In nature validation for physiological and emotional bonding becomes a mode for supporting social connectivity. Similarly, in the blockchain ecosystem, cryptographic validation becomes the substrate for all interactions. In the dialogue between human and artificial intelligence (AI) agents, between the real and the virtual, one can distinguish threads of physical or mental entanglements allowing different modes of participation. One could even suggest that in all types of realities there exist frameworks that are to some extent equivalent and act as validation (...) mechanisms for behavioural interweaving. Relevant to our own experience as an Editorial Organism, in this issue of Technoetic Arts we explore modes of participation and collaboration through different lenses by including guest-edited sections and stand-alone articles. (shrink)

The linguistic foundations of science and technology include many terms that have been borrowed from ancient languages. In the case of terms with origins in the Greek language, the modern meaning can often differ significantly from the original one. Here we use the PubMed database to demonstrate the prevalence of words of Greek origin in the language of modern science, and call for scientists to exercise care when coining new terms.

There is wide research about the Philosophy for/with Children program. However, there is not any known attempt to investigate how a philosophical discussion can be implemented through a museum workshop. The present research aims to discuss aesthetic and epistemological issues with primary school children through a temporary art exhibition in a museum in Cyprus. Certainly, paintings have been used successfully to connect philosophical topics with the experiences of the children. We suggest, though, that this is not as innovative as the (...) conduction of a dialogue in a museum. Results were mostly positive. Pupils participated in the discussion and they gave intensive definitions of beautiful paintings and counterexamples for given definitions. The structure of inductive arguments and the difference between belief and knowledge were discussed. Progress in the analysis of inductive arguments was slightly noticeable, but it is likely that this was due to limited time spent on analysing those arguments. Furthermore, more sessions are needed to make generalisations for the effectiveness of the Philosophy for Children program in a museum instead of a traditional classroom. Even though there is discussion about the different stimuli of the discussion, it might be worth considering the effectiveness of different contexts where the discussion can take place. (shrink)

Within the Computer Science community, many ethical issues have emerged as significant and critical concerns. Computer ethics is an academic field in its own right and there are unique ethical issues associated with information technology. It encompasses a range of issues and concerns including privacy and agency around personal information, Artificial Intelligence and pervasive technology, the Internet of Things and surveillance applications. As computing technology impacts society at an ever growing pace, there are growing calls for more computer ethics content (...) to be included in Computer Science curricula. In this paper we present the results of a survey that polled faculty from Computer Science and related disciplines about teaching practices for computer ethics at their institutions. The survey was completed by respondents from 61 universities across 23 European countries. Participants were surveyed on whether or not computer ethics is taught to Computer Science students at each institution, the reasons why computer ethics is or is not taught, how computer ethics is taught, the background of staff who teach computer ethics and the scope of computer ethics curricula. This paper presents and discusses the results of the survey. (shrink)

Diarmuid Costello has recently argued that, contra received opinion, Kant’s aesthetics can accommodate conceptual art, as well as all other art. Costello offers an interpretation of Kant’s art theory that demands from all art a minimal structure involving three basic “players” and three basic “actions” corresponding to those “players.” The article takes issue with the “action” assigned by Costello’s Kant to the artwork’s recipient, namely that her imagination generates a multitude of playful thoughts deriving from or in any other way (...) relating to the concept or idea that the artist has instilled in the artwork and that the artwork transmits to the recipient. It is argued that the “proper” recipient of conceptual art may very well have a multitude of thoughts that are all irrelevant to the concept or idea the artist has instilled in the artwork, even if the artwork has transmitted that concept or idea to the recipient. This shows that Kant’s art theory, as presented by Costello, cannot accommodate conceptual art. I conclude by suggesting that either one of two amendments to the theory’s account of the recipient’s experience could enable it to accommodate conceptual art. (shrink)

This paper focuses on weather and climate as factors affecting certain facets of human activity during the Byzantine period. Various aspects of impact that weather phenomena and climatic conditions could have upon travel, travellers and communications by land, either in short-term or in long-term context, during the Byzantine period are discussed: Were there any long-term impacts of climatic change upon communications overland? Which weather phenomena are described by the Byzantine authors as affecting people on move? What was the impact of (...) weather upon land transport and communications? Which was the concept of weather that people on the move had and how can we combine weather reports with traveller's emotional and factual reality while experiencing meteorologically induced dangers during overland travel? (shrink)

The main idea of this thesis is multi-descriptional physicalism. According to it, only physical entities are elements of our ontology, and there are different ways to describe them. Higher-level vocabularies (e.g., mental, neurological, biological) truly describe reality. Sentences about higher-level entities are made true by physical entities. Every chapter will develop multi-descriptional physicalism or defend it from objections. In chapter 1, I will propose a new conceptual reductive account that conceptually reduces higher-level entities to physical entities. This conceptual reductive account (...) combines resources from Heil’s truthmaker theory and either a priori physicalism or a posteriori physicalism. In chapter 2, I apply this conceptual reductive account to various debates. Physicalism, the multiple-realisability argument, the prototype theory of concepts, and truthmaker explanations will be discussed. In chapter 3, I will argue that a major aim of metaphysics should be to discover which entities are fundamental and explain why they suffice for the existence of derivative entities. In chapter 4, I will propose a new way to explain why sentences apparently about composite objects are true even though there are no composite objects. It combines resources from Cameron’s truthmaker theory and van Inwagen’s paraphrase strategy. In chapter 5, I will argue that the intuition that the mind and the body are very different does not show that the mind is distinct from the body. This intuition can be explained away by mentioning our dispositions to give non-physical explanations when we are ignorant of physical facts. In chapter 6, I will examine two arguments for the existence of a metaphysically independent level, and I will argue that only a modified version of one of them succeeds. I will argue that methodological principles support the view that there is a metaphysically independent level. (shrink)

The aesthetics of body and dress are in a continuous flux. The body, being the locus where fashion challenges the traditional norms, escapes from the narrow boundaries of the conventionally beautiful; the disgusting soma, in the realm of Negative Aesthetics, takes its place. In this paper, I attempt to define what is disgusting fashion and how can contribute to the deliberation of the body from the restricting margins of the aesthetically beautiful. The distorted imagery of the feminine soma is the (...) center of the analysis of the non-beautiful as an aesthetically pleasing phenomenon. Different examples of repulsive clothing are analyzed from a philosophical point of view, in order to understand the relation between the negative emotional responses towards disgusting fashion and its aesthetic value. -/- . (shrink)

Structural realists of nearly all stripes endorse the structural continuity claim. Roughly speaking, this is the claim that the structure of successful scientific theories survives theory change because it has latched on to the structure of the world. In this paper I elaborate, elucidate and modify the structural continuity claim and its associated argument. I do so without presupposing a particular conception of structure that favours this or that kind of structural realism. Instead I focus on how structural realists can (...) best account for the neutrally formulated historical facts. The result, I hope, crystallises some of the shared commitments, desiderata and limits of structural realists. (shrink)

Starting from the notion of the Ideal Feminine, this paper discusses the representation of trauma and the portrayal of women as open wounds in the designs of Alexander McQueen and John Galliano. Particularly, I explore how the McQueen’s Deadly Woman and Galliano’s Doll question the boundaries between mortality, sexuality and decay. By examining the relationship between fear, desire and disgust in the aesthetic representation of the wounded fashioned body, I argue that in their works disgust functions as an empowering emotion, (...) contributing to the perception of the aversive fashioned body as a feministic act. (shrink)

Early in the Logic of Essence, the second main part of Hegelian Logic, Hegel identifies a logical structure, seeming (Schein), with “the phenomenon of scepticism.” The present paper has two aims: first, to flesh this identification out by describing the argument that leads up to it; and, second, to argue that it is mistaken. I will proceed as follows. Section 1 deciphers the opening statement of the Logic of Essence, “the truth of being is essence,” by specifying the meaning of (...) each of its composing terms. The discussion opens the way for deliberation on the meaning of the notion of seeming, since seeming proves to be what remains of being in the structure of essence. This is done in section 2. It is also shown therein that seeming takes two logical forms, dualistic seeming and monistic seeming. Section 3 argues that Hegel identifies scepticism only with dualistic seeming, and that the scepticism he has in mind is what one may call “subjective scepticism,” namely a scepticism grounded in the subject of cognition. The section concludes that Hegel, judged by his own standards, is mistaken in this identification. Finally, section 4 considers Robert Pippin’s objection to the above conclusion and offers a rejoinder. (shrink)

ΤΙ ΣΗΜΑΙΝΕΙ «ΜΕΤΑ ΤΟΝ ΚΑΣΤΟΡΙΑΔΗ»; Μα ακριβώς αυτό που καταλαβαίνουμε εξαρχής. Τα χρόνια που ακολούθησαν τον θάνατο του μεγάλου φιλοσόφου ανέδειξαν τη σημασία της φιλοσοφικής και πολιτικής του σκέψης, έφεραν τα ερωτήματα που ο ίδιος είχε διατυπώσει στο επίκεντρο των κοινωνικών αγώνων, επιβεβαίωσαν την κριτική του στην καπιταλιστική (αν)ορθολογικότητα, έθεσαν το ζήτημα της Άμεσης Δημοκρατίας στην καρδιά της κοινωνίας. Ταυτόχρονα, νέες μορφές επικοινωνίας και συνταύτισης αναδύθηκαν, δριμύτατες κοινωνικές συγκρούσεις γκρέμισαν το κάτοπτρο της ασημαντότητας και καινούργιες πολιτικές αγωνίες προσπαθούν να βρουν (...) λέξεις για να αρθρωθούν. Ο λόγος του Καστοριάδη μοιάζει πιο επίκαιρος από ποτέ, ενώ η γλαύκα της Ακαδημίας αρχίζει να λοξοκοιτά μυωπικά το έργο του με στόχο να το απολιθώσει. Όμως το έργο του Καστοριάδη δεν προσφέρεται για απολίθωση. Δεν είναι μία κλειστή θεωρία, είναι μια πρόσκληση σε πράξη, μια προτροπή σε αναστοχασμό, μία αξίωση αυτονομίας. (shrink)

Το πολιτικό περιοδικό Βαβυλωνία ανακήρυξε το 2017 "Έτος Καστοριάδη", με μια σειρά εκδηλώσεων για τα 20 χρόνια από τον θάνατο του σπουδαίου φιλοσόφου. Στην παρούσα έκδοση περιλαμβάνονται 7 από τις ομιλίες που εκφωνήθηκαν σε αυτές τις εκδηλώσεις. Στο επίμετρο δημοσιεύεται η συνέντευξη του Καστοριάδη στην εφημερίδα Εκτός Νόμου το 1990. -/- Συγγράφουν: Γρηγόρης Τσιλιμαντός, Νίκος Ιωάννου, Γιάννης Κτενάς, Αλέξανδρος Σχισμένος, Yavor Tarinski, Γιώργος Ν. Οικονόμου, Κορνήλιος Καστοριάδης. -/- Ο Καστοριάδης διαμόρφωσε μια καινούργια, ανοιχτή πρόταση για τον ριζικό μετασχηματισμό της κοινωνίας (...) - όχι με κάποιο μανιφέστο, αλλά μαθαίνοντάς μας να απελευθερωνόμαστε εμείς οι ίδιοι, κάθε φορά που εγκλωβιζόμαστε στον εαυτό μας. (shrink)

Οι θέσεις του Καστοριάδη αναφορικά με το ζήτημα της αυτονομίας, μέσα από τη πραγμάτευση των εννοιών της ψυχής και του ατόμου, αναδεικνύουν την άρρηκτη σύνδεση της οντολογίας και της φιλοσοφικής ανθρωπολογίας της δημιουργίας με το πολιτικό πρόταγμα της κοινωνικής απελευθέρωσης. Το μάγμα της ανθρώπινης ψυχής, όπου τα ορθολογικά στοιχεία διατηρούνται μόνο "σαν επιπλέοντα συντρίμμια ναυαγίου σε τρικυμιώδη θάλασσα", επιλέγεται ως αφετηρία, καθώς η ατομικότητα αποτελεί το πραγματικό πολιτικό διακύβευμα της εποχής του θρυμματισμού των ταυτοτήτων και του άγριου ατομικισμού. Ο Καστοριάδης (...) υπενθυμίζει διαρκώς πως το πρόταγμα μιας αυτόνομης κοινωνίας προϋποθέτει αυτόνομα άτομα, κι αυτά με τη σειρά τους ένα νόημα της αυτονομίας, όπου η ελευθερία μπορεί να βρει την κοινωνική της πραγμάτωση, πέραν της μεταφυσικής και της θεολογίας. (shrink)

A large number of essays address the Sleeping Beauty problem, which undermines the validity of Bayesian inference and Bas Van Fraassen's 'Reflection Principle'. In this study a straightforward analysis of the problem based on probability theory is presented. The key difference from previous works is that apart from the random experiment imposed by the problem's description, a different one is also considered, in order to negate the confusion on the involved conditional probabilities. The results of the analysis indicate that no (...) inconsistency takes place, whereas both Bayesian inference and 'Reflection Principle' are valid. (shrink)

The article reflects on Heidegger’s “metaphysical” interpretation of Hegel’s Phenomenology of Spirit. This interpretation is driven by two theses Heidegger holds: (1) that the Phenomenology is a necessary part of Hegel’s “system of science” and (2) that the Phenomenology is metaphysics. These two theses contrast with Houlgate’s “epistemological” interpretation, which claims that the Phenomenology is not a necessary part of Hegel’s system of science and that it is not metaphysics. The article shows that while Heidegger has an argument that establishes, (...) contra Houlgate, that the Phenomenology is metaphysics, this very argument has consequences that undermine Heidegger’s thesis that the Phenomenology is a necessary part of Hegel’s system of science. (shrink)

There is a well-documented Pre-Reflective Hostility against Machine Art (PRHMA), exemplified by the sentiments of fear and anxiety. How can it be explained? The present paper attempts to find the answer to this question by surveying a considerable amount of research on machine art. It is found that explanations of PRHMA based on the (alleged) fact that machine art lacks an element that is (allegedly) found in human art (for example, autonomy) do not work. Such explanations cannot account for the (...) sentiments of fear and anxiety present in PRHMA, because the art receiver could simply turn to human art for finding the element she is looking for. By contrast, an explanation based on the idea that machine art is “symbolically” a threat to human survival can be successful, since the art receiver’s turning from machine art to human art does not eliminate the (alleged) “symbolic” threat machine art poses for human survival. If there is a pre-reflective belief or feeling that machine art is such a threat, then it is perfectly understandable why humans exhibit a pre-reflective hostility against machine art. (shrink)

In his Introduction to The Cambridge Companion to Hegel and Nineteenth-Century Philosophy (2008), entitled ‘The Puzzling Hegel Renaissance’, Frederick Beiser, the editor of the volume, claims that Anglophone Hegel research has been in the main deeply problematic and proceeds to offer a program of research for its rejuvenation. The paper argues that the reasons based on which he exercises his critique (antiquarianism and anachronism) fail on internal grounds and that, therefore, Hegelforschung should not be reduced to his proposed research program (...) (Konstellationsforschung). The argument is built around four Hegelian themes: (a) the nature of the Hegelian categories, (b) Hegel’s philosophy of nature, (c) the relation between antiquarianism and our culture, and (d) Hegel’s methodology. (shrink)

Recent research has defended the surprising thesis that in many cases the search for truth is better off if the information exchanged between the members of an epistemic community is limited. This is what one may call the limited information thesis. There is, however, the possibility of an even more radical position than this: the thesis that any communication between peers has zero epistemic value and that the search for truth is better off if the truth-inquirer does not take into (...) consideration the truth-claims of her peers. This can be called the solitude thesis. The paper defends the claim that Descartes is a supporter of the solitude thesis with respect to metaphysical inquiry. The defense is facilitated by means of interpreting textual evidence found in Descartes’ essays Discourse on the Method, The Search for Truth and the Meditations on First Philosophy. (shrink)

Speight has recently raised the question, which he himself leaves unanswered, how naturalism relates to spirit in Hegel’s philosophy of art. ‘Naturalism’ denotes an explanation that invokes aspects of nature that are (allegedly) irreducible or resistant to thought. I call nature ‘stubborn’ insofar as it evinces resistance to its being formed by thought and hence to its being united with it. This paper argues that §§556, 558 and 560 of Hegel’s Encyclopedia answer Speight’s question by specifying three elements of nature (...) that, first, are present in art and, second, are resistant to thought. These are materiality, natural form, and genius. They exhibit nature’s stubbornness in art. This stubbornness, I argue, is what justifies Hegel’s claim that art is absolute spirt only implicitly (§556), which leads to the claim that art needs to be superseded by religion and philosophy. In this way, Speight’s question receives a precise answer. (shrink)

A significant thread in Boris Hessen‟s iconic essay, The Social and Economic Roots of Newton’s Principia (1931), is his critique of Newton‟s involving God in his physics. Contra Newton, Hessen believes that nature does not need God in order to function properly. Hessen gives two, quite distinct, „internal‟ explanations of Newton‟s failure to see this. The first explanation is that Newton‟s failure is caused by his believing that motion is a mode instead of an attribute or essence of matter. The (...) second explanation is that Newton‟s failure is owed to his considering mechanical motion as the sole form of the motion of matter: Newton, in Hessen‟s view, did not realize that matter has many forms of motion which constantly transform into one another while conserving energy. In the present paper, I defend the thesis that none of these explanations can account for Newton‟s failure. Hessen‟s first explanation is problematic because even if Newton believed that motion is an attribute or essence of matter, he would still be obliged to involve God in physics. His second explanation fails too because he does not show exactly how the multiplicity and inter-transformation of forms of motion can account for nature‟s organizational structure. (shrink)

In his Science of Logic Hegel purports to give an account of a dialectical logic that generates the totality of being’s fundamental structures. This totality does not exhaust the richness of being, but it exhausts the basis of this richness. Any phenomenon, whether cognitive, scientific, social or political, is based upon some or all of those structures. The paper presents and examines the logic of a structure which pervades each and every phenomenon: the border(die Grenze). It is analyzed as an (...) advanced manifestation of “determinateness,” an even more primitive structure of being, which makes explicit its intrinsic connection with not-being. What is distinctive about Hegel’s analysis is that it establishes a logical character concerning the concept of “border” that precedes empirical observation and a connection with space. The aim of the paper is to reconstruct Hegel’s dialectic of the border in such a way as to make this logical character apparent and convincing to contemporary audience, who begin from the assumption that all discourse about border has an empirical basis and presupposes reference to space. It will be argued that, contrary to received opinion, the very phenomenon of “border” has certain universal and necessary features which explain its very possibility, are completely a priori and are established prior to any reference to space. A discussion about “borders” that excludes any a priori investigation into this phenomenon from its domain simply fails to illuminate its most important dimension: its logical core or, if you will, its universal and necessary attributes. (shrink)

This paper attempts to provide the basis for a broader naturalized account of agency. Naturalization is considered as the need for an ongoing and open-ended process of scientific inquiry driven by the continuous formulation of questions regarding a phenomenon. The naturalization of agency is focused around the interrelation of the fundamental notions of autonomy, functionality, intentionality and meaning. Certain naturalized frameworks of agency are critically considered in an attempt to bring together all the characteristic properties that constitute an autonomous agent, (...) as well as to indicate the shaping of these notions/properties during the development and the evolution of its agential capacity. Autonomy and interaction are proved to be key concepts in this endeavor. (shrink)

It is known that the Big Bang theory was based on the concept of creation ex nihilo, after ancient Greek philosophers. In this paper, we will make few remark on the concept of creatio ex nihilo (as a commentary to a recent paper by Kalachanis, Athanasios Anastasiou, Ioannis Kostikas, Efstratios Theodossious and Мilan S. Dimitrijevi), as well as two other approaches, i.e. Intelligent Design and Emergence Theory by Clayton/Yong. As continuation of our recent paper to appear in forthcoming issue (...) of J. Asia Mathematika, we argue that beside the above three approaches, a new concept called creatio ex-rotatione offers a resolution to the long standing disputes between beginning and eternity of the Universe. In other words, in this respect we agree with Vaas, i.e. it can be shown: “how a conceptual and perhaps physical solution of the temporal aspect of Immanuel Kant’s „first antinomy of pure reason“ is possible, i.e. how our universe in some respect could have both a beginning and an eternal existence. Therefore, paradoxically, there might have been a time before time or a beginning of time in time.” By the help of computational simulation, we also show how a model of early Universe with rotation can fit this new picture. (shrink)

Die ethische und politische Philosophie al-Fārābīs beruht auf einer philosophischen Anthropologie, die die Menschen als von Natur aus als ungleich betrachtet und der Natur eine fundamentale Bedeutung zuschreibt. Die Natur stattet nur wenige Menschen mit besonderen Fähigkeiten aus, sodass die Verwirklichung der höheren theoretischen, geistigen, moralischen Tugend und der praktischen Kunst nur jene betrifft, die von der Natur dafür ausersehen wurden. Die Anthropologie ist darüber hinaus auch ein wichtiges Instrument politischen Handelns. Der Herrscher muss sich kontinuierlich dem Studium der menschlichen (...) Natur widmen und die jeweiligen Eigenschaften benennen, die bestimmten Menschengruppen zugeschrieben werden. Dadurch kann er die geeigneten Mittel identifizieren, mit denen jede Gruppe zur Glückseligkeit geführt werden kann, und wählt die für jeden Fall geeigneten Argumente. Niccolò Machiavelli stützt sein gesamtes politisches Denken auf die Anthropologie. Ein zweiter Pfeiler der politischen Philosophie Machiavellis ist, wie bei al-Fārābī auch, die Religion. Beide machen sich Gedanken über die politische Dimension der Religion, ohne dass Machiavelli aber bis zur Entgeistigung der Religion gehen würde, wie es al-Fārābī gewagt hatte. Neben der Anthropologie, die ein integrales Element des politischen Denkens al-Fārābīs und Machiavellis darstellt, teilen sie sich die Auffassung von der Religion als Instrument politischen Handelns. Beide versuchten den Menschen zu zeigen, dass auf dem Gebiet des öffentlichen Lebens die Regierungskunst der Religion überlegen ist, ohne sich im Besonderen mit ihrem Wert an sich und ihrer Bedeutung für das private Leben zu befassen. Der substantielle Unterschied zwischen beiden liegt in der Breite der politischen Mittel. Hier ist die Innovation Machiavellis offensichtlich, weil sich seine Anthropologie von der al-Fārābīs unterscheidet. (shrink)