Results for 'literature and film'

971 found
Order:
  1. An Asymmetry Of Implicit Fictional Narrators In Literature And Film.Mario Slugan - 2010 - Postgraduate Journal of Aesthetics 7 (2):26-37.
    Recently, the debate on the ubiquity of fictional narrators – whether every fictional narrative has a fictional narrator – has spread from film to literature. George Wilson reacted to Noël Carroll’s and Andrew Kania’s claims that no fictional narrators but 1 explicit ones such as Ishmael from Herman Melville’s Moby-Dick exist. a near-ubiquity position claiming that almost every fictional novel, except those consisting exclusively of dialogue, has at least a minimal narrating agency or a fictional narrator. Yet, he (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  2. Film about Cape Town is being used to raise awareness, and to ask wider questions.Asma Mehan - 2019 - The Conversation (Africa).
    Academics have increasingly used video and other electronic methods to collect data and capture reflections from participants. But, until recently, it’s been less common to use film as way of disseminating the results of research. That’s beginning to change. Film can be a powerful way to share research findings with a broad audience. This is particularly true when academics are combining) the traditions of ethnography, documentary filmmaking, and storytelling. -/- Film and cinema are increasingly being used in (...)
    Download  
     
    Export citation  
     
    Bookmark  
  3. Elements of Literature: Essay, Fiction, Poetry, Drama, Film.Robert Scholes, Carl H. Klaus, Nancy R. Comley & Michael Silverman (eds.) - 1991 - Oxford University Press USA.
    Providing the most thorough coverage available in one volume, this comprehensive, broadly based collection offers a wide variety of selections in four major genres, and also includes a section on film. Each of the five sections contains a detailed critical introduction to each form, brief biographies of the authors, and a clear, concise editorial apparatus. Updated and revised throughout, the new Fourth Edition adds essays by Margaret Mead, Russell Baker, Joan Didion, Annie Dillard, and Alice Walker; fiction by Nathaniel (...)
    Download  
     
    Export citation  
     
    Bookmark  
  4. Time-Traveling Image: Gilles Deleuze on Science-Fiction Film.Joshua M. Hall - 2016 - Journal of Aesthetic Education 50 (4):31-44.
    The first section of this article focuses on the treatment of “time travel” in science-fiction literature and film as presented in the secondary literature in that field. The first anthology I will consider has a metaphysical focus, including (a) relating the time travel of science fiction to the banal time travel of all living beings, as we move inexorably toward the future; and (b) arguing for the filmstrip as the ultimate metaphor for time. The second anthology I (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  5. Cinematic Humanism: Cinematic, Dramatic, and Humanistic Value in Fiction Films.Britt Harrison - 2022 - Dissertation, University of York
    Might fiction films have cognitive value, and if so, how might such value interact with films’ artistic and aesthetic values? Philosophical consideration of this question tends to consist in either ceteris paribus extensions of claims relating to prose fiction and literature; meta-philosophical inquiries into the capacity of films to be or do philosophy; or generalised investigations into the cognitive value of any, and thereby all, artworks. I first establish that fiction films can be works of art, then address this (...)
    Download  
     
    Export citation  
     
    Bookmark  
  6. Getting Carried Away: Evaluating the Emotional Influence of Fiction Film.Stacie Friend - 2010 - Midwest Studies in Philosophy 34 (1):77-105.
    It is widely taken for granted that fictions, including both literature and film,influence our attitudes toward real people, events, and situations. Philosopherswho defend claims about the cognitive value of fiction view this influence in apositive light, while others worry about the potential moral danger of fiction.Marketers hope that visual and aural references to their products in movies willhave an effect on people’s buying patterns. Psychologists study the persuasiveimpact of media. Educational books and films are created in the hopes (...)
    Download  
     
    Export citation  
     
    Bookmark   9 citations  
  7. A Taxonomy of the Complexities of Embedded Narratives in Film: From Literary Description Simulation to the Visuality-Triggered Self-Referential Fallacy.Yu Yang & Yarong Zeng - 2024 - Innovación y Expresión: Un Recorrido Por Las Artes, la Cultura Visual y la Inteligencia Artificial En la Era Digital.
    The article will be divided into three parts: 1. Explain the literary origins of the nesting pattern and its relationship to cinema narrative, and analyse the nesting tactics commonly used in films under Hollywood’s classical narrative. 2. Describe the variations in nested structures in films made in the 1990s, focusing on self-reflexive nesting, which emerged as a new model beyond conventional nesting during this period. 3. Distinguish the literary style of embedded narratives from the visual recognition mode and provide an (...)
    Download  
     
    Export citation  
     
    Bookmark  
  8. George Herbert Mead’s Theory of the Self: Applied Film and Literature Analysis with Implications for a Right to Self and A Right to Place.Barbara Lowe - 2007 - The New York Sociologist 2.
    Download  
     
    Export citation  
     
    Bookmark  
  9. Architecture and Deconstruction. The Case of Peter Eisenman and Bernard Tschumi.Cezary Wąs - 2015 - Dissertation, University of Wrocław
    Architecture and Deconstruction Case of Peter Eisenman and Bernard Tschumi -/- Introduction Towards deconstruction in architecture Intensive relations between philosophical deconstruction and architecture, which were present in the late 1980s and early 1990s, belong to the past and therefore may be described from a greater than before distance. Within these relations three basic variations can be distinguished: the first one, in which philosophy of deconstruction deals with architectural terms but does not interfere with real architecture, the second one, in which (...)
    Download  
     
    Export citation  
     
    Bookmark  
  10. Excavating forgotten critics from minor fictions: the film Temptation (1946).Terence Rajivan Edward - manuscript
    I propose that the film Temptation, from 1946, presents us with a person, or type of person, who was once observed: she is very involved in evaluating the significance of highly specialist inquiries, in this case Egyptology, and evaluating borderline cases of literature, regarding which it is difficult to assess their long-term value. The film assists with addressing how The Golden Bough was actually received. An appendix proposes that the film is of interest to Derrideans.
    Download  
     
    Export citation  
     
    Bookmark  
  11. Stories and Memories, Memories and Histories: A Cross-disciplinary Volume on Time, Narrativity, and Identity.James Griffith (ed.) - 2025 - Leiden: Brill.
    This edited volume brings together authors from a wide variety of disciplines in the social sciences and humanities. A historian first investigates understudied samizdat literature, a film critic then analyzes Balkan cinema via psychoanalysis, a psychologist examines contemporary European border policies, and a political scientist analyzes the Confederate-memorial debate. Philosophers consider the space of those memorials, ethno-national narratives in India, the Anthropocene and the mind’s historical imaginary, and the notion of home. Literary critics examine recent developments in modes (...)
    Download  
     
    Export citation  
     
    Bookmark  
  12. The Ethics of Narrative Art: philosophy in schools, compassion and learning from stories.Laura D’Olimpio & Andrew Peterson - 2018 - Journal of Philosophy in Schools 5 (1):92-110.
    Following neo-Aristotelians Alasdair MacIntyre and Martha Nussbaum, we claim that humans are story-telling animals who learn from the stories of diverse others. Moral agents use rational emotions, such as compassion which is our focus here, to imaginatively reconstruct others’ thoughts, feelings and goals. In turn, this imaginative reconstruction plays a crucial role in deliberating and discerning how to act. A body of literature has developed in support of the role narrative artworks (i.e. novels and films) can play in allowing (...)
    Download  
     
    Export citation  
     
    Bookmark   7 citations  
  13. Astronism, Cosmism and Cosmodeism: An Analysis of the Space Religions espousing Transcension.Brandon Reece Taylorian - 2024 - Journal of Astronist Studies 1 (1):8-44.
    In April 1961, Yuri Gagarin became the first human being to journey beyond Earth’s atmosphere and enter outer space. This achievement cemented the status of the Soviet Union as a global superpower and intensified its race with the United States to be the first nation to put a person on the Moon. However, what many people are far less aware of is that a proto-transhumanist and quasi-religious movement in the nineteenth century laid the philosophical foundations for the Space Race. At (...)
    Download  
     
    Export citation  
     
    Bookmark  
  14. Oxford Handbook of Philosophy of Imagination and Creativity.Amy Kind & Julia Langkau (eds.) - forthcoming - Oxford University Press.
    Philosophy has long either dismissed or paid only minimal attention to creativity, and even with the rise of research on imagination, the creative imagination has largely been ignored as well. The aim of this volume is to correct this neglect. By bringing together existing research in various sub-disciplines, we also aim to open up new avenues of research. The chapters in Part I provide some framing and history on the philosophical study of imagination and creativity, along with an overview of (...)
    Download  
     
    Export citation  
     
    Bookmark  
  15. New Philosophical Essays on Love and Loving.Simon Cushing (ed.) - 2021 - Palgrave-Macmillan.
    New philosophical essays on love by a diverse group of international scholars. Topics include contributions to the ongoing debate on whether love is arational or if there are reasons for love, and if so what kind; the kinds of love there may be ; whether love can explain the difference between nationalism and patriotism; whether love is an necessary component of truly seeing others and the world; whether love, like free will, is “fragile,” and may not survive in a deterministic (...)
    Download  
     
    Export citation  
     
    Bookmark  
  16. Child abuse remains mundane even under symbolic disguise: highlights from an Albanian post WWII movie.Gentian Vyshka - 2020 - Asian Journal of Language, Literature and Culture Studies 3 (4):28-37.
    Artistic work during communist regime in Albania has been a strictly controlled area, due to censorship and ideological limitations. However, the creative genius of some individuals was able to transmit religious images in a disguised form, particularly when themes were permissive to ambiguous messages. Depicting child abuse was a taboo for the everyday life, but not when focusing on certain historical periods that were purposefully stigmatized from the state propaganda. Some snapshots and images from the movie ‘Red poppies on the (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  17. Aesthetics and Gender.Natalia Anna Michna & Carolyn Korsmeyer (eds.) - 2016 - Cracow: The Polish Journal of Aesthetics.
    Combining aesthetic theory with gender analysis opens a large and diverse territory to explore. Both familiar issues in the philosophy of art and new, expanded questions about the influence of culture on imagination and identity have become subjects of feminist research. Film, literature, graphic arts, advertising, and the legacies of history all contribute to the forces that shape self-image, desire, behavior, and social role – as well as the ability to imagine possibilities for change. This issue brings together (...)
    Download  
     
    Export citation  
     
    Bookmark  
  18. Seeing and understanding epistemic actions.Sholei Croom, Hanbei Zhou & Chaz Firestone - 2023 - Proceedings of the National Academy of Sciences 120:e2303162120.
    Many actions have instrumental aims, in which we move our bodies to achieve a physical outcome in the environment. However, we also perform actions with epistemic aims, in which we move our bodies to acquire information and learn about the world. A large literature on action recognition investigates how observers represent and understand the former class of actions; but what about the latter class? Can one person tell, just by observing another person’s movements, what they are trying to learn? (...)
    Download  
     
    Export citation  
     
    Bookmark  
  19. Appealing, Appalling: Morality and Revenge in I Spit on Your Grave (2010).Steve Jones - 2022 - Quarterly Review of Film and Video:1-25.
    Despite being a prevalent theme in popular cinema, revenge has received little dedicated attention within film studies. The majority of research concerning the concept of revenge is located within moral philosophy, but that body of literature has been overlooked by film studies scholars. Philosophers routinely draw on filmic examples to illustrate their discussions of revenge, but those interpretations are commonly hindered by their authors’ inexperience with film studies’ analytical methods. This article seeks to bridge those gaps. (...)
    Download  
     
    Export citation  
     
    Bookmark  
  20. From the ‘Selva Oscura’ to Paradise Reimagining the Pilgrim's Journey through the Transmedial Realm of Role-Playing Video Games.Serafina Paladino - 2021 - Dissertation, University of St Andrews
    This dissertation was written for the purpose of displacing the negative stereotype of video games being deemed as ‘lowbrow’ entertainment within critical and academic circles, when in actuality the medium has the ability to tell a captivating story through a unique lens unlike the narratives that are traditionally found in a film or a novel. Most of the criticism that games have received in the humanities come from literary scholars who have denounced the medium’s attempts to adapt seminal pieces (...)
    Download  
     
    Export citation  
     
    Bookmark  
  21. Sensuous Presencing and Artistic Creation: The Aesthetic Legacy of Merleau-Ponty’s Thought.Véronique M. Fóti - 2014 - Comparative and Continental Philosophy 6 (2):203-210.
    While the French phenomenologist Maurice Merleau-Ponty remained engaged with artistic creation throughout his entire work, which continues to inspire artists today in manifold ways, no systematic and artistically inclusive study of this dimension of his thought has existed so far. Du sensible à l’œuvre fills this gap by offering not only an in-depth study of Merleau-Ponty’s aesthesiology and aesthetics by international Merleau-Ponty scholars spanning three generations, but also a rich selection of essays by art critics and theorists who assess the (...)
    Download  
     
    Export citation  
     
    Bookmark  
  22. On the Demonization and Discrimination of Akan and Yoruba Women in Ghanaian and Nigerian Video Movies.Louise Muller - 2014 - Research in African Literatures 45 (4):104-120.
    This article focuses on the religious information inside Ghanaian and Nigerian video movies regarding Akan and Yoruba women. More specifically, it focuses on the indigenous religious, Christian, and Islamic messages inside these movies in relation to women. The article demonstrates that Akan and Yoruba filmmakers, who dominate the Ghanaian and Nigerian video movie industries, are part of networks of religious institutions, predominantly Pentecostal-Charismatic Christian and modest Islamic ones. These organizations sponsor filmmakers to spread religious messages that promote hierarchical gender relations (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  23. Brand Equity Planning with Structuralist Rhetorical Semiotics.George Rossolatos - 2014 - Kassel: Kassel University Press.
    Brand Equity Planning with Structuralist Rhetorical Semiotics furnishes an innovative conceptual model and methodology for brand equity planning, with view to addressing a crucial gap in the marketing and semiotic literatures concerning how advertising multimodal textual elements may be transformed into brand associations, with an emphasis on rhetorical relata as modes of connectivity between a brand’s surface and depth grammar. The scope of this project is inter-disciplinary, spanning research areas such as brand equity, structuralist semiotics, textual semiotics, visual and (...) semiotics, multimodal rhetoric, film theory, psychoanalysis. The proposed connectionist conceptual model of the brand trajectory of signification is operationalized through a methodological framework that encompasses a structuralist semiotic interpretative approach to the textual formation of brand equity, supported by quantitative content analysis with the aid of the software Atlas.ti and the application of multivariate mapping techniques. (shrink)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  24. Against the Moral Appraisal of Interrogative Artworks: Wayne Booth and the case of Huck Finn.Donovan Miyasaki - 2007 - Philosophy and Literature 31 (1):125-132.
    In the following essay, I argue that in the case of some works of art, moral evaluation should not play a role in artistic appraisal. While I reject the strong ethicist’s view—the view that moral evaluation may inform the artistic evaluation of any artwork—I will not do so in favor of the aestheticist’s position. The aestheticist argues for a rigid distinction between the moral and aesthetic evaluation of an artwork. On this view, the moral status of the work is independent (...)
    Download  
     
    Export citation  
     
    Bookmark  
  25. Allegories of Immersion.Filippo Fimiani - 2023 - An-Icon: Studies in Environmental Images 1 (2):14.
    Fish Night, an episode of LOVE DEATH + ROBOTS (S01E12, 2019) based on a 1982 short story by Joe R. Lansdale, can be interpreted as an allegory of the impossibility of immersive experience: if real, it is deadly, because the images are no longer such or ghosts but living beings present in a shared environmental habitat, acting with but also against the subject, in turn no longer a spectator. Comparing the story and film, and ancient ekphrastic literature, I (...)
    Download  
     
    Export citation  
     
    Bookmark  
  26. What Is this Thing Called Love?Luc Bovens - 2018 - In Adrienne M. Martin (ed.), The Routledge Handbook of Love in Philosophy. New York: Routledge Handbooks in Philoso.
    Socrates’ eros model, St. Paul’s agape model, and Aristophanes’ shared-identity model have different takes on the constancy of love and on the loss of love. I illustrate how these models and themes find expression within literature, music, and film through the ages.
    Download  
     
    Export citation  
     
    Bookmark  
  27. Solaris, directed by Andrei Tarkovsky - Psychological and philosophical aspects.Nicolae Sfetcu - 2019 - Bucharest, Romania: MultiMedia Publishing.
    About the main psychological and philosophical aspects detached from the film Solaris directed by Andrei Tarkovski, as well as the cinema techniques used by the director to convey his messages to the spectator. In the "Introduction" I briefly present the relevant elements of Tarkovski's biography and an overview of Stanislav Lem's Solaris novel and the film Solaris directed by Andrei Tarkovsky. In "Cinema Technique" I talk about the specific rhythm of the scenes, the radical movement triggered by Tarkovsky (...)
    Download  
     
    Export citation  
     
    Bookmark  
  28. Scrutinizing the art of theater.Aaron Meskin - 2009 - Journal of Aesthetic Education 43 (3):pp. 51-66.
    In lieu of an abstract, here is a brief excerpt of the content:Scrutinizing the Art of TheaterAaron Meskin (bio)IntroductionIn his 1992 address to the American Society for Aesthetics, Peter Kivy suggested that philosophers of art might do best by giving up on “grand theorizing” (that is, pursuing the definition of art).1 In its place he proposed that they pursue the “careful and imaginative philosophical scrutiny of the individual arts and their individual problems.”2 Of course John Passmore and others had said (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  29. “We Don’t Know Exactly How They Work”: Making Sense of Technophobia in 1973 Westworld, Futureworld, and Beyond Westworld.Stefano Bigliardi - 2019 - Journal of Science Fiction and Philosophy 2:1-30.
    This article scrutinizes Michael Crichton’s movie Westworld (1973), its sequel Futureworld (1976), and the spin-off series Beyond Westworld (1980), as well as the critical literature that deals with them. I examine whether Crichton’s movie, its sequel, and the 1980s series contain and convey a consistent technophobic message according to the definition of “technophobia” advanced in Daniel Dinello’s 2005 monograph. I advance a proposal to develop further the concept of technophobia in order to offer a more satisfactory and unified interpretation (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  30. For nothing is concealed! Motion picture, Wittgenstein, and seeing-as.Thomas Wachtendorf - 2021 - Journal of Comparative Literature and Aesthetic 44 (3):54-61.
    According to Wittgenstein’s claim that our “seeing a thing as” is strongly dependent on what he calls “world-picture” and vice versa, motion pictures present “surveyable repres- entations” of our world-picture and therefore influence the way we see the world. Insofar as understanding means to see coherences, motion pictures help humans understand world-pictures. But the insights imparted by motion pictures are not of a mere cognitive kind, since motion pictures do not present arguments. By making use of imaginative identification they have (...)
    Download  
     
    Export citation  
     
    Bookmark  
  31. Imagination and Film.Jonathan Gilmore - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 845-863.
    This chapter addresses the application of contemporary theories of the imagination—largely drawn from cognitive psychology—to our understanding of film. Topics include the role of the imagination in our learning what facts hold within a fictional film, including what characters’ motivations, beliefs, and feelings are; how our perceptual experience of a film explains our imaginative visualizing of its contents; how fictional scenarios in films generate certain affective and evaluative responses; and how such responses compare to those we have (...)
    Download  
     
    Export citation  
     
    Bookmark  
  32. Literature and Life.Gilles Deleuze, Daniel W. Smith & Michael A. Greco - 1997 - Critical Inquiry 23 (2):225-230.
    Download  
     
    Export citation  
     
    Bookmark   8 citations  
  33. (1 other version)The Ethics of Singing Along: The Case of “Mind of a Lunatic”.Aaron Smuts - 2013 - Journal of Aesthetics and Art Criticism 71 (1):121-129.
    In contrast to film, theater, and literature, audiences typically sing along with popular songs. This can encourage a first-person mode of engagement with the narrative content. Unlike mere spectators, listeners sometimes imagine acting out the content when it is recited in the first-person. This is a common mode of engaging with popular music. And it can be uniquely morally problematic. It is problematic when it involves the enjoyment of imaginatively doing evil. I defend a Moorean view on the (...)
    Download  
     
    Export citation  
     
    Bookmark   9 citations  
  34. Literature and Knowledge.Derek Allan - manuscript
    Can novels, plays and poetry tell us something important and true about who we are, about others, and about life generally? The question seems to be of interest not only to writers on literary theory and aesthetics, but to people generally. This paper considers the issues involved.
    Download  
     
    Export citation  
     
    Bookmark  
  35. Feminist Philosophy and Film: The Conditions of Sexual Violence in Marilyn Frye's Politics of Reality and Joyce Chopra's Smooth Talk.Tamara Fakhoury & Philip Bold - forthcoming - Visions of Peace and Nonviolence in Pop Culture Ed. Kling.
    Eliminating sexual violence requires understanding where it comes from and why it happens. We must learn to detect when the grounds for violence are being built up so that we can promptly take them down. How can we improve our ability to notice the subtle practices of sexism and make them a matter of critical reflection? The aim of this paper is to show how film can enhance critical perception of the social conditions that give rise to sexual violence (...)
    Download  
     
    Export citation  
     
    Bookmark  
  36. Aesthetics and Film. By Katherine Thomson‐Jones. [REVIEW]Jennifer A. Mcmahon - 2012 - Philosophical Quarterly 62 (249):865-867.
    Each chapter covers one topic and largely consists of brief summaries of arguments for and against various themes. The topic of the first chapter is whether and on what basis a film can be considered art. Photography is used as an analogy. The arguments range from considering the mechanical form of cinema as an obstacle to arthood to arguments considering cinema’s mechanical nature as essential to its arthood; the former by those who ground art in human agency, the latter (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  37. Literature and action. On Hegel’s interpretation of chivalry.Giovanna Pinna - 2019 - Rivista di Estetica 70:141-155.
    Literature plays a relevant role in Hegel’s philosophical discourse. On the one hand, literary references are often interwoven with his speculative argumentation, on the other hand, the Aesthetics regards poetry as the highest form of artistic expression, for it is able to represent the different ways of human action and to bring up their hidden ideal presuppositions. The aim of this paper is to show how the concept of action is crucial to the interpretation of literary phenomena in the (...)
    Download  
     
    Export citation  
     
    Bookmark  
  38. Literature and the Passing of Time: Reflecting on the Temporal Nature of Art.Derek Allan - manuscript
    The paper explores the much-neglected but crucial topic of the capacity of art to transcend time.
    Download  
     
    Export citation  
     
    Bookmark  
  39. The Philosophy of Film and Film as Philosophy.Tom McClelland - 2011 - Cinema 2:11-35.
    This paper explores the idea that popular narrative film can somehow contribute to our philosophical understanding. I identify a number of problems with this 'film as philosophy' thesis and argue that the capacity of film to contribute to philosophy is not as great as many authors think. Specifically, I argue that film can only offer genuinely distinctive insights into philosophical questions *about film* and explore Hitchcock's Rear Window as an example of this.
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  40. literature and revelation: notes for a Seminar.Paul Bali - manuscript
    marginal notes on Jung, Sartre, Valéry, Tolkien, Borges, and more; with woven-in autobiography.
    Download  
     
    Export citation  
     
    Bookmark  
  41.  18
    Literature and Knowledge.John Gibson - 2009 - In Richard Thomas Eldridge (ed.), The Oxford handbook of philosophy and literature. New York: Oxford University Press.
    What is the relation between works of fiction and the acquisition of knowledge?
    Download  
     
    Export citation  
     
    Bookmark   7 citations  
  42. Literature and Knowledge.John Gibson - 2009 - In Richard Thomas Eldridge (ed.), The Oxford handbook of philosophy and literature. New York: Oxford University Press.
    What is the relation between works of fiction and the acquisition of knowledge?
    Download  
     
    Export citation  
     
    Bookmark   7 citations  
  43. The Value of Fidelity in Adaptation.James Harold - 2018 - British Journal of Aesthetics 58 (1):89-100.
    © British Society of Aesthetics 2018. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oup.comThe adaptation of literary works into films has been almost completely neglected as a philosophical topic. I discuss two questions about this phenomenon:What do we mean when we say that a film is faithful to its source?Is being faithful to its source a merit in a film adaptation?In response to, I set out (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  44. Literature and readers' empathy: A qualitative text manipulation study.Anezka Kuzmicova, Anne Mangen, Hildegunn Støle & Anne Charlotte Begnum - forthcoming - Language and Literature 26.
    Several quantitative studies (e.g. Kidd & Castano, 2013a; Djikic et al., 2013) have shown a positive correlation between literary reading and empathy. However, the literary nature of the stimuli used in these studies has not been defined at a more detailed, stylistic level. In order to explore the stylistic underpinnings of the hypothesized link between literariness and empathy, we conducted a qualitative experiment in which the degree of stylistic foregrounding was manipulated. Subjects (N = 37) read versions of Katherine Mansfield's (...)
    Download  
     
    Export citation  
     
    Bookmark  
  45. Training the Pupilary Vision: Didactic Image, Slides, and Film in the Context of Media of the Late 19th Century.Lucie Česálková - 2011 - Teorie Vědy / Theory of Science 33 (2):251-269.
    The study examines the modes of representation and communication of information through illustrative teaching aids in the 19th century. It focuses primarily on the didactic wall paintings and the tradition of lectures with slides and notes, how could the experience of these types of collectively observed images influence impressions and expectations of early film audiences. Didactic images are here analyzed primarily in terms of their compositional features, but in an effort to explain how processuality penetrated into the didactic image (...)
    Download  
     
    Export citation  
     
    Bookmark  
  46. Henry's Chapel.Graham Guest - 2022 - Montclair, NJ: Sagging Meniscus Press.
    In Graham Guest’s novel Henry’s Chapel we watch a film by proxy, through the eyes of a narrator who offers a play-by-play account, complete with probing analysis, of Albarb Noella’s Lawnmower of a Jealous God. Within this unusual frame we encounter the story of an isolated family in rural East Texas, a tragicomic tale of incest, abuse, mental illness and liberation. As meta-narrative and narrative merge into one another, the film’s characters, its director, and implicitly the narrator and (...)
    Download  
     
    Export citation  
     
    Bookmark  
  47. Literature and the construction of reality.Venkat Ramanan - 2018 - Literature & Aesthetics 28 (1):67-86.
    In this article I consider the idea that Glasersfeld’s “radical constructivism” offers an ideal framework for putting in place such a reality of the best fit for us. Along with this, I examine also the fundamental biological and epistemological limitations that we are faced with when trying to fathom objective reality and, secondly, the inescapable gap between language – which we use as a primary cognitive tool in our attempt to comprehend the world. The paper then show that literature (...)
    Download  
     
    Export citation  
     
    Bookmark  
  48. Interpretation, Literature and Meaning Skepticism.John Gibson - 2016 - In Dirk-Martin Grube (ed.), Meaning and Interpretation. Brill.
    Download  
     
    Export citation  
     
    Bookmark  
  49. Philosophy, literature and understanding: On reading and cognition (Book review). [REVIEW]Christopher Earley - 2022 - British Journal of Aesthetics 62 (3):499-502.
    A review of Jukka Mikkonen's 'Philosophy, literature and understanding: On reading and cognition' (2021).
    Download  
     
    Export citation  
     
    Bookmark  
  50. The Normative Demand for Deference in Political Solidarity.Kerri Woods & Joshua Hobbs - 2024 - Global Justice : Theory Practice Rhetoric 14 (1):53-78.
    Allies of those experiencing injustice or oppression face a dilemma: to be neutral in the face of calls to solidarity risks siding with oppressors, yet to speak or act on behalf of others risks compounding the injustice. We identify what we call ‘a normative demand for deference’ (NDD) to those with lived experience as a response to this dilemma. Yet, while the NDD is prevalent, albeit sometimes implicitly so, in contemporary solidarity theory and activist practice, it remains under-theorised. In this (...)
    Download  
     
    Export citation  
     
    Bookmark  
1 — 50 / 971