Results for 'the image'

958 found
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  1. The Image: Historical, Conceptual, Aesthetic, Moral.Alison Ross - 2013 - Critical Horizons 14 (3):265-270.
    The concept of ‘the image’ can be given historical, conceptual, aesthetic and moral specifications. This essay sets out some of the scholarly issues in the dense semantic field of ‘the image’. In particular, the essay considers how the meaning of the image is often determined in relation to the opposition between sensible form and intelligible idea. Specific attention is given to Kantian aesthetics, which inaugurates a specific way of understanding the sensible form as a mode of processing (...)
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  2. The Image of the Noble Sophist.Yancy Hughes Dominick - 2018 - Epoché: A Journal for the History of Philosophy 22 (2):203-220.
    In this paper, I begin with an account of the initial distinction between likenesses and appearances, a distinction which may resemble the difference between sophists and philosophers. That distinction first arises immediately after the puzzling appearance of the noble sophist, who seems to occupy an odd space in between sophist and philosopher. In the second section, I look more closely at the noble sophist, and on what that figure might tell us about images and the use of images. I also (...)
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  3. Revamping the Image of Science for the Anthropocene.S. Andrew Inkpen & C. Tyler DesRoches - 2019 - Philosophy, Theory, and Practice in Biology 11.
    In 2016, a multidisciplinary body of scholars within the International Commission on Stratigraphy—the Anthropocene Working Group—recommended that the world officially recognize the Anthropocene as a new geological epoch. The most contested claim about the Anthropocene, that humans are a major geological and environmental force on par with natural forces, has proven to be a hotbed for discussion well beyond the science of geology. One reason for this is that it compels many natural and social scientists to confront problems and systems (...)
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  4. Fixing the Image: Re-thinking the 'Mind-independence' of Photographs.Dawn M. Phillips - 2009 - Postgraduate Journal of Aesthetics 6 (2):1-22.
    We are told by philosophers that photographs are a distinct category of image because the photographic process is mind-independent. Furthermore, that the experience of viewing a photograph has a special status, justified by a viewer’s knowledge that the photographic process is mind-independent. Versions of these ideas are central to discussions of photography in both the philosophy of art and epistemology and have far-reaching implications for science, forensics and documentary journalism. Mind-independence (sometimes ‘belief independence’) is a term employed to highlight (...)
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  5. Lezama Lima: the links, the images, the snail and the staircase.Salvador Gallardo Cabrera - 2012 - In Curso Délfico. Lecturas de Lezama Lima. México: Instituto Nacional de Bellas Artes / Ediciones Sin Nombre. pp. 43-50.
    Lezama, and later Deleuze, discovered that the baroque does not refer to an essence, but to an operative function. That operative function is the fold, which "curls and multiplies", as Lezama writes, and proliferates to infinity. We all know the examples with which Lezama placed his concept of the American baroque: the poems of Domínguez Camargo, those of Sor Juana, the architectures of the Kondori Indian, the baptismal fonts of Aleijadinho, "ornamented like accordions, with spiraloid leaves that ascend"; the chapel (...)
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  6. The Image of Chemistry and Curriculum Changes.Johan Alfredo Linthorst - 2012 - Educación Química 23 (2):240-242.
    Since the 1980's, the influence of context-based curricula has been growing in curricula and has been taking place in advance of improving the image of chemistry. This article argues that chemical societies should focus on a better understanding of the negative image of chemistry, by supporting historical and philosophical research. Based on that, chemistry curricula should change.
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  7. Undoing the Image: Film Theory and Psychoanalysis.Paula Quigley - 2011 - Film-Philosophy 15 (1):13-32.
    The primary aim of this article is to point up an essential attitude, an anxiety even, that has inflected – and perhaps inhibited - our engagement with film. Film theory has been marked by a ‘refusal to see, a looking away’ (Mulvey & Wollen 1976, 36), and my suggestion is that this has achieved its fullest expression in those strands of film theory heavily influenced by psychoanalysis. These, in turn, have remained within a gendered conceptual framework whereby the discursive or (...)
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  8. The Image Crisis of India as a Development Partner in South Asia: A Regional Development Perspective.Md Mahmudul Hoque - 2018 - International Journal of Science and Research 7 (3):191- 195.
    In order to emerge as a regional leader and an influential global power, India has been expanding its role as a donor or development partner across South Asian and Sub-Saharan African countries. To cash on its identity as the Big Brother of South Asia India, despite having some serious domestic and regional problems, recently invested a lot of money in a number of development projects in neighboring countries. This article attempts to delve into India's role as an emerging power in (...)
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  9. Evaluation of the Image Quality of Ultra-Low-Dose Paranasal Sinus Computed Tomography Scans.Melih Akşamoğlu & Mehmet Sait Menzilcioğlu - 2023 - European Journal of Therapeutics 29 (2):143-148.
    Objective: We aimed to investigate the image quality of paranasal sinus computed tomography (CT) scans obtained with the “Advanced intelligent Clear-IQ Engine” (AICE) software and ultra-low dose parameters in patients with prediagnosed rhinitis, sinusitis or nasal septum deviation. -/- Methods: The first 50 patients (31 men and 19 women, aged 18-70 years) who agreed to participate in our prospectively planned study were included in the study. Imaging of the patients was performed with a 160-slice multidetector CT device Canon Aquilion (...)
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  10. 12. Feuerbach and the Image of Thought.Henry Somers-Hall - 2015 - In Craig Lundy & Daniela Voss (eds.), At the Edges of Thought: Deleuze and Post-Kantian Philosophy. Edinburgh: Edinburgh University Press. pp. 253-271.
    ‘The Image of Thought’ could be considered to be the most important piece of writing in the entire Deleuzian corpus. This is the chapter of Difference and Repetition that several decades later, Deleuze claims is the ‘most necessary and the most concrete’ (Deleuze 1994: xvii) section of the book, and the one that provides a basis for his later work with Guattari. Here, Deleuze engages with two basic issues. First, he separates out his conception of thinking, and with it, (...)
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  11. Glued to the Image: A Critical Phenomenology of Racialization through Works of Art.Alia Al-Saji - 2019 - Journal of Aesthetics and Art Criticism 77 (4):475-488.
    I develop a phenomenological account of racialized encounters with works of art and film, wherein the racialized viewer feels cast as perpetually past, coming “too late” to intervene in the meaning of her own representation. This points to the distinctive role that the colonial past plays in mediating and constructing our self-images. I draw on my experience of three exhibitions that take Muslims and/or Arabs as their subject matter and that ostensibly try to interrupt or subvert racialization while reproducing some (...)
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  12. “Maintaining the image of a desired teacher”: major issues of late-career senior teacher educators.Mary Gutman & Izhar Oplatka - forthcoming - Tandf: Educational Studies:1-16.
    This narrative study explores the late-career issues among 15 senior teacher educators from Israeli Academic Colleges of Education (ACEs), in light of the growing conversation about pre-pension maintenance of senior faculty members employed in teacher education institutions. The data analysis of semi-structured interviews highlighted dedication to daily tasks (research activity, administration, teacher education and leading Professional Learning Communities), and a sense of mission during career experiences (leaving legacy to student teachers and colleagues). It was reflected in two parallel work patterns: (...)
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  13. Bare exteriority. Philosophy of the Image and the Image of Philosophy in Martin Heidegger and Maurice Blanchot.Emmanuel Alloa - 2005 - Colloquy (10):69-82.
    The article explores the striking coincidences in Heidegger's and Blanchot's account of the image as death mask. The analysis of the respective theories of the image brings forth two radically divergent conceptions of thinking as "laying patent" (Heidegger) and of thinking as "laying bare" (Blanchot).
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  14. The image of a writer in nobel lectures delivered by laureates in literature.Larysa Pavlenko - 2018 - Language: Classic – Modern – Postmodern 4:68-79.
    Background. A growing interest in discursive nature of Nobel lectures resulted in a number of studies which emphasize their rhetorical force to influence public opinion and to popularize ideas in different spheres of human life. Analyzing Literature Laureates’ lectures, most researchers focus on linguistic means and the personality of the Nobelist himself/herself. However, characteristics of a writer proper have not been dealt with indepth. This article maintains our previous study, which indicates a close relationship between the content component of the (...)
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  15. An Assessment of the Image of the Nigerian Police in Bloody Night and Open Truth.Stanislaus Iyorza - 2017 - Uniuyo Journal of Communication Studies 1 (1):185-190.
    This article is an inferential analysis of the Bloody Night and Open Truth: a Nollywood movie series that reflects the rot in Nigerian Police. The objective of this paper is to identify the image problems of the Nigerian Police as reflected by the Nollywood movie series. The study adopts a content analysis approach. Acts of bribery, false allegations, extra-judicial killings, torture and attempts to suppress justice are all exposed as perpetrated by the senior and junior officers of the Nigerian (...)
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  16. Science, Process Philosophy and the Image of Man: The Metaphysical Foundations for a Critical Social Science.Arran Gare - 1983 - Dissertation, Murdoch University
    The central aim of this thesis is to confront the world-view of positivistic materialism with its nihilistic implications and to develop an alternative world-view based on process philosophy, showing how in terms of this, science and ethics can be reconciled. The thesis begins with an account of the rise of positivism and materialism, or ‘scientism’, to its dominant position in the culture of Western civilization and shows what effect this has had on the image of man and consequently on (...)
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  17. The Coy Eristic: Defining the Image that Defines the Sophist.David Ambuel - 2011 - In Ales Havlicek & Filip Karfik (eds.), Plato's Sophist: Proceedings of the Seventh Symposium Platonicum Pragense. Oikoymenh. pp. 278-310.
    The eponymous dialogue presents the sophist as a figure who defies definition, and those difficulties are attributed to the conception of the image. Ultimately, the sophist is defined as a species of image maker. The image, however, which is important throughout the Platonic corpus as a metaphor, an analogy, and a metaphysical concept as well, receives in the Sophist little clarification or definition apart from whatever may be inferred from the division of image making arts. In (...)
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  18. The Problem of the Image: Sacred and Profane Spaces in Walter Benjamin’s Early Writing.Alison Ross - 2013 - Critical Horizons 14 (3):355-379.
    From the comparative framework of writing on the meaning of ritual in the field of the history of religions, this essay argues that one of the major problems in Benjamin’s thinking is how to make certain forms of materiality stand out against other forms. In his early work, the way that Benjamin deals with this problem is to call degraded forms “symbolic”, and those forms of materiality with positive value, “allegorical”. The article shows how there is more than an incidental (...)
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  19. As The Image: A Functional Understanding of the Imago Dei.Ryan Klassen - 2004 - Quodlibet 6.
    The doctrine of the imago dei is foundational for Christian anthropology. It informs the nature of humanity as individuals and as a corporate entity. It is the basis of the Christian valuation of human life. And it defines the purpose of humans both now and in the world to come. This article will attempt to define the imago dei in a purely functional manner and examine the implications of such a definition in the light of the doctrines of the fall (...)
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  20. Death of the Image/The Image of Death: Temporality , Torture and Transience in Yuuri Sunohara and Masami Akita's Harakiri Cycle.Steve Jones - 2011 - Journal of Japanese and Korean Cinema 3 (1):163-177.
    Sunohara Yuuri and Akita Masami’s series of six seppuku films (1990) are solely constituted by images of fictionalized death, revolving around the prolonged self-torture of a lone figure committing harakiri. I contend that the protagonist’s auto-immolation mirrors a formal death, each frame ‘killing’ the moment it represents. My analysis aims to explore how the solipsistic nature of selfhood is appositely symbolized by the isolation of the on-screen figures and the insistence with which the six films repeat the same scenario of (...)
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  21. The image of the body-face: The case of Franz X. Messerschmidt and Bill Viola.Maria Popczyk - 2015 - Argument: Biannual Philosophical Journal 5 (1):99-110.
    In this paper, I am predominantly interested in interpretations of emotional states portrayed in images of the face. In particular, the interpretations which have grown around the series of busts by Franz Xaver Messerschmidt, as well as those which attempt to expound Bill Viola’s video works. I will refer to aspects of physiognomy, artistic practices and aesthetics, in order to show what each of these tells us about our attitude to the body and emotions and what happens to the body (...)
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  22. Epistemology and Science in the Image of Modern Philosophy: Rorty on Descartes and Locke.Gary Hatfield - 2001 - In Juliet Floyd & Sanford Shieh (eds.), Future pasts: the analytic tradition in twentieth-century philosophy. New York: Oxford University Press. pp. 393–413.
    In Philosophy and the Mirror of Nature (1979), Richard Rorty locates the perceived ills of modern philosophy in the "epistemological turn" of Descartes and Locke. This chapter argues that Rorty's accounts of Descartes' and Locke's philosophical work are seriously flawed. Rorty misunderstood the participation of early modern philosophers in the rise of modern science, and he misdescribed their examination of cognition as psychological rather than epistemological. His diagnostic efforts were thereby undermined, and he missed Descartes' original conception of a general (...)
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  23. Synergetics and the Images of Future.Helena Knyazeva - 1999 - Futures 31 (3):281-290.
    The hope of finding new methods of predicting the course of historical processes could be connected with the recent developments of the theory of self-organisation, also called synergetics. It provides us with knowledge of constructive principles of co-evolution of complex social systems, co-evolution of countries and geopolitical regions being at different stages of development, integration of the East and the West, the North and the South. Due to the growth of population on the Earth in blow-up regime, the general and (...)
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  24. Created in the Image of a Violent God?: The Ethical Problem of the Conquest of Chaos in Biblical Creation Texts.J. Richard Middleton - 2004 - Interpretation: A Journal of Bible and Theology 58 (4):341-355.
    By its alternative depiction of God's non-violent creative power at the start of the biblical canon, Gen 1 signals the Creator's original intent for shalom and blessing at the outset of human history, prior to the rise of human (or divine) violence. Gen 1 constitutes a normative framework by which we may judge all the violence that pervades the rest of the Bible.
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  25. The Loss of World in the Image. Origin and Development of the Concept of Image in the Thought of Hermann von Helmholtz and Heinrich Hertz.Gregor Schiemann - 1998 - In D. Baird (ed.), Heinrich Hertz. Classical Physicist, Modern Philosopher. Boston Studies in the Philosophy of Science. Kluwer Academic Publishers.
    In searching for the origins of current conceptions of science in the history of physics, one encounters a remarkable phenomenon. A typical view today is that theoretical knowledge-claims have only relativized validity. Historically, however, this thesis was supported by proponents of a conception of nature that today is far from typical, a mechanistic conception within which natural phenomena were to be explained by the action of mechanically moved matter. Two of these proponents, Hermann von Helmholtz and his pupil Heinrich Hertz, (...)
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  26. The Hidden Love of God and the Imaging Defense.Sameer Yadav - 2019 - In James M. Arcadi, Oliver D. Crisp & Jordan Wessling (eds.), Love, Divine and Human: Contemporary Essays in Systematic and Philosophical Theology. T&T Clark.
    J. L. Schellenberg has recently argued that there is a logical incompatibility between God’s being perfectly loving and there being non-resistant nonbelievers in the proposition that God exists. In this paper I highlight the parallel between this claim and the claim made by the logical problem of evil. Following Plantinga’s strategy in undermining the logical problem of evil, I argue that all that is needed to undermine the alleged incompatibility of divine love with non-resistant non-belief is a counterexample showing how (...)
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  27. La production du sens de l’image dans l’art moderne (The production of meaning in the image in modern art.Mihai Nadin - 1983 - Degrés: Revue de Synthese a Orientation Semiologique 34.
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  28. Charles Taliaferro, Jil Evans. The Image in Mind: Theism, Naturalism, and the Imagination. Continuum, 2011.James D. Madden - 2014 - European Journal for Philosophy of Religion 6 (1):203--209.
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  29. Cleopatra – a Queen, a Lover, a Mother: Transformations of the Image.Lidia Wiśniewska - 2012 - Argument: Biannual Philosophical Journal 2 (1):151-170.
    Transformations are not only conditioned by facts encompassing narrower or wider panoramas: from concentrating on death and one (political) role (the ode of Horace), through recalling Cleopatra’s mature life and love (the drama of Shakespeare), to creating an image embracing the heroine’s whole life with its numerous roles, but as a mother and a daughter in the first place, because even her lovers resemble a father and a child (the fictional biography of Karen Essex). Above all, they appear to (...)
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  30. Image schemas in the Great Gatsby: A cognitive linguistic analysis of the protagonist’s psychological movement.Hicham Lahlou, Jun Zhou & Yasir Azam - 2023 - Cogent Arts and Humanities 10 (2):1-19.
    Most research on image schema examined the meaning configuration of words connotation. However, previous studies of adjectives are meaningful in cognitive linguistics because they provide insight into how those adjectives are involved with psychological movement. In this sense, from the perspective of cognitive linguistics, one’s conceptualization and cognition are closely associated with their bodily experience and surroundings; adjectives are no exception. The varieties of transformations of image schemas lay the foundation for the conception and perception. Accordingly, this study (...)
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  31. Having the Foggiest Idea: A Gradual Account on Mental Images.Kristina Šekrst - 2022 - Journal of Neurophilosophy 1 (2):203-211.
    First described by Galton in 1880 and then remaining unnoticed for a century, recent investigations in neuroscience have shown that a condition called aphantasia appears in certain individuals, which causes them to be unable to experience visual mental imagery. Comparing aphantasia to hyperphantasia – i.e., photo-like memory – and considering the neurological basis of perceptual phenomena, we are revisiting Hume's division of perceptions into impressions and ideas. By showing different vivacities of mental phenomena and comparing them to neurological research, we (...)
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  32. The Living Image in Bio-Art and in Philosophy.Vid Simoniti - 2019 - Oxford Art Journal 42 (2):177-196.
    What role do images play in philosophical persuasion? With the advent of bio-art in the 1990s, a new vista opened up for this age-old puzzle: the possibility of creating images through bioengineering of living matter. Here, I test the critical intentions of bio-artists by setting up a comparison between, on the one hand, bio-art, and on the other, bioethics, a philosophical discipline, which developed at around the same time as this new artform. I argue there is an aspect of ethics--'the (...)
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  33.  49
    Images of Mercy: Narrating the Gospel through a Rwandan Catholic Shrine.Alison Fitchett-Climenhaga & Nevin Climenhaga - 2024 - In Eleonore Stump & Judith Wolfe (eds.), Biblical Narratives and Human Flourishing: Knowledge Through Narrative. Routledge. pp. 199-218.
    This chapter explores the role that non-textual narrations of biblical stories can play in Christian life and practice. Our case study is the Shrine of Divine Mercy in Kabuga, Rwanda. The stations at the shrine tell the story of Jesus’s life and passion, incorporating images from the Catholic devotional tradition of Divine Mercy and elements evoking the Rwandan genocide. While many philosophical accounts of narratives presuppose that narratives are textual, material and visual art like the Kabuga shrine can also be (...)
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  34. The Fast Food Image Classification using Deep Learning.Jehad El-Tantawi & Samy S. Abu-Naser - 2024 - International Journal of Academic Information Systems Research (IJAISR) 8 (4):37-43.
    Abstract: Fast food refers to quick, convenient, and ready-to-eat meals that are usually sold at chain restaurants or take-out establishments. Fast food is often criticized for its unhealthy ingredients, such as high levels of salt, sugar, and unhealthy fats, and its contribution to the growing obesity epidemic. Despite this, fast food remains popular due to its affordability, convenience, and widespread availability. Many fast food chains have attempted to respond to these criticisms by offering healthier options, such as salads and grilled (...)
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  35. The Kuhnian Image of Science: Time for a Decisive Transformation?Moti Mizrahi (ed.) - 2018 - London: Rowman & Littlefield.
    More than 50 years after the publication of Thomas Kuhn’s seminal book, The Structure of Scientific Revolutions, this volume assesses the adequacy of the Kuhnian model in explaining certain aspects of science, particularly the social and epistemic aspects of science. One argument put forward is that there are no good reasons to accept Kuhn’s incommensurability thesis, according to which scientific revolutions involve the replacement of theories with conceptually incompatible ones. Perhaps, therefore, it is time for another “decisive transformation in the (...)
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  36. The Face Image Meta-Database (fIMDb) & ChatLab Facial Anomaly Database (CFAD): Tools for research on face perception and social stigma.Clifford Ian Workman & Anjan Chatterjee - 2021 - Methods in Psychology 5 (100063):1-9.
    Investigators increasingly need high quality face photographs that they can use in service of their scholarly pursuits—whether serving as experimental stimuli or to benchmark face recognition algorithms. Up to now, an index of known face databases, their features, and how to access them has not been available. This absence has had at least two negative repercussions: First, without alternatives, some researchers may have used face databases that are widely known but not optimal for their research. Second, a reliance on databases (...)
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  37. The Impact of Crises on Rebuilding the National Image: The Paradox of Nigeria’s Rebranding.Stanislaus Iyorza - 2018 - International Journal of the Image 4 (2).
    This paper sets out to examine the ideals of rebranding in the national image rebuilding process, fetching examples from Nigeria’s experience. The discourse also examines the concepts of image and the impact of anti-social behaviour of citizens on the nation’s image within the international community. This includes indiscriminate imaging of violence or crime scenes through photographs and written reports by citizens of the country. The paradox of the development of indiscriminate imaging and reporting of violence through photographs (...)
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  38. Intentional image and transcendental image in the work of art.Bogdan Nita - 2012 - Image 2 (2321):231.
    The purpose of this paper is to show that images have an ontological support by which they obtain an independent existence from the mind. In accordance with the new theories of aesthetics, we will see that the object of art is taken as an object of thought. Image has an important role in the existence of the work of art; therefore the image becomes an object of thought. To show how the image is independent from the mind (...)
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  39. Beyond differences between the body schema and the body image: insights from body hallucinations.Victor Pitron & Frédérique de Vignemont - 2017 - Consciousness and Cognition 53:115-121.
    The distinction between the body schema and the body image has become the stock in trade of much recent work in cognitive neuroscience and philosophy. Yet little is known about the interactions between these two types of body representations. We need to account not only for their dissociations in rare cases, but also for their convergence most of the time. Indeed in our everyday life the body we perceive does not conflict with the body we act with. Are the (...)
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  40. Developing the Quantitative Histopathology Image Ontology : A case study using the hot spot detection problem.Metin Gurcan, Tomaszewski N., Overton John, A. James, Scott Doyle, Alan Ruttenberg & Barry Smith - 2017 - Journal of Biomedical Informatics 66:129-135.
    Interoperability across data sets is a key challenge for quantitative histopathological imaging. There is a need for an ontology that can support effective merging of pathological image data with associated clinical and demographic data. To foster organized, cross-disciplinary, information-driven collaborations in the pathological imaging field, we propose to develop an ontology to represent imaging data and methods used in pathological imaging and analysis, and call it Quantitative Histopathological Imaging Ontology – QHIO. We apply QHIO to breast cancer hot-spot detection (...)
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  41. Training the Pupilary Vision: Didactic Image, Slides, and Film in the Context of Media of the Late 19th Century.Lucie Česálková - 2011 - Teorie Vědy / Theory of Science 33 (2):251-269.
    The study examines the modes of representation and communication of information through illustrative teaching aids in the 19th century. It focuses primarily on the didactic wall paintings and the tradition of lectures with slides and notes, how could the experience of these types of collectively observed images influence impressions and expectations of early film audiences. Didactic images are here analyzed primarily in terms of their compositional features, but in an effort to explain how processuality penetrated into the didactic image (...)
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  42. The Narrative Aesthetics of Protest Images.Hannah Fasnacht - 2021 - Jolma the Journal for the Philosophy of Language, Mind and the Arts 2 (1):212-238.
    In this paper I argue that protest images have a certain aesthetics and a degree of transformative power. Crucial to this aesthetics is the images’ narrative struc- ture, like the representation of goal-directed actions. On this basis, I show that there are more aspects that contribute to the storytelling capacity, like narrative characteristics and an aesthetics of dramatization. Using the example of climate change protests as a case study, I establish that these aspects can contribute to the transformative ability of (...)
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  43. The Ontology of Images in Plato’s Timaeus.Samuel Meister - 2022 - British Journal for the History of Philosophy 30 (6):909-30.
    In the Timaeus, Plato’s Timaeus offers an account of the sensible world in terms of “images” of forms. Often, images are taken to be particulars: either objects or particular property instances (tropes). Contrary to this trend, I argue that images are general characteristics which are immanent in the receptacle, or bundles of such characteristics. Thus, the entire sensible world can be analysed in terms of immanent general characteristics, the receptacle, and forms. Hence, for Timaeus, fundamentally, there are no sensible particulars. (...)
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  44. Why the Imago Dei is in the Intellect Alone: A Criticism of a Phenomenology of Sensible Experience for Attaining an Image of God.Seamus O'Neill - 2018 - The Saint Anselm Journal 13 (2):19-41.
    This paper, as a response to Mark K. Spencer’s, “Perceiving the Image of God in the Whole Human Person” in the present volume, argues in defence of Aquinas’s position that the Imago Dei is limited in the human being to the rational, intellective soul alone. While the author agrees with Spencer that the hierarchical relation between body and soul in the human composite must be maintained while avoiding the various permeations of dualism, nevertheless, the Imago Dei cannot be located (...)
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  45. The (Lack of) Evidence for the Kuhnian Image of Science.Moti Mizrahi - 2018 - Social Epistemology Review and Reply Collective 7 (7):19-24.
    In their reviews of The Kuhnian Image of Science: Time for a Decisive Transformation? (2018), both Markus Arnold (2018) and Amanda Bryant (2018) complain that the contributors who criticize Kuhn’s theory of scientific change have misconstrued his philosophy of science and they praise those who seek to defend the Kuhnian image of science. In what follows, then, I would like to address their claims about misconstruing Kuhn’s theory of scientific change. But my focus here, as in the book, (...)
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  46. Image and Metaphor in the Philosophy of Wittgenstein.Kristóf Nyíri - 2011 - In David Wagner, Wolfram Pichler, Elisabeth Nemeth & Richard Heinrich (eds.), Publications of the Austrian Ludwig Wittgenstein Society - N.S. 17. De Gruyter. pp. 109-130.
    There is the tension between, on the one hand, Wittgenstein’s not giving theoretical weight to metaphor, and on the other, his exuberant use of it. On a more fundamental level, there is a straightforward contradiction between Wittgenstein’s claim of the primordial literalness of everyday language, and his stress on the multiplicity and flexibility of language-games. Wittgenstein’s problem was that he did not succeed in making his ideas on metaphor, and indeed his ideas on metaphor and images, converge with the main (...)
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  47. Imagination and the Distinction between Image and Intuition in Kant.R. Brian Tracz - 2019 - Ergo: An Open Access Journal of Philosophy 6:1087-1120.
    The role of intuition in Kant’s account of experience receives perennial philosophical attention. In this essay, I present the textual case that Kant also makes extensive reference to what he terms “images” that are generated by the imagination. Beyond this, as I argue, images are fundamentally distinct from empirical and pure intuitions. Images and empirical intuitions differ in how they relate to sensation, and all images (even “pure images”) actually depend on pure intuitions. Moreover, all images differ from intuitions in (...)
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  48. Brand Image and Value on the Purchasing Decision of Coffee Drinks At the Outlet of Janji Jiwa Royal Plaza Surabaya.Sri Lestari - 2020 - International Journal of Scientific Research and Management (IJSRM) 8 (2).
    In order to maintain the existence of the business, it always creates and implements various marketingstrategies to maintain and maintain business operations in the midst of fierce business competition. Allbusinesses have competition so this makes the company must have a strategy to be able to excel incompetition. Companies must be able to know how to retain their customers so as not to turn to competitors.Especially in the field of coffee drinks business which is currently being rife in Surabaya. This research (...)
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  49. The aesthetics of the city–image.Maria Popczyk - 2015 - Argument: Biannual Philosophical Journal 5 (2):373-386.
    In this paper, I will examine the aesthetic implications of the theories which regard the city as an image. Essentially, I will focus on the positions of the two practitioners, Kevin Lynch and Juhani Pallasmaa, who are an urban planner and an architect respectively, in order to confront two very different approaches to the ‘image’; namely, an empirical approach and a phenomenological one. I am interested in what the city becomes when it is looked upon as an (...) and I will reflect on the experiences of the city‑image in its various aspects. The aim of this discussion is an attempt to outline certain research areas for exploring the aesthetics of the city centred on the image, with the practitioners’ theories enabling us to widen the scope of this exploration. (shrink)
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  50. The Time of Images and Images of Time: Lévinas and Sartre.Basil Vassilicos - 2003 - Journal of the British Society for Phenomenology 34 (2):168-183.
    In this paper, Lévinas’s criticisms and reformulations of Sartre’s phenomenology of imagination, in the early text “Reality and its Shadow,” are explored in detail. Levinas's own views on imagination and art are shown to be intimately linked to his critique of Sartrean temporality, insofar as they rely on a renewed phenomenological examination of sensation. As a result, understanding Lévinas’s discussion of the image provides benefits for grasping his notion of the instant and its importance for some of his own (...)
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