Results for 'meta-ontology of music'

968 found
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  1. Musical works: Ontology and meta-ontology.Julian Dodd - 2008 - Philosophy Compass 3 (6):1113-1134.
    The ontological nature of works of music has been a particularly lively area of philosophical debate during the past few years. This paper serves to introduce the reader to some of the most fertile and interesting issues. Starting by distinguishing three questions – the categorial question, the individuation question, and the persistence question – the article goes on to focus on the first: the question of which ontological category musical works fall under. The paper ends by introducing, and briefly (...)
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  2. Methodology in the ontology of artworks: exploring hermeneutic fictionalism.Elisa Caldarola - 2020 - In Concha Martinez Vidal & José Luis Falguera Lopez (ed.), Abstract Objects: For and Against.
    There is growing debate about what is the correct methodology for research in the ontology of artworks. In the first part of this essay, I introduce my view: I argue that semantic descriptivism is a semantic approach that has an impact on meta-ontological views and can be linked with a hermeneutic fictionalist proposal on the meta-ontology of artworks such as works of music. In the second part, I offer a synthetic presentation of the four main (...)
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  3. Experimental Ontology of Music.Elzė Sigutė Mikalonytė - manuscript
    This chapter focuses on the methodological challenges and practical implications of the experimental ontology of music. It offers an overview of the existing research, primarily focusing on how people judge whether two musical performances are of one and the same or two distinct musical works, followed by a discussion of the current methodological debates in this field and, finally, an exploration of its potential legal implications.
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  4. Nietzsche, Dionysus, and the Ontology of Music.Christoph Cox - 2006-01-01 - In Keith Ansell Pearson (ed.), A Companion to Nietzsche. Blackwell. pp. 495–513.
    This essay examines Nietzsche’s musical ontology and situates it within the naturalist and anti-metaphysical framework evident throughout his corpus. Nietzsche often associated this position with the figure of Dionysus, which plays a leading role in The Birth of Tragedy, his most sustained consideration of music and musical ontology. The essay returns to The Birth of Tragedy in an effort to recover Nietzsche’s musical ontology and its relationship with ontology more generally. Heeding Nietzsche’s own remarks, I (...)
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  5. The Poverty of Musical Ontology.James O. Young - 2014 - Journal of Music and Meaning 13:1-19.
    Aaron Ridley posed the question of whether results in the ontology of musical works would have implications for judgements about the interpretation, meaning or aesthetic value of musical works and performances. His arguments for the conclusion that the ontology of musical works have no aesthetic consequences are unsuccessful, but he is right in thinking (in opposition to Andrew Kania and others) that ontological judgements have no aesthetic consequences. The key to demonstrating this conclusion is the recognition that ontological (...)
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  6. The Role of Teleological Thinking in Judgments of Persistence of Musical Works.Elzė Sigutė Mikalonytė & Vilius Dranseika - 2022 - Journal of Aesthetics and Art Criticism 80 (1):42-57.
    In his article “The Ontology of Musical Versions: Introducing the Hypothesis of Nested Types,” Nemesio Puy raises a hypothesis that continuity of the purpose is both a necessary and a sufficient condition for musical work’s identity. Puy’s hypothesis is relevant to two topics in cognitive psychology and experimental philosophy. The first topic is the prevalence of teleological reasoning about various objects and its influence on persistence and categorization judgments. The second one is the importance of an artist’s intention in (...)
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  7. Does Semantic Deflationism Entail Meta-Ontological Deflationism?Benjamin Marschall & Thomas Schindler - 2020 - Philosophical Quarterly 71 (1):99-119.
    Deflationary positions have been defended in many areas of philosophy. Most prominent are semantic deflationism about truth and reference, and meta-ontological deflationism, according to which existence has no deep nature and the standard neo-Quinean approach to ontology is misguided. Although both kinds of views have generated much discussion, surprisingly little attention has been paid to the question of how they relate to each other. Are they independent, is it advisable to hold them all at once, or do they (...)
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  8. Coincident Entities and Question-Begging Predicates: an Issue in Meta-Ontology.Francesco Berto - 2013 - Metaphysica 14 (1):1-15.
    Meta-ontology (in van Inwagen's sense) concerns the methodology of ontology, and a controversial meta-ontological issue is to what extent ontology can rely on linguistic analysis while establishing the furniture of the world. This paper discusses an argument advanced by some ontologists (I call them unifiers) against supporters of or coincident entities (I call them multipliers) and its meta-ontological import. Multipliers resort to Leibniz's Law to establish that spatiotemporally coincident entities a and b are distinct, (...)
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  9. Formal ontologies of space and time. IFOMIS Report.Thomas Bittner & Barry Smith - 2003 - In Thomas Bittner & Barry Smith (eds.), IFOMIS Report.
    We propose an ontological theory that is powerful enough to describe both complex spatio-temporal processes (occurrents) and the enduring entities (continuants) that participate in such processes. For this purpose we distinguish between meta-ontology and token ontologies. Token ontologies fall into two major categories: ontologies of type SPAN and ontologies of type SNAP. These represent two complementary perspectives on reality and result in distinct though compatible systems of categories. The meta-ontological level then describes the relationships between the different (...)
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  10.  61
    Folk Ontology and the Meta-Problem of Consciousness.Uriah Kriegel - forthcoming - Journal of Consciousness Studies.
    Josh Weisberg develops a form of physicalism which attempts to (a) show why there is no ultima facie explanatory gap between consciousness and the physical world, while (b) making us see why there nonetheless is a prima facie explanatory gap. The former constitutes a solution to the problem of consciousness, the latter a proposal regarding the meta-problem of consciousness (the problem, roughly, of understanding why there is a problem of consciousness to begin with). Together, they are intended to produce (...)
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  11. An Ontology of Words.Nurbay Irmak - 2019 - Erkenntnis 84 (5):1139-1158.
    Words are indispensable linguistic tools for beings like us. However, there is not much philosophical work done about what words really are. In this paper, I develop a new ontology for words. I argue that words are abstract artifacts that are created to fulfill various kinds of purposes, and words are abstract in the sense that they are not located in space but they have a beginning and may have an end in time given that certain conditions are met. (...)
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  12. Musical Works as Structural Universals.A. R. J. Fisher - 2021 - Erkenntnis 88 (3):1245-67.
    In the ontology of music the Aristotelian theory of musical works is the view that musical works are immanent universals. The Aristotelian theory (hereafter Musical Aristotelianism) is an attractive and serviceable hypothesis. However, it is overlooked as a genuine competitor to the more well-known theories of Musical Platonism and nominalism. Worse still, there is no detailed account in the literature of the nature of the universals that the Aristotelian identifies musical works with. In this paper, I argue that (...)
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  13. Against the Property Theory of Musical Works.Nurbay Irmak - 2024 - Res Philosophica 101 (3):531-547.
    The property theory of musical works is the view that identifies works of music with properties as universals. The purpose of this article is to distinguish different versions of the property theory and argue that none of them can satisfy certain demands we expect from a successful theory of musical works. I conclude that although properties as universals are familiar and useful in other domains, we cannot rely on them to explain the ontological nature of musical works.
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  14. Biological roots of musical epistemology: Functional cycles, Umwelt, and enactive listening.Mark Reybrouck - 2001 - Semiotica 2001 (134):599-633.
    This article argues for an epistemology of music, stating that dealing with music can be considered as a process of knowledge acquisition. What really matters is not the representation of an ontological musical reality, but the generation of music knowledge as a tool for adaptation to the sonic world. Three major positions are brought together: the epistemological claims of Jean Piaget, the biological methodology of Jakob von Uexküll, and the constructivistic conceptions of Ernst von Glasersfeld, each ingstress (...)
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  15. Existence as a Real Property: The Ontology of Meinongianism.Francesco Berto - 2012 - Dordrecht: Synthèse Library, Springer.
    This book is both an introduction to and a research work on Meinongianism. “Meinongianism” is taken here, in accordance with the common philosophical jargon, as a general label for a set of theories of existence – probably the most basic notion of ontology. As an introduction, the book provides the first comprehensive survey and guide to Meinongianism and non-standard theories of existence in all their main forms. As a research work, the book exposes and develops the most up-to-date Meinongian (...)
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  16. Must Naturalism Lead to a Deflationary Meta-Ontology?Matthew Haug - 2014 - Metaphysica 15 (2):347-367.
    Huw Price has argued that naturalistic philosophy inevitably leads to a deflationary approach to ontological questions. In this paper, I rebut these arguments. A more substantive, less language-focused approach to metaphysics remains open to naturalists. However, rebutting one of Price’s main arguments requires rejecting Quine’s criterion of ontological commitment. So, even though Price’s argument is unsound, it reveals that naturalists cannot rest content with broadly Quinean, “mainstream metaphysics,” which, I suggest, naturalists also have independent reasons to reject.
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  17.  32
    Quantum-Dynamic Theory of Musical Forms.Đulijano Đulić - manuscript
    The quantum-dynamic theory of musical forms redefines music as an ontological and noematic phenomenon, extending beyond its traditional auditory interpretation. This theory proposes that music represents the acoustic expression of thought vibrations, where each melody and harmony serves as a direct manifestation of universal noetic structures. Tonal forms are conceptualized as carriers of metaphysical and philosophical truths, bridging the gap between human discursiveness and the divine. Through specific examples, such as Bach's Toccata and Fugue in D Minor and (...)
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  18. Musical Ontology and the Audibility of Musical Works.Sofía Meléndez Gutiérrez - 2023 - British Journal of Aesthetics 63 (3):333-350.
    There are compelling reasons to believe that musical works are abstract. However, this hypothesis conflicts with the platitude that musical works are appreciated by means of audition: the things that enter our ear canals and make our eardrums vibrate must be concrete, so how can musical works be listened to if they are abstract? This question constitutes the audibility problem. In this paper, I assess Julian Dodd’s elaborate attempt to solve it, and contend that Dodd’s attempt is unsuccessful. Then I (...)
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  19. Susan Stebbing, Incomplete Symbols and Foundherentist Meta-Ontology.Frederique Janssen-Lauret - 2017 - Journal for the History of Analytical Philosophy 5 (2):6-17.
    Susan Stebbing’s work on incomplete symbols and analysis was instrumental in clarifying, sharpening, and improving the project of logical constructions which was pivotal to early analytic philosophy. She dispelled use-mention confusions by restricting the term ‘incomplete symbol’ to expressions eliminable through analysis, rather than those expressions’ purported referents, and distinguished linguistic analysis from analysis of facts. In this paper I explore Stebbing’s role in analytic philosophy’s development from anti-holism, presupposing that analysis terminates in simples, to the more holist or foundherentist (...)
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  20. Quasi-set theory: a formal approach to a quantum ontology of properties.Federico Holik, Juan Pablo Jorge, Décio Krause & Olimpia Lombardi - 2022 - Synthese 200 (5):1-26.
    In previous works, an ontology of properties for quantum mechanics has been proposed, according to which quantum systems are bundles of properties with no principle of individuality. The aim of the present article is to show that, since quasi-set theory is particularly suited for dealing with aggregates of items that do not belong to the traditional category of individual, it supplies an adequate meta-language to speak of the proposed ontology of properties and its structure.
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  21. The (meta)metaphysics of science: the case of non-relativistic quantum mechanics.Raoni Wohnrath Arroyo & Jonas R. B. Arenhart - 2022 - Kriterion – Journal of Philosophy 63 (152):275-296.
    Traditionally, being a realist about something means believing in the independent existence of that something. In this line of thought, a scientific realist is someone who believes in the objective existence of the entities postulated by our best scientific theories. In metaphysical terms, what does that mean? In ontological terms, i.e., in terms of what exists, scientific realism can be understood as involving the adoption of a scientifically informed ontology. But according to some philosophers, a realistic attitude must go (...)
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  22.  56
    Musical Ontology: a View Through Improvisation.Alessandro Bertinetto - 2013 - Cosmo. Comparative Studies in Modernism 2:81-101.
    The contemporary debate in philosophy of music about the ontological status of musical works seems sometimes to have little to do with actual musical practices and experiences. As Lydia Goehr observed (1992) the danger is here very high that the competing theories remain unrelated to the actual practices they should explain. It is difficult to understand why elaborating complex conceptual systems for answering the ontological question “What is a musical work?” is worthwhile, if, aside from discrepancies between scores, which (...)
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  23. The Ontology of The Band.Enrico Terrone - 2024 - In Ludger Jansen & Thorben Petersen (eds.), ONTOLOGY OF MUSIC GROUPS: Identity, Persistence, and Agency of Creative. New York, NY: Routledge.
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  24. Musical works are mind-independent artifacts.Elzė Sigutė Mikalonytė - 2023 - Synthese 203 (1):1-28.
    Realism about musical works is often tied to some type of Platonism. Nominalism, which posits that musical works exist and that they are concrete objects, goes with ontological realism much less often than Platonism: there is a long tradition which holds human-created objects (artifacts) to be mind-dependent. Musical Platonism leads to the well-known paradox of the impossibility of creating abstract objects, and so it has been suggested that only some form of nominalism becoming dominant in the ontology of art (...)
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  25. Existence Is Not Relativistically Invariant—Part 1: Meta-ontology.Florian Marion - 2024 - Acta Analytica 39 (3):479-503.
    Metaphysicians who are aware of modern physics usually follow Putnam (1967) in arguing that Special Theory of Relativity is incompatible with the view that what exists is only what exists now or presently. Partisans of presentism (the motto ‘only present things exist’) had very difficult times since, and no presentist theory of time seems to have been able to satisfactorily counter the objection raised from Special Relativity. One of the strategies offered to the presentist consists in relativizing existence to inertial (...)
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  26. An Integral Ontology of Addiction: A multiple object existing as a continuum of ontological complexity. Journal of Integral Theory and Practice, 9(1), 38–54.Guy du Plessis - 2014 - Journal of Integral Theory and Practice 9 (1):38-54.
    ABSTRACT In previous work I explored how Integral Theory can be applied as a metatheoretical and transdisciplinary framework, in an attempt to arrive at an integrally informed metatheory of addiction. There was an overemphasis on Integral Methodological Pluralism in that thread of research, without clarifying the ontological pluralism of addiction as a multiple object enacted by various methodologies. To arrive at a comprehensive integral metatheory and integral ontology of addiction, I believe it is necessary to include the conception of (...)
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  27. Ontological Investigations in the Quantum Domain: A deflationary approach on ontology of physics.Lauro de Matos Nunes Filho - 2020 - Dissertation, Federal University of Santa Catarina
    The aim of this thesis is to propose a deflationary approach towards the ontological analysis of physical theories. Such an approach sustains that the development of ontologies for physical theories must be neutral relatively to the debate between realists and anti-realists in philosophy of physics. Mainly, our attention will be oriented towards what we called "quantum domain", which includes the non-relativistic Quantum Mechanics and variants of the Quantum Field Theory. This meta-ontological approach consists in an attempt to provide a (...)
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  28. Ontology of Knowledge Beyond the opposition idealism/realism (issue 20230709).Jean-Louis Boucon - 2022 - Academia.Edu.
    From 1) the main ideas of the Kantian CRP - 2) a reinterpretation of the concept of transcendental subject and - 3) the logical principle of Individuation, we propose a new ontology in which subject and object are of the same reality. We describe the dynamic principle by which the Existence of the subject emerges from formless meta-substance and separates into an animated representation of the world.
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  29. Ontological Investigations of a Pragmatic Kind? A Reply to Lauer.Simon Lohse - 2020 - Philosophy of the Social Sciences 51 (1):3-12.
    This paper is a reply to Richard Lauer’s “Is Social Ontology Prior to Social Scientific Methodology?” (2019) and an attempt to contribute to the meta-social ontological discourse more broadly. In the first part, I will give a rough sketch of Lauer’s general project and confront his pragmatist approach with a fundamental problem. The second part of my reply will provide a solution for this problem rooted in a philosophy of the social sciences in practice.
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  30.  87
    Rock 'n' Recording: The Ontological Complexity of Rock Music.John Andrew Fisher - 1998 - In Philip Alperson (ed.), Musical Worlds: New Directions in the Philosophy of Music. Pennsylvania State University Press. pp. 109-123.
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  31. A Philosophical Account of Listening Musically.Paskalina Bourbon - 2020 - Contemporary Aesthetics 18.
    What is the distinctive character of musical experiences? An answer: musical experience is distinctive because it is of music. I argue, however, that the difference between musical and nonmusical experience cannot be explained with an ontological account of music per se. Instead, we have musical experiences of sounds whenever we listen and attend to sounds in a particular kind of way. I call this special kind of attention “musical listening.” One can explain why musical experiences are distinctive by (...)
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  32. Improvisation, Indeterminacy, and Ontology: Some Perspectives on Music and the Posthumanities.Iain Campbell - 2021 - Contemporary Music Review 40 (4):409-424.
    In this article I address some questions concerning the emerging conjunction of musical research on improvisation and work in the ‘posthumanities’, in particular the theoretical results of the ‘ontological turn’ in the humanities. Engaging with the work of the composer John Cage, and George E. Lewis’s framing of Cage’s performative indeterminacy as a ‘Eurological’ practice that excludes ‘Afrological’ jazz improvisation, I examine how critical discourse on Cage and his conception of sound is relevant to the improvisation-posthumanities conjunction. After discussing some (...)
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  33. The Metaphysics of Mash‐Ups.Christopher Bartel - 2015 - Journal of Aesthetics and Art Criticism 73 (3):297-308.
    Accounts of the ontology of musical works seek to uncover what metaphysically speaking a musical work is and how we should identify instances of musical works. In this article, I examine the curious case of the mash-up and seek to address two questions: are mash-ups musical works in their own right and what is the relationship between the mash-up and its source materials? As mash-ups are part of the broader tradition of rock, I situate this discussion within an (...) of rock as defended by Theodore Gracyk and Stephen Davies and offer some interpretation as to what their positions might be in regard to mash-ups. Finally, I argue that the account of mash-ups that best makes sense of our evaluative practices would hold that they are emergent musical works that are distinct in their own right and yet also happen to be cases of musical works that instantiate parts of other musical works. (shrink)
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  34. Easy ontology, application conditions and infinite regress.Andrew Brenner - 2018 - Analysis 78 (4):605-614.
    In a number of recent publications Thomasson has defended a deflationary approach to ontological disputes, according to which ontological disputes are relatively easy to settle, by either conceptual analysis, or conceptual analysis in conjunction with empirical investigation. Thomasson’s “easy” approach to ontology is intended to derail many prominent ontological disputes. In this paper I present an objection to Thomasson’s approach to ontology. Thomasson’s approach to existence assertions means that she is committed to the view that application conditions associated (...)
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  35. Formal Ontology for Natural Language Processing and the Integration of Biomedical Databases.Jonathan Simon, James M. Fielding, Mariana C. Dos Santos & Barry Smith - 2005 - International Journal of Medical Informatics 75 (3-4):224-231.
    The central hypothesis of the collaboration between Language and Computing (L&C) and the Institute for Formal Ontology and Medical Information Science (IFOMIS) is that the methodology and conceptual rigor of a philosophically inspired formal ontology greatly benefits application ontologies. To this end r®, L&C’s ontology, which is designed to integrate and reason across various external databases simultaneously, has been submitted to the conceptual demands of IFOMIS’s Basic Formal Ontology (BFO). With this project we aim to move (...)
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  36. The Meta-Dynamic Nature of Consciousness.John A. Barnden - 2020 - Entropy 22.
    How, if at all, consciousness can be part of the physical universe remains a baffling problem. This article outlines a new, developing philosophical theory of how it could do so, and offers a preliminary mathematical formulation of a physical grounding for key aspects of the theory. Because the philosophical side has radical elements, so does the physical-theory side. The philosophical side is radical, first, in proposing that the productivity or dynamism in the universe that many believe to be responsible for (...)
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  37. Four Meta-methods for the Study of Qualia.Lok-Chi Chan & Andrew James Latham - 2019 - Erkenntnis 84 (1):145-167.
    In this paper, we describe four broad ‘meta-methods’ employed in scientific and philosophical research of qualia. These are the theory-centred metamethod, the property-centred meta-method, the argument-centred meta-method, and the event-centred meta-method. Broadly speaking, the theory-centred meta-method is interested in the role of qualia as some theoretical entities picked out by our folk psychological theories; the property-centred meta-method is interested in some metaphysical properties of qualia that we immediately observe through introspection ; the argument-centred (...)-method is interested in the role of qualia in some arguments for non-physicalism; the event-centred metamethod is interested in the role of qualia as some natural events whose nature is hidden and must be uncovered empirically. We will argue that the event-centred metamethod is the most promising route to a comprehensive scientific conception of qualia because of the flexibility of ontological and methodological assumptions it can provide. We also reveal the hidden influences of the different meta-methods and in doing so show why consideration of meta-methods has value for the study of consciousness. (shrink)
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  38. Spatial music.John Dyck - 2022 - European Journal of Philosophy 30 (1):279-292.
    Everyone agrees that musical works are individuated by essential elements such as tone, harmony, and rhythm. Some argue that timbre or instrumentation can individuate musical works, too. I argue here that there can be a further element of musical works: spatial location. Some works of music are partly constituted by the location and motion of their sound sources. I begin by describing works of spatial music and arguing that they exist. I then consider the implications for the (...) of music. Hardcore formalists cannot allow for spatial music. I argue that two other views, which allow a close relationship between sounds and musical works, can allow for works of spatial music. However, their ability to do so turns on issues in the philosophy of sound. I appeal to work in philosophy of sound to show that music is an art not just of hearing, but of sounds. (shrink)
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  39.  16
    Ways of being.Kris McDaniel - 2009 - In Ryan Wasserman, David Manley & David Chalmers (eds.), Metametaphysics: New Essays on the Foundations of Ontology. Oxford, England: Oxford University Press. pp. 290–319.
    There are different ways to be. This paper explicates and defends this controversial thesis. Special attention is given to the meta-ontology of Martin Heidegger. -/- .
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  40. What Is It to Compose a Musical Work?Maria Elisabeth Reicher - 2000 - Grazer Philosophische Studien 58 (1):203-221.
    The paper deals with the question whether musical works are created or discovered. In the preliminaries some ontological presuppositions concerning the nature of a musical work setting the stage for the whole debate and the Creationist and Platonist views are discussed. The psychological concepts of creation and discovery are distinguished from their ontological counterparts and it turns out that only the ontological ones are relevant in this context and that the Creationist arguments fail to prove the point in question. Finally (...)
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  41. Four Theories of Inversion in Art and Music.John Dilworth - 2002 - Southern Journal of Philosophy 40 (1):1-19.
    Issues about the nature and ontology of works of art play a central part in contemporary aesthetics. But such issues are complicated by the fact that there seem to be two fundamentally different kinds of artworks. First, a visual artwork such as a picture or drawing seems to be closely identified with a particular physical object, in that even an exact copy of it does not count as being genuinely the same work of art. Nelson Goodman describes such works (...)
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  42.  35
    BREAKING THROUGH: Fundamental Principles of Meta-Quantum Idealism.Đulijano Đulić - manuscript - Translated by Đulijano Đulić Đulijano.
    Meta-quantum idealism (MQI) proposes a novel framework for understanding the fundamental nature of reality. Rooted in the interplay of quantum field theory, geometry, and idealist metaphysics, MQI challenges traditional ontological assumptions by reimagining space, time, and matter as emergent phenomena arising from the dynamic self-modifications of an infinite quantum field. This paper articulates the foundational principles of MQI and explores its implications for physics, metaphysics, and mathematics.
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  43. Bare and indexical existence: integrating logic and sensibility in ontology.Lajos L. Brons - 2012 - In S. Watanabe (ed.), Logic and Sensibility. Keio University Press.
    This is the published version of a talk on meta-ontology in a conference of a multidisciplinary research project on "logic and sensibility". It argues against univocalism about "existence" and for a variety of perspectivism.
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  44. (1 other version)Ways of being.Kris McDaniel - 2009 - In Ryan Wasserman, David Manley & David Chalmers (eds.), Metametaphysics: New Essays on the Foundations of Ontology. Oxford, England: Oxford University Press.
    There are many kinds of beings – stones, persons, artifacts, numbers, propositions – but are there also many kinds of being? The world contains a variety of objects, each of which exists – but do some objects exist in different ways? The historically popular answer is yes. This answer is suggested by the Aristotelian slogan that “being is said in many ways”, and according to some interpretations is Aristotle’s view.1 Variants of this slogan were championed by medieval philosophers, such as (...)
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  45. Meta-ethics and analysis of language from Wittgenstein to deontic logic systems.Maurilio Lovatti - 2007 - Analysis and Metaphysics 6:120-135.
    In this paper, partly historical and partly theoretical, after having shortly outlined the development of the meta-ethics in the 1900?s starting from the Tractatus of Wittgenstein, I argue it is possible to sustain that emotivism and intuitionism are unsatisfactory ethical conceptions, while on the contrary, reason (intended in a logical-deductive sense) plays an effective role both in ethical discussions and in choices. There are some characteristics of the ethical language (prescriptivity, universalizability and predominance) that cannot be eluded (pain the (...)
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  46. (Meta-Philosophy) Nature and Limits of Philosophy 2 pages.Ulrich de Balbian - manuscript
    Four issues or problems philosophers should be concerned about when doing philosophy.
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  47. Ontological and methodological virtues of unification.Rognvaldur Ingthorsson - 2020 - Journal of Physics: Conference Series 1466 (012006).
    The widespread mistrust of metaphysics-the main obstacle to the unification of physics and philosophy-is based on the myth that metaphysical claims cannot be falsified or verified, because they are supposedly true independently of empirical knowledge. This is not true of metaphysical naturalism, whose approach is to critically reflect on the theories and findings of all the empirical disciplines and abstract from them a theory about such general features of reality that no single empirical discipline can be the authority on. Causation (...)
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  48. On the meta-ethical status of constructivism: Reflections on G.A. Cohen's `facts and principles'.Miriam Ronzoni & Laura Valentini - 2008 - Politics, Philosophy and Economics 7 (4):403-422.
    The Queen's College, Oxford, UK In his article `Facts and Principles', G.A. Cohen attempts to refute constructivist approaches to justification by showing that, contrary to what their proponents claim, fundamental normative principles are fact- in sensitive. We argue that Cohen's `fact-insensitivity thesis' does not provide a successful refutation of constructivism because it pertains to an area of meta-ethics which differs from the one tackled by constructivists. While Cohen's thesis concerns the logical structure of normative principles, constructivists ask how normative (...)
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  49. What is meta-curation? Antifragile Realism between Simulacrum and Spectrality.Jan Gresil Kahambing - 2024 - Inscriptions: Journal for Contemporary Thinking on Art, Philosophy and Psycho-Analysis 7 (1):79-93.
    In this essay, I present an alternative philosophical approach to meta-curating. While the debate surrounding the meta-curating of content often centers around technology like post-digital art, I prefer to take a broader perspective and examine its ontological implications. I consider the realist or anti-realist assumptions of meta-curating through Jean Baudrillard’s concept of seduction and Giorgio Agamben’s idea of spectrality. Both simulacrum and spectrality tend to support an anti-realist approach to meta-curating where the value of the object (...)
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  50. Towards a proteomics meta-classification.Anand Kumar & Barry Smith - 2004 - In Kumar Anand & Smith Barry (eds.), IEEE Fourth Symposium on Bioinformatics and Bioengineering, Taichung, Taiwan. IEEE Press. pp. 419–427.
    that can serve as a foundation for more refined ontologies in the field of proteomics. Standard data sources classify proteins in terms of just one or two specific aspects. Thus SCOP (Structural Classification of Proteins) is described as classifying proteins on the basis of structural features; SWISSPROT annotates proteins on the basis of their structure and of parameters like post-translational modifications. Such data sources are connected to each other by pairwise term-to-term mappings. However, there are obstacles which stand in the (...)
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