Results for 'Martina Kanning'

48 found
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  1. Iconology and Formal Aesthetics: A New Harmony. A Contribution to the Current Debate in Art Theory and Philosophy of Arts on the (Picture-)Action-Theories of Susanne K. Langer and John M. Krois.Sauer Martina - 2016 - Sztuka I Filozofia (Art and Philosophy), Warschau 48:12-29.
    Since the beginning of the 20th Century to the present day, it has rarely been doubted that whenever formal aesthetic methods meet their iconological counterparts, the two approaches appear to be mutually exclusive. In reality, though, an ahistorical concept is challenging a historical analysis of art. It is especially Susanne K. Langer´s long-overlooked system of analogies between perceptions of the world and of artistic creations that are dependent on feelings which today allows a rapprochement of these positions. Krois’s insistence on (...)
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  2.  73
    Dr. M.A. [REVIEW]Sauer Martina - 1914 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 14 (3):1-3.
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  3. Ikonische Grenzverläufe, Ed. By Martina Sauer.Martina Sauer (ed.) - 07/2018 - Tuebingen, Germany: IMAGE, Zeitschrift für interdisziplinäre Bildwissenschaft, Themenheft, 28.
    The task of the congress of the German Society for Semiotics in Passau / Germany in September 2017 was to explore and describe "boundaries". A total of 12 sections of the society wrote a call for paper for this purpose. With the present anthology it has to be made evident, how concretely also the boundaries of the own, the other and the foreign can be negotiated via pictures. -/- -------------- Papers: -/- - Martina Sauer: Ikonische Grenzverläufe. Szenarien des Eigenen, (...)
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  4. In Memoriam Martina Stemich.Rafael Ferber - 2005 - In .
    This is an obituary notice in memoriam Martina Stemich.
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  5. Kwestia języka w filozofii Martina Heideggera.Marcin Lubecki - 2013 - Argument: Biannual Philosophical Journal 3 (2):357-372.
    Kwestia języka w filozofii Martina Heideggera pojawia się zarówno we wczesnym projekcie ontologii fundamentalnej, jak i w tak zwanym myśleniu po zwrocie. Problematyczność tego zagadnienia wyraża się choćby w mnogości stosowanych terminów. Bycie i czas to w wybranych fragmentach wyczerpujące studium „mowy” (Rede) jako swoistego ekstatycznego, a zatem otwartego i transcendującego bycia jestestwa, które buduje i potwierdza poprzez ów modus bycia przestrzeń wspólnotowości. Późny Heidegger podejmuje kwestię języka w kontekście metafory czwórni świata, wiążąc ją ściśle z tzw. myśleniem poetyckim (...)
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  6.  87
    Wybrane aspekty wielorakiego znaczenia bytu i intencjonalności w ujęciu Franza Brentana i Martina Heideggera.Sonia KAMIŃSKA - 2013 - Argument: Biannual Philosophical Journal 3 (2):253-272.
    Tekst ma na celu bliższe zapoznanie Czytelnika z otwierającą cykl Aristotelica pracą doktorską Franza Brentano Von der mannigfachen Bedeutung des Seienden nach Aristoteles (1862), która znana jest głównie z tego, że miała zainspirować młodego Martina Heideggera i sprawić, że zajął się filozofią. Tekst bada naturę i siłę tej inspiracji. Część pierwsza opowiada historię powstania Von der mannigfachen … oraz przedstawia szerszy kontekst zetknięcia się Heideggera z filozofią Brentana, a także stara się przedstawić Heideggera na tle jego pozostałych uczniów (Kazimierz (...)
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  7.  97
    Bycie i świat. Metamorfozy pojęcia „świat” w filozofii Martina Heideggera.Magdalena HOŁY-ŁUCZAJ - 2013 - Argument: Biannual Philosophical Journal 3 (2):339-356.
    Artykuł rekonstruuje przemiany pojęcia „świat” w filozofii Martina Heideggera na podstawie: Bycia i czasu, Podstawowych problemów fenomenologii, rozprawy O istocie podstawy, Die Grundbegriffe der Metaphysik, Źródła dzieła sztuki, Przyczynków do filozofii oraz esejów Język, Rzecz i Budować, mieszkać, myśleć. Niniejsza analiza pokazuje, że kolejne odsłony problemu świata nie unieważniają wcześniejszych rozwiązań, ale rozwijają ich sens, zgodnie z którym bycie ujawnia się tylko wtedy, gdy byty postrzegane są w ich wspólnocie. Tak też różne ujęcia problemu świata wskazują na odmienne aspekty (...)
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  8.  80
    Uwagi Na Temat Recepcji I Tłumaczeń Tekstów Martina Heideggera W Polsce.Janusz Mizera - 2013 - Argument: Biannual Philosophical Journal 3 (2):245-252.
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  9.  35
    W stronę ontologii. Nicolaia Hartmanna i Martina Heideggera postneokantowskie projekty filozofii.Alicja Pietras - 2012 - Kraków, Polska: Towarzystwo Autorów i Wydawców Prac Naukowych UNIVERSITAS.
    The subject of the book is two twentieth-century ontological projects: the critical ontology of Nicolai Hartmann and the fundamental ontology of Martin Heidegger. The author presents their works as well in a historical as a systematical perspective. The book focuses on those contexts of their thoughts, which have been often overlooked. Hartmann and Heidegger’s ontology is presented first in their relation to Kant, secondly in reference to neo-Kantianism, and thirdly in relation to each other. One of the main thesis of (...)
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  10.  70
    Warburg Und Die Natur(-Wissenschaft): Affektpsychologische Fundierung von Kultur Im Hamburger Kreis Um Warburg, Cassirer Und Werner Und Deren Nachwirkungen.Martina Sauer - 2020 - Visual Past, 5/2018, Special Issue: Image Senses.
    What distinguishes humans form animals? Acknowledging that humans are part of nature, that can process psychologically their affective-vital reactions to nature, and thus be held responsible for cultural processes, is the result of art historical, cultural-philosophical and life science research over the past two centuries. This line of argumentation led to the consideration that there must also be a connection between affective-psychological reactions and formal, a-historical mechanisms that are usually used by the arts. However, influenced by classical aesthetic theory, no (...)
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  11.  78
    Framing Emotional Perception: Affect and Effect of Aesthetic Experience, or Extensions of Aesthetic Theory Towards Semiotics.Martina Sauer - 2019 - Art Style: Art and Culture International Magazine 4 (4):73-87.
    How does an audience receive a work of art? Does the experience only affect the viewer or does it have an effect and thus influence his or her actions? It is the cultural philosopher Ernst Cassirer and his successors in philosophy and developmental psychology as well as in neuroscience to this day who postulate that perception in general and perception of art in particular are not neutral in their origins but alive and thus meaningful. They assume that both are based (...)
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  12.  65
    Visualität Und Geschichte. Bilder Als Historische Akteure Im Anschluss an Verkörperungstheorien.Martina Sauer - 2015 - In Claus Oberhauser Niels Grüne (ed.), Jenseits des Illustrativen : visuelle Medien und Strategien politischer Kommunikation. Göttingen, Germany: V&R uni press Göttingen. pp. 39-60.
    Special commendation from the Hans-und-Lea-Grundig Prize by the Rosa-Luxemburg-Foundation 2015 -- I -- Do have pictures an impact on future? Yes, say theories of embodiment by making perceptual foundations in place of representational arrangements responsible for it. -- I -- Wirken sich Bildern auf die Zukunft aus? Ja sagen Verkörperungstheorien und machen dafür weniger Repräsentationsmodelle als Wahrnehmungsweisen verantwortlich.
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  13. Ästhetik Versus Kunstgeschichte?: Ernst Cassirer Als Vermittler in Einer Bis Heute Offenen Kontroverse Zur Relevanz der Kunst Für Das Leben.Martina Sauer - 2018 - In Stefan Niklas & Thiemo Breyer (eds.), Ernst Cassirer in Systematischen Beziehungen: Zur Kritisch-Kommunikativen Bedeutung Seiner Kulturphilosophie. De Gruyter. pp. 239-260.
    Aesthetics versus Art History? Ernst Cassirer as Mediator in an ongoing Controversy on the Relevance of Art for Life. Against the background of Ernst Cassirer’s cultural philosophy, art studies are to be classified as cultural studies. Central to this is Cassirer’s philosophy as the basis for answering a question that has been posed by the methods of formal aesthetics and iconology since the 19th century but is still unanswered today, namely the question of the relevance of the arts for life. (...)
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  14. Faszination - Schrecken. Zur Handlungsrelevanz Ästhetischer Erfahrung Anhand Anselm Kiefers Deutschlandbilder.Martina Sauer - 2018 - Heidelberg, Germany: arthistoricum.
    Special commendation from the Hans-und-Lea-Grundig Prize by the Rosa-Luxemburg-Foundation 2015 - - I - - How do we perceive the world and pictures? The book is based around the hypothesis that we initially perceive the world as well as pictures by feelings and that there is a direct connection between the two. By debating fascination and horror, such as can be triggered by Anselm Kiefer´s Deutschlandbilder, the author discusses their consequences and conclusions for our cultural self-perception. The author develops a (...)
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  15. Aesthetik Und Pragmatismus. Zur Funktionalen Relevanz Einer Nicht-Diskursiven Formauffassung Bei Cassirer, Langer Und Krois.Martina Sauer - 2014 - Image. Zeitschrift für Interdisziplinäre Bildwissenschaft 20 (2):49-69.
    To what extend is there a relevance of aesthetics for life? By postulating a non-discursive and emotional relevance of forms Cassirer, Langer and Krois open the door for this idea. -/- Inwieweit spielt die Ästhetik im Leben eine Rolle? Indem sowohl Cassirer, Langer und Krois eine nicht-diskursive und emotionale Relevanz von Formen unterstellen, öffnen sie die Türen für diese Idee.
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  16.  85
    ´The Better Form´ - Josef Albers´s Idealistic Concept of Art Reveals its Socio-Cultural Function.Martina Sauer - 2019 - Art Style: Art and Culture International Magazine 2 (2):30-55.
    With the aim of teaching and practicing art for the good or moreover the better, Josef Albers proves to be an idealist. At the same time, he confirms with this conviction that art can also arouse the opposite. This conviction is already evident in the grammatical form of the term, which proves that art is functional or a technique for socio-cultural applications, whether good or bad. In the presentation of the political and philosophical background of this idea as well as (...)
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  17. Verantwortung - Vom Aufladen mit Bedeutung in Kunst und Sprache. Zu den Konsequenzen aus den kulturanthropologischen Ansätzen von Cassirer, Warburg und Böhme.Martina Sauer - 2013 - In Oxen Kathrin & Sagert Dietrich (eds.), Mitteilungen - zur Erneuerung evangelischer Predigtkultur, Leipzig 2013 (Kirche im Aufbruch ; 5). Leipzig, Germany: Evangelische Verlagsanstalt. pp. 15-33.
    So many things have a meaning for us. How is it possible and how can we deal with it? In "gestures of attention" (rituals) we understand it, Hartmut Böhme says, and we produce it ourselves, Aby M. Warburg and Ernst Cassirer are suggesting. That means the producer and the recipient are responsible for their doing. -/- So vieles in unserem Leben hat für uns eine Bedeutung. Wie kommt das und wie können wir damit umgehen? In "Gesten der Zuwendung" (Rituale), so (...)
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  18. Daniel Martin Feige / Judith Siegmund (Eds.): Kunst Und Handlung. Ästhetische Und Handlungstheoretische Perspektiven. Transcript: Bielefeld 2015. [REVIEW]Martina Sauer - 2016 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 16 (2).
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  19.  61
    On the Conceivability of a Cognitive Phenomenology Zombie.Martina Fürst - 2019 - Dialectica 73 (1-2):105-127.
    The cognitive phenomenology thesis has it that conscious cognitive states essentially exhibit a phenomenal character. Defenders of ‘conservatism’ about cognitive phenomenology think that the phenomenology of thought is reducible to sensory phenomenology. In contrast, proponents of ‘liberalism’ hold that there is a proprietary, sui generis cognitive phenomenology. Horgan develops a morph-sequence argument to argue for liberalism. The argument is based on the conceivability of a cognitive phenomenology zombie, i.e. a man who does not understand Chinese but shares the behavior and (...)
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  20. Das Bild Als Eigenständiges Semiotisches System.Martina Sauer - 2016 - In Natalia Igl Julia Menzel (ed.), Illustrierte Zeitschriften um 1900. Mediale Eigenlogik, Multimodalität und Metaisierung. transcript. pp. 137-165.
    Do we communicate with pictures? If so, the text asks, what about their complex, dynamic appearances? Are they part of the communication process? By analysing a cover image of the journal Jugend from 1896 and by consulting the research on the logic of pictures (“Eigenlogik”) in Bildwissenschaft, Iconology and Cultural Anthropology these questions shall be persued. The analysis suggests, that instead of consenting the results of epistemological aesthetic research a new understanding of pictures shall be implemented: They can be considered (...)
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  21.  82
    A Dualist Account of Phenomenal Concepts.Martina Fürst - 2014 - In Andrea Lavazza & Howard Robinson (eds.), Contemporary Dualism. A Defense. 112-135. Routledge. pp. 112-135.
    The phenomenal concept strategy is considered a powerful response to anti-physicalist arguments. This physicalist strategy aims to provide a satisfactory account of dualist intuitions without being committed to ontological dualist conclusions. In this paper I first argue that physicalist accounts of phenomenal concepts fail to explain their cognitive role. Second, I develop an encapsulation account of phenomenal concepts that best explains their particularities. Finally, I argue that the encapsulation account, which features self-representing experiences, implies non-physical referents. Therefore, the account of (...)
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  22.  5
    What is Reality? Walter Benjamin, Roland Barthes, Jacques Derrida, Judith Butler, and the Artist Karin Kneffel on the Deconstruction of the Familiar as Liberation From Determination.Martina Sauer - 2020 - Art Style, Art and Culture International Magazine 6 (6):101-120.
    What is reality? It is postmodern or poststructuralist philosophers like Roland Barthes, who realized that it only seems that the media present reality in the form of facts, because they actually spread myths. Accordingly, Jacques Derrida made it clear that communication via media is not based on logic, but is characterized by a significant “différance” between a “marque” (trace) of the past and the expectations of the future. Both agreed, that the initial misunderstanding of the concept of reality must be (...)
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  23. Abstrakt - Affektiv - Multimodal. Zur Verarbeitung von Bewegtbildern Im Anschluss an Cassirer, Langer Und Krois.Martina Sauer - 2016 - In Lars Christian Grabbe, Patrick Rupert-Kruse & Norbert M. Schmitz (eds.), Bildkörper. Zum Verhältnis von Bildtechnologien und Embodiment. Kiel, Germany: Büchner-Verlag. pp. 46-71.
    Is it true that there is an analogy between modes of creation and such of perception? Respective to the cultural anthropological research of Ernst Cassirer, Susanne K. Langer and John M. Krois and by the analysis of a tape of the Swiss video-artist Pipilotti Rist this initial thesis of Formal Aesthetics shall be supported. - I - -/- Lässt sich die Behauptung stützen, dass zwischen Gestaltungsweisen und Wahrnehmungsweisen eine Analogie besteht? Aufbauend auf den kulturanthropologischen Forschungen von Ernst Cassirer, Susanne K. (...)
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  24.  60
    Marion Lauschke / Franz Engel / Johanna Schiffler (Eds.): Ikonische Formprozesse. Zur Philosophie des Unbestimmten in Bildern. De Gruyter: Berlin 2018. [REVIEW]Martina Sauer - 2019 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 19 (4).
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  25. Plato (Ca. 427 - Ca. 347 BC E ): Apology of Socrates.Thomas A. Blackson - forthcoming - In AUTOBIOGRAPHY/AUTOFICTION. An International and Interdisciplinary Handbook. Volume III: Exemplary autobiographical/autofictional texts. Edited by Martina Wagner-Egelhaaf. De Gruyter, Berlin.
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  26. Phenomenal Concepts and Wittgenstein's Private Language Argument.Martina Prinz & François-Igor Pris - manuscript
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  27. Phenomenal Concepts Are Consistent With Wittgenstein's Private Language Argument (Short Version).Martina Prinz & Francois-Igor Pris - 2013 - AL-Mukhatabat (06):98-105.
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  28. (2015). Bildkraft und Tatkraft: Zum Verhältnis von ästhetischer Erfahrung und Technik im Anschluss an Cassirer, Langer und Krois.Martina Sauer - 2015 - Kongress-Akten, Deutsche Gesellschaft Für Ästhetik, Bd. 3.
    The ability to form „images“ of our experiences with the world (imaging effect) and to adjust our drive and determination in accordance with those images (action effect) is what characterises men, as stipulated by Cassirer and subsequently confirmed by Langer and Krois. Special techniques are required to communicate to others the images of life and how we interpret them. The art as a technique does this masterly by presenting us the views of others on their experiences and wishes through aesthetic (...)
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  29. Phenomenal Concepts and Wittgenstein's Private Language Argument.Martina Prinz & Francois-Igor Pris - 2013 - In Papers of 36th Wittgenstein Symposium. pp. 326-328.
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  30.  77
    Anna-Maria C. Bartsch: Form Und Formalismus. Stationen der Ästhetik Bei Baumgarten, Kant Und Zimmermann, Würzburg 2017. [REVIEW]Martina Sauer - 2018 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 18 (7/8).
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  31. (2014) Kunst als ästhetische Strategie. Differenz von Hingabe und Distanz als Bruch und Voraussetzung für eine neue Form des Dialogs.Martina Sauer - 2014 - In Stoellger Phillip & Gutjahr Marco (eds.), An den Grenzen des Bildes. Zur visuellen Anthropologie (Interpretation Interdisziplinär, 15). Würzburg: Könighausen & Neumann. pp. 115-130.
    By observing processes of art perception two contradicting phenomena come to the fore: a feeling of closeness and distance at the same time. The phenomenologists Martin Heidegger and Bernhard Waldenfels describe this connection as a matter of being ("Seinsweise") of images, that allows new views of the world whereas the two cultural anthropologists Ernst Cassirer and Hartmut Böhme note that the connection between both can be seen as the basis of experience ("Erlebnisweise") of images and therefore serves for communication. Here (...)
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  32. John Michael Krois. Bildkörper und Körperschema. Schriften zur Verkörperungstheorie ikonischer Formen. [REVIEW]Martina Sauer - 2013 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 13 (4).
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  33.  98
    Lambert Wiesing, Sehen lassen. Die Praxis des Zeigens, Berlin 2013. [REVIEW]Martina Sauer - 2014 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 14 (3).
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  34.  66
    Heinricha Rickerta krytyka teoretycznego intuicjonizmu.Tomasz Kubalica - 2013 - Przeglad Filozoficzny - Nowa Seria 85 (1):299-306.
    Przedmiotem rozważań jest teoriopoznawczy intuicjonizm, uznający intuicję za podstawę poznania i wiedzy. W artykule przeanalizowane zostały argumenty krytyczne wysuwane przez Heinricha Rickerta w ostatniej fazie jego działalności filozoficznej. Głównym adresatem krytyki Rickerta jest aletejologiczna koncepcja prawdy i poznania Martina Heideggera. Podstawowym motywem krytyki Rickerta jest odrzucenie teorio-odbiciowego modelu poznania, zakładanego przez intuicjonizm.
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  35.  63
    Emmanuel Alloa (Ed.): Erscheinung und Ereignis. Zur Zeitlichkeit des Bildes, München 2013. [REVIEW]Martina Sauer - 2015 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 15 (1).
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  36.  90
    Cézanne - Van Gogh - Monet. Genese der Abstraktion, second editon of PhD thesis from 1999/2000.Martina Sauer - 2014 - Heidelberg: ART-Dok.
    Do abstract paintings still make sense and if so what do they mean? By reducing the paintings to simple square blots as by Cézanne, to lines as by van Gogh and color traces as by Monet their meaning is fundamentally questioned. But by interpreting these compositions as effective forces or rather affective stimuli a new and different meaning becomes apparent. Landscapes are no longer introduced but made real in the aesthetic experience. Therefore aesthetics or rather aisthetics (perception) can be defined (...)
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  37. The Call and the Response. Martin Heidegger and Martin Buber on Responsibility.Artur JEWUŁA - 2013 - Argument: Biannual Philosophical Journal 3 (2):323-338.
    Filozofia subiektywności dotarła w XX wieku do granic swoich możliwości. Jako odpowiedź na jej ograniczenia rozmaici filozofowie podjęli próby nowego rodzaju myślenia. Takie próby to m.in. myśl dialogiczna, która pierwszy wyraz znalazła w pismach takich filozofów, jak Franz Rosenzweig, Martin Buber czy Eberhard Grisebach. Innym przykładem jest postulat powrotu do pytania o bycie Martina Heideggera. W niniejszym artykule staram się pokazać, że obie próby mają ze sobą wiele wspólnego, choć ich przedstawiciele odnosili się do siebie nawzajem raczej krytycznie, o (...)
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  38. Visualität und Geschichte. Bilder als historische Akteure im Anschluss an Verkörperungstheorien.Martina Sauer - 2015 - In Grüne Niels & Oberhauser Claus (eds.), Jenseits des Illustrativen. Visuelle Medien und Strategien politischer Kommunikation. V&R uni press. pp. 39-60.
    Do have pictures an impact on future? Yes, say theories of embodiment by making perceptual foundations in place of representational arrangements responsible for it. -/- Wirken sich Bildern auf die Zukunft aus? Ja sagen Verkörperungstheorien und machen dafür weniger Repräsentationsmodelle als Wahrnehmungsweisen verantwortlich.
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  39. [REVIEW]Martina Sauer - 2016 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 16 (2).
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  40. [REVIEW]Martina Sauer - 2016 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 16 (2).
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  41. [REVIEW]Martina Sauer - 2016 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 16 (2).
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  42. Kunst Und Handlung. Ästhetische Und Handlungstheoretische Perspektiven, Hg. Von Daniel M. Feige, Judith Siegmund. [REVIEW]Martina Sauer - 2016 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 16 (2).
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  43.  38
    Článek Fenomenologie Pro Encyclopædia Britannica.Aleš Novák - 2019 - Teorie Vědy / Theory of Science 41 (1):111-131.
    Edmund Husserl obdržel v roce 1927 nabídku od Jamese Louise Garvina, britského editora Encyclopædia Britannica, ať napíše pro novou, tehdy čtrnáctou edici článek „Fenomenologie“. Garvin stanovil rozsah článku na 4000 slov a termín vydání na září roku 1929. Husserl pracoval na článku v časovém rozmezí mezi zářím a prosincem roku 1927, během kterého vyhotovil celkem čtyři verze. Husserl požádal o spolupráci na prvních třech verzích svého žáka Martina Heideggera, který toho času zastával profesorský stolec na univerzitě v Marburku. Heidegger (...)
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  44. [REVIEW]Martina Sauer - 2016 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 16 (2).
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  45.  77
    Daniel M. Feige, Judith Siegmund (Eds.), Kunst und Handlung. Ästhetische und handlungstheoretische Perspektiven. [REVIEW]Martina Sauer - 2016 - Sehepunkte. Rezensionsjournal für Geschichtswissenschaften 16 (2).
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  46. Strategies for Sustainable Socio-Economic Development and Mechanisms Their Implementation in the Global Dimension.Maksym Bezpartochnyi, Igor Britchenko, Viera Bartosova, Jaroslav Mazanec, Darina Chlebikova, Olesia Bezpartochna, Robert Dmuchowski, Eva Kicova, Olga Ponisciakova, Rima Žitkienė, Svetlana Kunskaja, Arunas Burinskas, Viktoriia Riashchenko, Jekaterina Korjuhina, Teimuraz Beridze, Jasmina Gržinić, Kolozsi Pál Péter, Lentner Csaba, Veslav Kuranovic, Ramutė Narkūnienė, Erika Onuferova, Veronika Cabinova, Maria Matijova, Renata Fedorcikova, Szmitka Stanisław, Stanisław Szmitka, Andrius Tamošiūnas, Katarina Belanova, Ľubomír Čunderlík, Christian Becker, Erika Kovalova, Katarina Kramarova, Martina Marchevská, Jana Mitríková, Tatiana Racovchena, Nadejda Ianioglo, Aurelija Burinskiene & Lela Jamagidze (eds.) - 2019 - VUZF Publishing House “St. Grigorii Bogoslov”.
    The authors of the book have come to the conclusion that it is necessary to effectively use modern approaches to developing and implementation strategies of sustainable socio-economic development in order to increase efficiency and competitiveness of economic entities. Basic research focuses on economic diagnostics of socio-economic potential and financial results of economic entities, transition period in the economy of individual countries and ensuring their competitiveness, assessment of educational processes and knowledge management. The research results have been implemented in the different (...)
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  47. I Processi Cognitivi Della Matematica: Che Cosa Significa Contare?Martina Orlandi - 2011 - Neuroscienze.Net, Rivista di Neuroscienze, Psicologia E Scienze Cognitive:22.
    Gli animali sanno contare? I bambini piccoli hanno capacità matematiche innate? Se sì, come possiamo affermarlo con certezza, e che cosa signifca davvero contare? L’articolo si prefgge l’obiettivo di ripercorrere alcuni degli esperimenti psicologici più signifcativi che hanno mostrato come i bambini e gli animali abbiano sin dalla nascita un’idea preconcetta della matematica, con lo scopo di collegare tali esperimenti al problema della natura vaga dell’aspetto semantico della nozione di ‘contare’ e il conseguente diffcile compito della sua defnizione, con particolare (...)
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  48. la pregunta por la violencia.Sergio Tonkonoff - 2017 - Buenos Aires:
    ÍNDICE Prefacio. Pensamientos sobre la violencia. Un libro como un bricolage. Ana Belén Blanco – María Soledad Sánchez | 9 Prólogo. La violencia como “objeto”. Una Aproximación Teórica. Sergio Tonkonoff | 19 I. Violencia, mito y religión. Rubén Dri | 35 II. Violencia, religión y mesianismo: reflexiones desde la filosofía judía. Emmanuel Taub | 53 III. Religión y violencia. Una mirada desde lo implícito y lo relacional. Gustavo A. Ludueña | 65 IV. Escrito en el cuerpo: la pregunta por la (...)
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