Results for 'spectator'

93 found
Order:
  1.  83
    Spectating games can be a form of gameplay.A. Declos - forthcoming - British Journal of Aesthetics.
    Watching other people play videogames —a.k.a. ‘spectator gaming’— is a widespread practice. Yet, it is considered by some as an inadequate form of engagement with games. In this paper, I show that the strongest objection to spectator gaming relies on the claim that some properties of videogames are better, if not exclusively, accessible to the player. After that, I propose two replies to this challenge. The first is that ‘secondary players’, i.e., individuals who indirectly take part in the (...)
    Download  
     
    Export citation  
     
    Bookmark  
  2. The Spectator in the Picture.Robert Hopkins - 2001 - In Rob van Gerwen (ed.), Richard Wollheim on the art of painting: art as representation and expression. Cambridge: Cambridge University Press. pp. 215-231.
    This paper considers whether pictures ever implicitly represent internal spectators of the scenes they depict, and what theoretical construal to offer of their doing so. Richard Wollheim's discussion (Painting as an Art, ch.3) is taken as the most sophisticated attempt to answer these questions. I argue that Wollheim does not provide convincing argument for his claim that some pictures implicitly represent an internal spectator with whom the viewer of the picture is to imaginatively identify. instead, I defend a view (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  3.  99
    Rape as Spectator Sport and Creepshot Entertainment: Social Media and the Valorization of Lack of Consent.Kelly Oliver - 2015 - American Studies Journal (10):1-16.
    Lack of consent is valorized within popular culture to the point that sexual assault has become a spectator sport and creepshot entertainment on social media. Indeed, the valorization of nonconsensual sex has reached the extreme where sex with unconscious girls, especially accompanied by photographs as trophies, has become a goal of some boys and men.
    Download  
     
    Export citation  
     
    Bookmark  
  4.  91
    Agents, Spectators, and Social Hope.Marek Kwiek - 2003 - Theoria 50 (101):25-48.
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  5. Irreligion and the Impartial Spectator in Smith’s Moral System.Paul Russell - 2021 - In Recasting Hume and Early Modern Philosophy: Selected Essays. New York, NY, USA: Oxford University Press. pp. 384-402.
    [First published in Italian as: “L’irreligione e lo spettatore imparziale nel sistema morale di Adam Smith”, in Rivista di Filosofia 3 (3):375-403 (2005). -/- Translated by E. Lecaldano.] -/- A number of commentators on Smith’s philosophy have observed that the relationship between his moral theory and his theological beliefs is “exceedingly difficult to unravel.” The available evidence, as generally presented, suggests that although Smith was not entirely orthodox by contemporary standards, he has no obvious or significant irreligious commitments or orientation. (...)
    Download  
     
    Export citation  
     
    Bookmark  
  6. Integrating Computer Vision Algorithms and Ontologies for Spectator Crowd Behavior Analysis.Davide Conigliaro, Celine Hudelot, Roberta Ferrario & Daniele Porello - 2017 - In Vittorio Murino, Marco Cristani, Shishir Shah & Silvio Savarese (eds.), Group and Crowd Behavior for Computer Vision, 1st Edition. pp. 297-319.
    In this paper, building on these previous works, we propose to go deeper into the understanding of crowd behavior by proposing an approach which integrates ontologi- cal models of crowd behavior and dedicated computer vision algorithms, with the aim of recognizing some targeted complex events happening in the playground from the observation of the spectator crowd behavior. In order to do that, we first propose an ontology encoding available knowledge on spectator crowd behavior, built as a spe- cialization (...)
    Download  
     
    Export citation  
     
    Bookmark  
  7. Rancière’s The Emancipated Spectator - Irfan Ajvazi.Irfan Ajvazi - 2021 - Idea Books.
    Rancière’s The Emancipated Spectator - Irfan Ajvazi.
    Download  
     
    Export citation  
     
    Bookmark  
  8.  91
    Social perception and “spectator theories” of other minds.Søren Overgaard & Joel Krueger - 2013 - Behavioral and Brain Sciences 36 (4):434 - 435.
    We resist Schilbach et al.’s characterization of the “social perception” approach to social cognition as a “spectator theory” of other minds. We show how the social perception view acknowledges the crucial role interaction plays in enabling social understanding. We also highlight a dilemma Schilbach et al. face in attempting to distinguish their second person approach from the social perception view.
    Download  
     
    Export citation  
     
    Bookmark  
  9. Comprehensive or Political Liberalism? The Impartial Spectator and the Justification of Political Principles.Nir Ben-Moshe - 2021 - Utilitas 33 (3):253-269.
    John Rawls raises three challenges – to which one can add a fourth challenge – to an impartial spectator account: (a) the impartial spectator is a utility-maximizing device that does not take seriously the distinction between persons; (b) the account does not guarantee that the principles of justice will be derived from it; (c) the notion of impartiality in the account is the wrong one, since it does not define impartiality from the standpoint of the litigants themselves; (d) (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  10. A Defense of Modest Ideal Observer Theory: The Case of Adam Smith’s Impartial Spectator.Nir Ben-Moshe - 2021 - Ethical Theory and Moral Practice 24 (2):489-510.
    I build on Adam Smith’s account of the impartial spectator in The Theory of Moral Sentiments in order to offer a modest ideal observer theory of moral judgment that is adequate in the following sense: the account specifies the hypothetical conditions that guarantee the authoritativeness of an agent’s (or agents’) responses in constituting the standard in question, and, if an actual agent or an actual community of agents are not under those conditions, their responses are not authoritative in setting (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  11.  67
    Academic Values and the Possibility of an Academic Impartial Spectator.Andrew Jason Cohen - 2019 - Society 2019 (56):555-558.
    Emily Chamlee-Wright is clearly right that self-censorship is an issue of concern within the academy. How much of a problem it is—how widespread and how bad it is when it occurs—is unclear and difficult to quantify. Administrators, faculty, and students all self-censor from time to time. Sometimes the self-censorship is just a matter of being polite or exercising pedagogical restraint, as Chamlee-Wright notes. The worry, of course, is that sometimes it prevents open and honest discussion about difficult topics and thus (...)
    Download  
     
    Export citation  
     
    Bookmark  
  12.  50
    Spectators and Giants in Rousseau and Víctor Erice.Byron Davies - 2016
    This essay explores how some themes in the writing of Jean-Jacques Rousseau—particularly having to do with what it is to be a spectacle before others—might illuminate two feature films by the Spanish director Víctor Erice, The Spirit of the Beehive (El espíritu de la colmena, 1973) and El sur (1983).
    Download  
     
    Export citation  
     
    Bookmark  
  13.  73
    Gabriel Marcel; The impact of Technological Spectating.Alyssa D'Ambrosio - manuscript
    Mystery of Being by Gabriel Marcel depicts the harm of spectating in contemporary society. Marcel describes how spectating rather than participating causes us to lose our sense of being. This essay will show how technology, particularly television, social media, and cell phones, has negatively influenced people's decisions to leave small communities and develop spectating habits. Marcel demonstrates how the yearning for ingatheredness among individuals is depleting as self-centered consumerism rises. This illustrate that this rise is primarily due to the performative (...)
    Download  
     
    Export citation  
     
    Bookmark  
  14. TV Time, Recurrence, and the Situation of the Spectator: An Approach via Stanley Cavell, Raúl Ruiz, and Ruiz’s Late Chilean Series Litoral.Byron Davies - 2023 - In Sandra Laugier David LaRocca (ed.), Television with Stanley Cavell in Mind. Exeter, UK: University of Exeter Press. pp. 191-221.
    This essay distinguishes some significant commonalities and differences between the film-philosophies of Chilean filmmaker Raúl Ruiz (especially in his book Poetics of Cinema) and U.S. philosopher Stanley Cavell. I argue that despite shared senses of the poetics of the film image and certain shared philosophical references, Ruiz and Cavell differed over their conceptions of the model spectator and their relations to autonomous films and worlds from which spectators are excluded (on Cavell's picture) versus fragments out of which the (...) might create their own films and worlds in which a spectator might become included (on Ruiz's picture). I then argue that a striking reconciliation between these perspectives takes place via each's conception of television, since it was precisely the features of the medium and its heteronomous parts that Cavell found bemusing from the perspective of his view of film (and its supposedly autonomous works) that allowed for Ruiz's natural career-long relationship with television and heteronomy, especially in Latin American telenovelas. I thus approach Ruiz's relation to telenovelas via Cavell's understanding of the possibilities of soap operas to explore arguments between different temporalities: "dialectical," narrative time and "undialectical" recurrences of needs and drives. I further explore this possibility with a reading of Ruiz's neglected, late-career Chilean TV series Litoral (2008), focused on the construction of stories by sailors aboard a ghost ship. I argue that the series' treatment of these different temporalities reaches its culmination in the poignant image of a sailor-storyteller stuck within a story of his own creation: a stark rendering of his taking a sideways-on view of the role of his own fantasies in its construction. (shrink)
    Download  
     
    Export citation  
     
    Bookmark  
  15. Vicarious Pain and Genuine Pleasure: Some Reflections on Spectator Transformation of Meaning in Sport.Leslie A. Howe - 2007 - In Heather Sheridan Leslie A. Howe & Keith Thompson (eds.), Sporting Reflections: Some Philosophical Perspectives. Meyer & Meyer Sport.
    Ambiguity in the athlete’s perception and description of pain that opens the door to a series of reinterpretations of athletic experience and events that argue the development of an increasingly inauthentic relation to self and others on the part of those who consume performance as third parties (spectators) and ultimately those who produce it first hand (athletes). The insertion of the spectator into the sport situation as a consumer of the athlete’s activity and the preference given to spectator (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  16.  63
    Vicarious Pain and Genuine Pleasure: Some Reflections on Spectator Transformation of Meaning in Sport.Leslie A. Howe - 2007 - In Heather Sheridan Leslie A. Howe & Keith Thompson (eds.), Sporting Reflections: Some Philosophical Perspectives. Meyer & Meyer Sport. pp. 32-44.
    Ambiguity in the athlete’s perception and description of pain that opens the door to a series of reinterpretations of athletic experience and events that argue the development of an increasingly inauthentic relation to self and others on the part of those who consume performance as third parties (spectators) and ultimately those who produce it first hand (athletes). The insertion of the spectator into the sport situation as a consumer of the athlete’s activity and the preference given to spectator (...)
    Download  
     
    Export citation  
     
    Bookmark  
  17. Painting the Difference: Sex and Spectator in Modern Art.Peg Brand - 2007 - Journal of Aesthetics and Art Criticism 65 (2):244-246.
    British art historian Charles Harrison presumes the existence of a patriarchal world with power in the hands of men who dominate the representation of women and femininity. He applauds the ground-breaking work of feminist theorists who have questioned this imbalance of power since the 1970s. He stops short, however, of accepting their claims that all women have been represented by male artists as images of “utter passivity” (p. 4), routinely reduced by the male gaze to the status of exploited sexual (...)
    Download  
     
    Export citation  
     
    Bookmark  
  18. Judgment as the Bridge Between Spectator and Actor: A Refutation of Beiner’s Interpretation of Arendt.Haixiang Tang - 2022 - European Journal of Humanities and Social Sciences 6 (Philosophy):113-121.
    Arendt’s theory of judgment has puzzled her readers for a long time. Beiner and other scholars believe that Arendt has two different kinds of theories of judgment, and they also believe that the theory of judgment in Arendt’s later writings indicates that she has shifted her focus from action to mind. But this view is a misreading of Arendt. Arendt’s working always focus on the question “how can we act morally”, and there is only one theory of judgment for Arendt.
    Download  
     
    Export citation  
     
    Bookmark  
  19.  88
    Natural Theology and Miracles: In Defense of Spectator Evidence.Steven Merle Duncan - manuscript
    I mostly agree with most of what Paul Moser has said in his books in the Philosophy of Religion. The views he has defended are a needed corrective to the evidentialist paradigm in the philosophy of religion. At the same time, his development of his central ideas has resulted in views that are, somewhat idiosyncratic and extreme. In this essay I hope to present a different articulation of those ideas, also defensible from within a Christian perspective, that preserves their central (...)
    Download  
     
    Export citation  
     
    Bookmark  
  20. Mathematical Infinity, Its Inventors, Discoverers, Detractors, Defenders, Masters, Victims, Users, and Spectators.Edward G. Belaga - manuscript
    "The definitive clarification of the nature of the infinite has become necessary, not merely for the special interests of the individual sciences, but rather for the honour of the human understanding itself. The infinite has always stirred the emotions of mankind more deeply than any other question; the infinite has stimulated and fertilized reason as few other ideas have ; but also the infinite, more than other notion, is in need of clarification." (David Hilbert 1925).
    Download  
     
    Export citation  
     
    Bookmark  
  21. Self-reflection: Beyond Conventional Fiction Film Engagement.Margrethe Bruun Vaage - 2009 - Nordicom Review 30:159-178.
    Idiosyncratic responses as more strictly personal responses to fiction film that vary across individual spectators. In philosophy of film, idiosyncratic responses are often deemed inappropriate, unwarranted and unintended by the film. One type of idiosyncratic response is when empathy with a character triggers the spectator to reflect on his own real life issues. Self-reflection can be triggered by egoistic drift, where the spectator starts imagining himself in the character’s shoes, by re-experiencing memories, or by unfamiliar experiences that draw (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  22. An Adam Smithian Account of Humanity.Nir Ben-Moshe - 2023 - Ergo: An Open Access Journal of Philosophy 10 (32):908-936.
    In The Sources of Normativity, Korsgaard argues for what can be called “The Universality of Humanity Claim” (UHC), according to which valuing humanity in one’s own person entails valuing it in that of others. However, Korsgaard’s reliance on the claim that reasons are essentially public in her attempt to demonstrate the truth of UHC has been repeatedly criticized. I offer a sentimentalist defense, based on Adam Smith’s moral philosophy, of a qualified, albeit adequate, version of UHC. In particular, valuing my (...)
    Download  
     
    Export citation  
     
    Bookmark  
  23.  62
    The Engineering Knowledge Research Program.Terry Bristol - 2018 - In Albrecht Fritzsche & Sascha Julian Oks (eds.), The Future of Engineering: Philosophical Foundations, Ethical Problems and Application Cases. Cham: Springer Verlag.
    The engineering knowledge research program is part of the larger effort to articulate a philosophy of engineering and an engineering worldview. Engineering knowledge requires a more comprehensive conceptual framework than scientific knowledge. Engineering is not ‘merely’ applied science. Kuhn and Popper established the limits of scientific knowledge. In parallel, the embrace of complementarity and uncertainty in the new physics undermined the scientific concept of observer-independent knowledge. The paradigm shift from the scientific framework to the broader participant engineering framework entails a (...)
    Download  
     
    Export citation  
     
    Bookmark  
  24.  84
    Utility, Universality, and Impartiality in Adam Smith’s Jurisprudence.S. M. Amadae - 2008 - The Adam Smith Review 4:238-246.
    This paper examines how the concepts of utility, impartiality, and universality worked together to form the foundation of Adam Smith's jurisprudence. It argues that the theory of utility consistent with contemporary rational choice theory is insufficient to account for Smith's use of utility. Smith's jurisprudence relies on the impartial spectator's sympathetic judgment over whether third parties are injured, and not individuals' expected utility associated with individuals' expected gains from rendering judgments over innocence or guilt.
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  25. Love Redirected: On Adam Smith's Love of Praiseworthiness.Sveinung Sundfør Sivertsen - 2017 - Journal of Scottish Philosophy 15 (1):101-123.
    Why be moral? Why, in the language of Adam Smith, act on what you think is praiseworthy even when it does not get you praise from other people? Because, answers Smith, you love praiseworthiness. But what is this love of praiseworthiness, and where does it come from? In this article, 1) I argue that we start to love praiseworthiness when we redirect our love of praise away from other people toward the ‘impartial spectator’-aspect of ourselves, and 2) show how (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  26. Who Cares About Winning?Nathaniel Baron-Schmitt - 2023 - European Journal of Philosophy 31 (1):248-265.
    Why do we so often care about the outcomes of games when nothing is at stake? There is a paradox here, much like the paradox of fiction, which concerns why we care about the fates and threats of merely fictional beings. I argue that the paradox threatens to overturn a great deal of what philosophers have thought about caring, severing its connection to value and undermining its moral weight. I defend a solution to the paradox that draws on Kendall Walton's (...)
    Download  
     
    Export citation  
     
    Bookmark   3 citations  
  27. The truth behind conscientious objection in medicine.Nir Ben-Moshe - 2019 - Journal of Medical Ethics 45 (6):404-410.
    Answers to the questions of what justifies conscientious objection in medicine in general and which specific objections should be respected have proven to be elusive. In this paper, I develop a new framework for conscientious objection in medicine that is based on the idea that conscience can express true moral claims. I draw on one of the historical roots, found in Adam Smith’s impartial spectator account, of the idea that an agent’s conscience can determine the correct moral norms, even (...)
    Download  
     
    Export citation  
     
    Bookmark   15 citations  
  28. The Philosophy of Science in Either-Or.Hans Halvorson - forthcoming - In Ryan Kemp & Walter Wietzke (eds.), Cambridge Critical Guide to Either-Or. Cambridge University Press.
    Kierkegaard's Either-Or is a book about the choice between aesthetic, ethical, and religious approaches to life. I show that Either-Or also contains a proposal for philosophy of science, and in particular, about the ideal epistemic state for human beings. Whereas the Cartesian-Hegelian tradition conceived of the ideal state as one of detached deliberation -- i.e. "seeing the world as it is in itself" -- Kierkegaard envisions the ideal state as the achievement of equilibrium between the "spectator" and "actor" aspects (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  29. Adam Smith's Sentimentalist Conception of Self-Control.Lauren Kopajtic - 2020 - The Adam Smith Review 12:7-27.
    A recent wave of scholarship has challenged the traditional way of understanding of self-command in Adam Smith’s Theory of Moral Sentiments as ‘Stoic’ self-command. But the two most thorough alternative interpretations maintain a strong connection between self-command and rationalism, and thus apparently stand opposed to Smith’s overt allegiance to sentimentalism. In this paper I argue that we can and should interpret self-command in the context of Smith’s larger sentimentalist framework, and that when we do, we can see that self-command is (...)
    Download  
     
    Export citation  
     
    Bookmark   2 citations  
  30. Hume's general point of view: A two‐stage approach.Nir Ben-Moshe - 2020 - Pacific Philosophical Quarterly 101 (3):431-453.
    I offer a novel two-stage reconstruction of Hume’s general-point-of-view account, modeled in part on his qualified-judges account in ‘Of the Standard of Taste.’ In particular, I argue that the general point of view needs to be jointly constructed by spectators who have sympathized with (at least some of) the agents in (at least some of) the actor’s circles of influence. The upshot of the account is two-fold. First, Hume’s later thought developed in such a way that it can rectify the (...)
    Download  
     
    Export citation  
     
    Bookmark   4 citations  
  31.  90
    First-Person Imaginings.Stephan Torre - manuscript
    There are different ways in which imaginings can involve the first-person. I can imagine skiing down a mountain, looking down the slope, the wind whipping me in the face. I can also imagine myself skiing down a mountain from the outside, adopting the point of view of a spectator watching myself fly down the mountain. I can also imagine that I am someone else entirely, say Angela Merkel, skiing down a mountain. In this paper I develop and defend a (...)
    Download  
     
    Export citation  
     
    Bookmark  
  32. Life Through a Lens.Dan Cavedon-Taylor - 2022 - In Sophie Archer (ed.), Salience: A Philosophical Inquiry. New York, NY: Routledge.
    Kantian disinterest is the view that aesthetic judgement is constituted (at least in part) by a form of perceptual contemplation that is divorced from concerns of practical action. That view, which continues to be defended to this day, is challenged here on the basis that it is unduly spectator-focussed, ignoring important facets of art-making and its motivations. Beauty moves us, not necessarily to tears or rapt contemplation, but to practical action; crucially, it may do so as part and parcel (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  33.  63
    Allegories of Immersion.Filippo Fimiani - 2023 - An-Icon: Studies in Environmental Images 1 (2):14.
    Fish Night, an episode of LOVE DEATH + ROBOTS (S01E12, 2019) based on a 1982 short story by Joe R. Lansdale, can be interpreted as an allegory of the impossibility of immersive experience: if real, it is deadly, because the images are no longer such or ghosts but living beings present in a shared environmental habitat, acting with but also against the subject, in turn no longer a spectator. Comparing the story and film, and ancient ekphrastic literature, I discuss, (...)
    Download  
     
    Export citation  
     
    Bookmark  
  34.  61
    Faceless Gazes. Rhetoric and Politics of the Google Street View.Filippo Fimiani - 2023 - Paradigmi. Rivista di Critica Filosofica 41 (3):529-540.
    Potentialities of attention and distraction with respect to images are critically reprised by Neapolitan artist Domenico Antonio Mancini. In Landscapes (2019), Google Street View addresses painted on canvases take the place of outlying areas of Italian cities, and of canonical oil ‘vedute’ paintings, obliging the viewer to switch from aesthetic absorption to a multitasking, reflexive attention enabled by the tools of mobile devices and the operative agency between the displayed and depicted images. Attracted by the ephemeral, geo-localized vistas displayed on (...)
    Download  
     
    Export citation  
     
    Bookmark  
  35. The Role of Empathy in Moral Inquiry.William Kidder - 2021 - Dissertation, State University of New York, Albany
    In this dissertation, I defend the view that, despite empathy’s susceptibility to problematic biases, we can and should cultivate empathy to aid our understanding of our own values and the values of others. I argue that empathy allows us to critically examine and potentially revise our values by considering concrete moral problems and our own moral views from the perspective of another person. Appropriately calibrated empathy helps us achieve a critical distance from our own moral perspective and is thus tied (...)
    Download  
     
    Export citation  
     
    Bookmark  
  36.  95
    Visual Style Hermeneutics: From Style to Context.Jakub Stejskal - 2021 - World Art 11 (2):201-227.
    This essay re-examines the once promising idea that style analysis can provide an independent source of insight into an artifact's non-stylistic context. The essay makes explicit the consequences of treating collective style as such a source in archaeology and anthropology of art, and further develops a new framing for the idea that avoids the criticisms largely responsible for the decline in theoretical interest in the epistemic import of visual style analysis since World War II. This re-framing proposes that inference from (...)
    Download  
     
    Export citation  
     
    Bookmark  
  37. Learning from Intercultural Philosophy: Towards Aesthetics of Liberation in Critical African Filmmaking.Yonas B. Abebe & Birgit K. Boogaard - 2022 - Filosofie En Praktijk 43 (3/4):166-178.
    Cinema is neither neutral nor a universal medium. Particularly in African contexts, cinema contributes to European exceptionalism, imposes European values as the norm, and acts as an instrument of cultural and psychological control. It seems that African cinema is ontologically, politically, and aesthetically Eurocentric. By introducing an intercultural philosophical approach to the realm of cinema, we aim to move away from Eurocentrism in African cinema towards a more intercultural and dialogical orientation as an input for the liberation of humanity. Based (...)
    Download  
     
    Export citation  
     
    Bookmark  
  38.  82
    Football stadium “wave” as analogy for brain function.Robert Vermeulen - manuscript
    The rise and fall of spectators performing “the wave” in a football stadium offers an analogy for how brain waves ripple across the cortex and lower brain. In both, the underlying actors (humans, neurons) serve multiple roles.
    Download  
     
    Export citation  
     
    Bookmark  
  39. Making sense of Smith on sympathy and approbation: other-oriented sympathy as a psychological and normative achievement.Nir Ben-Moshe - 2020 - British Journal for the History of Philosophy 28 (4):735-755.
    Two problems seem to plague Adam Smith’s account of sympathy and approbation in The Theory of Moral Sentiments (TMS). First, Smith’s account of sympathy at the beginning of TMS appears to be inconsistent with the account of sympathy at the end of TMS. In particular, it seems that Smith did not appreciate the distinction between ‘self-oriented sympathy’ and ‘other-oriented sympathy’, that is, between imagining being oneself in the actor’s situation and imagining being the actor in the actor’s situation. Second, Smith’s (...)
    Download  
     
    Export citation  
     
    Bookmark   8 citations  
  40. A psychologically based taxonomy of magicians’ forcing techniques: How magicians influence our choices, and how to use this to study psychological mechanisms.Alice Pailhès, Ronald A. Rensink & Gustav Kuhn - 2020 - Consciousness and Cognition 86 (C):103038.
    “Pick a card, any card. This has to be a completely free choice.” the magician tells you. But is it really? Although we like to think that we are using our free will to make our decisions, research in psychology has shown that many of our behaviours are automatic and unconsciously influenced by external stimuli (Ariely, 2008; Bargh & Chartrand, 1999; Newell & Shanks, 2014; Nisbett & Wilson, 1977), and that we are often oblivious to the cognitive mechanisms that underpin (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  41. Learning to Read: A Problem for Adam Smith and a Solution from Jane Austen.Lauren Kopajtic - 2022 - In Garry L. Hagberg (ed.), Fictional Worlds and Philosophical Reflection. pp. 49-78.
    What might Adam Smith have learned from Jane Austen and other novelists of his moment? This paper finds and examines a serious problem at the center of Adam Smith’s moral psychology, stemming from an unacknowledged tension between the effort of the spectator to sympathize with the feelings of the agent and that of the agent to moderate her feelings. The agent’s efforts will result in her opacity to spectators, blocking their attempts to read her emotions. I argue that we (...)
    Download  
     
    Export citation  
     
    Bookmark  
  42.  93
    Listening to Other Minds: A Phenomenology of Pop Songs.Enrico Terrone - 2020 - British Journal of Aesthetics 60 (4):435-453.
    This paper explores some phenomenological consequences of the ontological affinity between films and pop songs. Given the central place of the recording technology in both films and pop songs, one can wonder whether pop songs can elicit from their listeners the same kind of experience that films elicit from their spectators. In other words, one can wonder whether pop songs encourage us to play a ‘game of make-believe’ analogous to that we play when we engage with films. The main part (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  43.  82
    Adam Smith's Social Theodicy.Sergio Cremaschi - manuscript
    There are two tensions in Smith’s system of ideas: the first is between the postulate of an invisible “noumenal” order of the Universe and the imaginary principles through which we connect the phenomena; the second is between a hypothetical noumenal order of the world where “is” and “ought” converge and the partial and imperfect normative order issued by our sympathetic judgements and a never perfectly impartial spectator. These tensions, which gave occasion to old misrepresentations and recent ones, are tensions (...)
    Download  
     
    Export citation  
     
    Bookmark  
  44. ‘Enthusiasm’ in Burke’s and Kant’s Response to the French Revolution.Christos Grigoriou - 2022 - Conatus 7 (1):61-77.
    The article sets the most eminent defender of the French Revolution, Immanuel Kant, against its most eminent critic, Edmund Burke, articulating their radically different stance toward the French Revolution. Specifically, this juxtaposition is attempted through the concept of enthusiasm; a psychological state of intense excitement, which can refer to both actors and spectators, to both the motivation of someone, acquiring thus a practical significance, or to their distanced contemplation, thereby acquiring the character of aesthetic appreciation. Using the concept of enthusiasm, (...)
    Download  
     
    Export citation  
     
    Bookmark  
  45. Spinoza and the Theory of Organism.Hans Jonas - 1965 - Journal of the History of Philosophy 3 (1):43-57.
    In lieu of an abstract, here is a brief excerpt of the content:Spinoza and the Theory of Organism HANS JONAS I CARTESIANDUALISMlanded speculation on the nature of life in an impasse: intelligible as, on principles of mechanics, the correlation of structure and function became within the res extensa, that of structure-plus-function with feeling or experience (modes of the res cogitans) was lost in the bifurcation, and thereby the fact of life itself became unintelligible at the same time that the explanation (...)
    Download  
     
    Export citation  
     
    Bookmark   28 citations  
  46. Evolution in the Double Stream of Time - An inner Morphology of Organic Thought (2nd edition).Christoph J. Hueck - 2023 - Stuttgart: Akanthos Academy.
    This book shows that in the naturalistic and Darwinian explanation of life and its evolution, a decisive factor is overlooked, namely the human, knowing mind. The questions about life and its evolution can be answered if consciousness is taken into account not as a spectator, but as an integral part of reality. In the first-person-perception of cognition, the forces and laws of organic development can be observed and explored. It becomes apparent that evolution was not a random event, but (...)
    Download  
     
    Export citation  
     
    Bookmark  
  47. A Phenomenological Approach to the Film Editing Practice Legacy of Maurice Merleau-Ponty.Doğa Çöl - 2019 - Dissertation, Kadir has University
    A phenomenological look on film editing through Merleau-Ponty’s ideas opens up a new way of seeing what editing is and how it affects the spectator. In the classical sense, editing is looked at technically where certain aspects of its use in the film’s language are interpreted and analyzed to understand why and how something is done. In this thesis, the aim is to not dwell on understanding the why and the how. The aim is to view film editing from (...)
    Download  
     
    Export citation  
     
    Bookmark  
  48. Slicing Up Eyeballs: The Criminal Underworlds of Nicolas Winding Refn.M. Blake Wilson - 2020 - Philosophical Journal of Conflict and Violence 4 (2):15-39.
    From Buñuel and Dali’s Un Chien Andalou to recent works by Danish filmmaker Nicolas Winding Refn, the cinematic destruction of the eye has become iconic due to its striking effect upon film spectators’ visceral experiences as well as its ability to influence their symbolic or fetishistic desires. By exploiting the natural discomfort and disgust produced by these types of images and then situating them within an aesthetic and psychoanalytic framework, Refn and other filmmakers provide a visual showcase for a unique (...)
    Download  
     
    Export citation  
     
    Bookmark  
  49. What experiments can teach us about justice and impartiality: vindicating experimental political philosophy.Aurélien Allard & Florian Cova - forthcoming - In Hugo Viciana, Fernando Aguiar & Antonio Gaitán (eds.), Issues in Experimental Moral Philosophy. Routledge.
    While psychologists and political scientists have long investigated issues of interest to philosophers, the development of political experimental philosophy has remained limited. This slow progress is surprising, given that political philosophers commonly acknowledge the relevance of empirical data for normative theorizing. In this chapter, we illustrate the importance of empirical data by outlining recent developments in three domains related to theories of justice, where empirical results reinforce or endanger popular philosophical theories. Our first showcase concerns the boundaries of the concept (...)
    Download  
     
    Export citation  
     
    Bookmark  
  50.  68
    Point d'expérience spectatorielle, point de magie- Diderot et la communication artistique géniale.Juliette Hélène Christie - manuscript
    Artwork of astounding genius requires a spectator (and not just anyone will do!). The materialist magic worked by an artistic genius only affects others; each genius is impervious to their own magic. Diderot's thought is wonderful and really deserves wider attention (if any thought really does deserve attention ...): a masterpiece is incomplete without one who can appreciate it. -/- This is a talk presented (a few years ago) to an audience of nearly none at a conference. I only (...)
    Download  
     
    Export citation  
     
    Bookmark  
1 — 50 / 93