I argue that Wittgenstein’s critique of Augustine notion of pure memory-time (...)
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  28. Musical Profundity: Wittgenstein's Paradigm Shift.Eran Guter - 2019 - Apeiron. Estudios de Filosofia 10:41-58.
    The current debate concerning musical profundity was instigated, and set up by Peter Kivy in his book Music Alone (1990) as part of his comprehensive defense of enhanced formalism, a position he championed vigorously throughout his entire career. Kivy’s view of music led him to maintain utter skepticism regarding musical profundity. The scholarly debate that ensued centers on the question whether or not (at least some) music can be profound. In this study I would like to take the opportunity to (...)
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  29. Wittgenstein Reimagines Musical Depth.Eran Guter - 2016 - In Stefan Majetschak Anja Weiberg (ed.), Aesthetics Today: Contemporary Approaches to the Aesthetics of Nature and of Art, Contributions to the 39th International Wittgenstein Symposium (Kirchberg am Wechsel: ALWS, 2016). pp. 87-89.
    I explore and outline Wittgenstein's original response to the Romantic discourse concerning musical depth, from his middle-period on. Schopenhauer and Spengler served as immediate sources for Wittgenstein's reliance on Romantic metaphors of depth concerning music. The onset for his philosophic intervention in the discourse was his critique of Schenker's view of music and his general shift toward the 'anthropological view', which occurred at the same time. In his post-PI period Wittgenstein was able to reimagine musical depth in terms of vertically (...)
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  30.  74
    A Dilemma for Higher-Level Suspension.Eyal Tal - forthcoming - Journal of the American Philosophical Association.
    Is it ever rational to suspend judgment about whether a particular doxastic attitude of ours is rational? An agent who suspends about whether her attitude is rational has serious doubts that it is. These doubts place a special burden on the agent, namely, to justify maintaining her chosen attitude over others. A dilemma arises. Providing justification for maintaining the chosen attitude would commit the agent to considering the attitude rational—contrary to her suspension on the matter. Alternatively, in the absence of (...)
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  31. Disagreement and Easy Bootstrapping.Eyal Tal - 2021 - Episteme 18 (1):46-65.
    ABSTRACTShould conciliating with disagreeing peers be considered sufficient for reaching rational beliefs? Thomas Kelly argues that when taken this way, Conciliationism lets those who enter into a disagreement with an irrational belief reach a rational belief all too easily. Three kinds of responses defending Conciliationism are found in the literature. One response has it that conciliation is required only of agents who have a rational belief as they enter into a disagreement. This response yields a requirement that no one should (...)
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  32. Aristotle on Hypothetical Arguments and the Completeness of the Syllogistic.Tal Glezer - 2007 - Ancient Philosophy 27 (2):323-334.
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  33. Knowledge-First Evidentialism and the Dilemmas of Self-Impact.Paul Silva Jr & Eyal Tal - forthcoming - In Kevin McCain, Scott Stapleford & Matthias Steup (eds.), Epistemic Dilemmas.
    When a belief is self-fulfilling, having it guarantees its truth. When a belief is self-defeating, having it guarantees its falsity. These are the cases of “self-impacting” beliefs to be examined below. Scenarios of self-defeating beliefs can yield apparently dilemmatic situations in which we seem to lack sufficient reason to have any belief whatsoever. Scenarios of self-fulfilling beliefs can yield apparently dilemmatic situations in which we seem to lack reason to have any one belief over another. Both scenarios have been used (...)
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  34.  80
    On a No Defeat Evidence Principle of Tal and Comesaña.Randall G. Mccutcheon - 2019 - Episteme 16 (3):237-240.
    We offer a critical evaluation of a recent proposal of E. Tal and J. Comesa\~na on the topic of when evidence of evidence constitutes evidence. After establishing that attempts of L. Moretti and W. Roche to discredit the proposal miss their mark, we fashion another, which does not.
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  35. Is Evidence of Evidence Evidence? Screening-Off Vs. No-Defeaters.Roche William - 2018 - Episteme 15 (4):451-462.
    I argue elsewhere (Roche 2014) that evidence of evidence is evidence under screening-off. Tal and Comesaña (2017) argue that my appeal to screening-off is subject to two objections. They then propose an evidence of evidence thesis involving the notion of a defeater. There is much to learn from their very careful discussion. I argue, though, that their objections fail and that their evidence of evidence thesis is open to counterexample.
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  36. Los valores y sus desafíos actuales.José Ramón Fabelo Corzo - 2007 - Lima, Perú: Instituto de Filosofía (IF)-EDUCAP-Escuela Pedagógica Latinoamericana (EPLA).
    Tal vez como nunca antes, el tema de los valores cobra hoy una importancia capital para los destinos del género humano. Se trata de una relevancia no sólo teórica, sino, sobre todo, práctica. Los valores suplen, en la sociedad, la función que en otras especies desempeñan los instintos biológicos, sobre todo, el de la autoconservación. El hecho de que el género humano haya puesto en peligro su propia supervivencia es el más claro indicador de la aguda crisis de valores por (...)
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  37. The Hard Problem Of Content: Solved (Long Ago).Marcin Miłkowski - 2015 - Studies in Logic, Grammar and Rhetoric 41 (1):73-88.
    In this paper, I argue that even if the Hard Problem of Content, as identified by Hutto and Myin, is important, it was already solved in natu- ralized semantics, and satisfactory solutions to the problem do not rely merely on the notion of information as covariance. I point out that Hutto and Myin have double standards for linguistic and mental representation, which leads to a peculiar inconsistency. Were they to apply the same standards to basic and linguistic minds, they would (...)
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  38. Spanish Slurs and Stereotypes for Mexican-Americans in the USA: A Context-Sensitive Account of Derogation and Appropriation [Peyorativos y Estereotipos Para Los Mexicano-Americanos En EE. UU.: Una Consideración Contextual Del Uso Despectivo y de Apropiación].Adam M. Croom - 2014 - Pragmática Sociocultural 2 (2):145-179.
    Slurs such as spic, slut, wetback, and whore are linguistic expressions that are primarily understood to derogate certain group members on the basis of their descriptive attributes and expressions of this kind have been considered to pack some of the nastiest punches natural language affords. Although prior scholarship on slurs has uncovered several important facts concerning their meaning and use –including that slurs are potentially offensive, are felicitously applied towards some targets yet not others, and are often flexibly used not (...)
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  39.  25
    ¿Es JK Rowling más malvado que yo? (revisado en 2019).Michael Richard Starks - 2019 - In Delirios Utópicos Suicidas en el Siglo 21 La filosofía, la naturaleza humana y el colapso de la civilización Artículos y reseñas 2006-2019 4a Edición. Las Vegas, NV USA: Reality Press. pp. 184-187.
    ¿Qué tal una toma diferente de los ricos y famosos? Primero lo obvio — las novelas de Harry Potter son supersticiones primitivas que animan a los niños a creer en la fantasía en lugar de asumir la responsabilidad del mundo-la norma por supuesto. JKR es tan despistada sobre sí misma y el mundo como la mayoría de las personas, pero unas 200 veces más destructivas que el estadounidense promedio y unas 800 veces más que el chino promedio. Ella ha sido (...)
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  40.  51
    JK Rowling é mais malvado que eu?(revisado em 2019).Michael Richard Starks - 2019 - In Delírios Utópicos Suicidas no Século XXI Filosofia, Natureza Humana e o Colapso da Civilization- Artigos e Comentários 2006-2019 5ª edição. Las Vegas, NV USA: Reality Press. pp. 91-94.
    Que tal um take diferente sobre os ricos e famosos? Primeiro o óbvio-os romances de Harry Potter são superstição primitiva que incentiva as crianças a acreditar na fantasia, em vez de assumir a responsabilidade pelo mundo-a norma, é claro. JKR é tão sem noção sobre si mesma e do mundo como a maioria das pessoas, mas cerca de 200 vezes tão destrutiva como o Americano médio e cerca de 800 vezes mais do que o chinês médio. Ela foi responsável pela (...)
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  41. Razón crítica kantiana. Un imperativo teórico fundado en la autonomía.Rodrigo González - 2017 - In Daniela Alegría & Paula Órdenes (eds.), Kant y los retos práctico morales de la actualidad. Madrid: Tecnos. pp. 108-120.
    Este trabajo tiene como objetivo examinar cómo el legado kantiano de la razón crítica sigue vigente, pues se sostiene en un imperativo teórico fundado en la autonomía. Tal como argumento, este imperativo «categórico-teórico» se estructura gracias a la primacía de la razón práctica por sobre la razón teórica. El ensayo está estructurado en tres secciones. En la primera discuto brevemente el compromiso con la verdad propio de la ética de Sócrates y Platón, quienes inauguran el racionalismo crítico, según Popper. Luego, (...)
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  42.  65
    Piezas owenianas en el rompecabezas darwiniano.Daniel Blanco & Santiago Ginnobili - 2020 - Asclepio 72 (2):1-16.
    En este trabajo discutimos la extensión de la influencia que el pensamiento de Richard Owen tuvo sobre el de Charles Darwin. Además, se intentará mostrar lo heterogéneo de tal influencia, que va desde teorías específicas a giros retóricos. Esta influencia es en muchos casos subestimada, dando la sensación de que la novedad darwiniana consistió únicamente en mirar con ojos desprejuiciados lo que los otros no habían visto. Esta visión resulta injusta con Owen, y también con el esfuerzo conceptual llevado adelante (...)
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  43. O caráter substancial dos organismos vivos em Aristóteles.Rodrigo Romão de Carvalho - 2020 - Trans/Form/Ação 43 (2):281-294.
    Resumo Neste artigo, procura-se analisar os fatores envolvidos na determinação da natureza substancial do organismo vivo, em Aristóteles. Tais fatores seriam, por um lado, a forte unidade e coesão interna composicional e, por outro, o elevado caráter de independência quanto às propriedades essenciais ou formais, relativamente às propriedades dos componentes materiais, por meio dos quais o organismo vivo vem a ser formado, ou com referência aos outros tipos de particularidades de seres. Com esta análise, pretende-se mostrar, ao mesmo tempo, que (...)
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  44.  28
    El llanto y la pólis.Aida Míguez Barciela - 2019 - Madrid: La Oficina de Arte y Ediciones.
    Partiendo de Homero, se emprende una lectura de ciertas tragedias de Sófocles y de Eurípides. Alcestis muere por la belleza; Medea se queda en el aire; la casa se ha corrompido y la pólis ha caído enferma. Para implantar el nuevo proyecto político y apostar con determinación por la igualdad ciudadana, la pólis debía contener el llanto y reprimir las lágrimas por los parientes muertos, lo cual exigía contener y reprimir a las mujeres. Este ensayo intenta comprender en qué sentido (...)
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  45. Hermann Lotze e Franz Brentano.Nikolay Milkov - 2018 - Guairacá - Revista de Filosofia 34 (1):26-44.
    Resumo: Franz Brentano não foi uma figura solitária que propôs sua filosofia isolada de outros filósofos contemporâneos na Alemanha, tal como alguns neo-brentanianos reivindicaram nos últimos anos. O objetivo deste artigo é corrigir tais concepções equivocadas estabelecendo que Brentano desenvolveu sua psicologia filosófica engajado ativamente no rico contexto histórico-intelectual e acadêmico de seu tempo - em particular, sob a influência de Hermann Lotze. Especificamente, Brentano: (i) adota de Lotze a ideia de que juízo não é apenas uma associação de ideias, (...)
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  46. A ação no livro III da ética a nicômaco.Diego Ramos Mileli - 2015 - Cadernos Do Pet Filosofia 6 (11):34-42.
    Este trabalho tem por objetivo a compreensão da ação em Aristóteles. Para este fim será utilizado o livro III da Ética a Nicômaco, passando antes por uma breve definição da virtude, tal como aparece no livro II, a qual, pode-se dizer ser o bem para a ação, na medida em que é aquilo que se deve alcançar com ela. No campo específico da ação será visto como ela pode ser distinguida entre voluntária, involuntária e não-voluntária. Neste espectro insere-se igualmente a (...)
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  47. Gadamer: aplicación y comprensión.Pedro Karczmarczyk (ed.) - 2007 - Editorial de la Universidad Nacional de la Plata.
    La obra es un estudio de una de las nociones fundamentales en la filosofía de Gadamer, el concepto de aplicación. Se intenta dar cuenta de la manera en que dicho concepto viene a solucionar, o tal vez sería mejor decir, a disolver, en la reflexión del siglo XX, el problema que enfrentaban las ciencias históricas en el siglo XIX para convertirse en conocimiento objetivo. Dicho problema consistía en dos importantes dificultades vinculadas entre sí: la imposibilidad de disponer de un objeto (...)
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  48.  26
    La globalización neoliberal: el nuevo rostro del imperialismo en el siglo XXI.José Ramón Fabelo Corzo - 2011 - In Camilo Valqui Cachi & Cutberto Pastor Bazán (eds.), Marx y el marxismo crítico en el siglo XXI. México: pp. 49-60.
    Tal vez el rasgo que más tipifica los cambios operados en el capitalismo actual sea la mundialización de sus atributos fundamentales. El capital se desprende del rostro nacional que lo había identificado durante su etapa clásica. Así, no sólo la materia prima, los trabajadores, los dueños de las acciones, ni el proceso productivo mismo, quedan enmarcados en fronteras nacionales precisas. La competencia de productos, firmas y personas ya no se realiza entre vecinos, sino con la mediación a veces de miles (...)
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  49.  26
    La vida humana ante los desafíos del capital (II): el capitalismo actual.José Ramón Fabelo Corzo - 2005 - Docencia, Revista de Educación y Cultura 15 (15):67-70.
    Tal vez el rasgo que más tipifica los cambios operados en el capitalismo actual sea la mundialización de sus atributos fundamentales. El capital se desprende del rostro nacional que lo había identificado durante su etapa clásica. No sólo la materia prima, tampoco los trabajadores, los dueños de las acciones, ni el proceso productivo mismo quedan enmarcados en fronteras nacionales precisas. El modelo económico en que se enmarca la mundialización posee los mismos fundamentos liberales del capitalismo clásico. La globalización neoliberal actual (...)
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  50. “Dios ha muerto” y la cuestión de la ciencia en Nietzsche. “God is dead” and the question of science in Nietzsche.Osman Daniel Choque Aliaga - 2019 - Estudios de Filosofía (Universidad de Antioquia) 59:139-166.
    Este artículo pretende establecer una relación entre la frase “Dios ha muerto” y el tema de la ciencia en Nietzsche. Para tal fin, se hará un análisis de la frase “Dios ha muerto” a la luz de la reciente interpretación hecha en el mundo alemán. En segundo lugar, nos ocuparemos de los conceptos de ausencia y caos para determinar si dichas nociones pueden ser consideradas como un paso ulterior a la “muerte de Dios”. Finalmente, revisaremos el tema de la ciencia: (...)
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