Husserl: Metaphysics and Epistemology

Although Husserlian phenomenology appears to require that practitioners bracket all metaphysical questions and claims, this requirement runs against the evidence of experience in which objects themselves are presented as constituents of experience. Moreover, to completely bracket metaphysical considerations would suggest that phenomenology is compatible with metaphysical views it should in principle deny. Nonetheless, permitting metaphysical claims threatens to contravene the critical limits of phenomenology, to invite claims that would require a perspective different in kind than our own to verify. These (...) tensions raise an important question, namely, what are the metaphysical implications of the phenomenologically intuitive claim that objects themselves are constituents of experience? To answer this question, I draw on a broad swath of thought on transcendental idealism and phenomenology. I argue that a modest metaphysics of appearance is warranted within the critical limits of Husserlian phenomenology. Through discussing and addressing the problems that typically plague transcendental arguments, I show that Husserlian phenomenology permits stronger claims about objects of experience than deflationary accounts allow but does not permit claims about intrinsic properties allowed by some forms of transcendental idealism. (shrink)

This essay critically assesses Roman Ingarden’s 1915 review of the second edition of Edmund Husserl’s Logical Investigations. I elucidate and critique Ingarden’s analysis of the differences between the 1901 first edition and the 1913 second edition. I specifically examine three tenets of Ingarden’s interpretation. First, I demonstrate that Ingarden correctly denounces Husserl’s claim that he only engages in an eidetic study of consciousness in 1913, as Husserl was already performing eidetic analyses in 1901. Second, I show that Ingarden is misguided, (...) when he asserts that Husserl had fully transformed his philosophy into a transcendental idealism in the second edition. While Husserl does appear to adopt a transcendental phenomenology by asserting–in his programmatic claims–that the intentional content and object are now included in his domain of research, he does not alter his actual descriptions of the intentional relationship in any pertinent manner. Third, I show Ingarden correctly predicts many of the insights Husserl would arrive at about logic in his late philosophy. This analysis augments current readings of the evolution of Ingarden’s philosophy, by more closely examining the development of his largely neglected early thought. I execute this critical assessment by drawing both from Husserl’s later writings and from recent literature on the Investigations. By doing so, I hope to additionally demonstrate how research on the Investigations has matured in the one hundred years since the release of that text, while also presenting my own views concerning these difficult interpretative issues. (shrink)

The aim of this investigation is to discuss the concept of realism and idealism applied to Husserlian phenomenology, distinguishing the ontological and the epistemological dimensions. Therefore, I propose questions that will help to mark this distinction. The answers will be given with reference to Husserl’s texts and commentators.

The various ways whereby spatial conditions afford to monumentalize culture and to appropriate geographically demarcated places in terms of individual and collective meaning structures has been amply documented in urban cultural studies. However, considerably less attention has been paid to how cultural identity is produced against the background of musical temporality. By way of a phenomenological inquiry into the staged spectacle of James Corden’s (the host of CBS Network’s Late Late Show) Carpool Karaoke, this paper addresses the issues of directly (...) lived experience and authenticity as facets of cultural identity. By critically discussing the assumptions of self-presence and auto-affectivity while singing and listening to one’s sung voice against the background of pre-recorded songs, the notion of directly lived musical experience is put to the test. Furthermore, by examining the dramaturgical scaffolding of Carpool Karaoke, the analysis points to wider implications for post-modern cultural studies in terms of an identified ironic reversal of modernist universal criteria of legitimacy in favor of a celebration of postmodern being-with inauthentically. The analysis of the selected Carpool Karaoke corpus utilizes a resourceful blend of phenomenological method, semiotics and interpretive videography while challenging embedded orthodoxies in the extant literature. (shrink)

This study focuses on the essential difference between Kant’s and Husserl’s transcendental Idealism. In fact, Husserl describes in the «Cartesian Meditations» his own ontological thesis as a «transcendental idealism», in which all sorts of entities have to be constituted by an activity of the transcendental subjectivity, so that we have to regard pure consciousness as the ontological origin of all entities in the world. But this study is interested in the two opposite signications of the Kantian copernican inversion. On the (...) one hand, the Copernican inversion has the same sense as the phenomenological reduction, which implies that Husserl can’t agree with Kant’s presupposition of absolute things in themselves; on the second hand, it involves a relativistic and anthropologistic orientation, so that the aprioristic structures of given objects are founded on the universal structures of finite subjectivity, on pure forms and faculties of human consciousness. At the opposite, Husserl enounces a methodological prescription for any phenomenological elucidation: it is not allowed to presuppose in phenomenology any given faculty or given nature of transcendental subjectivity. This prescription has important consequences on which this study focuses. First the ontological difference between intuitus originarius and intuitus derivatus, in nite and nite type of intuition, doesn’t have any validity: the difference between factual and rational truths only depends on the essence of the truth itself, and doesn’t have its foundation on the ontological difference between creative and receptive sort of intuition. Secondly, this first thesis admits an immediate application on the level of subjective constitution of objects: the modality in which an object appears to the subjectivity doesn’t depend on the universal structure of finite subject, but is exclusively founded on the essence of the object itself, so that it is impossible to consider the aprioristic constitutive structure as a merely subjective structure. Thirdly, in this transcendental phenomenology everything has to be constituted by subjectivity: the aprioristic character of the pure forms of sensibility is not founded on the structure of finite subjectivity, but rather on the essential connection between sensual material and form; so that it is not allowed to presuppose any facticity of time and space; the pure forms of sensibility have to be constituted by a special type of synthesis that we have to elucidate in opposition to other types of higher levels. The profound signication of Husserl’s anticopernican inversion is that the field of transcendental phenomenology consists of the essential form of an eidos ego, which is «more objective than any objectivity», as Levinas said; and that transcendental phenomenology is completely dominated by the principium reddendae rationis. (shrink)

This chapter focuses on a number of respects in which Husserl’s, Heidegger’s, and Merleau-Ponty’s accounts of the world differ, despite other significant commonalities. Specifically, I discuss how both Heidegger’s and Merleau-Ponty’s accounts of our experience of the world challenge Husserl’s assertion of the possibility of a worldless consciousness; how Heidegger’s discussion of the world entails a rejection of Husserl’s claim that the world is at bottom nature; and how Merleau-Ponty puts pressure on Husserl’s account of the necessary structure of the (...) world. In concluding, and as a propaedeutic to adjudicating these disputes, I aim to show why Husserl makes these contested claims. Specifically, I suggest that it is Husserl’s phenomenological conception of reason and his commitment to (this conception of) reason that motivate him to make the claims about our experience and world with which the later phenomenologists take issue. (shrink)

As conceived by analytic philosophers ontology consists in the application of the methods of mathematical logic to the analysis of ontological discourse. As conceived by realist philosophers such as Meinong and the early Husserl, Reinach and Ingarden, it consists in the investigation of the forms of entities of various types. The suggestion is that formal methods be employed by phenomenological ontologists, and that phenomenological insights may contribute to the construction of adequate formal-ontological languages. The paper sketches an account of what (...) might be involved in this new discipline, an account which is illustrated in application to the formal-ontological problems raised by negative states of affairs. (shrink)

It is well-known that in the fifth of his Cartesian Meditations, Husserl puts forth a theory of intersubjectivity. Most commentators of Husserl have read his Cartesian Meditations as presenting a theory of intersubjectivity whose basis is empathy, in the form of a process of constituting the sense of “other” in one’s own experience, as the primary origin of the intersubjective layer of experience. In this paper, I claim that the structure of intersubjectivity as Husserl presents it in the Cartesian Meditations (...) is articulated as being governed by a logic of parts and wholes rather than that of a phenomenology of empathy, and that the articulation of this logic demonstrates that the transcendental ego is intrinsically intersubjective. My main philosophical claim in this regard is that the way Husserl’s account of transcendental empathy unfolds in the Cartesian Meditations implies a prior fundamental mereological structure of which the individual transcendental ego is only a part. That is, the transcendental ego has an eidetic a-priori intersubjective structure, in the sense of being a moment of an intersubjectively structured transcendental whole. In this sense, rather than being a singulare tantum, it is more fitting to say that transcendental subjectivity is actually a plurale tantum. (shrink)

Although Husserlian phenomenology appears to require that practitioners bracket all metaphysical questions and claims, this requirement runs against the evidence of experience in which objects themselves are presented as constituents of experience. Moreover, to completely bracket metaphysical considerations would suggest that phenomenology is compatible with metaphysical views it should in principle deny. Nonetheless, permitting metaphysical claims threatens to contravene the critical limits of phenomenology, to invite claims that would require a perspective different in kind than our own to verify. These (...) tensions raise an important question, namely, what are the metaphysical implications of the phenomenologically intuitive claim that objects themselves are constituents of experience? To answer this question, I draw on a broad swath of thought on transcendental idealism and phenomenology. I argue that a modest metaphysics of appearance is warranted within the critical limits of Husserlian phenomenology. Through discussing and addressing the problems that typically plague transcendental arguments, I show that Husserlian phenomenology permits stronger claims about objects of experience than deflationary accounts allow but does not permit claims about intrinsic properties allowed by some forms of transcendental idealism. (shrink)

Whether Edmund Husserl is a realist or idealist or metaphysically neutral is still often debated among his commentators. Instead of making an over-generalized claim about Husserl’s thought, this study only focuses on intentionality theory to know toward which Husserl is metaphysically committed in that theory. This study, therefore, aims to metaphysically reconstruct Husserl’s theory of intentionality and then prove that the theory is realist, not idealist nor metaphysically neutral. By using the textual analysis method, this study finds four important points (...) in Husserl’s works regarding intentionality theory. Firstly, in the Husserlian framework of intentionality, consciousness always intends its objects through the mediation of a certain meaning. Secondly, objects toward which consciousness is directed are transcendent and independent from consciousness. Thirdly, a single object can be intended by consciousness through different meanings according to the perspective that determines the intention. Therefore, fourthly, Husserl’s theory of intentionality can be categorized as one version of perspectival realism. (shrink)

This paper approaches Husserl’s analysis of time-consciousness from a mereological perspective. Taking as inspiration Bergson’s idea that pure durée is a multiplicity of interpenetration, I will show, from within Husserlian phenomenology, that the absolute flow can indeed be described as a whole of interpenetrating parts. This mereological perspective will inform my re-consideration of the much-discussed issue of Husserl’s self-criticism concerning the schema of content and apprehension. It will also reveal a fundamental similarity between Husserl’s conception of the absolute flow and (...) Sartre’s conception of lived temporality. This paper consists of four sections. Section 2 presents the basic elements of Husserl’s mereology. Section 3 introduces the difficulty encountered by Husserl’s early account of time that makes use of the schema. I will examine Barry Dainton’s criticism of Husserl’s theory of time-consciousness against the background of the older debate between Meinong and Stern, a debate that has informed Husserl’s own account. Section 4 distinguishes two common criticisms of the schema from Husserl’s own self-criticism, which is in turn divided into two steps. It is shown how the second step of this self-criticism implies the interpenetration of the absolute flow and responds to Dainton’s criticism. Finally, Sect. 5 concludes with some comparative remarks. I will show how Husserl’s notion of absolute flow, as mereologically interpreted, anticipates Sartre’s conception of consciousness as self-transcendence, as well as how it accommodates the apparently conflicting mereological intuitions of Aristotle and Bergson. (shrink)

Russell wrote in 1918 in The Philosophy of Logical Atomism: -/- When I speak of a fact ... I mean the kind of thing that makes a proposition true or false. If I say 'It is raining', what I say is true in a certain condition of weather and is false in other conditions of the weather. The condition of weather that makes my state­ment true (or false as the case may be), is what I should call a 'fact'. If (...) I say, 'Socrates is dead', my statement will be true owing to a certain physiological occurrence which happened in Athens long ago. -/- This classic statement of Russell's version of the correspondence theory of truth is defective on one point only: Russell was unwise to use the word 'fact'. Objects which perform the semantic role Russell accords to facts I shall call simply truth-makers. (shrink)

Ontology as a branch of philosophy is the science of what is, of the kinds and structures of objects, properties, events, processes and relations in every area of reality. ‘Ontology’ is often used by philosophers as a synonym for ‘metaphysics’ (literally: ‘what comes after the Physics’), a term which was used by early students of Aristotle to refer to what Aristotle himself called ‘first philosophy’. The term ‘ontology’ (or ontologia) was itself coined in 1613, independently, by two philosophers, Rudolf Göckel (...) (Goclenius), in his Lexicon philosophicum and Jacob Lorhard (Lorhardus), in his Theatrum philosophicum. The first occurrence in English recorded by the OED appears in Bailey’s dictionary of 1721, which defines ontology as ‘an Account of being in the Abstract’. (shrink)

Formal ontology as it is presented in Husserl`s Third Logical Investigation can be interpreted as a fundamental tool to describe objects in a formal sense. It is presented one of the main sources: chapter five of Carl Stumpf`s Ûber den psycholoogischen Ursprung der Raumovorstellung (1873), and then it is described how Husserlian Formal Ontology is applied in Fifth Logical Investigation. Finally, it is applied to dramatic structures, in the spirit of Roman Ingarden.

In appearance, Husserl’s writings seem not to have had any influence on linguistic research, nor does what the German philosopher wrote about language seem to be worth a place in the history of linguistics. The purpose of the paper is exactly to contrast this view, by reassessing both the position and the role of Husserl’s early masterpiece — the Logical Investigations — within the history of linguistics. To this end, I will focus mainly on the third (On the theory of (...) wholes and parts) and fourth (The distinction between independent and non-independent meanings) Investigations, paying special attention to Husserl’s mereology and to the idea of a general pure grammar. The paper tries to situate the third and fourth Logical Investigation within the general context of late nineteenth-century and early twentieth-century linguistics and furthermore attempts to show the historical and theoretical importance of the Logical Investigations for the birth and the development of one of the most important linguistic “schools” of the twentieth century, namely structural linguistics. (shrink)

The term ‘formal ontology’ was first used by the philosopher Edmund Husserl in his Logical Investigations to signify the study of those formal structures and relations – above all relations of part and whole – which are exemplified in the subject-matters of the different material sciences. We follow Husserl in presenting the basic concepts of formal ontology as falling into three groups: the theory of part and whole, the theory of dependence, and the theory of boundary, continuity and contact. These (...) basic concepts are presented in relation to the problem of providing an account of the formal ontology of the mesoscopic realm of everyday experience, and specifically of providing an account of the concept of individual substance. (shrink)

A survey of theories of part, whole and dependence from Aristotle to the Gestalt psychologists, with special attention to Husserl’s Third Logical Investigation “On the Theory of Parts and Wholes”.

Analytic philosophers apply the term ‘object’ both to concreta and to abstracta of certain kinds. The theory of objects which this implies is shown to rest on a dichotomy between object-entities on the one hand and meaning-entities on the other, and it is suggested that the most adequate account of the latter is provided by Husserl’s theory of noemata. A two-story ontology of objects and meanings (concepts, classes) is defended, and Löwenheim’s work on class-representatives is cited as an indication of (...) how the need for higher types may be obviated, even in mathematical contexts. The paper concludes with a sketch of the taxonomy of the object realm which results from the above. (shrink)

Austrian economics starts out from the thesis that the objects of economic science differ from those of the natural sciences because of the centrality of the economic agent. This allows a certain a priori or essentialistic aspect to economic science of a sort which parallels the a priori dimension of psychology defended by Brentano and his student Edmund Husserl. We outline these parallels, and show how the theory of a priori dependence relations outlined in Husserl’s Logical Investigations can throw light (...) on the Austrian account of entrepreneurship. (shrink)

A collection of material on Husserl's Logical Investigations, and specifically on Husserl's formal theory of parts, wholes and dependence and its influence in ontology, logic and psychology. Includes translations of classic works by Adolf Reinach and Eugenie Ginsberg, as well as original contributions by Wolfgang Künne, Kevin Mulligan, Gilbert Null, Barry Smith, Peter M. Simons, Roger A. Simons and Dallas Willard. Documents work on Husserl's ontology arising out of early meetings of the Seminar for Austro-German Philosophy.

Neo-Kantianism is common conceived as a philosophy ‘from above’, excelling in speculative constructions – as opposed to the attitude of patient description which is exemplified by the phenomenological turn ‘to the things themselves’. When we study the work of Emil Lask in its relation to that of Husserl and the phenomenologists, however, and when we examine the influences moving in both directions, then we discover that this idea of a radical opposition is misconceived. Lask himself was influenced especially by Husserl’s (...) Logical Investigations, and Husserl, especially in his later writings, was in some respects closer to Kant than were the Neo-Kantians. The contrast between the two philosophers can be illustrated by looking at their view of the objects of judgment; for Lask, as for Kant, judgment can relate to the thing as such only in an indirect way. The world of judgment is a collection of ‘imitations holding a secondary position’. It is cut apart from the plain world of real things by what Lask calls a ‘chasm of artificiality and imagery’. For Husserl, in contrast, the object of judgment is a ‘Sachverhalt’ or state of affairs, something ontologically ‘positive’ in the sense that it is an entity in its own right and does not point beyond itself in the manner of a mere sign or proxy for something else. (shrink)

It is argued, on the basis of ideas derived from Wittgenstein's Tractatus and Husserl's Logical Investigations, that the formal comprehends more than the logical. More specifically: that there exist certain formal-ontological constants (part, whole, overlapping, etc.) which do not fall within the province of logic. A two-dimensional directly depicting language is developed for the representation of the constants of formal ontology, and means are provided for the extension of this language to enable the representation of certain materially necessary relations. The (...) paper concludes with a discussion of the relationship between formal logic, formal ontology, and mathematics. (shrink)

It will be the thesis of this paper that there are among our mental acts some which fall into the category of real material relations. That is: some acts are necessarily such as to involve a plurality of objects as their relata or fundamenta. Suppose Bruno walks into his study and sees a cat. To describe the seeing, here, as a relation, is to affirm that it serves somehow to tie Bruno to the cat. Bruno's act of seeing, unlike his (...) feeling depressed, his putative thinking-about-Santa-Claus or his musing, abstractedly, about the tallest spy, has at least two fundamenta: it is, as a matter of necessity, dependent for its existence upon both Bruno himself and the cat that he sees. This idea will naturally raise echoes of Russell's doctrine of knowledge by acquaintance. 'I am acquainted with an object', Russell tells us, 'when I have a direct cognitive relation to that object, i. e. when I am directly aware of the object itself' (1918, p. 209). And indeed a distinction in many ways like that between acquaintance and description will find a place within the theory here projected, but there are crucial differences. (shrink)