I address the question of whether differences in color terminology cause differences in color experience in speakers of different languages. If linguistic representations directly affect color experience, then this is a case of what I call the linguistic penetrability of perception, which is a particular case of cognitive penetrability. I start with some general considerations about cognitive penetration and its alleged occurrence in the memory color effect. I then apply similar considerations to the interpretation of empirical studies of color perception (...) in speakers of different languages. I argue that findings such as differences in categorical perception in speakers of different languages do not show that language affects color experience. They therefore do not support the claim that color experience is linguistically penetrable. But even if we grant that color experience is different in speakers of different languages, I argue that this might still not be a case of linguistic penetration. Finally, I consider some epistemological consequences of the assumption that speakers of different languages have different color experiences. (shrink)

Aphantasia is a condition that is often characterized as the impaired ability to create voluntary mental images. Aphantasia is assumed to selectively affect voluntary imagery mainly because even though aphantasics report being unable to visualize something at will, many report having visual dreams. We argue that this common characterization of aphantasia is incorrect. Studies on aphantasia are often not clear about whether they are assessing voluntary or involuntary imagery, but some studies show that several forms of involuntary imagery are also (...) affected in aphantasia (including imagery in dreams). We also raise problems for two attempts to show that involuntary images are preserved in aphantasia. In addition, we report the results of a study about afterimages in aphantasia, which suggest that these tend to be less intense in aphantasics than in controls. Involuntary imagery is often treated as a unitary kind that is either present or absent in aphantasia. We suggest that this approach is mistaken and that we should look at different types of involuntary imagery case by case. Doing so reveals no evidence of preserved involuntary imagery in aphantasia. We suggest that a broader characterization of aphantasia, as a deficit in forming mental imagery, whether voluntary or not, is more appropriate. Characterizing aphantasia as a volitional deficit is likely to lead researchers to give incorrect explanations for aphantasia, and to look for the wrong mechanisms underlying it. (shrink)

La pedagogía es un tema crucial en el pensamiento de Rancière y juega un rol principal en su obra El maestro ignorante, texto que el presente escrito analiza y cuestiona. Su propuesta emancipadora establece como punto de partida una igualdad de inteligencias que en este escrito hemos denominado «isonousía», y según nuestra hipótesis, esta igualdad lleva aparejada una desigualdad de las voluntades (anisothelema). En consecuencia, la propuesta de Rancière no altera en absoluto “el orden explicador” que denuncia, pues el maestro (...) emancipador ya no tiene que corregir la ignorancia, pero sí la pereza; no ha de impartir un conocimiento superior, pero sí imponer una voluntad superior. (shrink)

Arthur C. Danto did not live to witness the proliferation of AI in artistic creation. However, his philosophy of art offers key ideas about art that can provide an interesting perspective on artwork generated by artificial intelligence (AI). In this article, I analyze how his ideas about contemporary art, intention, interpretation, and authorship could be applied to the ongoing debate about AI and artistic creation. At the same time, it is also interesting to consider whether the incorporation of AI into (...) artistic creation marks a new chapter in the narrative, which seems to have reached its end, or if it represents a significant rupture with past artistic traditions. (shrink)

Both the itihāsa-s of the Mahābhārata and the Platonic philosophical ‘epode’ are often used to persuade in conditions where emotion threatens to incapacitate the person for argumentative discourse. Narrative reason has its own conditions of success and failure, opening up a discursive arena in which all kinds of utterances are welcome. Emphasizing the psychagogic function of the ‘once-upon-a-time’ reason, it is worth asking who the real protagonist of the story is and whether the story has a duty or a dharma (...) of its own to fulfill. Dharma and all the dilemmas it brings along with it constitute one of the fundamental problems that make up the whole Mahābhārata. In this essay I wonder about the dharma of the Mahābhārata itself—a literary work which gives itself the name ‘triumph’ (jaya)—and the cultural mission it fulfills in the lives of those who hear it, read it, study it, and share it with others. (shrink)

My goal here is to assess whether Wittgenstein’s metaphilosophical conception of a descriptive philosophy is in accordance with his philosophical practice. I argue that Wittgenstein doesn’t really limit himself to description when he criticizes Moore’s use of the verb “to know”. In On Certainty, Wittgenstein argues that Moore’s claims of knowledge are at odds with the everyday use of the verb “to know”, because, among other things, they don’t allow the possibility of justification. That is, Wittgenstein considers that proper, everyday (...) claims of knowledge require the possibility of justification. What I try to show is that this idea cannot be derived from the mere observation and description of knowledge claims in ordinary language. I conclude that Wittgenstein’s treatment of the verb “to know” constitutes an inconsistency between his metaphilosophical posture and his philosophical practice. (shrink)

In On Certainty, Wittgenstein formulates several criticisms against skepticism about our knowledge of the external world. My goal is to show that Wittgenstein does not here offer a convincing answer to the skeptical problem. First, I will present a strong version of the problem, understanding it as a paradoxical argument. In the second part, I will introduce and raise problems for two pragmatic responses against skepticism that appear in On Certainty. Finally, I will present some of Wittgenstein’s logical criticisms against (...) skepticism, which may initially be considered strong, because they seem to refute some skeptical assumptions. They concern Wittgenstein’s ideas that it is logically impossible to doubt and to be mistaken about Moorean propositions, and that these propositions don’t have a truth-value. But even these, I intend to show, do not really challenge skepticism, for they are not well grounded. (shrink)

Contrary to what he expected, Primo Levi didn’t experience his life after being released from Auschwitz as cheerful and light-hearted. He – like many other survivors – was haunted by an obscure and solid anguish. It took some effort for him to discern the object or source of this anguish. He finally identified it as springing from a sense of shame or guilt in front of the drowned, that is, of those who were exterminated in the Lager. He could not (...) determine, however, whether his shame or guilt was at all rational. In this paper l examine Levi’s shame in light of what I regard as the dominant conception of practical deliberation, according to which principles and emotional detachment are central to our ability to deliberate appropriately. This conception underlies the role that John Rawls ascribes to the original position in the determination of the fundamental principles of justice. Deliberation in the original position is supposed to abstract away from any particular moral situations that one may actually have faced, since these are purely circumstantial elements to be discarded as both irrelevant and misleading for a proper deliberation on the principles of justice. In this paper, I intend both to make a case against the conception of practical deliberation on which Rawls’ original position relies and to vindicate the rationality of Levi’s shame, once some well-entrenched assumptions are brought to light and challenged. (shrink)

Marta Suria writes *Ella soy yo* as part of her response to the irruption of the memories of the sexual aggressions she had suffered since childhood. She is convinced that the way she narrates her experience will transform and liberate her. How is it at all possible that a certain kind of narrative may transform and li- berate us? In this paper, we will first describe the conception of the relationship between language and experience that lies behind this perplexity and, (...) secondly, we will sketch an alternative conception that will hopefully allow us to account for the transformative power of certain kinds of narratives. This alternative conception will hinge on the idea of expression and on the concept of aspect perception. For this purpose, we will firstly argue that language can be used not only to describe or evaluate our experience, but also to express it; we will, then, defend the view that linguistic or gestural expressions of our experiences not only announce or manifest them, but contribute to shaping and modulating them; finally, we will highlight the transformative, humanizing power of certain expressive uses of language. (shrink)

The received view about rationalizing explanations divides our psychological status into two kinds: beliefs and desires. In *The Retrieval of Ethics*, Talbot Brewer makes a case against this view. In this paper, I examine our experience as readers of *The Castle* by Franz Kafka to support Brewer's critical program, that is, his challenge to the received view. I will argue, however, that a proper analysis of this experience poses a serious problem to Brewer's alternative approach, that is, to his attempt (...) to retrieve our agency thanks to a proper understanding of the role of the good in rationalizing explanations. (shrink)

Robert Dunn, David Finkelstein and Richard Moran have recently contributed to broadening the debate on self-knowledge within the analytic tradition. They raise questions concerning the sort of awareness that may have a healing effect in psychoanalytic therapy, and enhance the relevance to self-knowledge of a deliberative, and practically committed, attitude toward oneself. They reject, however, that self-observation could play a significant role in a strictly first-person attitude toward oneself, since they conceive of it as essentially detached and, in this respect, (...) similar to the kind of attitude that a third party might adopt. I will appeal to Simone Weil's distinction between two sorts obedience and to the contrast between two characters in *The Karamazov Brothers* to elucidate a kind of self-awareness that involves a kind of observation that is constitutively committed. This line of reasoning will also serve to elucidate a fundamental sort of self-knowledge that derives from the subject's capacity to acknowledge her own position within the ethical world and is closely associated to the goal of psychoanalytic therapy. (shrink)

This essay examine Samuel Beckett's *Trilogy to specify the conditions under which we could make sense of practical necessity. Among other things, I will show how Ajax' must is connected to Mol/oy's attempt to visit his mother and to the need to keep talking that both Molloy and the Unnamable share. I will conclude that their dislocated pursuit of certainty reveal - among other things - how the conditions under which practical necessity can be properly experienced have been extirpated from (...) our social and cultural context. Still, the fact that its vestiges nevertheless subsist provide some reason to regard practical necessity as a constitutive aspect of our agency. This will provide a particular sense in which the Unnamable may coherently claim: "I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I will go on.". (shrink)

Entiende Christine Korsgaard que sólo una vida gobernada por principios universales responde a nuestra condición de sujetos, pues, de otro modo, quedaríamos reducidos a un amasijo de impulsos inconexos. Quiere, no obstante, alejarse de la imagen del sujeto escindido entre razón y pasión y reivindica la necesidad de unificar cada una de las partes que lo constituyen. Tal unificación deberá descansar, según Korsgaard, en el respeto a principios morales de carácter universal, si bien confía en que una vida gobernada por (...) tales principios permita atender suficientemente los proyectos y compromisos con los que el sujeto se identifica y que constituyen su identidad práctica. En este escrito, trataré de mostrar que la propuesta de Korsgaard no acaba de alejarse de la concepción dividida del sujeto. Argumentaré, en este sentido, que las asimetrías que establece entre la identidad moral y otros tipos de identidades prácticas sólo pueden entenderse desde esa concepción escindida. (shrink)

In this chapter, I focus on the experience of torture and, more specifically, on Jean Améry's account of it in his book *At the Mind's Limits*. There he claims that the loss of confidence in the world is the most devastating effect he experienced as a victim of torture. I thus explore what cosmopolitan aspiration may be revealed by this loss and also discuss whether it is to be discredited as an irrational reaction on the victim's side or instead as (...) proportional to the facts and, consequently, as relevant to the conditions under which a certain cosmopolitan aspiration could be achieved or, at least, favored. (shrink)

at seek to identify the necessary and sufficient conditions for a work to count as fiction. She argues that this goal cannot really be achieved; instead, she appeals to the notion of genre to distinguish between fiction and nonfiction. This notion is significantly more flex- ible, since it invites us to identify standard—but not necessary—and counter-standard features of works of fiction in light of our classificatory practices. More specifically, Friend argues that the genre of fiction has the genre of nonfiction—and (...) only that genre—as its con- trast class. I will refer to the particular way in which Friend elaborates this claim as the contrast view. I have, nevertheless, the impression that this view unnecessarily narrows down the array of perspectives and attitudes from which we can approach works of fiction. I will thus develop a line of reasoning to the effect that the contrast view should rather be construed as picking out a particular way of relating to works of fiction that lies at the end of a continuum defined by different degrees of reflectivity and estrangement. This implies that the contrast view is false as a general claim about how we experience works of fiction, even though this view may appropriately de- pict a specific way of approaching such works. (shrink)

In _Deaths in Venice_ Philip Kitcher explores the bearing that _Death in Venice_ by Thomas Mann may have on 'the oldest and deepest question of philosophy: _how to live_'. In this paper, I will distinguish two ways in which this question can be interpreted. One one reading, it amounts to the question 'how to lead a valuable or worthy life?', whereas on the other it involves a more elusive idea, namely, that a person may breath and walk and still be (...) dead in a relevant sense, that is, from the perspectivo in which being alive does not reduce to biological survival. In my view, Kitcher's reflection on Mann's novella relies on the first, more standard reading. I argue, though, that the being-alive interpretation sheds a more unified light on _Death in Venice_; in fact, I will conclude that the need to shift from one to another interpretation constitutes a fundamental concern in the novella. (shrink)

In this paper I critically address some ideas presented in Patrick Duffley’s book Linguistic Meaning Meets Linguistic Form. Duffley adopts the semiological principle that linguistic signs have stable meanings. I argue that this principle leads Duffley to an artificial description of the meaning of the preposition for, in attempting to avoid the charge of polysemy. Another issue is that the principle is not consistently followed throughout the book, such as in Duffley’s analysis of the meaning of start, or in his (...) acceptance of words with encyclopedic meanings. I also point out that the proposed meaning of start and the view that the meaning of some words is encyclopedic have problems of their own. (shrink)

Raquel Cascales and Luis Echarte focus on the development of practical wisdom and what they call ‘seeing with the heart’ for science students by means of reading science fiction literature. They argue that literature can bring the student into contact with the reality of moral life as moral dilemmas are made concrete by the characters and circumstances in a novel. They provide an analysis of how Aldous Huxley’s Brave New World can be read in the classroom and show how (...) the novel invites students to think about the role of science in society, the evolutionary paradigm, advances in genetic and psychological manipulation, as well as questions concerning human emotions,suffering, and friendship. (shrink)

Jerry Fodor has claimed to have a solution to the traditional problem of what comes first, thought or language. Compositionality, he says, will give us the answer, for at least one must be compositional, and if only one of them is, that is the one that has underived semantic content. He argues that natural languages are not compositional, and therefore that the content of language is derived from the content of thought. I will argue that the idea that language is (...) not compositional conflicts with his productivity and systematicity arguments for the existence of a language of thought. I will also show that Fodor’s solution to the problem fails, as his main argument is circular. Finally, I suggest that Fodor’s argument against the compositionality of language is not decisive, and that we can still attribute at least some degree of compositionality to language. (shrink)

El proyecto transhumanista de mejoramiento humano viene proponiendo ya desde hace tiempo una superación de los límites humanos que nos permita convertirnos en una nueva especie. A pesar de que dicha posibilidad es todavía lejana en la práctica, las hipótesis han invadido la ciencia ficción y están generando la imagen colectiva de lo que se considera posible o, incluso, deseable. Al mismo tiempo en la ciencia ficción esos desarrollos artificiales se llevan hasta sus últimos límites y se ponen en cuestión. (...) En el presente estudio se revisan las tensiones en relación con el posthumanismo que aparecen en la serie de ficción Westworld. En concreto, el artículo estudia cómo se desarrolla en ella el concepto de identidad, uno de los que más están cambiando en nuestra época. El análisis revela la necesidad de abordarlo desde un punto de vista complejo, en el que se dé una importancia especial a la vivencia personal, tanto desde el punto de vista corporal como psicológico para el despertar de la conciencia. A su vez, dichos elementos se mostrarán esenciales para comprender la propuesta de identidad narrativa que subyace en la serie. Por todo ello, los planteamientos de Westworld suponen una interesante reflexión sobre cómo se concibe la identidad hoy en día. (shrink)

The goal of this paper is to present some advantages of the representational and computational theories of mind when compared to other views, especially behaviorism. The idea is that representational and computational theories allow us to conceive propositional attitudes in a way that preserves two essential features we take them to have in common sense psychological explanations: semantic evaluability and causal efficacy. Behaviorism reconceives mental states in a way that doesn’t preserve these essential features. In so doing, it makes a (...) mystery of the success of common sense psychology. I illustrate some of the difficulties that behaviorism faces by considering and criticizing Wittgenstein’s approach to linguistic understanding. The upshot is that representational and computational theories of mind do a better job at vindicating common sense psychology, and so are to be preferred when compared to behaviorism. (shrink)

Os problemas da lei e da autoridade marcaram fortemente o pensamento políticomedieval ocidental, e em especial o desenvolvimento da noção de soberania, ponto deconvergência dos grandes conflitos de jurisdição no período. O debate acerca dadistribuição das jurisdições constituiu um dos momentos importantes para a construção damoderna idéia de soberania. Na medida em que se tomava a lei como dada, o sentido daautoridade tinha necessariamente de ser vinculado à idéia de comissão: a autoridade eraum atributo daquele que podia fazer cumprir a (...) lei em nome do legislador divino. Outromomento relevante foi o da emergência do problema do poder legislativo, tal como entendidomodernamente. Jurisdição, a partir daí, passaria a incluir também o direito de criar ede impor as normas válidas para toda a comunidade por um legislador agora humano. Aospoucos, a vontade do príncipe, que não se limita mais pelo rigor da razão e da moralidade,passa a ser entendida como fonte criadora, transformadora e revogadora da lei. Mostrar aslinhas gerais deste percurso constitui o objetivo imediato deste artigo. (shrink)

El Romanticismo miró la Ilustración como una época que, al apostar por la racionalidad de manera casi exclusiva, rompió la unidad entre distintos ámbitos del saber. La conciencia de esa falta de unidad impulsa la reflexión de muchos intelectuales sobre cómo volver a alcanzarla, tarea que al principio los románticos hacen recaer en el arte. En concreto, el grupo de los Nazarenos, muy ligado al Athenäum, apostó por recuperar esta unidad, que pronto adquirió tintes políticos, mediante la “religión del arte”. (...) También otros autores idealistas, como Schelling, consideraron que el arte debía ocupar el lugar primordial en el sistema filosófico. Frente a ellos destaca la figura de Hegel, que rechazará cada vez con más fuerza la mistificación romántica del arte. Aunque, como se verá, en un inicio Hegel también habla de la “religión del arte”, en su obra de madurez distingue entre arte, religión y filosofía, dejando claro el lugar primordial que ocupa la racionalidad filosófica en su sistema. Revisando estas cuestiones desde la perspectiva más contemporánea, Inciarte considera que, a pesar de la rotundidad del pensamiento hegeliano, estas tensiones no pueden quedar resueltas desde un enfoque meramente reflexivo, sino que sólo encuentran una salida cuando se tratan en el nivel práctico de la vida. (shrink)

El estudio de los grafitis de Antoni Tàpies que se lleva a cabo en este artículo pretende profundizar en un aspecto poco considerado de la obra del autor y, sin embargo, crucial para comprender el conjunto de su obra. Esta perspectiva permite destacar el interés del artista por superar la separación entre arte y vida, recontextualizándolo más allá de la corriente informalista en las que se le ha encasillado y acercándolo a los movimientos internacionales del arte de acción. Para explicar (...) esta recontextualización se examinará, en primer lugar, la aparición del muro en su obra, para poder ver, posteriormente, cómo surge el grafiti. Dentro del segundo apartado se diferenciarán dos etapas distintas que ayudan a ver cómo el desarrollo de los grafitis de Tàpies está en relación con las transformaciones acontecidas en el terreno del grafiti a nivel internacional. De este modo, el artículo pretende ampliar el marco interpretativo de la obra de Tàpies, que adquiere así una coherencia mayor y abre su obra a nuevos significados. (shrink)

Durante los últimos decenios la utilidad se ha convertido en uno de los elementos más importantes de nuestra sociedad, hasta el punto de medir no sólo las cosas, sino a los seres humanos por su utilidad. No se trata de demostrar la utilidad de la cosas “inútiles”, sino de reivindicar que hay cosas que son valiosas por sí mismas. Esta es la perspectiva que me gustaría tratar en este artículo. Para ello, en primer lugar me detendré en explicar brevemente el (...) auge y expansión de la utilidad desde la modernidad hasta nuestros días, centrándome en una de sus vertientes contemporáneas: el transhumanismo. En segundo lugar, frente a esta corriente presentaré una defensa de lo inútil como aquello que nos caracteriza como humanos. Por último, me centraré en exponer cómo el arte nos enseña, por excelencia, a valorar lo inútil y, en este sentido, nos ayuda a comprender mejor al ser humano. (shrink)

The striking title The End of Art managed to draw attention to the philosophical work of Arthur Danto. However, the lack of a systematic development which could support this thesis made him face harsh criticism. However, strong foundations for his statements can be deduced from his writings. In this paper, I analyse how to understand the thesis of the ‘end of art’. It should be approached not as a monolitical notion but as a complex concept that combines three different senses: (...) 1) the ‘end of art’ in the Hegelian sense: the conversion of art into philosophy, 2) the ‘end of art’ in the historiographical sense: as the end to the narratives of the history of art, and 3) the ‘end of art’ as the beginning of a new period in history, where Danto’s philosophy of art would be fully valid. (shrink)

To get a comprehensive understanding of the core concept of “the end of art”, this book analyses the intellectual trajectory of Arthur Danto, highlighting his successive achievements in philosophy of action, philosophy of history and philosophy of art. If, as Danto says, everything is extensively associated with everything else, it is impossible to avoid putting the philosophy of art in relation with his whole philosophical system. -/- .

This paper discusses the notion of disimagination a translation of the German word Entbildung, which was devised by Meister Eckhart as a reinterpretation of the Neoplatonic categories of abstraction (aphairesis) and negation (apophasis) in connection with Nishitani Keiji's standpoint of emptiness. Nishitani proposes a nonsubjective, nonrepresentational, and nonconceptual type of knowledge to avoid the problem of representation implied in the modern subjective self-consciousness that prevents our access to the reality of things. It is argued that what he calls a knowing (...) of non-knowing can be understood as a transposition of the problematics of aphairesis to a new context, that of the formless form. The ontology of images in the creative process, both cosmic and artistic, is examined from Nishitani's identification of likeness and suchness on the field of emptiness. It is suggested that the resulting denial of the traditional distinction between being and appearance approaches a critique closer to postfoundational metaphysics and, like disimagination, aims at an ascetic movement of self-negation and detachment from words and images that leads, in turn, to a creative and playful use of language free of representation. (shrink)

Clearings of the Forest (Claros del Bosque, 1977), one of the most poetic and challenging works of María Zambrano’s thought, cannot be approached from a breathless paradigm. For the immersion in these clearings take us into the breathing of being that we contemplate alongside the more obvious physiological breathing, the breathing of life. In this work, Zambrano proposes a poetic and mystical phenomenology of the breathing of being through the breathing of its word. Thus, to recover contact with this inner (...) breathing could be to recover the lost chant of the word. This essay does not pretend to be a detailed analysis of Zambrano’s thought as a whole, nor of the vibrant mystery that her clearings reveal. The purpose is to uncover the fundamental role that breathing plays in this poetic-philosophical journey, along with other symbols such as light or love, with the question of what place this type of philosophical exercise occupies today in the classrooms of contemporary universities. (shrink)

This article explores the psychological dimension of classical Sāṃkhya philosophy, on the basis of its canonical treatise, Sāṃkhyakārikā of Īśvarakṛṣṇa (4th Century AD). The strong dualism defended by this ancient metaphysics establishes a division between what we will designate as the phenomenon of consciousness (puruṣa) and the cognitive phenomena (prakṛti). According to our approach, Sāṃkhya seems to offer a mechanical model of mind by means of an introspective self-research. In fact, we will argue that in this system of thought, mind (...) is regarded as an artificial extension of consciousness. Considering the Sāṃkhya classical treatise as the report of a meditative experience, our main purpose is to examine some key points of this dualism. To this end, we also take account of certain Western theories of mind, as well as certain aspects included in another Indian philosophy greatly influenced by the Sāṃkhya system, namely, the classical Yoga of Patañjali. (shrink)

I vindicate the thrust of the particularist position in moral deliberation. to this purpose, I focus on some elements that seem to play a crucial role in first-person moral deliberation and argue that they cannot be incorporated into a more sophisticated system of moral principles. More specifically, I emphasize some peculiarities of moral perception in the light of which I defend the irreducible deliberative relevance of a certain phenomenon, namely: the phenomenon of an agent morally coming across a particular situation. (...) Following on from Bernard Williams, I talk of an agent’s character as a factor that con- tributes to fixing what situations an agent comes morally across. A crucial point, in the debate, will be how an agent confronts the normatively loaded features of his own character when he is engaged in first-person deliberation. (shrink)

Monográfico titulado: "Yoga: Historia, filosofía y prácticas", núm. 94, 2022. Aposta.Revista de Ciencias Sociales. ISSN: 1696-7348.

En este artículo abordamos los conceptos de «salud» y «enfermedad» tal y como han sido entendidos en el seno de la Logoterapia del psiquiatravienés Viktor Frankl, uno de los métodos psicoterapéuticos más importantes del siglo XX. Esta psicoterapia existencial otorga preeminencia a la dimensión noética o espiritual de la salud, que ha sido, sin embargo, totalmente obviada en el debate naturalismo/normativismo propio de la filosofía de la medicina. Por ello, en este escrito tratamos de mostrar de qué modo las aportaciones (...) teóricas de Viktor Frankl pueden contribuir a la discusión filosófica acerca del estatuto ontológico de la enfermedad, especialmente en el ámbito polémico dela psiquiatría. (shrink)

Yago es el mal incondicional\ sus acciones no pueden justificarse y, sin embargo, puede ser defendidas [T1]. Esta es la tesis que defiende Richard Raatzsch en *The Apologetics o f Evil. The Case o f Yago*. Su argumento descansa fundamentalmente en otras dos tesis, a saber: [T2] que no hay motivo alguno que dé cuenta de las acciones de Yago como un todo y [T3] que Yago es s uno de esos que mantienen su corazón atento solo a sí mismos. (...) Trataré de mostrar, sin embargo, que el argumento de Raatzsch en favor de [T1-T3] es inconsistente con su defensa de Yago, por lo que concluiré que Ratzsch no puede mantener coherentemente las tres tesis. Esta conclusión se verá, no obstante, complementada con una propuesta alternativa acerca de la naturaleza del mal incondicional en la que se subraya el papel de las experiencias corporales en la articulación de lo ético. (shrink)

El yoga supramental nunca será un yoga mainstream, ni está diseñado para serlo. No puede subsumirse en una clase de hora y media, ni se presta a ser encerrado en una sala de yoga. Se trata de un compromiso existencial que requiere de toda una vida de dedicación. En estas páginas indago en la vida de su fundador, el yogui, poeta y filósofo Sri Aurobindo (1872-1950). Educado en Cambridge, activista político en pos de la independencia de India y nominado al (...) Premio Nobel de literatura y de la paz, Sri Aurobindo fue sobre todo un experimentador de las profundidades de la conciencia, cuyo yoga se inspira en la enseñanza de Sri Ramakrishna, tal y como algunos investigadores contemporáneos están reivindicando en nuestros días. En este texto enfatizo esa influencia de Sri Ramakrishna, bosquejo la sādhanā que propone el yoga supramental tal y como se refleja en la correspondencia que Sri Aurobindo mantuvo con sus discípulos, e indago en el papel que cumplen la emoción y el fuego anímico en un yoga que tiene como finalidad la espiritualización de la materia. (shrink)

In a recent work entitled You must change your life, Peter Sloterdijk explores the practising nature of philosophy and predicts the return of the “immunological”. There is currently a growing demand for anthropotechnics able to strengthen our immune-symbolic system (i.e. mental and physical methods that protect us against uncertainty, anguish, and death). The anthropotechnics that are being practiced worldwide, such as Yoga or Mindfulness, come originally from Indian philosophies and not from ancient Greek or Roman philosophy. Despite the work of (...) historians of philosophy such as Pierre Hadot, the spiritual exercises of ancient Greco-Roman philosophy continue to be studied as fossilized specimens inside university classrooms. This could be due to the pact of indifference, the tacit agreement that lies behind the functioning of contemporary Institutional Philosophy. Thanks to this pact there is no longer any possible contradiction between life and work, because there is, to begin with, no vital commitment to the genuine exercise of philosophy. We assume that philosophy is an exclusively rhetorical exercise and that the task of the professional philosopher is to publish as many papers as possible in prestigious journals that tend to privatize knowledge. Following a different daimon, this essay was conceived as an exercise in thinking outside the academic standards of professional philosophy. The resulting literary experiment has been intentionally kept as natural as possible, without disguising the crossroads of ideas, thinkers, doubts and new problems that arose spontaneously during the exercise. (shrink)

El objetivo de este artículo es brindarle un modesto homenaje a Lalla, una de las poetas místicas más admiradas del Śivaismo tántrico medieval, también conocida como Lal Dêd, Lalita o Lalleśvarī. Asceta renunciante y yoguini śivaita, vivió en el primer período del siglo XIV d.C. en el valle de Cachemira, enclave desde el que inspiró con su sabiduría poética tanto a hindúes como a sufíes, teniendo entre sus principales seguidores al fundador de la Orden de Rishis del Sufismo cachemir, Nund (...) Rishi (s.XIV d.C.). A través de sus poemas, Lalla nos deja un extraordinario legado místico, pero también humano, en el que se refleja la lucha de una mujer comprometida con la liberación espiritual, en el contexto de una sociedad profundamente patriarcal, y de una tradición ascética mayoritariamente masculina. (shrink)

En este artículo investigamos el pensamiento de Kierkegaard y Nietzsche al respecto de un concepto teológico que aparece formulado, por primera vez, en la carta de Pablo a los Filipenses, a saber: la kénosis o el «anonadamiento» de Jesús de Nazaret. Este concepto juega un papel determinante en la crítica que ambos pensadores dedican al cristianismo. Sin embargo, nuestro propósito es mostrar cómo “la nada” de Jesús, adquiere, en sus respectivas filosofías, una significación tan importante como irreconciliable.

En *Racionalidad, acción y opacidad*, Fernando Broncano nos invita a poner en cuestión una ima- gen de la racionalidad y de la agencia que se sitúa en el centro de la cultura filosófica contemporánea. Es una imagen que nace con la modernidad y ocupa un lugar tan nuclear en nuestra cultura que se sostiene más allá de cualquier evidencia que podamos aportar en su contra. La tarea que emprende *Racionalidad, acción y opacidad* es subrayar los puntos ciegos de esa imagen, (...) cómo nos aleja de nuestras prácticas y experiencias, su incapacidad para dar cuenta de las mismas; o, dicho de otro modo, las dificultades de esa imagen para atender a las exigencias del equilibrio reflexivo que toda propuesta filosófica debe satisfacer. En este comentario, se elucidan varios aspectos de esa imagen y discute el análisis que de ellos propone Broncano. (shrink)

Relatar lo ocurrido como invención: una introducción a la filosofía de la ficción contemporánea ofrece al lector en castellano una magnífica oportunidad para familiarizarse con algunos aspectos centrales de la filosofía del lenguaje contemporánea y sus implicaciones para la teoría de la ficción. García-Carpintero recorre los argumentos fundamentales en favor y en contra de cada una de las posiciones relevantes, y nos propone finalmente un análisis alternativo de la norma de la ficción y una teoría neofregeana de los términos referenciales (...) que logra esquivar algunas objeciones tradicionales. Esta discusión incluye, no obstante, dos objeciones a su norma de la ficción: una se refiere a las formas de la conciencia que esa norma presupone y la otra a la naturaleza del interés que suscitan los proyectos imaginativos vinculados a las obras de ficción. (shrink)

La mente es un cadáver que mata y da vida, un destello (churita) del poder de la conciencia (cit-śakti), creadora y destructora de universos, temporalidades y realidades. El Mokṣopāya (s. X), mejor conocido como Yogavāsiṣṭha, nos invita a cuestionar todas nuestras creencias ontológicas a través de historias extraordinarias, narradas por Vasiṣṭha a su discípulo Rāma. Leyendo este voluminoso texto sánscrito a la luz de una de las obras más célebres del teatro español del Siglo de oro, La vida es sueño (...) de Pedro Calderón de la Barca, este ensayo querría apaciguar la angustia existencial de Segismundo, que duda constantemente sobre si está dormido o despierto y padece el carácter efímero de los valores del mundo. Si se hiciese discípulo de Vasiṣṭha, este príncipe cristiano abandonaría enseguida sus preocupaciones y aprendería que la respuesta a todas sus inquietudes está únicamente en su conciencia (cit-mātra). (shrink)

A lo largo de su vida, Martin Heidegger dedicó numerosos textos al pensamiento nietzscheano en los que plantea una hermenéutica controvertida que nos proponemos analizar en este escrito, recurriendo para ello tanto a sus detractores como a sus defensores. Estableciendo como eje central la idea del «eterno retorno», a menudo tratada de forma esquiva por la comunidad filosófica, el riguroso y detallado recorrido de Heidegger por el corpus nietzscheano, explica por qué toda lectura filosófica y contemporánea de la obra de (...) Nietzsche es deudora, de un modo u otro, de la interpretación heideggeriana. (shrink)

This paper employs structural topic modeling (STM), a text-mining technique, to describe the academic philosophy landscape in Brazil. Based on a public national database, a corpus consisting of 12,515 abstracts of monographs (theses and dissertations) defended in Philosophy Graduate Programs between 1991 and 2021 was compiled. The final STM model identified 74 meaningful research topics, clustered into 7 thematic categories. This study discusses the prevalence of the most significant topics and categories, their trends across three decades and their (positive or (...) negative) association with the supervisor’s gender. Results show the first empirical evidence that Brazilian philosophical research exhibits a greater focus on philosophers and their works, rather than on specific themes or problems, aligning with common sociological perceptions within the academic community. Moreover, by visualizing the variations in topic prevalence over time, it was possible to track the rise or decline of the major interest categories and topics. Finally, results also show how topics related to male philosophers garner greater attention throughout the corpus and which topics are more or less influenced by gender. (shrink)

En su discusión “Obras de ficción, formas de conciencia y literatura”, Josep Corbí formula una serie de críticas certeras a mis ideas sobre la distinción que he hecho entre ficción y no ficción en Relatar lo ocurrido como invención. En esta nota de respuesta expongo primero de forma sucinta el núcleo de esas ideas y después proporciono las que considero las razones más decisivas para adoptarlas, a pesar de las dificultades que señala Corbí.

In his paper “Obras de ficción, formas de conciencia y literatura”, Josep Corbí raises a few sharp objections to my distinction between fiction and non-fiction, as I formulate it in my recently published Relatar lo ocurrido como invención. In this response, I present first in a compact form such ideas, and then I try to answer to Corbí’s criticisms.