Le langage exprime la relation entre l'homme et le monde. Cependant, une certaine manière de le comprendre en a fait l'une des figures de l'objectivité que Patočka a critiquée parce que elle ne nous permet pas d'accéder au monde. Cet article montre comment la pensée du philosophe tchèque a oscillé entre deux interprétations possibles: d'une part, le langage est pensé comme une couche essentielle mai qui se réfère néanmoins toujours au niveau plus profond de la perception; d'autre part, il est (...) le fondement même de la perception. La première interprétation est liée à la critique du positivisme logique de Wittgenstein, la seconde à la critique su subjectivisme de Husserl. Toutefois, à la fin de sa vie, Patočka, pour fonder une conception plus large du sens de l'existence, a fondé le langage sur la liberté, véritable fondement de l'être humain. Pour cette raison, le langage devient non seulement un point d'observation de la critique de l'objectivisme, mais il rend également possible un nouvel accès au phénomène de la chair et au contact sensible avec l'objectivité. (shrink)

The movement has great significance for all philosophical problems, both metaphysical and epistemological. In the first part of this article I would like to show how Patočka takes up some theoretical knots of this problem in four essays on Aristotle. These texts explain movement as a fundamental ontological factor. They therefore link it to ontology. In the second part, however, I will use a contribution by Chiurazzi to show that the same theme was in fact also present in the ancient (...) thought of Plato, who was criticised by Aristotle. In the conclusion, I will try to summarise some common ideas about movement, all of which confirm the centrality of a dynamic ontology, and show the richness of the consequences of this approach. One of the most important results is that the basis of movement coincides with what makes life itself possible. In this way, dynamis becomes the very basis of reality itself. (shrink)

Tra il 1950 e il 1976, malgrado le prove e i contrattempi, Patočka ha ripreso spesso la sua meditazione sul mondo nel quale viviamo e dal quale la scienza ci allontana nello momento stesso in cui ne scopre l’oggettività. I dieci saggi qui raccolti permettono di seguire l’itinerario di pensiero che ha portato il filosofo ceco a porre la questione di una fenomenologia trans-soggettiva e a ripensare, in questa prospettiva, il concetto aristotelico di movimento. Lungo il percorso appare evidente che (...) dal 1910 Husserl liberava il significato fondamentale del “problema” di un mondo naturale; tuttavia, soltanto una fenomenologia che porta a compimento ciò che la Kehre heideggeriana inaugura, ha qualche possibilità di reperire le giustificazioni di un quotidiano in cui mito, lavoro e scienza trovano senso in queste grandi manifestazioni della libertà con l’altro che sono il sacrificio e la cosiddetta vita normale. (shrink)

Il volume presenta la traduzione di un manoscritto che risale agli anni Quaranta del Novecento. Queste pagine appartenevano a un progetto più grande, rimasto incompiuto, attraverso il quale Patočka cercava di elaborare una filosofia dell'uomo e dell'interno. L'obiettivo critico del testo è il biologismo scientifico del tempo. Da un lato vi si possono riconoscere motivi derivanti dall'idealismo tedesco, dall'altro emerge un approccio fenomenologico nuovo. Esso, quindi, riflette i primi tentativi del filosofo ceco di pensare il rapporto tra la soggettività e (...) il mondo. Questo progetto mirava a sviluppare una teoria fenomenologica della soggettività che avrebbe dovuto precedere un'interpretazione filosofica della vita organica non-umana, e muoversi in direzione di una filosofia della vitalità. Con il concetto di "interno", a cui lavora nei manoscritti degli anni 1939-1945, Patočka intendeva sostituire il concetto di "soggetto", rinunciando da un lato alla soggettività trascendentale husserliana, e dall'altro lato al Dasein heideggeriano. (shrink)

Dans ses Essais hérétiques sur la philosophie de l’histoire, Jan Patočka donne de la première guerre mondiale une interprétation située dans le sillage de l’interrogation historiale de Heidegger, dont il marque les limites et propose une radicalisation qui fait surgir la solidarité entre la technique et la guerre. Pour Patočka, qui s’appuie sur les récits de guerre de Jünger et de Teilhard de Chardin, la pensée historiale et les témoignages du front s’éclairent mutuellement : la saisie de la première guerre (...) comme « culmination du règne de la force » permet de rendre visibles un certain nombre d’expériences, dont celle du sacrifice. L’expérience du front contient le ferment d’un renversement, d’un « metanoein colossal et inouï », seul capable de miner les bases du système qui a conduit à la guerre et d’ouvrir ainsi une « paix véritable ». (shrink)

The purpose of this paper is to show how the phenomenology of the body developed in his late writings by the Czech philosopher Jan Patočka can be seen as the final stage of the archaeology of the Lebenswelt developed by Edmund Husserl and reshaped by Martin Heidegger. According to this exegetical and philosophical hypothesis, only a phenomenology of the body can be a serious attempt to resolve the conflict between the so-called “manifest” and “scientific” images of the world, in which (...) the concept of Lebenswelt is rooted. The peculiarity of Jan Patočka’s phenomenology of the body is to stress the strong connection between the notion of sense, the affective dimension of human experience and the necessity of taking into consideration a “bodily” point of view on the experience. (shrink)

In this paper we seek to take notice of the evolution and continuity of Jan Patočka’s phenomenology on the topic of the world and human existence’s relationship with it. We believe that this problem underlies and stimulates Patočka’s whole phenomenological research and we think that it is a key element to understand the ensemble of his thought.

The aim of this article is to show how both Jan Patočka and Jürgen Habermas, starting from a reinterpretation of the idea of «lifeworld», engaged a critique of modern civilisation, aiming (with different outcomes) at a redefinition of the concept of political community. In order to achieve this goal, I firstly focus on Patočka’s understanding of modern rational civilisation and its attempt to fix the fracture between «life» and «world». At this stage, I take also advantage of Hans Blumenberg’s distinction (...) between these two terms, in order to better clarify Patočka’s stance on this problem. Secondly, I analyse Habermas’ ideas of lifeworld and system, and their uncoupling in modern societies, as well as the reemergence of this issue in Habermas’ recent works on the European economic and political crisis. Finally, I focus on the very different ways in which Patočka and Habermas tackled the ideas of conflict and crisis in contemporary world, also in view of a possible path out of this crisis through a re-constitution of Europe. (shrink)

In this article, I aim to show how Patočka’s work since the 1960 s has reconceptualized the theory of intentionality. Never abandoning the referential character of the intentional relation, the Bohemian philosopher situates intentionality in its original matrix: the world. This change has the effect of moving the cause of appearing from consciousness to the world, framing it as what appears and what makes appear. Intentionality is not only connected to transcendental consciousness; intentions also must be interpreted as lines of (...) force (Kraftlinien) inside the field of appearing. Patočka moreover locates the origin of all intentional theory in the Aristotelian theory of the soul. Patočka thus wants, on the one hand, to overcome the substantialist argument that considers consciousness a permanent presence and, on the other, to move beyond an idealistic conception of consciousness. Movement is the category that allows us to express these aspects of intentionality. Inserting motion into being is a privilege unique to the soul. (shrink)

The language of phenomenology includes terms such as intentionality, phenom- enon, insight, analysis, sense, not to mention the key term of Edmund Husserl’s manifesto, “the things themselves” to return to . But what does the “things them- selves” properly mean? How come the term is replaced by the “findings” over time? And what are the findings for? The investigation begins by looking at the tricky legacy of the modern turn, trying to clarify ties to past masters, including Francis- co Suárez (...) and Augustine of Hippo . The former, because his influence goes beyond René Descartes reaching undoubtedly Franz Brentano and his students, as well as Martin Heidegger . The latter, because Augustine gives a personal component to the Greek inheritance, marked by the “inward turn .” However, it would not be possible to review the history of thought without the help offered by Jan Patočka's analyses . Patočka discloses the “care” of the Greek philosophers, Plato and Dem- ocritus among others, “for the soul”, we would say with Patočka for “being,” whose sense “does not leave us indifferent” as the leitmotiv of Ancient Philosophy . Nev- ertheless, in his lectures on Plato and Europe, Patočka points out that you must be careful not to confuse the phenomena of things, of existens, with the phenomena of being . Finally, Patočka’s legacy is found in the efforts to reconcile the life-feeling with the modern construction of reality, which means “a radical reconstruction of the naive and natural world of common sense .” In some ways, intentionality is to be revised . (shrink)

[In French]Both Patočka and Merleau-Ponty conceive the world not just as an Object, but rather as a field of an irreducible phenomenal and ontological depth. Patočka’s concept of movement and Merleau-Ponty’s concept of flesh are two concrete figures of this depth, and as such they are understood by the respective authors as that what stands at the origin of every singular being so far as it detaches itself on the ground of the world as an open totality. Nevertheless, the position (...) of the two concepts seems to be quite different in relation to the traditional categories of the metaphysics. We argue that Patočka’s concept of movement is profoundly rooted in, and dependent on, the classical oppositions, whereas Merleau-Ponty’s flesh makes it possible to understand them rather as abstractions produced by segregation from the original field of presence. In order to establish these points, we propose an interpretation of Patočka’s and Merleau-Ponty’s understanding of the concepts of horizon and world, and of course of those of movement and flesh. [In French.]. (shrink)

The article focuses on Patočka early phenomenological thought developed around the concept of the natural world. More precisely, the aim of the article is to explore Patočka recently published manuscript studies and fragments, dating from the first half of the 1940s, in which Patočka attempts to establish a deeper living correlation between man and world based on a certain metaphysical conception of nature which is not, as for Husserl, just one of the horizons which experiencing creates around itself, nor it (...) is just a basis on which the harmony of experiencing and its evironment must develop, but in which nature also includes an aspect which is closed and alien to subjectivity. In this way, the article shows that Patočka makes a step beyond of Husserl's and Heidegger's schemes of a correlation of life and world, understanding and being. The article thus shows that Patočka early writings throw a certain amount of light on his later phenomenological work that had been most notably developed from 1960s onwards. (shrink)

This article aims to present one of the main themes that characterize the philosophical reflection of Jan Patočka: the appearing as such. Specifically, this papers is focused on three questions: what (was) appears? How (wie) the world appears? Which is the hidden reason (Grund) that founds appearing, but that remains hidden? The Czech philosopher reaches a conception of phenomenality in which appearance can only be conceived through an a priori structure. This conception leads to a formal transcendentalism of appearing, on (...) the basis of which it can only be thought, but not shown. The formal character of Patočka's approach, however, is a consequence of his speculative method. This speculative method, nevertheless, is problematic because on the one hand the structure of appearing is only responsible for its own laws (and not for what appears), on the other hand Patočka states that the phenomenal sphere also has a practical and vital function. The article traces the way the philosopher proceeds on this theme, which points he analyzes it discusses and which difficulties he exposes himself to. Although Patočka's reflection seems to postulate more than what he can justify (neglecting appearing as experiencing), it offers a strong hint to rethink the roots of the major phenomenological themes still remaining open. (shrink)

Esta contribución presenta como el concepto filosófico de “donación” es reinterpretado en la reflexión de Patočka. Partiendo de la lección husserliana, gracias a la cual las cosas son dadas en la pura inmanencia de la consciencia, él critica esta orientación “subjetivista” porque no desarrolla adecuadamente el tema del aparecer en el campo fenomenal. La segunda sección analiza tres desplazamientos metódicos que abarcan: el rol del sujeto, su relación con la trascendencia, el darse a sí mismo del mundo en su totalidad. (...) La tercera sección compara la reflexión de Patočka con dos referencias cruzadas a algunos intentos similares en la historia de la fenomenología. El tema de “la donación”, por tanto, nos traslada al mayor problema con el que ha trabajado siempre la filosofía: la manifestación del mundo. Patočka intentó esclarecer este problema mediante dos metáforas (el espejo y la pintura), pero también subrayó cómo concierne el modo en el que el hombre interpreta la propia existencia. (shrink)

Thomas Garrigue Masaryk, later founder and President of the Republic of Czechoslovakia, studied philosophy in the University of Vienna from 1872 to 1876, where he came under the powerful influence of Franz Brentano. We survey the role of Brentano’s philosophy, and especially of his ethics, in Masaryk’s life and work.

review of Hila Naot, Raft on the open sea—mand and the world in Jan Patocka.

Thomas Garrigue Masaryk, later founder and President of the Republic of Czechoslovakia, studied philosophy in the University of Vienna from 1872 to 1876, where he came under the powerful influence of Franz Brentano. We survey the role of Brentano’s philosophy, and especially of his ethics, in Masaryk’s life and work.

ABSTRACT The phenomenological vision, particularly, Husserl’s idea of critique as an infinite vocational theoria and Patočka’s as an enduring programme, view Platonic logic and Socratic act as the paradigms for a normative justification of the idea of universal science and philosophy. In light of that, the Thrasymachus-Socrates debate is interpreted as a case to testify the critical power of philosophy successfully exercised over sophistic tyrannical non-philosophy. This paper criticizes the phenomenological idealization of the Socratic victory as an ethico-teleologically anticipated success (...) of philosophy and rewrites the defeat of Thrasymachus as a political failure in warring with philosophy during which Thrasymachus questions the legitimacy of the act of philosophizing to decide its legitimacy and thereby exposes the politics played out in that act. (shrink)

The paper compares Comenius’ usage of the terms unum, verum and bonum in his metaphysical writings both with the expression of the image of the Trinity in De civitate dei by Aurelius Augustinus and with the concept of existence as three basic movements in the philosophical work of Jan Patočka. The purpose of the text is to show, despite the differences in historical periods, language and life experience, the possible similarity or connection of the vision that Augustine, Comenius and Patočka (...) mediate in their works. (shrink)

El alcance de la epojé y la posterior reducción ha sido siempre uno de los mayores terrenos de disputa de la fenomenologı́a. Este ensayo tiene la pretensión de reflexionar en torno a este elemento metodológico esencial a la luz del problema del acceso al mundo. ¿Se ha perdido algo, una vez llevada a cabo la reducción? La respuesta será negativa. Para ello, en la primera sección se presentará cómo más bien hay una reapropiación originaria del mundo a través de la (...) reducción. En la segunda sección se revisará la noción de Jan Patočka de mundo como totalidad pre-dada. En efecto, ambas permiten acercarse a la conclusión de que la reducción encamina hacia un renovado acceso al mundo sin dejar nada de este fuera, permitiendo ası́ que el mundo aparezca qua fenómeno. Esto significa, finalmente, que la reducción permite reconocer de modo originario la relación de nosotros con el mundo, sin entenderla como una mera relación entre dos cosas. (shrink)

The paper shows different approaches to creativity, i.e. emergence of new meanings, in Merleau-Ponty and Patočka. The comparison is based mainly on Merleau-Ponty’s lectures L’institution dans l’histoire personnelle et publique (1954/55) and Patočka’s project Negative Platonism (1953). Despite some similarities evident in the key concepts “institution” and “transcendence”, there is a decisive difference between the two approaches concerning the temporality of creation. Whereas Merleau-Ponty likens the temporality of institution to future perfect tense, emphasizing the intertwining of present and future events, (...) Patočka understands novelty as something totally different from the present state of affairs. In his eyes, the question of how something new can arise equals the question of how an attitude of distance to existing traditions can be achieved. Contrary to Patočka, Merleau-Ponty argues that any living tradition tends towards its own transformation and presents a case of self-transcendence because it is governed by the principle of divergence (écart). Finally, we argue that some aspects of these two approaches both complement each other, and also show the limits of each other. (shrink)

In this essay I consider the end-of-art thesis in its metaphysical and empirical versions. I show that both use the correspondence theory of truth as the basis for their conception of the history of art. As a counterpart to these theories I have chosen Patočka’s conception of the history of art. His theory is based also on the relationship between art and truth, but he conceives truth in the phenomenological sense of manifestation. In the rest of the essay I seek (...) to show the consequences Patočka’s conception has for the history of art. In the rst part, I set out to show Patocka’s critique of Hegel’s aesthetics as a system based on the correspondence theory of truth. In particular, I endeavour to explain his critique of some intrinsic problems of Hegel’s aesthetics, the general failure of Hegel’s system to achieve its goal, and, lastly, Hegel’s giving up on the meaning of the art in the present. I also seek to show that Danto’s version runs into the same problems and conclusions as Hegel’s. In the second part I discuss Patočka’s analysis of modern art and the aesthetic attitude, where he nds a hidden a nity between art and aletheia, which Hegel overlooked. e last part of the essay focuses on the consequences that the conception of the truth of art as aletheia have for the history of art. I conclude that art in such a conception represents an independent eld of the manifestation of being in history beside philosophy. Moreover, modern and contemporary art do not mean the end of art; rather, they have their place in art history based on aletheia, since they are more focused on the manifestation itself than on what is manifested. Unlike Hegel and Danto, therefore, Patočka retains the historical meaning of modern and contemporary art. His conception of the history of art, summed up under the idea of aletheia, has greater explanatory potential than Hegel’s and Danto’s conceptions, and it retains the historical meaning of modern and contemporary art. (shrink)

The paper seeks to indicate ways in which the crude distinction between Anglo-Saxon and Continental philosophy may have to be amended in light of recent developments in Eastern Europe. As is well known, the philosophy of science is to no small part a product of the universities of the Habsburg Empire (in Vienna, Prague, Lemberg/Lwow, etc.). Logic, too, has played a more significant role in Eastern Europe (not least in Poland) than in the philosophical cultures of Germany or France. For (...) these and other reasons, a shift in the center of gravity of Continental philosophy is currently being realized, as younger Eastern European philosophers in newly liberalized institutions begin to return to their roots in their native pre-Communist intellectual traditions. (shrink)

Husserl’s commitment to reality is marked by the urgency to return, or rather to a repeated return each time the objective is achieved . He explains this explicitly in The Crisis of European Sciences and Transcendental Phenomenology, taking his cue from Descartes’ Meditations . Reduction, which is the exact name for re- turn, means change of attitude, abandonment of the natural position as naive . Jan Patočka notes in this regard, that today people who have experienced modern sci- ence no (...) longer simply live in the naive natural world . The naive natural world is in- terpreted under species of the mathematical model . So, the gap between meaning as an expectation of experience and meaning within the framework of the model is increasingly evident . If intentionality, according to Husserl and disciples, includ- ing Heidegger, cannot be other than the idea itself, then it is just a something for something . It’s like giving voice to one thing and not another . Commitment to life (Husserl’s Lebenswelt) requires a return to corporeality, as Patočka adds, following Maine de Biran’s accurate insight, that is, of something immediately given, prior to any perceptual experience . The term “matrix” in the title brings to mind the eponymous 1999 film based on the philosophical metaphor of Plato’s cave in the fashion of the digital age . The protagonist, Neo, finds himself living for a long time in the lack of support of reality, precisely because of distrust: something is wrong, and this can only be felt . However, how can the hacker mentality help you under- stand that perhaps it is but a game? (shrink)

When future historians chronicle the twentieth century, they will see phenomenology as one of the preeminent social and ethical philosophies of its age. The phenomenological movement not only produced systematic reflection on common moral concerns such as distinguishing right from wrong and explaining the status of values; it also called on philosophy to renew European societies facing crisis, an aim that inspired thinkers in interwar Europe as well as later communist bloc dissidents. Despite this legacy, phenomenology continues to be largely (...) discounted as esoteric and solipsistic, the last gasp of a Cartesian dream to base knowledge on the isolated rational mind. Intellectual histories tend to cite Husserl's epistemological influence on philosophies like existentialism and deconstruction without considering his social or ethical imprint. And while a few recent scholars have begun to note phenomenology's wider ethical resonance, especially in French social thought, its image as stubbornly academic continues to hold sway. _The Far Reaches_ challenges that image by tracing the first history of phenomenological ethics and social thought in Central Europe, from its founders Franz Brentano and Edmund Husserl through its reception in East Central Europe by dissident thinkers such as Jan Patocka, Karol Wojtyla, and Václav Havel. (shrink)

According to Gabriel Marcel, no task is more important and more complex than looking for ways of confronting and overcoming despair. Therefore, the search for the essence of hope is the objective of this paper. Reference is made to the theme of the open soul in Henri Bergson’s, Gabriel Marcel’s, and Jan Patočka’s works. Such a soul is not centred in itself; moreover, according to Marcel, hope and soul are intrinsically linked together. Hope opens people towards the future. The concept (...) of hope in the biblical context is shown briefly, according to which hope is in God (Ps 62:5), while God is coming to man. At the same time, biblical texts sketch a pathway to hope, setting out from suffering through endurance and character (Rom 5:3–4). The paper stresses that hope takes root in dialogue and that a person is empowered to adopt hope as a gift. (shrink)

Aunque una filosofía de la esperanza pareciera ser una propuesta del todo contemporánea (Bloch, Fromm, Husserl, Laín, Marcel, Heidegger, Patočka, Stein), sus esbozos tuvieron lugar en el siglo VI a.n.e. El objetivo principal de esta investigación es exponer los ejercicios preliminares en torno a una filosofía de la esperanza en el marco de la controversia de Heráclito con Pitágoras. Desde un enfoque cualitativo, mediante el método histórico hermenéutico, se hizo un análisis de datos. Como muestra tomamos fuentes primarias sobre los (...) Versos dorados de Pitágoras y los Fragmentos de Heráclito y como secundarias las traducciones y comentarios más reconocidos. El instrumento utilizado fue las fichas de trabajo mixtas. Como resultado, se observa que la esperanza es un problema para el pueblo griego, que en los vv. 52-53 de los Versos dorados y en el fragmento 22B 18 DK se encuentra esbozada como problema filosófico, que este se comprende mejor a partir de la crítica de Heráclito a Pitágoras y en relación con otros fragmentos clave del pensamiento del Efesio. La investigación permite concluir que la esperanza no es un tema exclusivo de la teología ni propiamente contemporáneo, sino inicialmente de la filosofía, que encuentra en el debate de Heráclito con Pitágoras sus formulaciones preliminares y un contexto propicio para problematizarla en su comprensión habitual, repensarla a la luz del espíritu del tiempo y resignificarla como forma-de-vida. (shrink)

_Selfhood and Appearing_ explores how, as embodied subjects, we are in the very world that we consciously internalize. Employing the insights of Merleau-Ponty and Patočka, this volume examines how the intertwining of both senses of “being-in” constitutes our reality.

Education moves in the space of distance between those who are coming into the world and the world that they arrive. Since Modern Age, this distance formed by the opposing subject and object, has tended to be an impassable abyss. In this way, the world unfolds in two: the world whose image under investigation in the field of Education is the blackboard, and the world of everyday life. In front of the blackboard the student is installed, constituted as a subject, (...) which should curtail the reality until it fits with the security and accuracy of mathematical world-object-blackboard. The world of ordinary life is there and education does not know what to deal with it, and have it for non-existent. The reality held by non-existent prevents people’s existential integration. But there’s another kind of Educations that integrates and includes subjective and objective world and needs the courage to accept and even demand the new perspectives of those who are coming to build a more complete and always risky world. (shrink)